5 DIRECTORS BRINGING NEW BLOOD TO HORROR!

At Halloween 🎃 time it is when we most think about scary movies, even those of us who watch them all year round. So why not take a look at five individuals who are bringing their own distinct vision to the genre and whom horror fans should be talking more about!…and no, I didn’t forget the ladies, they deserve their own installment, forthcoming!

(To get to the full reviews of the films mentioned, just hit the highlighted titles that link to the corresponding page!)

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Adam MacDonald

 

Adam MacDonald is a Canadian actor and filmmaker who has written and directed two features, thus far, that have made quite an impression. His first film Backcountry is a survival thriller that followed a couple (Jeff Roop and Missy Peregrym) who go camping in the woods. Jealous of his girlfriend’s success, her beau chooses a lesser traveled route to prove himself to her. This puts them within the feeding ground of a massive and very hungry grizzly bear and thus sets up an intense and sometimes brutal last act. His second film Pyewacket is a supernatural thriller which finds a mother and daughter (Laurie Holden and Nicole Muñoz) in conflict over their methods of mourning the death of their husband/father. This propels the occult fascinated teen Leah (Muñoz) to evoke the dark entity Pyewacket to kill her mother. Leah soon learns to be careful what you wish for. Both films use troubled relationships as a catalyst for their stories and Pyewacket especially has some good old fashion scares and chills supported by a strong emotional center. MacDonald is showing a versatility and a depth to his filmmaking. Adam currently wrapped filming on Slasher season 3, so look out for more from this talented new voice in horror!

Nicole Muñoz conjures the wrong spirit in Adam MacDonald’s Pyewacket

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Stevan Mena

 

Stevan Mena is a New York born filmmaker who is a one man production company, writing ,editing, directing, producing and even scoring his own films. He made a splash in 2003 with his low budget slasher Malevolence, which was an old-fashioned horror throwback that echoed both Halloween and The Texas Chainsaw Massacre. Set in and around an abandoned slaughterhouse, it told the chilling story of some bank robbers and their hostages meeting up with serial killer Martin Bristol (Jay Cohen). He followed that up with a horror icon filled horror/comedy called Brutal Massacre, before returning to the saga of Bristol in 2010 with the brutal and intense Bereavement. The second Malevolence film was a prequel telling the story of how serial killer Graham Sutter (Brett Rickaby) kidnapped Martin (Spencer List ) as a child and trained him to be his successor. It’s one of the best horrors of the decade IMO. Recently Mena overcame some tragic events to complete his Malevolence trilogy with the independently financed Malevolence 3: Killer. Sequel has an adult Martin (a returning Jay Cohen) leaving a blood soaked trail on the way back to his home town. Mena’s work evokes that of John Carpenter himself and one hopes he returns to the director’s chair sooner than later.

A killer (Jay Cohen) returns home in Stevan Mena’s Malevolence 3: Killer

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Colin Minihan

 

Colin Minihan started out as part of the writing/directing duo known as The Vicious Brothers along with collaborator Stuart Ortiz. Their first film was the fun and spooky found footage paranormal show send up Grave Encounters in 2011. They followed that up with the entertaining and chilling cabin in the woods/alien invasion hybrid Extraterrestrial in 2014. Though co-written with Ortiz, Minihan took the director’s chair solo for the next film It Stains The Sands Red. This was an amusing, bloody and offbeat tale of a lone woman (Brittany Allen) being followed across the desert by a lone zombie. An interesting relationship forms as she fights brutal heat, dehydration and her relentless undead pursuer. Minihan wrote and directed his fourth film on his own with the brutal and intense What Keeps You Alive. One of the years best, it finds a married lesbian couple (Brittany Allen and Hanna Emily Anderson) celebrating their anniversary in a remote cabin in the woods. Soon romantic bliss becomes a battle for survival as one of the women is not who she seems. This flick proves Minihan is a force to be reckoned with, armed with a great script, taunt direction and brilliant work by his lead actresses. Minihan is a filmmaker fans need to be talking more about.

Lover vs lover in Colin Minihan’s brutal and intense What Keeps You Alive

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Anthony Diblasi

 

Boston born Anthony Diblasi is another filmmaker showing great versatility and a mastery of horror while also providing some emotional depth to his films. His first film Dread was a chilling tale of a college documentary project about fear, spinning horribly out of control. His next film Cassadaga, found deaf art teacher Lily (Kelen Coleman) being haunted by the spirit of a murdered young woman whose killer may have his sights set next on the pretty teacher. Diblasi worked on some non-genre projects and the horror anthology The Profane Exhibit before co-writing and directing The Last Shift in 2014. One of his scariest flicks, the story found a young policewoman being given the final shift in a haunted police precinct closing it’s doors in the morning…but can she survive the night? Diblasi returned to horror again in 2015 with Most Likely To Die, an old fashioned slasher about a high school reunion turned deadly, and again in 2018 with Extremity. His latest finds an emotionally troubled woman turning to an extreme haunt to make her face her fears…bad idea. The film was not only disturbing and scary, but had a strong emotional lining with multi-dimensional characters and commentary about abuse and the lives it effects. Another filmmaker that is bringing a distinct voice to the horror genre.

Emotionally troubled Allison (Dana Christina) turns to an extreme haunt to face her fears in Anthony Diblasi’s Extremity

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Oz Perkins

 

Just because he is the son of legendary actor Anthony (Psycho) Perkins, one should not assume actor/director Oz Perkins knows horror…but he does! One of the most interesting filmmakers out there, Perkins has a unique vision and a strong ability to chill to the bone. His first film The Blackcoat’s Daughter finds Rose (Lucy Boynton), a student at a Catholic girls school, given charge of new student Kat (Kiernan Shipka) at break. With almost everyone else gone, Rose starts to realize there is something very wrong with Kat and that she may be in danger. Perkins followed that up with a very atmospheric ghost story I Am The Pretty Thing That Lives In The House. Perkins writes and directs a subtle, yet chilling tale of care nurse Lily (Ruth Wilson) coming to live with ailing horror novelist Iris Blum (Paula Prentiss). Soon timid Lily starts to find out that Iris Blum’s inspirations may be far more real than she’d like. It’s a creepy and very effective film. Word has it his next film may be entitled A Head Full Of Ghosts and as he is bringing a very unique style to the genre, he sounds like the right man for the job!

Care nurse Lily (Ruth Wilson) finds her charge may have had all too real inspiration for her horror novels in Oz Perkins’ I Am The Pretty Thing That Lives In The House

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So these are five creative forces bringing new blood to horror. Each one is worth screaming about and their films are certainly worth checking out!

…and stay tuned for our second installment taking a look at the creative ladies bringing their unique voices to the genre!

-MonsterZero NJ

 

HORROR YOU MIGHT HAVE MISSED: I AM THE PRETTY THING THAT LIVES IN THE HOUSE (2016)

I AM THE PRETTY THING THAT LIVES IN THE HOUSE (2016)

Sophomore flick from Osgood Perkins, shows the filmmaker has indeed mastered spooky atmosphere with this tale of home care nurse Lily (Ruth Wilson) moving in with ailing horror novelist Iris Blum (Paula Prentiss). As she cares for the woman, the easily scared Lily starts to believe that the house is more than just a home, but a direct inspiration as it appears one of Blum’s character’s, Polly (Lucy Boynton) was indeed murdered in the house…and her spirit may still be there.

While Perkins script presents a very thin story, the director loads it up with some really creepy atmosphere. Most of the film consists of Lily wandering about the house and seeing and hearing some very strange things as the film takes her on a journey of discovering that something happened in that house to inspire Blum’s most famous novel, The Woman Inside The Walls. Perkins accomplishes a lot with some very simple visuals and some very chilling moments as Lily discovers that Blum may have recounted an actually murder that took place in the house and relayed by the spirit of the victim herself, Polly. The story is far simpler than Perkins’ creepy The Blackcoat’s Daughter, but despite taking place solely in the house and mostly with just Lily, it still is quite unsettling at times. To say much more would be to spoil the effectiveness of this atmospheric tale. The equally atmospheric score for the film is once again by the director’s brother Elvis Perkins.

The minimal cast is quite good as it practically is a one woman show. Ruth Wilson creates a very meek and timid woman, possibly a bit eccentric, too and takes her on a supernatural quest of discovery as Lily finds that the house has a dark secret that may have inspired her charge’s most famous tale. As Blum, Paula Prentiss doesn’t have many scenes, but is effective at portraying a woman with dementia, who is only adding to Lily’s mystery with her words, that may be more than babbling. Bob Balaban has a small part as a man who manages Blum’s affairs, Erin Boyles plays Blum in flashbacks and Lucy Boynton effectively plays Polly in flashbacks and when Lily has visions of her.

The film may be of a simpler nature than Oz Perkins’ first flick, but this is an old fashioned haunted house movie done in what is becoming the writer/director’s signature spooky style. It’s loaded with chilling atmosphere and unsettling scenes and while it is very economical in terms of story, it is still effective in giving chills for those patient enough to go with it’s slow burn.

-MonsterZero NJ

Rated 3 pretty things that live in the house.

 

 

 

HORROR YOU MIGHT HAVE MISSED: THE BLACKCOAT’S DAUGHTER (2015)

THE BLACKCOAT’S DAUGHTER (2015)

Flick is a spooky supernatural horror set at a Catholic all girls school and focuses on odd freshman Kathryn (Kiernan Shipka) and upperclassman Rose (Lucy Boynton). Break is coming, but Kat and Rose are not being picked up by their respective parents. Kat has been put in Rose’s charge and soon Rose begins to feel there is something off with the young girl. As they are alone at school with only two chaperones (Elana Krausz and Heather Tod Mitchell) on campus, Rose starts to realize something is not right with the increasingly creepy Kat. Intertwined is another story of a lone young woman who calls herself Joan (Emma Roberts) and a couple (James Remar and Lauren Holly) who are headed to the school who offer her a ride. These stories are destined to collide, but how and why?

This is a very impressive debut from writer/director Oz Perkins, son of legendary horror icon Anthony Perkins. He drenches the film in atmosphere which helps keeps us unnerved and attentive as his two narrative’s play out. It seems a bit unconventional at first, but as the separate, but connected stories progress, we start to realize just how they are related and by the end credits it makes disturbing sense. There is some shocking violence in it’s last act and Perkins is smart to hold it off till then as it has jarring impact because the film was relying on mood and shadows to establish it’s unsettling ambiance. Though, the director doesn’t go overboard with that violence either, so it doesn’t overshadow his established atmosphere, just embellishes it. The stories of Joan and Rose and Kat are connected indeed and the added mystery adds to a film that already has a good grip on us as we realize Kathryn has some very disturbing secrets and Rose may be in danger. To say anymore would be to spoil a very creepy film from first time director Perkins, who went on to direct the equally spooky I Am the Pretty Thing That Lives in the House, which was oddly released first.

The cast are all good. Young Kiernan Shipka is very effective as the somewhat odd Kathryn. She gives us a young girl who seems a bit emotionally detached and yet offers tinges that there is something a bit disturbing about Kat. The actress is very effective in both maintaining an air of mystery and then being outright scary once we find out what she is really all about. Lucy Boynton is also good as the rebellious Rose. We like Rose, who has her own secrets, though far more grounded ones, and are along with her suspicions when she starts to believe there is something very “off” about Kat. Emma Roberts is also very good as mystery woman Joan. We know there is definitely more to this drifter and as things progress, we find we are right. Remar and Holly also do good work as Bill and Linda. They are good at making us very unsure about their motives, especially Bill’s, in picking up the pretty young drifter. There is something just as off about them as with Joan and the film and actors keep us guessing as to who we should be wary of most. A good cast that add to the atmosphere as does brother Elvis Perkins’s effective score.

Overall this is a very impressive debut film from a new voice in the horror genre. Being the son of legendary actor Anthony Perkins may be an interesting footnote, but Osgood Perkins is making his own name with two impressive and really spooky first features. The Blackcoat’s Daughter is a very atmospheric and creepy little movie with a good dose of mystery and Perkins connects all the dots in disturbing fashion by it’s end. It’s chilling, has a very effective visual style and even surprises us with some moments of shocking violence. A bone chilling debut from Oz Perkins!

 

-MonsterZero NJ

2 and 1/2 carnivorous critters

 

 

 

 

 

HORROR YOU MIGHT HAVE MISSED: DON’T KNOCK TWICE (2016)

DON’T KNOCK TWICE (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Flick is a perfect example of how a skilled filmmaker can take familiar story elements and tropes and use them effectively. Story has artist Jess (Oculus‘ Katee Sackhoff) trying to re-establish a relationship with her daughter Chloe (Lucy Boynton), whom she walked away from nine years earlier. Chloe however has run afoul of a local urban legend. It’s said that if you go to the abandoned house of suspected witch Mary Aminov (Ania Marson) and knock twice, it will summon the demon within and thus it’s minion…in this case Mary…will be sent to collect you. That’s exactly what Chloe and friend Danny (Jordan Bolger) do in jest one night and now Danny has vanished and something malevolent is following Chloe. Can Jess save her daughter from an unnatural fate?…a daughter who has nothing but contempt for her?

Horror flick is written by Mark Huckerby and Nick Ostler with an all too familiar a story, these days, of a youth crossing paths with a malevolent spirit. Under the guidance of The Machine director Caradog James, however, this is still a spooky and atmospheric flick despite having seen it all before. James gets some chills out of the haunting scenario that is the trend right now and serves up some really creepy imagery, even if the skeletal specter with long hair is a common visual in today’s horror. He also gives the film a dramatic intensity with it’s underlying story of a mother trying to fix the hurt she caused by abandoning her child and learning to love that child now selflessly. The familiarity unfortunately keeps this movie from really grabbing us and the abrupt ending is a bit jarring, but it is still far more effective than one might expect considering we have been deluged with similar films for the past few years. This was spooky and enjoyable, but it’s time for the next horror trend. The haunting/malevolent entity flick has played itself out and good ones are few and far between. This was entertaining, spooky and well made, but not quite unique enough to make it stand out too far from the pack like we wished it would.

Our leading ladies do help make this work well. Katee Sackhoff does some nice strong work as a women who selfishly abandoned her daughter nine years earlier and now wants her back. Not only does her Jess have to battle nine years of built up resentment, but also a demonic entity that wants to take her daughter from her. Sackhoff gives the role some depth and we do come to sympathize with her. Lucy Boynton (The Blackcoat’s Daughter) is equally good as the young girl who has a lot of bitterness towards her mother, but has no one else to turn to when she is targeted by something no one believes her exists. She gives us an emotionally scarred but strong young woman and she and Sackhoff have a nice chemistry as we watch their relationship heal and build under extreme duress.

In conclusion, this was an entertaining and spooky flick, despite having a very familiar story. Director Caradog James gave it some chills and some cool visuals and his lead cast helped give their familiar characters some depth. While we wait for the next horror trend to give the tired haunting sub-genre a rest, at least this particular flick had some talent behind and in front of the camera to keep it from being mundane.

-MonsterZero NJ

3 creepy door knockers you should knock twice!