THE STRANGERS: PREY AT NIGHT (2018)
Sequel to the disturbing The Strangers, finds couple Cindy and Mike (Christina Hendricks and Martin Henderson) going with son Luke (Lewis Pullman) on a road trip to bring troublesome daughter Kinsey (Bailee Madison) to boarding school. They stop at an uncle’s trailer park for the night and soon find themselves hunted by three masked individuals.
Original film director Bryan Bertino steps aide and lets Johannes Roberts (47 Meters Down) take the helm, though he does write the script with Ben Ketai. The result is a more routine slasher flick, but one that does have some effective scenes, especially in the last act When Kinsey goes on the offensive. It’s entertaining enough and has some very violent moments, though is held back by characters doing some very dumb things…even for a horror flick. It’s also hard to believe that a character afraid to pull the trigger in one scene, would suddenly find the balls to stab someone repeatedly a scene later. In fact, why introduce the gun into the scenario at all when it’s never fired, lost quickly, and doesn’t become a factor? Roberts does direct competently and as slashers go, it gets the job done well enough, but is nothing memorable like the original home invasion flick.
HUNTING EMMA (2017)
South African thriller finds peace-loving, school teacher Emma (Leandie du Randt) heading across the Karoo to go visit her father (Tertius Meintjes). When her car breaks down in the middle of nowhere, she happens across the murder in progress of a police officer (Drikus Volschenk) by a gang of six vicious drug dealers. Now Emma finds herself pursued across the wilderness by the gang, who don’t realize that Emma’s father was a special forces soldier and he taught his daughter everything he knows.
Very similar to the recent Revenge, this flick is directed solidly by Bryon Davis, though from a weak script by Deon Meyer. The script has not once but twice, a male character having the advantage over Emma, but putting down his weapon to teach her a lesson either bare-fisted or by engaging in an old school, Western-style gunfight. It’s silly. At these points in the film, Emma’s proven she’s dangerous. Are these guys that in need of macho validation? Secondly, the script assumes we’re too dumb to get the point and after numerous flashbacks of Emma learning survival tactics from her dad, there is a painstakingly long exposition scene with her dad explaining this all to a friend (Albert Maritz) in explicit detail. We already got that she’s a bit of a Rambo in Daisy Dukes, it’s completely unnecessary and adds ten minutes to a film that would have benefited from a slightly tighter edit job. The bad guys are quite routine, though the film does entertain and leading lady du Randt is solid and likable as the wolf in sheep’s clothing, Emma. A tighter script that didn’t insult our intelligence would have made this a lot better as the action and violence is effective.