LATE PHASES (2014)
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“People don’t come to places like this to live, they come here to die.”
Late Phases is the first English language film from Here Comes The Devil director Adrián García Bogliano. The film tells the story of Ambrose McKinley (Nick Damici), an armed services/Viet Nam veteran now blind and put into the Crescent Bay retirement community by his son, Will (Ethan Embry). The first night there, a full moon, his neighbor Dolores (Karen Lynn Gorney) is killed and Ambrose is viciously attacked by a savage wolf-like beast. His seeing-eye dog, Shadow, is mortally wounded fighting it off, saving the man’s life. The defiant Ambrose is determined to get answers and soon finds out these attacks occur once a month and the police pass it off as some animal that lives in the nearby woods. They also don’t seem too concerned about the seniors that are it’s victims. But Ambrose begins to put the hard to believe pieces together and realizes he has one month to find out who this shape-shifter is and a means to stop it, by the next full moon. However, his lycanthropic opponent knows he’s coming and is preparing, too…to make sure it’s a war Ambrose won’t win.
I really liked this flick! Not only was it a solid and refreshing take on a werewolf story, but a well made tale of a tough old man who won’t give up. Director Adrián García Bogliano, from Eric Stolze’s tight and clever script, quickly establishes McKinley’s stubborn character, his closeness to Shadow and the mundane life of Crescent Bay, so when the vicious attack comes in the first act, we get it’s full impact. We are then taken along for the smoldering ride as the blind veteran begins to investigate the identity of his lupine invader and make his plans to stop it on the next full moon. The suspense is turned up as we get our reveal a bit early and the cursed individual begins to prepare his counterattack. All this builds up to a very tense and bloody third act showdown between the blind ex-soldier and his lycanthropic enemy. It all works so well, because Bogliano takes his story seriously, generates the proper intensity and we like McKinley and are rooting for the stubborn vet to do what others don’t seem concerned enough to do. There are some minor flaws. McKinley comes to the werewolf conclusion rather quickly, an obnoxious cop character’s dialog is a little too obvious in it’s intent to convey the lack of concern for the seniors here and the climax could have actually played out a bit longer, but otherwise I liked what they accomplished here. It’s suspenseful, intense and has some vicious and very gory action. Technically, the low budget movie is sound, too. There is nice cinematography from Ernesto Herra who shot Here Comes The Devil and a very atmospheric score by Wojciech Golczewski. The werewolf suits and transformations use charming prosthetics and are very effective. There also is some really good and plentiful gore, as well as, a convincing job aging star Dimici about 20 years.
And as for Dimici… he is another reason this works so well. There is a really strong performance here by the Stake Land writer/actor. Damici creates a man who is handicapped by the horror of war and accepts it as punishment for deeds he committed in battle. He is stubborn, difficult but also strong and determined. He makes the crotchety old man very likable and gives him a lot of depth and we go right along with his quest to see this creature brought down. We totally believe that he would give his life to see this fiend stopped, if necessary. We also get nice work from Ethan Embry as his son. The dynamic between the two really works and we get Will’s frustration at how difficult Ambrose is, but yet he still wants to take care of him. The two have good chemistry and make this film really gel with their relationship dynamic. In support, and all doing good work, are familiar faces like Lance Guest (The Last Starfighter), House of the Devil’s Tom Noonan, the legendary Tina Louise as a catty housewife and a small role from the incomparable Larry Fessenden. A good cast that makes this film come together almost perfectly.
I really liked this flick a lot. It’s very well directed. It’s suspenseful, intense, the last act provides some really gory action and it has some nice emotional depth. It’s a refreshing take on the oft-told werewolf tale and it is a well balanced mix of horror, mystery and character drama. The FX are charmingly old-fashioned prosthetics and it’s briskly paced despite the middle act being an intentional slow burn. Highly recommended for something a little different and a horror made for adults at a time when PG-13 teen-centric fright flicks are making up most of what the genre is offering.
3 and 1/2 silver bullets.