THE PURGE: ELECTION YEAR (2016)
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The Purge flicks aren’t great movies by any length, but give credit where it is due, the concept is interesting and series writer/director James DeMonaco is trying to do something different with it each installment. After a routine invasion flick first time around and an Escape From New York-ish second installment, we get a third chapter that is more hyper-violent political thriller. The third entry picks up 18 years after pretty Charlie Roan (Elizabeth Mitchell) watched her family brutally murdered during The Purge and now Senator Roan is vying for the presidency and the abolition of the yearly crime spree event. There is growing opposition to The Purge, especially from the poor, whose numbers it’s aimed at thinning and the senator is growing in popularity. The NFFA, who created the blood spattered event, plans to use this very night to end the senator’s campaign against them and now Roan is on the run for her life with only her security chief (a returning Frank Grillo) and a proud local deli owner (Mykelti Williamson) and friends, to protect her during the 12 hour period of murder and mayhem.
Here DeMonaco delivers a more moderately paced political thriller with conspiracy and treachery all around and The Purge itself serving more as a setting than the theme. While not a more straight-up action flick like The Purge: Anarchy, there is still plenty of graphic violence and bloodshed and the director does create some unsettling images and sequences along the way. There are some themes he expands on, such as The Purge’s true purpose being to thin the numbers of the lower class to cut down on government welfare expenses and some new concepts, such as “murder tourists” who travel here from foreign countries on the night of The Purge, to get in on the bloody fun and an underground movement run by EMTs and doctors to treat victims. Yes, there are a lot of political, social and racial commentary mixed in here and none of it is any too subtle. It is very heavy handed and obvious and sticks out like a sore thumb, but at least the filmmakers earn a little credit for trying to give all the blood spattering a little substance. There are some problems here, too. As mentioned, the pace is a lot more moderate and it seems longer than it’s 90+ minutes, though never boring. There is also some clunky dialog and poor acting that drag down some scenes, no more evident than in the opening NFFA meeting and scenes involving a tough talking female hood (Brittany Mirabile) who is pretty annoying even with her limited screen time. Add to that, villains that are all a bit bland and we have a third installment that aims high and falls a bit short, though still entertains.
As for the cast, they are fairly serviceable with Grillo once again being a stand-out. He has a strong presence and kicks some ass in the action sequences and is a likable action hero. Elizabeth Mitchell is solid as Roan and while she comes across as sincere and not without strength, her character is reduced to a damsel in distress in the second half. Mykelti Williamson is good as deli owner Joe Dixon. He has a quiet strength and is convincing as a man of a humble lifestyle and a sense of integrity. There is also solid work from Julian Soria as Joe’s employee Marcos and Betty Gabriel as a tough as nails EMT who helps Roan and company evade capture. Our villains, unfortunately are a bit bland, which is partially due to a lack of good development. Kyle Secor is weak as a psychotic minister who is the NFFA’s presidential candidate in opposition to Roan and Terry Serpico is a stereotypical evil mercenary type as a tattooed white supremacist, militant send to collect the pretty blonde senator for her demise.
Overall, the third in this franchise doesn’t really improve greatly on the second entry, but does have some interesting ideas and attempts a little social commentary, though does it bombastically. There is some chilling imagery and some brutal action, but it is delivered at a much more moderate pace. The villains are somewhat weak, though we have a strong and likable batch of underdog heroes in contrast. Doesn’t accomplish all it’s goals, but credit given for trying to add some substance to the gruesome proceedings and allowing it’s theme event to take a backseat to the story and characters.