SKIN TRADE (2014)
Routine action adventure pairs action icon Dolph Lundgren (who also produced and co-wrote) with Thailand action sensation Tony Jaa. Lundgren is Newark, N.J. cop Nick Cassidy who teams with Thailand cop Tony Vitayaku (Jaa) to take down crime lord and human trafficker Viktor Dragovic (Ron Perlman). There is nothing we haven’t seen before in this fast paced and sometimes ludicrous action flick, directed by Thailand director Ekachai Uekrongtham, but, there is a B-Movie entertainment to be had and it’s fun to see Lundgren pair with someone who speaks English far worse than he does. There is also fun in seeing Lundgren and Jaa together and against Ron Perlman, no less. The action itself is routine for the most part, as is the plot, but go in expecting that and it can provide some fun and unintentional chuckles. Also stars Michael Jai White and Peter Weller.
BIG GAME (2014)
Offbeat Finnish action adventure is based on a comic book and tells of young teen Oskari (Onni Tommila) who is sent into the woods, with bow and arrow, as part of a coming of age hunting trip to prove himself a man. At the same time a terrorist (Mehmet Kurtuluş) and a traitorous Secret Service agent (Ray Stevenson) take down Air Force One over those same woods and are on the hunt for the escaped President Of The U.S. (Samuel L. Jackson). Obviosuly, he is found by Oskari first, who vows to prove his manhood by delivering the President to safety, despite being outnumbered and outgunned by his pursuers. Directed by Jalmari Helander and co-written by he and Petri Jokiranta, this is actually a fun little movie despite being preposterous and silly. Jackson and young Onni Tommila get along well and are a fun team. It’s not to be taken too seriously and doesn’t holdup to today’s Hollywood blockbusters, but it has it’s heart in the right place and can be lighthearted, if not forgettable, fun.
GRUDGE MATCH (2014)
On paper, making a movie about Robert De Niro and Sylvester Stallone playing two over-the-hill boxing rivals who get together for one more tie-breaking fight, must have sounded like a great idea…and it could have been. But the film takes itself far too seriously, instead of just having a good time with the silly premise and just going with it. Director Peter Segal (who’s made a career out of mediocre and mundane comedies) directs with a leaden hand from the script by Tim Kelleher and Rodney Rothman, a script which makes the mistake of downplaying the humor and tries to make a fairly serious flick out of this nonsense. De Niro and Stallone do the best they can with the weak soap opera-level material, but neither really acts like they are completely onboard with this. It’s a shame, the premise could have been a lot of fun with writers and a director who recognized it’s real potential. Also stars Kevin Hart as the son of a Don King-like fight promoter and Kim Basinger as the girl who got between the two boxers back in the day. Snooze Match is more like it.
Otis is another of the contemporary trend of trying to be hip by mixing a disturbing subject with off-color and sometimes inappropriate humor. The effect here is just dull, off-putting and silly. Flick tells of serial killer Otis Broth (Bostin Christopher) who is a disturbed man-child loosely watched over by his older brother Elmo (Kevin Pollack) and living in his dead parents’ house. He delights in kidnapping girls who he all re-names Kim, keeps them prisoner as part of a girlfriend/prom scenario then eventually kills and dismembers them. When he kidnaps pretty Riley (Ashley Johnson) he messes with the wrong family. Directed by Tony Krantz and written by Erik Jendresen and Thomas Schnauz, the film is never disturbing enough to be chilling and not funny enough to be…well, funny. The humor is sophomoric and sometimes just silly and it’s attempts to be shocking fall flat too. Only partial saving grace is a very charming and spunky performance by Johnson (the waitress from The Avengers) as his fifth abductee whose vengeful parents (Daniel Stern and Illeana Douglas) ineptly try to take matters into their own hands when police prove incompetent. I know this flick has it’s fans but, aside from liking Johnson’s resilient Riley, I was just bored.
SUMMER’S MOON (SUMMER’S BLOOD) (2009)
Despite a good turn by Ashley Greene and a disturbing portrayal by the reliable Stephen McHattie, this is just an epic fail. Greene plays Summer, a young woman who runs away from her drunken mother to find the father she’s never met and winds up the prisoner of a disturbed young man (Peter Mooney) and his mom (Barbara Niven). Three guesses who the patriarch of the house (McHattie) turns out to be. Film is just kind of a mess with none of it seeming to have much purpose and far too many preposterous conveniences occurring to carry the plot forward or be shocking. Director Lee Demarbre helms this very by-the-numbers and with little atmosphere and the script by Christine Conradt and Sean Hogan seems to like being shocking for shocking sake without legitimately trying to tell a story. We get incest, kidnaping and murder without any real reason why and by the end we really don’t see a point to it all. Greene does better than she is usually given credit for but, the film wastes it on just being bad…and at only 90 minutes, kinda boring too.
THIRD PERSON (2013)
Written and directed by Paul Haggis, this is an interesting and engaging drama with three stories told that we know will connect somehow by the time the credits roll. We have a writer (Liam Neeson) separated from his wife (Kim Basinger) and with his lover Anna (Olivia Wilde) in Paris, while trying to complete a new book. We have Scott (Adrien Brody) on business in Rome who finds himself in the middle of a situation involving a mysterious and beautiful woman (Moran Atias), money and some shady characters. In New York there is troubled ex-actress Julia (Mila Kunis) who is trying to regain visitation with her young son after being accused of trying to harm him. Her artist ex-husband (James Franco) adamantly refuses to let her see him, while her lawyer (Maria Bello) tries desperately to change the judge’s mind despite Julia’s inability to handle the situation responsibly. The three stories are all well directed and acted and while I did figure things out before the reveal, it is still effectively done. Brody’s story is the weak link but, otherwise an entertaining drama with a fine cast.