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Flick is a perfect example of how a skilled filmmaker can take familiar story elements and tropes and use them effectively. Story has artist Jess (Oculus‘ Katee Sackhoff) trying to re-establish a relationship with her daughter Chloe (Lucy Boynton), whom she walked away from nine years earlier. Chloe however has run afoul of a local urban legend. It’s said that if you go to the abandoned house of suspected witch Mary Aminov (Ania Marson) and knock twice, it will summon the demon within and thus it’s minion…in this case Mary…will be sent to collect you. That’s exactly what Chloe and friend Danny (Jordan Bolger) do in jest one night and now Danny has vanished and something malevolent is following Chloe. Can Jess save her daughter from an unnatural fate?…a daughter who has nothing but contempt for her?

Horror flick is written by Mark Huckerby and Nick Ostler with an all too familiar a story, these days, of a youth crossing paths with a malevolent spirit. Under the guidance of The Machine director Caradog James, however, this is still a spooky and atmospheric flick despite having seen it all before. James gets some chills out of the haunting scenario that is the trend right now and serves up some really creepy imagery, even if the skeletal specter with long hair is a common visual in today’s horror. He also gives the film a dramatic intensity with it’s underlying story of a mother trying to fix the hurt she caused by abandoning her child and learning to love that child now selflessly. The familiarity unfortunately keeps this movie from really grabbing us and the abrupt ending is a bit jarring, but it is still far more effective than one might expect considering we have been deluged with similar films for the past few years. This was spooky and enjoyable, but it’s time for the next horror trend. The haunting/malevolent entity flick has played itself out and good ones are few and far between. This was entertaining, spooky and well made, but not quite unique enough to make it stand out too far from the pack like we wished it would.

Our leading ladies do help make this work well. Katee Sackhoff does some nice strong work as a women who selfishly abandoned her daughter nine years earlier and now wants her back. Not only does her Jess have to battle nine years of built up resentment, but also a demonic entity that wants to take her daughter from her. Sackhoff gives the role some depth and we do come to sympathize with her. Lucy Boynton (The Blackcoat’s Daughter) is equally good as the young girl who has a lot of bitterness towards her mother, but has no one else to turn to when she is targeted by something no one believes her exists. She gives us an emotionally scarred but strong young woman and she and Sackhoff have a nice chemistry as we watch their relationship heal and build under extreme duress.

In conclusion, this was an entertaining and spooky flick, despite having a very familiar story. Director Caradog James gave it some chills and some cool visuals and his lead cast helped give their familiar characters some depth. While we wait for the next horror trend to give the tired haunting sub-genre a rest, at least this particular flick had some talent behind and in front of the camera to keep it from being mundane.

-MonsterZero NJ

3 creepy door knockers you should knock twice!







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oculus poster


OCULUS (2014)

I am a big fan of Mike Flanagan’s low budget chiller Absentia so, I was very much looking forward to his next flick which arrives from Blumhouse Productions and is his first big theatrical release. And Mr. Flanagan didn’t disappoint. Supernatural horror starts out introducing us to two siblings, Kaylie (Karen Gillan) and Tim (Brenton Thwaites) Russell. Eleven years ago a horrible incident occurred in their home leaving their mother, Marie (Katee Sackhoff) and father, Alan (Rory Cochrane) dead, with ten year-old Tim incarcerated in an institution. From appearances, Alan murdered his wife and Tim killed him in self defense. It’s over a decade later and Tim has just been released and his older sister has come to help him get back on his feet…and destroy what she claims is the real culprit in their parents’ deaths. After years of treatment Tim sees the murders as a simple case of domestic problems and negative emotions gotten out of control. His father driven to torture and kill their mother and he, forced to defend himself and his sister by killing their dad. A tragic but rational explanation. Kaylie believes it to be the influence of a demonic entity that lives in an antique mirror purchased by their father for his office. While Tim was away, Kaylie has been planning to prove her belief, once and for all, and has tracked down and procured the mirror through her job as an antiques dealer and brought it to their still vacant former home. She convinces Tim to join her on calling out and destroying the sinister force that she believes, from her research, has left a trail of bodies and tortured souls for over 100 years. Is Kaylie delusional and in need of treatment herself, or has Tim’s treatment created a more practical way of rationalizing an even more horrible truth?

Director and co-writer (with Jeff Howard) Mike Flanagan crafts an intelligent, inventive and really creepy horror film that certainly has it’s share of out-right scares, especially in it’s last act. But much like his spooky Absentia, Flanagan never bludgeons us over the head with the horror and thus keeps it effective by keeping us from getting numb to it. As with his previous flick, he doesn’t give us everything at once and plays with our heads for a bit as to whether Kaylie is creating a supernatural fantasy to avoid the realities of the domestic horror she witnessed, or is Tim candy-coating the nightmarish truth with the psycho-babble fed him by his doctors? The film is a moderately paced, but has a constantly unnerving and creepy build-up, as the siblings delve deeper into the events that occurred over a decade ago. Flanagan…who also edited…deftly mixes in flashbacks to those horrible events and seamlessly blends them so that at times they all seem to be happening at the same moment and in the same space. It’s really disturbing as we try to figure out if these two are finally reliving and facing what happened, or is there an evil presence in that mirror that is happy to make them experience again the memories that torment them most. It’s in the last act where the full truth is revealed and I will say no more except to be ready for the film to deliver the goods when the time is right.

It’s an intense and scary ride Flanagan takes us on to get our answers, made all the more effective due to the skilled and disturbing build-up by a director who makes good on his potential. Again, Flanagan also has an underlying theme about the effects traumatic events have on our lives. With Absentia it was the emotional effects of a missing loved one and not knowing their fate. Here it is growing up and living with the trauma of witnessing domestic abuses and violence. He weaves these into his story subtly so they are not intrusive to the plot, but they are there. And speaking of subtlety, that is one of the things I like about Flanagan’s work and especially with this film, he knows when to be subtle and when to get intense and he does both here to maximum effect. Sometimes less is more and Flanagan’s instincts are good at knowing when to feed us an underlying creepiness and when to outright scare the pants off us. It’s what makes Oculus work so well and made Absentia such a treat. He knows what degree to feed us the films elements and when. He is also clever with his use of the traditional elements so, they appear fresh.

The director also gets good work from his cast with Gillan and Sackoff really standing out here with strong performances, but the acting is solid all the way around. No one ever goes over the top, even when the film is in full scare mode, the performances stay grounded and thus more effective. He got good work out of Katie Parker and Courtney Bell (who has a cameo) in his last film and seems to have a knack for writing and directing strong female characters that aren’t stereotypes or caricatures.

The film is not perfect, but it’s flaws are very minor and I loved that when the blood does flow, it was practical effects as did a lot of the make-up and effects seem to be. If digital was used, it was excellently rendered so it was not noticeable which, in a film like this, is the way it should be. CGI ghosts and blood are not scary.

Overall, I really enjoyed Oculus and how it was equally effective in it’s subtle moments as it was in the more intense ones. It never overloaded you with plot elements or the horror elements and fed you the answers to it’s mysteries gradually so it held your attention till it was ready to let you have it…and the final act does exactly that. A smart, disturbing and sometimes downright scary horror from Mike Flanagan. Also stars Annalise Basso and Garett Ryan as young Kaylie and Tim, respectively and these two youngsters can act.

3 and 1/2 spooky mirrors.

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oculus poster

As I’ve stated, I am a big fan of Mike Flanagan’s spooky low budget chiller Absentia and we now have a full trailer for his next horror feature Oculus which is coming from Blumhouse Productions. Personally, I am looking very forward to this! Oculus is slated to arrive in theaters on 4/11/14! Personally, I can’t wait!

Source:Youtube/ Shock Til You Drop




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RIDDICK (2013)

Third feature film adventure of Vin Diesel’s lethal escaped convict Riddick picks up shortly after where The Chronicles Of Riddick left off with the man who sees in the dark being dethroned, betrayed and left for dead on a hostile planet with not only a horde of lethal creatures to deal with but, not one but two teams of bounty hunters out for his head… literally. For the most part the film is somewhat entertaining but, is routine and completely forgettable once the credits roll… just like the last film was. Why can’t they find a really good story to put this really cool character in? Also stars WWE Superstar Dave Bautista and fanboy favorite Katee Sackhoff as a bounty hunter who may want something other than Riddick’s head.

2 and 1-2 star rating





I am a big fan of Mike Flanagan’s spooky low budget chiller Absentia (click on the title for my review) and his sophomore feature Oculus is coming from Blumhouse Productions and looks equally creepy. Film is slated to arrive in theaters on 4/11/14! Personally, I can’t wait!

Source:Youtube/ Yahoo Movies