THE DISAPPOINTMENTS ROOM (2016)
The Disappointments Room is exactly that. Kate Beckinsale stars as architect, wife and mother, Dana, who is moving into a rural country home with her family. Exploring her new house she finds it has a hidden locked room in the attic. Research reveals it’s a disappointments room…a room where well-to-do families hid deformed or handicapped children, to live out their lives in secret without ’embarrassing’ their families. Dana, having lost one of her own children, is especially disturbed by this and starts to see and be haunted by visions and apparitions of a past family and their deformed daughter. Is she just experiencing delusions caused by grief over the accidental death of her baby daughter, or is she really being haunted?
Directed by D.J. Caruso (Disturbia), from a script by he and Wentworth Miller, this is an incredibly generic ghost story. All the well-worn clichés are present, such as Dana being the only one who sees these apparitions and the husband (Mel Raido) leaving mid-haunting to go away for a few days with the haunted wife now home alone with her son (Duncan Joiner). Beckinsale really tries hard here to give her emotionally strained mom some depth, but the incredibly bland script doesn’t give her much to work with. Raido’s husband is the typical doubter who believes it’s all in his wife’s head and there is the stereotypical young, hunky handyman (Lucas Till) to hit on Beckinsale’s hot mom, in a sub-plot that goes nowhere. Caruso directs competently, but achieves only a few spooky moments and holds our interest only by a thread. Bland and very familiar.
The fifth and final installment of the Phantasm franchise is headed to theaters and VOD on October 7th and a cool new poster has been released!
The fifth installment of the Underworld franchise is also headed to theaters, on January 6th 2017 and a new teaser has been released for Underworld: Blood Wars!
source Arrow In The Head/Youtube
I, FRANKENSTEIN (2014)
Basically if you took the first Underworld movie and threw it in a blender with Stephen Sommers’ delirious cheese-fest Van Helsing… I, Frankenstein is what you’d get. And that isn’t all bad as I quite enjoyed Van Helsing for it’s audacious ridiculousness. I, Frankenstein is co-written by Underworld co-creator Kevin Grevioux based on his graphic novel and produced by the producers of the series that made Kate Beckinsale and latex catsuits a fanboy dream come true. The story tells of a war waged for centuries between the guardian Gargoyles and Hell spawned Demons lead by their prince Naberius (Bill Nighy). The creation of Dr. Frankensteins’s Monster (Aaron Eckhart) adds a dangerous twist as Naberius and the Demons seek to find out the legendary scientist’s secret of re-animating corpses so, they can create soulless vessels to host the spirits of all the Demons that the Gargoyles have vanquished, thus brining their souls back from Hell. Still with me? Now they have pursued the creature, named Adam by the Gargoyle queen Lenore (Miranda Otto), through two centuries into modern day as the monster has steadily been vanquishing them in return for bothering him. But, now with the help of a naive scientist, Terra (Yvonne Strahovski) the Demons have literally thousands of corpses stored ready for the time when they possess the creature or his creator’s journal and they can unleash their army of possessed corpses upon the world… and that time has come, as the journal is in their possession and Adam seeks to thwart their plans if the Gargoyles don’t destroy him first to keep him from their enemies’ hands. Whew! I think that’s it!
Despite the utterly ridiculous and convoluted plot, the movie can be fun at times especially due to the fact that it is taken so seriously by the filmmakers and cast despite being quite silly. Director Stuart Beattie (who co-wrote with Grevioux) does a really good job almost making you buy the ludicrous premise and stages the action well and keeps the melodrama at a level that doesn’t ever spill over into camp… though it skates close… and actually gives it a bit of weight. The film can be a little too serious at times considering it is about Frankenstein’s Monster caught between Gargoyles and Demons in a centuries old conflict between good and evil. And the film could have used a bit more ‘over the top’. Also, if the film added a conflict within Eckhart’s creature as to which side he should take, it might have been more interesting but, despite his reluctance to take sides, he seems to be leaning toward the anti-demon stance as they do want to take him apart to see how he ticks. Beattie has a really good cast. Eckhart is a proven good actor and he really gives a good performance in a cartoonish role that makes a superhero out of one of the most famous monsters in history. His going along with it and treating it with respect makes his Adam work despite the preposterousness. Nighy once again proves he is simply a great actor by giving strength and majesty to a cartoonish character similar to his Viktor in Underworld. The man can do no wrong in my book and can make any role work as he does here. Strahovski doesn’t do much but, look concerned, bewildered and pretty but, since that’s all she’s required to do, she does it well. Rounding out the cast is Miranda Otto giving regality to a cartoonish fantasy character, that of the Gargoyle Queen Lenore. A classy actress giving her all in a comic book part and she makes it work, too. We also have Jai Courtney in a supporting role as chief Gargoyle warrior Gideon. He gives the role a nobility but, the character really doesn’t amount to much when all is said and done. And, as with Underworld, Grevioux has a supporting role as a bodyguard. The SPFX are well done, there is some weak CGI but, most is quite suitable and the budget is used quite well in giving the film a lavish Gothic fantasy look to support the action.
So, I, Frankenstein was not the disaster that it’s weak box office led one to believe. It is a comic book style movie with a ludicrous plot and has the audacity to take itself very seriously when it could have easily been played for laughs. The story is ridiculous but, has some solid action and a great cast who give the cartoonish events and characters respect and play it straight. And despite the preposterous goings on, the solid cast and more then competent direction almost had me going along with it… almost. Not a great film by any means but, it passed the time and I did have a little fun with it. Not as audacious as Van Helsing but, close and if you were able to chuckle at that, give this a spin.
2 and 1/2 gargoyles