EQUINOX and EVIL DEAD I & II: A COMPARISON IN HORROR!

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EQUINOX and EVIL DEAD I & II: A COMPARISON IN HORROR!

MAJOR SPOILER WARNING! In order to properly compare these three films, I have to give DETAILED SPOILERS. If you haven’t seen Equinox, or Sam Raimi’s The Evil Dead and Evil Dead II, there are MASSIVE SPOILERS BELOW for each film. You have been warned!

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For years horror movie fans have debated as to whether or not the 1970 low budget horror Equinox was an influence on Sam Raimi’s 1981 Evil Deadthough there are also strong similarities with it’s 1987 sequel Evil Dead IIas wellSam Raimi has never mentioned seeing it, though Evil Dead FX man Tom Sullivan has. We may never know for sure and it’s up to us then to decide for ourselves. So read on to take a look at just how these flicks compare…

(Click on the highlighted movie titles to go to the full length reviews and on the photos to enlarge them!)

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THE STORY

Equinox finds Four college students David, Susan, Jim and Vicki (Edward Connell, Barbara Hewitt, Frank Bonner and Robin Christopher), venturing into the woods to meet a Prof. Waterman (Fritz Leiber), who, unknown to them, has discovered an ancient book of evil. They find his cabin destroyed and once acquiring the book from a creepy old man (Irving L. Lichtenstein), soon have the devil himself after them to get it back. In this film the evil has already been unleashed when our main characters arrive.

Sam Raimi’s classic The Evil Dead has five young people, Ash, his sister Cheryl, his girlfriend Linda, Scott and Scott’s girlfriend Shelly (Bruce Campbell, Ellen Sandweiss, Betsy Baker, Hal Delrich and Theresa Tilly), going up to a secluded cabin in the woods for a weekend of partying and fun. When they get to the rundown cabin, they find an old book and a tape recording in the creepy cellar that claims it is the book of the dead and wrapped in human flesh. Thinking it’s all a joke, they play the recording, which includes someone reading from the book, and find out the hard way that it’s all too real, as they unleash horror beyond their imaginations.

Evil Dead II finds Ash, now alone, trapped in the cabin with the forces of evil trying to get at him. Ash is soon joined by the daughter (Sarah Berry) of the archeologist, who formally inhabited the cabin and is the finder of the book. She and her party (Dan Hicks, Kassie Wesley and Richard Domeier) first think Ash has murdered her parents. Soon enough, though, the evil in the woods makes itself known and Ash joins forces with his new companions. Their numbers start to dwindle as the evil lays siege to the cabin and Ash must face this ancient terror in a final showdown.

There are some differences in plot details, but all three flicks have a cabin, a book of evil discovered by a professor and a group of unsuspecting characters, being attacked by an ancient evil. All three have demons and demonic manifestations from the book. All three have a story or backstory that is revealed by way of a reel to reel tape recording.

 

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THE EVIL

Equinox has the devil himself in the human disguise of park ranger, Mr. Asmodeus (theatrical cut director Jack Woods) pursuing the four characters to get the book back. He can take on the guise of one of the other characters and appears in a flying demon form near it’s climax. He also sends various minions to get the book, such as an octopus-like creature, a mutant ape and a blue giant. His minions appear to be able to be killed by conventional means, while he can be warded off with protection symbols from the book.

The Evil Dead Films feature ancient evil spirits known as Deadites, that are unleashed when either the book is read from directly, or a recorded reading from the book is played back. They want the souls of all those in the cabin and possess and torment the occupants claiming them one by one. Raimi’s film requires the possessed victim be totally dismembered to render them harmless. The Deadites seem to hail from somewhere around ancient Sumer and there are, like in Equinox, some creature-like minions in Evil Dead II. The Deadites appear to be only able to attack at night, while Equinox‘s evil is active both day and night.

 

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THE HEROES

Equinox’s ill-fated hero is college student David Fielding (Edward Connell). He’s a clean-cut all-American college student who is forced to come up against some supernatural odds. He’s resilient and brave and is pretty much the strongest and quickest thinker of his group of friends. Poor Dave ends up doomed and in an insane asylum, but before all that, he stands up to some intimidating evil.

Ash Williams (Bruce Campbell) is the Evil Dead franchise’s beleaguered hero. The now iconic Ash is a mild mannered fellow and a little on the cowardly side in the first film. He leaves it up to alpha male Scott to hack up his possessed sister Cheryl and generally do the hero stuff till the Deadites get Scott, too. This leaves Ash all alone to man-up and battle the Deadites. It’s not till the sequel that he starts to take on the mantle of a hero, although an arrogant and bumbling one.

 

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THE SETTINGS

Here, settings differ slightly though both include cabins and woods. The cabin we are traveling to in Equinox is already destroyed by the time our characters get there and the film takes place primarily after that in the surrounding forest.

Both Evil Dead and Evil Dead II take place primarily inside the cabin with a few unsuccessful sojourns out into the woods.

The cabins in all three films were previously occupied by professors who found the books of evil in question.

 

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THE BOOKS

All Three movies contain books of evil that trigger the horrific ordeals the respective films’ characters endure. Equinox‘s book is discovered in the Persian Gulf by a Prof. Waterman and it is his examining the book and it’s contents that opens a portal allowing the evil to enter this world and seek the book’s return. It is described as a bible of evil.

The book of the Evil Dead films is the Naturan Demanto or Necronomicon…the book of the dead…and is described as Sumerian in origin and thus is discovered by a Professor Knowby (John Peaks), also in the Persian Gulf area.

Both books are filled with cryptic languages and spooky illustrations and are not only filled with dark rituals, but also ways to protect from the evils evoked.

 

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THE OPENING SCENES

Equinox opens interestingly at it’s climax with David on the run through the woods from the demonic evil and finding himself in a hospital after being hit on the road by a driverless car. A year later he’s gone insane and a reporter named Sloan (James Philips) investigates the story to find out what happen to him. It’s his reviewing David’s initial taped testimony that sets us on a flashback to what happened.

The Evil Dead opens with the camera racing through the woods with some ominous growling heard as it reaches the car carrying our main protagonists. It is quick and to the point, but sets the tone right away that something bad is going to happen to our five unsuspecting travelers as they head towards the cabin.

Evil Dead II simply picks up where the first left off, after a brief recap, with the evil attacking and briefly possessing Ash, who is saved by the rising sun. So, there is little similarity here.

All three films’ openings are perfect for setting us up for what is to come, starting us off with an atmosphere of fear and foreboding. Though there are only minor similarities here between Equinox andThe Evil Dead, none really with Evil Dead II…except, of course, for the woods setting each share.

 

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THE ENDINGS

In terms of their climaxes, all the films have endings that resonate.

Equinox ends with David in the asylum screaming for his cross which “accidentally” is now in the hands of reporter Sloan. It’s a year and a day after the incident at the park, the day the demon predicted David’s demise. As Sloan leaves the building, David’s dead girlfriend Susan is seen walking into the hospital. As we hear David’s cries for his cross over the soundtrack, a wicked smile appears on Susan’s face. Ominous and spooky, a last chill before you leave the theater.

The Evil Dead ends with Ash having barely escaped a vicious assault from his possessed friends by burning the book in the fireplace resulting in a roller coaster bloodbath of gore. As the sun starts to rise, he limps out the door only to have the camera race towards him growling like in the opening and coming right at his face as Ash utters a horrible scream. The film cuts to black and ends with the credits rolling; Ash apparently not as triumphant as he believed. It is ferociously quick and very effective, a last jolt before you leave the theater.

Evil Dead II comically has Ash being sucked into a vortex and deposited in the Middle Ages, where, at the moment, he is seen as a deliverer come to defeat the Deadites. Again as with the opening scene, no similarity here to Equinox other than the visual of a castle.

…though all three endings do involve screaming.

 

 

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MISC.

Here, pictures speak louder than words, with these visual similarities…

 

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IN CONCLUSION…

So, we have one flick that is a horror masterpiece and one of the greatest horror flicks of all time and another that is a cult classic, midnight movie from a decade earlier that may…or may not…have inspired it. Both were derived from short films. Equinox was re-edited with new footage added from the original The Equinox … A Journey into the Supernatural, a 70 minute film expanded for theatrical release. The Evil Dead was created from the short film Within the Woods, a thirty minute version of the same story made to attract investors. They both feature some startling SPFX on incredibly small budgets and took three or more years to finally hit theaters. Both are also first films made by young aspiring filmmakers, that made an impression and got careers off the ground for some of their makers and stars.

We may never know the actual truth as to whether Sam Raimi saw and was inspired by Equinox, but the story and visual similarities make for a striking argument. At this point it’s up to you to decide as to what you believe. Did Equinox inspire The Evil Dead, or is it just a cinematic coincidence? Either way, they are both horror classics in their own rights that are now held in high regard.

-MonsterZero NJ

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REVIEW: BROTHERHOOD OF THE WOLF (2001)

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BROTHERHOOD OF THE WOLF (2001)

The story takes place in 18th century France in the rural provence of Gévaudan. There seems to be some sort of creature on the loose that is killing the locals and spreading fear across the land. Royal naturalist and soldier Grégoire de Fronsac (Samuel Le Bihan) has been sent along with his Native American companion Mani (Mark Dacascos) to investigate. Soon Fronsac finds himself surrounded by intrigue, conspiracy, murder, betrayal and a pair of beautiful women (Émilie Dequenne and Monica Bellucci) who could be the death of him. All this leading up to the inevitable confrontation with the “Beast of Gévaudan”.

Wildly entertaining French film is directed by Christophe Gans from an imaginative script by he and Stéphane Cabel, that is inspired by real events. It’s an enchanting dark fairy tale that blends almost every type of genre from horror to drama to fantasy to mystery to action. There are stunning visuals, sumptuous costumes and amazing scenery and sets, as Gans weaves a tale of monsters both human and otherwise. There is blood, gore, sex, breathtaking martial arts and intense intrigue, not to mention some old fashioned romance as Fronsac falls for both the feisty nobleman’s daughter Marianne de Morangias (Dequenne) and the mysterious and possibly deadly Sylvia (Bellucci). Gans presents a noble hero to root for in Fronsac, some dastardly villains, such as Marianne’s brother Jean-François (Vincent Cassel) and possibly a monster, too. The action is incredibly fast and furious, the creature sequences as intense as any horror and the romance can be both charming and sizzling depending on the content of the scene. It’s the type of entertainment they don’t make any more, a film with both an involving story and something for everyone…the only thing missing is a musical number. The cinematography, by frequent Guillermo Del Toro cinematographer, Dan Laustsen is absolutely stunning and there is a wonderfully atmospheric score by Joseph LoDuca (the original Evil Dead).

The cast is large yet all bring something to their roles from nobles to clergy to savage gypsies and brothel beauties. Le Bihan is close to perfect as the noble and heroic Fronsac. He’s a handsome and charming rogue who is also very intelligent and when needs must, a complete badass. Would love to have seen him return in another tale. Émilie Dequenne is beautiful and enchanting as the spirited Marianne. Not hard to see why Fronsac falls easily for her. Mark Dacascos creates a strong character an the Iroquois warrior/mystic Mani. He’s a bit of a mystery, soft spoken, but highly skilled in martial arts and has some great fight scenes, as well as, stealing a few scenes. The great Vincent Cassel is a very strong villain as the deranged and dangerous Jean-François. He’s a man who’s allowed inner turmoil to make him twisted and cruel. Monica Bellucci oozes sex appeal and danger as the mysterious and sexy Sylvia. Who is she really? You’ll have to watch the film to find out! There are many supporting players and characters and they all perform well.

This flick is a personal favorite and almost twenty years after first seeing it, it still entertains. The blend of action, mystery, horror and romance is spectacular, as is the sumptuous design of the sets and costumes. The cast are all close to perfect and the characters they play are endearing, charming and detestable depending on whether they be villain or hero. It’s a dazzling popcorn movie directed with loads of heart and given enough depth and intrigue in the screenplay to give it some nice substance as well. An enchanting and dark fairy tale for adults.

-MonsterZero NJ

Rated 4 (out of 4) Muskets.

 

 

 

 

 

 

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THE EVIL DEAD and EVIL DEAD 2013: A COMPARISON IN HORROR!

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THE EVIL DEAD and EVIL DEAD 2013: A COMPARISON IN HORROR!

MAJOR SPOILER WARNING! In order to properly compare these two films, I have to give DETAILED SPOILERS. If you haven’t seen Sam Raimi’s The Evil Dead or Fede Alvarez’s  Evil Dead remake, there are MASSIVE SPOILERS BELOW for each film. You have been warned!

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After seeing  Fede Alvarez’s Don’t Breathe recently, it made me go back and revisit his Evil Dead remake. Since I haven’t done a Comparison In Horror in a while, I thought it would be a perfect opportunity to compare Raimi’s classic with Alvarez’s update…

(Click on the highlighted movie titles to go to the full length reviews and on the photos to enlarge them!)

THE STORY

Sam Raimi’s classic The Evil Dead has five young people going up to a secluded cabin in the woods for a weekend of partying and fun. When they get to the rundown cabin, they find an old book and a tape recording in the creepy cellar that claims it is the book of the dead and wrapped in human flesh. Thinking it’s all a joke, they play the recording, which includes someone reading from the book and find out the hard way that it’s all too real, as they unleash horror beyond their imaginations.

Fede Alvarez’s remake has five youths going up to a old family cabin that hasn’t been visited in years. They are there as an intervention for one of their number, who is addicted to heroin. When they get to the rundown cabin they discover some spooky goings on have occurred there and find an old book in the creepy cellar that claims it is the book of the dead. Despite being wrapped in plastic and barbed wire and filled with warnings to not read from it, one curious person does and unleashes horror beyond their imaginations.

There are some differences in plot details, but basically both flicks have a cabin with five unsuspecting youths, two of whom are brother and sister, being attacked and possessed by an ancient evil conjured from reading an ominous book that has been left there by others.

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THE ANTAGONISTS

Both flicks basically have the same antagonists. They are ancient evil spirits known as Deadites that are unleashed when either the book is read from directly, or recorded reading from the book is played back. They want the souls of all those in the cabin and possess and torment the occupants claiming them one by one. There are slight differences, too. The methods in which they can be stopped are slightly varied. The original 1981 film requires the possessed victim be totally dismembered to render them harmless, while the new film offers a variety of demises such as burning, boiling water…and the old favorite, bodily dismemberment. Their origins are also slightly different as well. The Deadites in the original seem to hail from somewhere around ancient Sumaria, while the Deadites from the 2013 remake seem connected more directly to Satanism or The Devil and claiming a certain amount of souls will unleash their master, The Dark One.

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HEROES and HEROINES

Here there is a vast difference in our leads. The 1981 version has ill-fated Ash Williams (Bruce Campbell). In Raimi’s classic, the now iconic Ash is a mild mannered fellow and a little on the cowardly side, leaving it up to alpha male Scott (Richard DeManicor) to hack up his possessed sister Cheryl and generally do the hero stuff till the Deadites get him, too. This leaves Ash all alone to man-up and battle the Deadites. It’s not till the sequels that he starts to take on the mantle of a hero, although an arrogant and bumbling one.

In the 2013 version, Alvarez wisely chose not to try to recast such an iconic character and left Ash out of things altogether. Instead, we get siblings David (Shiloh Fernandez) and his heroin addicted sister Mia (Jane Levy). When Eric (Lou Taylor Pucci) reads from the book and unleashes the Deadites, vulnerable Mia is the first possessed and David steps up into hero mode trying to battle the evil and somehow save his little sister. In it’s last act this update throws us a twist by having Mia freed of her possession, by some clever thinking by David and then having her brother killed. Mia then takes vengeful center stage against the dark ones, becoming the sole surviving heroine when she started out the film as possessed and villainous.

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THE SETTINGS

Here, settings are exactly the same. Obviously there are differences due to different creative talent, actual location and budget, but both take place in old cabins deep in the North American woods. Raimi filmed much of his epic in Tennessee and the remake filmed on locations in New Zealand.

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THE OPENING SCENES

Both movies have opening scenes that really establish the mood and tone. The original The Evil Dead opens with the camera racing through the woods with some ominous growling heard as it reaches the car carrying our main protagonists. It is quick and to the point, but sets the tone right away that something bad is going to happen to our five unsuspecting travelers.

Alvarez’s Evil Dead opens with a pretty young girl being chased by some rednecks in the woods and being violently captured. She finds herself tied to a post in an old cellar and only after some dialog with her captors, do we realize that these are her family and she is actually a possessed Deadite who curses her father as he sets his own daughter on fire. It is a shocking beginning that certainly sets the tone very well for what is in store for the remake’s group of young folk.

Both openings are perfect for setting us up for what is to come, starting us off with an atmosphere of fear and foreboding. Raimi’s may be simpler, but Alvarez’s is no less effective and a little more shocking.

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THE ENDINGS

In terms of their climaxes, both films have endings that resonate.

The Evil Dead ends with Ash having barely escaped a vicious assault from his possessed friends by burning the book in the fireplace resulting in a roller coaster bloodbath of gore. As the sun starts to rise, he limps out the door only to have the camera race towards him growling like in the opening and coming right at his face as Ash utters  a horrible scream. The film cuts to black and ends with the credits rolling; Ash apparently not as triumphant as he believed. It is ferociously quick and very effective, a last jolt before you leave the theater.

Evil Dead 2013 has Mia, free of Deadite possession, battling the Dark One in a rainstorm of blood with a chainsaw…a battle that costs her a hand. She cleaves the evil doppelgänger of herself in half and slowly walks off holding her bloody stump as the blood rain abates and the sun rises. The last shot is of the book sitting on the ground, as the cabin burns and then suddenly slamming shut as to indicate the evil has not been completely defeated. It is not quite as effective as the original’s, but still works very well.

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MISC.

There are other similarities and differences. The original was shot at a cost of around $400,000 dollars,  while it’s remake benefited from a budget of around $17 Million. Sam Raimi’s classic has some stunningly original camera work concocted on a shoestring budget by Raimi and cinematographer Tim Philo, while Alvarez’s re-imagining has some sumptuous and spooky visuals captured by Aaron Morton.

Also adding atmosphere for both films are their scores. The Evil Dead has a truly unsettling score featuring frantic strings mixed with disturbing growls and sounds concocted by Joseph LoDuca. Evil Dead 2013 has an equally unnerving score also featuring some glaring sounds and sound FX by Roque Baños. Both are really good at setting mood and atmosphere.

Raimi’s masterpiece is infamous for it’s ‘tree rape’ sequence featuring Ash’s sister Cheryl and while Alvarez pays homage to it with Mia, it’s not nearly as shocking as what Raimi did in 1981 and wasn’t trying to be. He also pays homage to Ash’s hand loss in Evil Dead II with Mia losing a hand in her blood soaked battle with the Dark One.

The 1981 film does have a bit of a twisted sense of humor, while the 2013 remake seems to take itself very seriously, though not too seriously that we don’t have a blood spattered good time.

Speaking of blood…Raimi’s flick is filled with some wildly inventive low budget gore FX, mixing prosthetics with stop motion animation and tons of blood. It was released unrated. Alvarez’s flick is extremely violent and gory, but does so within the restraint of it’s R rating…though it does push the boundaries of that quite a bit. Raimi’s inventiveness with his gore has a charm that the top of the line FX of the remake just don’t have, despite being excellently executed by the FX team and quite effective in their own right.

As with all Raimi associated flicks, Raimi’s 1973 Oldsmobile Delta 88 appears in both Evil Deads with it being Ash’s car in the original and a junked heap at the back of the cabin in the remake.

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So, we have one flick that is a horror masterpiece and one of the greatest horror flicks of all time and a remake which is a solidly effective horror and while it pays tribute to the original quite well, also has it’s own identity, too. Both films have basically the same plot, but differ when it comes to it’s characters and climaxes. Original director Sam Raimi went on to an illustrious career in movies, including making two classic sequels (see our reviews for Evil Dead II HERE and Army Of Darkness HERE) and three Spider-Man films, while Fede Alvarez is off to a good start with Evil Dead 2013 and Don’t Breathe.

In conclusion, the remake may not be on the same level as the classic masterpiece original, but it is a scary and bloody good time that can stand on it’s own and also makes a nice companion piece to the Ash and Evil Dead saga…which includes the new series (yup, review for that HERE!).

-MonsterZero NJ

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