BLUMHOUSE and JOHN CARPENTER ANNOUNCE 2 HALLOWEEN SEQUELS!

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BLUMHOUSE and JOHN CARPENTER ANNOUNCE 2 HALLOWEEN SEQUELS!

Blumhouse and legendary director John Carpenter have announced today that there will be, not one, but two sequels to the hit Halloween 2018. Carpenter, Jamie Lee Curtis, director David Gordon Green and co-writer Danny McBride will supposedly all return for Halloween Kills on 10/16/2020 and Halloween Ends on 10/15/2021. Will this finally conclude this decades spanning franchise? We’ll find out in 2021!

-MonsterZero NJ

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HALLOWEEN II (1981) and HALLOWEEN (2018): A COMPARISON IN HORROR!

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HALLOWEEN II (1981) and HALLOWEEN (2018): A COMPARISON IN HORROR!

MAJOR SPOILER WARNING! In order to properly compare these two films, I have to give DETAILED SPOILERS. If you haven’t seen Halloween II (1981) or Halloween (2018), there are MASSIVE SPOILERS BELOW for each film. You have been warned!

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Comparison In Horror is back!…and in this installment the comparison is between the two direct sequels to John Carpenter’s original classic Halloween. In 1981, the success of Halloween led to an inevitable sequel, Halloween II. Recently, for Halloween‘s 40th anniversary, a new film, Halloween (2018), was made that went back to the source and erased all the previous sequels, as a direct continuation of Carpenter’s original story. It’s created a unique situation where one classic film now has two direct sequels…remember, Halloween H2O, acknowledges the story elements of Halloween II, so it is not quite a direct sequel to the 1978 classic. Two direct sequels that take place forty years apart, let’s take a look these two films and compare…

(Click on the highlighted movie titles to go to the full length reviews and on the photos to enlarge them!)

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THE STORY

Halloween II takes place on the same night of the original, basically picking up right where the first film leaves off. The flick continues with an injured Laurie Strode (Jaime Lee Curtis) being taken to a hospital in Haddonfield, while Dr. Loomis (Donald Pleasence) and the police scour the neighborhood for the still at large Michael Myers (stuntman Dick Warlock). Unbeknownst to them, Michael has discovered Laurie’s whereabouts and heads to the hospital to find her, leaving a trail of bodies along the way. Once there, he begins to decimate the hospital staff, one by one, in search of his prey. It is in this film that it is revealed that Laurie is actually Michael’s other sister and he has come home to finish the job he started 15 years ago.

Halloween (2018) opens forty years later to find Laurie Strode (Jamie Lee Curtis) living in solitude after some failed marriages and loosing custody of her only daughter Karen (Judy Greer). She’s taught herself to survive and fight and is in a constant state of preparedness for Michael Myers’ (Nick Castle and James Jude Courtney) possible return. As for Michael, he was recaptured after that fateful night and has been re-incarcerated in the Smith’s Grove Asylum ever since. A pair of British journalists (Rhian Rees and Jefferson Hall) visit Michael, on the eve of his transfer to an even more secure institution, and try to evoke a response by presenting him with his old mask. Of course, that night, the transfer bus suffers an accident and Michael escapes, reclaims his mask and heads off to Haddonfield in time for Halloween. Hearing of his escape, Laurie intends to protect her daughter and granddaughter (Andi Matichak) and goes on the hunt to confront Michael once and for all. By ignoring all the sequels, this film eliminates the subplot that Laurie is Michael’s sister and returns her to a random victim.

Except for both films being direct sequels to John Carpenter’s Halloween, the stories are vastly different.

 

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MICHAEL MYERS

Obviously the Michael Myers in 1981’s Halloween II is the same as in John Carpenter’s Halloweenas the film picks up minutes after the first movie. He’s about twenty-one years-old and is a brutal killer, murdering anyone he encounters during his pursuit of Laurie. It starts out as random neighbors, as he flees from the police and Loomis, to various hospital staff once he finds Laurie at Haddonfield Hospital. He uses a variety of weapons or his hands to brutally dispatch his victims. His mask is still new, stolen earlier that day from a general store. There are hints that there is something supernatural about him, a pure evil more than human.

Halloween (2018)‘s Michael is a Michael forty years older than when we…or Laurie…last saw him. He’s got grey hair, is balding and covered in scars from his first encounter with Laurie. Once reunited with his mask, it too is showing wear and tear, with cracks and thinning hair much like it’s wearer. Despite being 61 years-old, he is still a strong, brutal and efficient killer murdering any innocents he encounters on his way back to Haddenfield and Laurie. In comparison, he seems a bit more vicious here, using his bare hands more often and otherwise mostly sticking with a simple kitchen knife, ironically obtained in a nice homage to Halloween II. He still prefers gas station coveralls and stalking women home alone or babysitting. The supernatural hints are downplayed here, save for a few lines in a nice homage/vocal cameo by Dr. Loomis.

In neither film does he ever speak and any emotions are marked by a shifting of his head or an intensifying in his movements. While he seems more interested in babysitters than their charges in the 1978 and 1981 films, 2018’s Michael has no qualms killing a young boy with a gun…but will still spare a baby. In the 1981 sequel, he started to appear more invincible and unkillable like his cinematic rival Jason Voorhees. In the 2018 sequel, he is back to being more human and can be hurt or injured.

 

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LAURIE STRODE

The Laurie Strodes portrayed in both films are a vast contrast due to the proximity and/or passage of time to the original film’s events.

In Halloween II Laurie is a terrified high school girl who is still traumatized from her encounter with Michael that night. She is basically a damsel in distress, continually on the run from Myers once he reacquires her. She actually seems to have a little less fight in her than she did in her earlier battle with the masked killer, though understandable being wounded and sedated by the hospital staff. Loomis once again comes to her rescue.

In Halloween (2018) we find a Laurie Strode who has been haunted for forty years as a result of the attack by Michael Myers and the murder of her friends. Aside from a few failed marriages and having a daughter from one, Laurie has lived a solitary life where she constantly prepares for Michael’s return…in fact she actually prays for it. The only way Laurie can purge the events of that Halloween night in 1978 from her mind is to kill the man who traumatized her and turned her into the paranoid recluse she now is. When she hears of Michael’s second escape, instead of hiding, Laurie arms herself and the hunter becomes the hunted. Laurie is more Sarah Conner than damsel in David Gordon Green’s film and Jamie Lee Curtis gives one of the best performances of her career.

 

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THE SETTINGS

The settings for both of these films is Haddonfield, Illinois and despite taking place forty years apart, not much has changed. In both films Haddonfield is a small suburban midwestern town that seems to celebrate Halloween enthusiastically. Halloween II ‘s town is still mostly unaware there is a killer in their midst and are only starting to hear the news that there has been an escape at Smith’s Grove and murders committed locally. The original Myers murder of his sister Judith, fifteen years earlier, is almost an urban legend at this point, especially to the town’s younger generations. A lot of the action takes place in the local hospital where Laurie has been admitted.

Same goes for Halloween (2018)‘s Haddonfield which has almost forgotten about the murders of forty years ago, save for the reminder of the eccentric woman who lives secluded in the woods. The new generation of teens know very little about Myers and that night and are too busy partying and trick or treating to realize a killer is on his way home again. Much like Halloween II, the Myers story is treated as an urban legend by everyone but for Laurie and a save few, including her daughter and granddaughter. The action takes place first at Smith’s Grove and then moves to Haddonfield with a last act at Laurie’s fortress home.

 

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THE OPENING SCENES

Rick Rosenthal’s 1981 sequel opens at Halloween‘s climax with Michael vanished and Loomis pursuing him into the street, much to the chagrin of a next-door neighbor. The opening sets the tone of the movie by quickly recounting the closing moments of the first film and then establishing that the danger is still out there. After a very effective opening credits scene where a pumpkin splits open to reveal a skull, we get Michael’s theft of a knife and first kill to make sure the dread is re-established.

Halloween (2018)  Opens with a pair of British podcasters visiting Michael at the Smith Grove Asylum. Journalist Aaron Korey (Jefferson Hall) uses some connections to borrow Michael’s mask and brazenly shows it to him to no effect. The other inmates react and it is their reaction that gives the opening an unsettling creepiness. After a very effective title sequence with a rotten pumpkin slowly reforming, we then follow Korey and his partner Dana (Rhian Rees) as they visit the reclusive Laurie, thus re-introducing us to her after all these years.

Both openings serve their respective stories well. Though in terms of sheer effectiveness, Halloween II is definitely the more potent opening, when going from Loomis’ classic “You don’t know what death is!” line to the pumpkin/skull credits, in getting us in the mood to be scared. Halloween (2018) only really gets going at a gas station scene which amusingly homages Halloween 4.

 

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THE ENDINGS

Both films end in fiery conflagrations with Michael at the receiving end.

In Halloween II, Michael bursts in as Loomis and Laurie are hiding in an operating room. Blinded by some well placed gunshots, Michael is lured into the center of the room as Laurie escapes. A wounded Loomis ignites the oxygen tanks causing a massive explosion. Myers walks out of the fire engulfed in flames before collapsing. Carpenter intended this to be the end of Michael Myers, though he would return for five more sequels before being “re-imagined” by Rob Zombie.

Halloween (2018) has Michael and Laurie engaged in a final(?) showdown at Laurie’s remote fortress house in the woods. She traps Michael in the cellar and then ignites the house which was always fitted to be a trap for the serial killer. Michael stares up at her as the room becomes engulfed in flames around him. Next we see the room, it is completely in flames, yet we see no sign of Michael. As we do hear his trademarked heavy breathing during the end credits, we are led to believe David Gordon Green is not done with the saga of Michael and Laurie quite yet.

 

 

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MISC

Halloween II is directed by Rick Rosenthal from a script by John Carpenter and Debra Hill, while Halloween (2018) is directed by David Gordon Green from a script by he, Danny McBride and Jeff Fradley. Both films are scored by Carpenter himself, with collaborations from Alan Howarth on the 1981 film and son Cody and Daniel Davies on the 2018 film. Both films look great with Dean Cundey doing the cinematography on Halloween II and Michael Simmonds on Halloween (2018). Both films feature graphic violence which is well represented by their respective make-up effects departments. As the recipient of such, both flicks have characters that are obviously there just to be Michael fodder. Each film does make good use of spooky Halloween imagery and were both box office hits with Halloween (2018) coming in just under the original film when tickets are adjusted for inflation.*

*as per Box Office Mojo

 

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IN CONCLUSION

Both films have their flaws and both have their merits. Both films effectively continue the story, but from completely different points in the timeline. One movie beginning where the first left off and the other continuing the story four decades later. As in all cases such as this, it’s up to the individual to choose a favorite. On a personal level, I’ll go with Halloween II as it’s an 80s slasher after all…my favorite kind…and flaws aside, it’s still the last Michael Myers film to really feel like a Halloween movie with Carpenter scoring and Dean Cundey doing cinematography…and let’s not forget the sadly missed presence of Donald Pleasence as Loomis. Halloween (2018), certainly got a number of things right, and does include a great performance from the queen herself. It also stumbled too, especially with it’s Loomis wannabe Dr. Sartain (Haluk Bilginer) and a failed subplot involving him. The 2018 film does have a strong police presence in Will Patton’s Deputy Hawkins who makes a nice replacement for the original part I and II’s Sheriff Brackett (Charles Cyphers) and Deputy Gary Hunt (Hunter von Leer). Addressing issues such as the long term effects on an attack victim, Green’s film has more substance, though Rosenthal’s sequel is simply more fun. Either way, Michael Myers fans win, as we probably haven’t seen the last of him. 🎃

-MonsterZero NJ

Check out more editions of A Comparison In Horror here!

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HAPPY 71st BIRTHDAY TO THE LEGENDARY JOHN CARPENTER!

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The_10_best_movie_soundtracks_according_John_Carpenter_photo_by_Kyle_Cassidy_750_501_75_sThe man, the myth, the legend!

Today legendary genre director John Carpenter turns 71 and as he has directed so many classics and is one of my all-time favorite filmmakers, who’s created some of my all-time favorite films, MonsterZero NJ’s Movie Madhouse wishes him a very happy, healthy birthday!

-MonsterZero NJ

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HORROR YOU MIGHT HAVE MISSED: HALLOWEEN (2018)

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HALLOWEEN (2018)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

It’s the 40th anniversary of John Carpenter’s Halloween and so there is no surprise that there is a new Michael Myers film this year. This film hits the reset button and rejects all the other sequels and remakes and is a direct continuation of the first film, picking up the story 40 years later…

Halloween 2018 opens to find Laurie Strode (Jamie Lee Curtis) living in solitude after some failed marriages and loosing custody of her only daughter Karen (Judy Greer). She’s taught herself to survive and fight and is in a constant state of preparedness for Michael Myers’ (Nick Castle and James Jude Courtney) possible return. As for Michael, he was recaptured after that fateful night and has been incarcerated in the Smith’s Grove Asylum ever since. A pair of British journalists (Rhian Rees and Jefferson Hall) visit Michael, on the eve of his transfer to an even more secure institution, and try to evoke a response by presenting him with his old mask. Of course, that night, the transfer bus suffers an accident and Michael escapes, reclaims his mask and heads off to Haddonfield in time for Halloween. But Laurie intends to protect her daughter and granddaughter (Andi Matichak) and goes on the hunt to confront Michael once and for all.

John Carpenter returns to the series to executive produce, along with Jamie Lee Curtis. He also co-wrote the score with son Cody Carpenter and Daniel Davies. The film itself is directed by David Gordon Green (Pineapple Express) who co-wrote with Danny McBride and Jeff Fradley for Blumhouse and Miramax. Background in comedy aside, Green delivers what is probably the best of the post Halloween III sequels, though technically that is not saying much. It also feels much more like a Halloween film than Rob Zombie’s efforts, but those are their own thing and exist in their own universe. It’s not perfect and still can’t come close to the original, but it does provide some intense scenes, especially in the last act confrontation. There is some brutal violence and Myers hasn’t mellowed in his old age (he’s about 61 here) as he still has a fondness for babysitters, anyone home alone…and or course, the Strode women. The film’s drawbacks are mostly script problems. The character of Loomis protégée, Dr. Sartain (Haluk Bilginer) seems shoehorned into the story, just so it has another Loomis. He doesn’t provide any useful exposition and as Michael hasn’t spoken in 40 years, he can’t know anything much more about him than Loomis did. There is also a last act plot twist involving him which simply doesn’t work and serves only to set up one of the film’s many conveniences. The flick also never maintains a constant feeling of dread as did the original. It’s never really scary, though it does get intense and there are some suspenseful moments. Michael’s killings in Haddonfield seem far more random than before. In the original he stalked Laurie’s friends, here it’s just randomly picked people to add body count before the last reel showdown. It works, but still seems like filler. When that showdown comes, it is intense and delivers what we came for and Green does pay nice homage to the original and some of the sequels it chooses to ignore. It also looks great, Green has a good visual eye and Haddonfield looks the most like Haddonfield since it did in 1981’s Halloween II.

Green also gets good work out of most of his cast. Jamie Lee Curtis is great as the emotionally troubled survivalist that Laurie Strode has become. If her character evokes the transformation of Sarah Conner from The Terminator to it’s sequel, T2: Judgement Day, it’s probably intentional…and it works. She’s still the queen of final girls. Greer is very good as her somewhat estranged daughter and it’s a shame this talented actress constantly gets these second banana supporting roles. Andi Matichak was solid as Strode’s granddaughter Ally. She seems to take more after her grandmother than her mother, though due to the story trajectory, she takes a backseat to Curtis in terms of final girl duty. Will Patton was solid as the local sheriff, Haluk Bilginer is no Donald Pleasence as Sartain, and Rees and Hall were suitable in their brief roles as the British journalists who rattle the wrong cage. Last, but certainly not least, Nick Castle and James Jude Courtney combine to make an imposing Myers, who is more threatening than he was in any of the post Halloween III, pre-Zombie sequels.

Overall, Halloween 2018 was a suitable enough sequel, though not without it’s flaws and it’s no classic. Director Green gave us some intense scenes and some brutally violent moments, as well as, a strong last act confrontation. His script let’s us down a bit, with some really contrived conveniences and a Loomis replacement that wasn’t necessary and who suffered one of the worst plot twists of the film. The continual sense of dread Carpenter established was missing and Michael’s kills seemed especially random and there to “kill” time as we awaited his reunion with Laurie. Curtis is still queen of the final girls forty years later and Dr. Sartain aside, most of the cast and characters worked, even if some were obvious Michael fodder.

Halloween 1978 is a masterpiece and a horror classic, so one can’t expect the same from any of the sequels. Most of them sucked, anyway, making it easy for this film to be able to at least hold it’s ground against the original three…and flaws aside, it does. Stay through the credits.

-MonsterZero NJ

Rated 3 three carving knives. Happy Halloween 🎃!

 

 

 

 

 

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HALLOWEEN 2018 HAS A NEW TRAILER!

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Blumhouse has dropped another trailer for their new Halloween film from director David Gordon Green. It is a direct sequel to John Carpenter’s classic and not only does it have Carpenter’s approval, but he is scoring as well! Jamie Lee Curtis returns as Laurie Strode as does Nick Castle as The Shape. Flick also stars Judy Greer and WIll Patton. Check out the second trailer below! This one has me a lot more excited than the first trailer…

Source: Youtube

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THE HALLOWEEN 2018 TRAILER HAS ARRIVED!

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The moment Halloween fans have been eagerly awaiting is here! Blumhouse has dropped it’s trailer for their new Halloween film from director David Gordon Green. It is a direct sequel to John Carpenter’s classic and not only does it have Carpenter’s approval, but he is scoring as well! Jamie Lee Curtis returns as Laurie Strode as does Nick Castle as The Shape. Flick also stars Judy Greer and WIll Patton. Check it out below!

Source: Youtube

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HAPPY 70th BIRTHDAY TO THE LEGENDARY JOHN CARPENTER!

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The_10_best_movie_soundtracks_according_John_Carpenter_photo_by_Kyle_Cassidy_750_501_75_sThe man, the myth, the legend!

Today legendary genre director John Carpenter turns 70 and as he has directed so many classics and is one of my all-time favorite filmmakers, who’s created some of my all-time favorite films, MonsterZero NJ’s Movie Madhouse wishes him a very happy, healthy birthday!

-MonsterZero NJ

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TOMB OF NOSTALGIA: BODY BAGS (1993)

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BODY BAGS (1993)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Body Bags is a made for TV anthology the was produced, partially directed, and hosted by the great John Carpenter for Showtime in 1993. It’s an anthology of three unrelated stories linked by a morgue set framing segment with a creepy attendant (John Carpenter) relating the stories behind his latest corpses.

The first story is directed by Carpenter and is the best. The Gas Station is set in Haddonefield and finds a pretty night shift gas station attendant (Alex Datcher) on her first night of duty with a serial killer on the loose. It’s a spooky and suspenseful segment with Robert Carradine and David Naughton also starring and fun cameo appearances by the likes of Wes Craven and Sam Raimi along with Carpenter regulars Buck Flower and Peter Jason.

Second story is also directed by Carpenter and is sadly the weakest. The satirical Hair tells the story of vain middle aged Richard (Stacy Keach), who is frantic over his thinning hair. His sexy girlfriend Megan (Sheena Easton) doesn’t mind, but Richard is desperate. He turns to a TV pitchman, Dr. Lock (David Warner) who claims he can regrow lost hair with a revolutionary new process. Richard goes for it, but to his horror finds out you must be careful what you wish for, as his new hair seems to have a life of it’s own. Segment is well done, but more humorous and silly than scary. The segment also stars legendary singer Deborah Harry as a sexy nurse.

Third and final segment rebounds a bit with Tobe Hooper’s Eye. This segment finds minor league baseball player and expectant father Brent (Mark Hamill) loosing one of his eyes in a car accident. His career potentially over, he turns to a Dr. Lang (John Agar) who claims he has a new eye transplanting procedure that he’d like to try on Brent. His sight is restored, but while on recovery he starts to have strange visions and his behavior begins to change. Soon he finds out that his eye belonged to a serial killer and that killer might still somehow be possessing his eyes new owner. It has some very effective moments, a good performance by Hamill and some decent gore. Segment also stars singer/actress Twiggy as Brent’s wife and the legendary Roger Corman as Brent’s original doctor.

The three stories and wraparound were written by Billy Brown and Dan Angel and they could have used a bit more inventiveness, especially with the story similarities within the last two tales. Nonetheless they are all entertaining and with such guidance as Hooper and Carpenter, make for an entertaining enough 90 minutes. Carpenter seems to be having a blast playing the morgue attendant and his first segment shows he still has that magic. Originally this was intended to be a series, but for whatever reasons, it never happened beyond this initial flick.

-MonsterZero NJ

3 body bags.

 

 

 

 

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AVCO EMBASSY PICTURES: UNSUNG HEROES OF THE B-MOVIE!

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AVCO EMBASSY PICTURES: UNSUNG HEROES OF THE B-MOVIE!

(Just click on the movie titles to go to our full length reviews!)

Some film fans may remember Avco Embassy Pictures, though there also may be some of you out there who have never heard of them…but if you love movies, you certainly know some of their titles! When talking about Avco Embassy Pictures, it would also be remiss not to mention the name of Robert Rehme…and as a B-Movie fan, you might want to know who this man is, too…

Originally a distributor of foreign films, such as Godzilla: King Of The Monsters and Fellini’s 8 1/2, Avco Embassy was founded by legendary producer Joseph E. Levine in 1942. It wasn’t until the 60s when the studio began to produce it’s own films, including such classic’s as The Graduate, Mad Monster Party and The Producers, to name just a few.

Some classic genre flicks released/produced by Avco Embassy in their early years!

The era that should resonate most with horror, action and sci-fi fans, are the years between 1978 and 1982. During most of this time, a man named Robert Rehme ran the studio. After having been sold and then experiencing some financial trouble that brought production to a halt, Rehme was hired to get the studio producing and profitable again and that he did! Rehme, who got his start working for Roger Corman at New World Pictures, used some of his former employer’s methods and turned to lower budgeted, yet popular B-movies to get the studio back in the black. Avco Embassy started churning out such flicks prolifically for the next few years, producing many inexpensive but successful films. Under his watch, the studio produced and released such classics and cult classics as Phantasm, The Fog, Scanners, The Howling and Escape From New York among many others! This strategy was a success, as studio earnings quadrupled during Rehme’s time at the helm!

Some of the classics and cult favorites the studio churned out under Rehme between 78 and 82!

All good things do, however, come to an end. Robert Rehme moved on to work for Universal in 1981 and Avco Embassy was subsequently sold in 1982. The name was changed to simply Embassy Pictures and the new owners gradually moved away from such B-Movie fair focusing on turning out more mainstream movies such as Eddie And The Cruisers and the classic comedy This Is Spinal Tap. Their last theatrical feature saw it’s release in 1986 and laid to rest the legacy of a studio whose early 80s flourish produced numerous classics and cult favorites. While Avco is now long gone, and Rehme apparently retired after a lengthy career, the movies they turned out, especially during their golden age between 1978 and 1982, will immortalize Avco Embassy Pictures and Robert Rehme with movie buffs for all time!

-MonsterZero NJ

Unsung hero of many a horror and B-Movie classic and cult classic, Robert Rehme!

sources: Wikipedia/IMDB/internet

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TOMB OF NOSTALGIA: THE EXORCIST III (1990)

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THE EXORCIST III (1990)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

This review is for the original theatrical cut.

Third film in this series is written and directed by original film/book writer William Peter Blatty after being passed on by both The Exorcist director William Friedkin and then John Carpenter. This film is based on Blatty’s book Legion and follows Detective William Kinderman (George C. Scott) who is investigating a series of murders he reluctantly starts to believe are being committed by a serial killer who has been dead for seventeen years. The trail, however leads to Father Damien Karras (Jason Miller), a good friend of Lt. Kinderman who himself died while performing an exorcism around the same time the Gemini Killer (Brad Dourif) met his demise. As Kinderman delves deeper in this mystery, his beliefs are shaken as he may indeed be facing a sinister force with a horrifying agenda.

Blatty’s only other directorial effort is the bizarre 1980 The Ninth Configuration and his minimal experience does show at times with some of the pacing and scene staging being a bit off at points during the film. He also does manage, though, some very spooky and disturbing sequences, especially during the film’s creepy second half. It’s a vast improvement over John Boorman’s 1977 Exorcist II: The Heretic, which is generally regarded as an epic fail and the idea of a demon using a serial killer’s soul to exact revenge on the priest who once evicted it, is chillingly original. Blatty’s initial exorcism-less cut was met with poor test screenings forcing the studio to ask him to add an exorcism to the proceedings and the sequence’s exorcist Father Morning (Nicol Williamson) was also added to the film. After a bit of a slow build, Blatty’s thriller starts to really click in the second half and we get the spooky and sometimes outright disturbing flick we came to see, whether it was the studio mandated changes or not.

What really makes this work, too, is George C. Scott’s giving his all in a portrayal of a policeman finding out that there are indeed things that go bump in the night and the closer he gets to the truth, the more bump they go and the more bodies fall. A veteran actor, Scott always treated every film with the same respect and the Oscar nominated actor…he actually won for Patton, but refused the award…plays the material straight and with intensity. Brad Dourif is absolutely chilling as the Gemini Killer, whose spirit taunts Kinderman while inhabiting Father Karras’ body and as Karras, a returning Jason Miller gives us a tortured soul forced to co-inhabit a body with a man who is everything the priest stands against. Nicol Williamson is also good in his post-production added role as exorcist Father Morning and the rest of the supporting cast, including odd cameos from Fabio and Patrick Ewing as angels, also add solid support.

The Exorcist is a horror masterpiece and making one sequel was a risk that backfired badly. Blatty originally wanted this third film titled Legion, much like the book it’s based on and there was no exorcism in the original cut. The studio demanded it be more directly linked to the classic film by titling it The Exorcist III and then after audiences didn’t get what they came for, had the filmmaker/writer add one to the story. It still works despite studio tinkering and a director who was a bit of a novice taking the reigns. It’s not perfect, but is still, at times, a spooky and chilling film with some top notch performances.

-MonsterZero NJ

3 nasty murder weapons.

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