John (John C. Reilly) has been divorced for seven years and finally meets a beautiful, single woman named Molly (Marisa Tomei). The only thing standing in the way of true romance, though, is Molly’s uncomfortably close relationship with her clingy and extremely jealous son Cyrus (Jonah Hill).
Cyrus is written and directed by Jay Duplass and Mark Duplass and is a very enjoyable indie comedy/drama for a number of reasons. It’s original, it’s funny and it also borders on brilliant in portraying those uncomfortable situations that occur when things aren’t quite right and we don’t know how to deal with them. Most of all, it’s the performances that make this so worth watching. Marisa Tomei once again proves she is a remarkable actress who deserves her every award and nomination she’s achieved. It is, though, John C. Reilly and Jonah Hill who really surprise us with strong performances as two very dysfunctional people. Reilly and Hill show they can really act when given strong material and aren’t reduced to comic sidekicks and supporting characters like they usually are. Both handle their roles with layered performances and their scenes together bristle with emotion and energy, as the two characters fight for dominance in what turns into a sort of twisted love triangle. If you like offbeat indie films this is a real treat.
Sequel finds Wreck-It Ralph (John C. Reilly) and Vanellope (Sarah Silverman) traveling into the internet to find E-Bay, to get a new steering wheel for her Sugar Rush game. Along the way Vanellope discovers a dangerous game called Slaughter Race, that she would rather stay in and in his grief, Ralph unleashes a virus which replicates hundreds of him at his most needy and threatens to bring the internet crashing down.
Sequel is cute and fun, though not quite up to the original Wreck-It Ralph. Rich Moore returns to direct, this time along with Phil Johnston, who co-wrote the screenplay along with Pamela Ribbon. The characters are still endearing and it is fun to see these retro game characters discover the new and more intense games of today and interact. There is a fun role from Wonder Woman’s Gal Gadot as the sexy “Shank” who is Slaughter Race’s premiere driver, until Vanellope arrives. Ralph’s moping and whining does get a little tedious, but otherwise it’s a cute and entertaining follow-up to the charming original.
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This new version of the King Kong legend takes place in 1973 at the end of the Viet Nam War when an uncharted island is discovered by satellite in the center of a perpetual storm system in the South Pacific. The monster hunting Monarch organization from Gareth Edwards’ Godzillawants to send an expedition in, with the hopes of getting there before the Russians find out about it. Agent Bill Randa (John Goodman) heads the expedition team, including former SAS tracker, James Conrad (Tom Hiddleston), combat photographer, Mason Weaver (Brie Larson) and a military escort lead by Lt. Colonel Preston Packard (Samuel L. Jackson). Immediately upon reaching the island, they find a hostile environment populated by hostile creatures and manage to piss off the ruling predator, a 100 foot tall ape the local natives and stranded WWII airman Hank Marlow (John C. Reilly) call Kong. After a confrontation with Kong that leaves the military escort decimated and the expedition stranded, the group begin to plan their escape from the island…all but the vengeful Packard, who wants to finish what he and the enormous simian started. Little do they realize, that there is a greater threat living beneath the grounds of Skull Island and Kong may be their only hope of surviving it.
The entire reason this reboot exists is to set up the eventual collision between the giant ape and Godzilla, now that Warner Bros has the rights to both and is starting their proposed Marvel-esque “Monster-verse”. In a way it shows, as this flick is directed somewhat by-the-numbers by Jordan Vogt-Roberts from a script by three writers, no less, including Godzilla scribe Max Borenstein. This new interpretation is a fun monster movie that is loaded with action and filled with an assortment of critters, but by removing the tragic elements and the Beauty and The Beast angle from the original story, the makers remove the parts of the tale that resonated the most and gave it emotional depth. Now it’s just a routine monster movie and while it does entertain, it is also a bit forgettable once the credits finish rolling. Vogt-Roberts moves things fast enough, but never succeeds in giving the film a sense of wonder or an emotional center. Even Kong seems more of a generic monster here, though a bit of a noble one and we don’t endear to him like previous incarnations. The film is still a fun time, but not much is going to stick with you after it’s over. The FX are top notch and the monster scuffles are fast and furious, but the film lacks the heart and soul that the original classic…and even, to a lesser extent, Peter Jackson’s remake…had that made them memorable and endearing. Aside from re-introducing Kong in order to set up another movie with The Big G, there really isn’t a point to this version and despite the monster menagerie and some likable characters, it’s a bit shallow, when all is said and done.
The cast are all good, though and overcome some stale dialog to make their characters enjoyable to watch, aside from the big CGI ape. Hiddleston is solid as former military man Conrad and proves again he is leading man material. Here he plays a tough guy with a heart and does so very well. Brie Larson is also very charming and likable as seasoned photographer Mason Weaver. She can scrap and battle monsters with the boys and hold her own with both Kong and Samuel L. Jackson and not loose her girl-next-door appeal. She conveys a strength and grace that should bode well for her upcoming MCU turn playing Marvel super-heroine Captain Marvel. Goodman avoids the clichés that come with government operative characters and gives his Bill Randa a boyish sense of wonder at what he has found on Skull Island. While the character did keep secrets, he is never portrayed as a villain. Samuel L. Jackson is dead-on as the battle-hardened warrior who is not going to let a giant ape get away with wiping out his squad, especially after a disappointing exit from the Viet Nam conflict. Jackson’s bravado and intensity does make him a suitable adversary for the gigantic ape. Rounding out the leads is John C. Riley, who gives the film a little comic relief and some heart as a man who has been stranded on the primordial island since WWII and has bonded with the natives and learned how to survive it’s beastly population. His Hank Marlow provides us with some important exposition about Kong and his homeland, too. The supporting cast are all fine, as well and the strong cast helps make this as fun as it is.
Overall, this is a fun Saturday or Sunday matinee monster movie with plenty of creatures and numerous monster brawls to pass the time. The solid cast elevates a routine script and some stale dialog and the film is fast paced enough to keep us from thinking too much about things. The tragic soul of the original story is lacking and while there is a brief bonding moment between Kong and Larson’s Mason Weaver, the epic Beauty and the Beast element is missing as well. This Kong never gets to see New York or fall in love, but if he is still a growing boy as Hank Marlow seems to suggest, he should be big enough to lock horns with Godzilla as Warner Brothers plans them to do in 2020…which is the entire reason we got this movie. A fun, but forgettable monster mash.
Be sure to stay through the credits for a Marvel-esque post credit sequence that reveals Godzilla’s “co-stars” in the upcoming Michael Dougherty directed sequel Godzilla: King Of The Monsters due in 2019.
King Kong is Back! The new re-imagining of the classic character is scheduled to hit theaters on March 10th 2017 and this new trailer brings out the King and the critters! Flick stars Tom Hiddleston, Brie Larson, John C. Reilly, John Goodman and Samuel L. Jackson!
I’d never even heard of Guardians Of The Galaxy till Marvel announced a film version of the comic. So, I went into this flick blind though, I am a big fan of director James Gunn’s Slither and was familiar with his devious and sarcastic sense of humor. And while I do feel some familiarity with the comic would help a little going in, I had a blast of a good time nonetheless.
The film opens with a young boy, Peter Quill being abducted from Earth by a space ship and then fast forwards 26 years later with Quill (Chris Pratt) now a renown thief who calls himself Star Lord and runs with a group of space pirates know as the Ravagers. He steals a mysterious orb which is also on the wanted list of a vicious Kree usurper called Ronan The Accuser (Lee Pace) and when he tries to sell it without involving the Ravager’s leader Yondru (Michael Rooker), he also earns a price on his head. And when he collides with Ronan’s assassin Gamora (Zoe Saldana) and bounty hunters Rocket Racoon (Bradley Cooper) and the plant-like Groot (Vin Diesel) all four land in jail. It is there they bond over common issues and enemies and hook up with their eventual 5th member Drax (WWE Superstar Dave Bautista) and the Guardians Of The Galaxy are born! Now they must escape from prison and somehow keep the orb out of Ronan’s hands as he seeks to use it’s powerful contents to lay waste to anyone who stands in his way, including the Nova Corp home world of Xandar and even the powerful Thanos (Josh Brolin) himself.
Yea, Guardians is a little plot heavy but, makes it work in just over two hours. One of the few flaws I had with it was, that the plot is a little complex in terms of characters, which there are a lot of, and backstory, which is kinda rushed through in quick exposition sequences. The first half hour is a bit clunky as we have five main characters and two or three villains to introduce us to and the flick tries to get this origin stuff out of the way as quick as possible to get the story moving. And this first segment is a bit too fast paced for it’s own good. But, once the heroes bond inside the Nova Corp prison and form a misfit group with a mission, the flick accelerates into a incredibly fun, and hysterically funny at times, sci-fi adventure that is one of this Summer’s best movies and one of the most outright entertaining movies Marvel has put out since The Avengers. Director and co-writer, with Nicole Perlman, James Gunn has shown us his audacious, mischievous and deviously sarcastic sense of humor in his previous films and here he delivers some really funny lines and scenes that test the boundaries of Marvel’s PG-13 movie universe while not disrupting the dazzling and action packed space opera going on around it. He keeps the film moving like a rocket, though a little too fast at first as said, and there are some truly dazzling action and battle scenes throughout. And the best thing of all, is the film also has some nice emotional resonance to go along with the one-liners and space battles and the film has a huge heart to go along with all the CGI wizardry. The characters fast become very endearing and the villains are strong and help add weight to the story. There are dozens of bizarre and unique characters that populate Gunn’s vision of the Guardian universe and the production design reminded me of the classic Heavy Metal comics when it was in it’s glory with artists like Moebius. I really loved the look of the film and the FX were flawless and amazing. Top that off with another strong score by Tyler Bates supported with a great assortment of classic tunes and you have a real blast of a movie with a refreshingly mischievous and rebellious edge to add contrast to the other Marvel films in this ongoing series.
There is a large cast and all of them do good work at bringing their colorful and offbeat characters to life. Pratt makes a strong ‘bad boy’ hero and is a nice addition to Marvel’s canon and is nicely flawed reminding one of a less genius and far less polished Tony Stark. Saldana is a strong and passionate Gamora and has a nice chemistry with Pratt and the others. Bradley Cooper steals the show as the voice of Rocket Raccon and he has some of the film’s best lines and delivers them with some deft comic timing. Diesel’s Groot has only one line the tree creature can utter and gets the point across and adds a little different tone and inference to that line each time he says it. Rounding out our heroes is a surprisingly very funny Dave Bautista. The WWE Superstar gives some hilariously dry line readings as well as creates a very noble and imposing warrior in Drax. He shows much more range then some of his other roles. As for the rest, Pace makes a very threatening villain in Ronan, Karen Gillan made a strong villainess in his assassin assistant Nebula and Rooker is top notch, as always, as the out for himself Yondu. Add to that, eccentric character appearances by Benicio del Toro, John C. Reilly and Glen Close and you have a deep cast that really make the offbeat characters come vividly to life whether it is a large role or little more then a cameo… and let’s not forget Josh Brolin giving a lot of weight to Thanos, who is to play a far larger role in future Marvel films.
To finish up, I had a blast with one of the most audaciously fun and uniquely toned and designed space operas in some time. It’s a refreshingly different entry in the Marvel film series but, somehow fits right in. It starts off a little awkwardly with a lot of backstory and characters to establish but, ones it gets going it’s a roller coaster ride of sci-fi action and fun, that isn’t afraid to test the boundaries of Marvels family friendly movies. A real blast and probably the most fun I’ve had in a movie since The Avengers… and not to mention a dynamite soundtrack of classic tunes that are perfectly used and placed throughout. Highly recommended!
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