BARE BONES: BLACK PANTHER: WAKANDA FOREVER (2022)

BLACK PANTHER: WAKANDA FOREVER (2022)

Film opens with the tragic passing of King T’Challa/The Black Panther (Chadwick Bosman) from an undisclosed illness that Shuri (Letitia Wright) tries desperately to save him from. As Wakanda mourns, the world begins to turn against the once hidden land for not sharing their precious vibranium. This leads to nations trying to either steal it or find their own. When a vibranium detecting device invented by a brilliant teenager (Dominique Thorne) locates some deep on the ocean floor, it incurs the wrath of the undersea kingdom of Talokan and its powerful mutant king Namor (Tenoch Huerta Mejía). Wrath that soon turns towards Wakanda.

Superhero sequel is again directed by Ryan Coogler from his script with Joe Robert Cole. It pays heartfelt and emotional tribute to the late Chadwick Bosman, while trying to continue the story of Wakanda and The Black Panther without him. It is a heavy task, but one that is handled quite well, all things considered. It also makes it a very somber film as loss, mourning and the handling of one’s grief become major currents running through its 161-minute runtime. Even the film’s villain Namor is motivated by his own loss and his anger at the constant injustices committed by the surface world. It makes for a very serious and somewhat heavy superhero flick, though Coogler still balances it well with plenty of action and some epic battles. The cast all do strong work with Basset truly deserving of her recently won awards, almost carrying the film on her regal shoulders. Tenoch Huerta Mejía also gives us a strong villain, but one who’s motivations are not atypically sinister. Namor is trying to protect his people, by any means necessary. Yes, we do get a new Black Panther and Coogler leaves things with the series definitely having a direction to go in, with T’Challa’s legacy carrying on and further villainy lurking in the shadows. As with the first film there is a heavy influx of cultural background and visuals as Talokan is based on ancient Mayan culture just as Wakanda is on African. Overall, it may be a bit too solemn to be the fun ride that the first Black Panther film was, and the final confrontation with Namor was a bit lackluster, but considering they tragically lost their star and main character, Coogler keeps the series going and with some emotional resonance to go with it.

-MonsterZero NJ

REVIEW: BLACK PANTHER (2018)

BLACK PANTHER (2018)

Black Panther is the latest edition to the MCU and once again Marvel comes up with a way to keep this series fresh after ten years and eighteen films. The movie opens with a brief introduction to the history of the fictional African nation of Wakanda. It tells of the fateful meteorite landing which introduced the miracle metal vibranium to the land, which transformed Wakanda into a technically advanced civilization. They’ve long kept hidden their technology from the world, though, to prevent ill use of their weaponry. Enter the newly crowned King T’Challa (Chadwick Boseman), who is also The Black Panther, Wakanda’s protector as well as ruler. While still mourning the death of his father, T’Challa finds out a hard truth about the death of his uncle and of a cousin he didn’t know he had…a cousin known as the mercenary Killmonger (Michael B. Jordan), who wants to take the throne and use Wakanda’s arms technology to start a global revolution.

This sometimes stunning film is directed by Ryan Coogler from a script by he and Joe Robert Cole. Coogler has a wonderfully sumptuous visual eye and making full use of African cultural influence turns this into a film worth seeing for the sights alone. His script with Cole takes things deeper than that with a story rich in depth, not only in it’s cultural surroundings but in the political, racial and social issues effecting it’s African characters and the continent’s descendants around the world. It weaves this context into it’s action/adventure story-line very well, so it’s never preaching, but the issues are boldly there. It represents those who have a more aggressive way of dealing with these issues in it’s antagonist N’Jadaka / Killmonger and those who see a more peaceful solution in it’s hero T’Challa. It also doesn’t shy away from the fact that these differences can pit brother against brother, too. Black Panther is still also very much a superhero movie and we gets some spectacular action, some amazing gadgets and even a James Bond-ish trip to South Korea, where T’Challa meets old friend Everett Ross (Martin Freeman) and old foe Ulysses Klaue (Andy Serkis) who is aligned with Killmonger. Panther is given some wonderful support in his sister Suri (Letitia Wright) who is technology savvy and is the “Q” to T’Challa’s Bond. There is king’s bodyguard Okoye (Danai Gurira) who is Wakanda’s greatest warrior, elder Zuri (Forest Whitaker) and his proud and strong mother Ramonda (Angela Bassett). The SPFX are amazing, there is a wonderfully African infused soundtrack by Ludwig Göransson and some beautifully realized dream sequences that add even more depth to a film that has spirit and heart as well as action.

Simply put this movie also has a great cast. Boseman is a perfect fit for a character that has to be ruler, hero and diplomat, as well as, simply a man. He is charming, handsome and gives the heavily burdened T’Challa a sense of humor and warmth as well. Michael B. Jordan is solid as his vengeful cousin known as Killmonger. Jordan is usually in the role of hero or nice guy and here he shows he can be a bad-ass too. N’Jadaka is a street smart killer raised in America and he brings that urban edge to his warrior with a mission. His purpose may have a bit of a noble center, but it’s his methods and ruthless execution of them are what make him a villain. Serkis is fun as Klaue, following-up his amusing part in Age of Ultron and it’s too bad his part here is almost as small. He’s a fun and eccentric bad guy. Letitia Wright is cute and energetic as T’Challa’s genius sister Suri and Danai Gurira is a blast as warrior woman, Okoye. She’s a powerhouse and deserves her own movie. Rounding out are strong characterizations from Freeman as Ross, Angela Bassett as Ramonda and Forest Whitaker as the noble Zuri. There is also a cool post credits cameo I won’t spoil.

Once again Marvel has delivered a splendid entertainment that is at once a story with it’s own heart, soul and purpose and yet fits well into the MCU game plan. There are political and racial issues weaved into T’Challa’s first solo flick and it is as energetic and exciting as it is thought provoking. Ryan Coogler is a director who has not only a brilliant visual style, but can make popcorn entertainment that is also food for thought. A delightfully entertaining movie with some well appreciated heart and depth. As always, stay through the entire credits for two extra scenes.

-MonsterZero NJ

Rated 3 and 1/2 (out of 4) black panthers.

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