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Ghosts of Mars was John Carpenter’s last film before he took an almost decade long break from filmmaking. The movie takes place in the future where Earth is terraforming and colonizing Mars. A squad of police officers, including Lt. Melanie Ballard (Natasha Henstridge), Sgt. Jericho Butler (Jason Statham) and Cmd. Helena Braddock (Pam Grier), are sent to a small mining outpost to collect career criminal James “Desolation” Williams (Ice Cube), who is suspected of robbing a payroll delivery and brutally murdering six people. What they find, aside from a jailed Williams, is that an ancient evil has been released by the miners and has taken over the colonists and turned them into savage killers. Now trapped and outnumbered, they have to join forces with Williams, his criminal posse, and the other inmates, to survive.

Film is directed by Carpenter from a script by he and Larry Sulkis. Carpenter’s appreciation for British writer Nigel Kneale is evident here as Ghosts has elements of Kneale’s Quatermass and the Pit (also known as Five Million Years to Earth) and Carpenter’s own Assault on Precinct 13. We have the spirit forms of an ancient Martian race of savage warriors released from their tomb and possessing individuals, turning them into savage blood-thirsty killers, who are determined to oust the human invaders. This forces cop and criminal alike to team up to survive, as the Martians lay siege to the outpost prison. The film was not a success back in the day, but looking back it’s not as bad as it’s reputation suggests, though still one of Carpenter’s lesser efforts. There is plenty of action, abundant bloodletting and gore and the SPFX are charmingly old school on GOM’s modest budget. Carpenter had a little fun with telling certain scenes from different POVs and it has some spooky moments when dealing with it’s Martian specters, who can move from one host to another when a previous host is felled. The Martians themselves are creepy with bizarre face paint and gory body piercings. It’s only when their leader (Richard Cetrone) speaks that the scenes loose their potency as he seems to be uttering gibberish and not an actual structured language, like say, Klingon or any of the Star Wars aliens. It’s a bit distracting, but thankfully those scenes are brief and few. Overall, the film is derivative, but Carpenter still crafts a fun, action/horror with a good cast and some entertaining character interaction. One of Carpenter’s strong points has always been memorable characters and it’s no different here.

As for the cast playing those characters, Natasha Henstridge makes a strong lead in what Carpenter’s intro describes as a matriarchal society. Ballard is a fighter with her own issues and she and Ice Cube work well together. As Williams, Ice Cube is solid as the criminal with a bit of a code of honor. Sure, someone with a bit stronger screen presence, like Wesley Snipes, could have taken Williams into Snake Plissken territory, but Cube is more than efficient. Statham is good as the cocky and horny Jericho Butler and it’s interesting seeing him in a supporting role, before he became a top action star. Pam Grier is every bit the legend she is as the tough Cmd. Braddock and Joanna Cassidy is good as a scientist responsible for the Martians’ release. She supplies a lot of the exposition we need, as does a clever sequence of a stoned and possessed Ballard that fills in the backstory. Supporting cast include Clea DuVall (The Faculty), an imposing Richard Cetrone as the Martian war chief and small roles from Carpenter regular Peter Jason and Robert Carradine as train operators.

Maybe it’s the nostalgia, but all these years later this flick doesn’t seem quite as disappointing as it first did on opening day in 2001. GOM is still not Carpenter’s strongest work, or most original flick, but it’s also not his worst flick either. Carpenter crafts an entertaining action flick, with some spooky sci-fi/horror elements and has a good cast. It’s not perfect, but he does add some inventive touches and moments to a derivative story and it moves quickly at just under an hour and 40 minutes. Gary B. Kibbe provides some nice cinematography for Carpenter’s shots and Carpenter himself provides a rock heavy score with some famous names guesting on it, like Steve Vai, Anthrax and Buckethead*. GOM does show signs of a filmmaker getting tired of the whole process, but also one who can still make good use out of a familiar story and on a modest budget.

*Complete track listing with guest artists listed below trailer!

-MonsterZero NJ

Rated 3 (out of 4) angry red planets.








GHOSTS OF MARS TRACK LISTING w/guest artists (list originally posted on Wikipedia)

  1. “Ghosts of Mars” (3:42) – Steve Vai, Bucket Baker & John Carpenter
  2. “Love Siege” (4:37) – Buckethead, Robin Finck, John Carpenter & Anthrax (Scott Ian, Paul Crook, Frank Bello & Charlie Benante)
  3. “Fighty Train” (3:16) – Robin Finck, John Carpenter & Anthrax
  4. “Visions of Earth” (4:08) – Elliot Easton & John Carpenter
  5. “Slashing Gash” (2:46) – Elliot Easton & John Carpenter
  6. “Kick Ass” (6:06) – Buckethead, John Carpenter & Anthrax
  7. “Power Station” (4:37) – Robin Finck, John Carpenter & Anthrax
  8. “Can’t Let You Go” (2:18) – Stone (J.J. Garcia, Brian James & Brad Wilson), John Carpenter, Bruce Robb & Joe Robb
  9. “Dismemberment Blues” (2:53) – Elliot Easton, John Carpenter & Stone
  10. “Fighting Mad” (2:41) – Buckethead & John Carpenter
  11. “Pam Grier’s Head” (2:35) – Elliot Easton, John Carpenter & Anthrax
  12. “Ghost Popping” (3:20) – Steve Vai, Robin Finck, John Carpenter & Anthrax





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VISIONS (2015)

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Routine story starts out with our heroine Eveleigh (Isla Fisher) having been in an automobile accident where a child is killed. We then jump forward a year later where Eveleigh is still haunted by the accident, which wasn’t her fault, but is now pregnant herself. She and her husband David (Anson Mount) have recently moved into an old winery and plan to start their own vineyard. Shortly after settling in, Eveleigh starts to see and hear strange things. Her husband and gynecologist (Jim Parsons) think it’s a combination of lingering guilt and her own pregnancy and refuse to believe anything supernatural may be occurring. Eveleigh starts to look into the past of their new home and…well, you can see where this is going…

The script by Lucas Sussman is loaded with every cliché and trope these kind of thrillers contain, though director Kevin Greutert (Saw VIJessabelle) does a good job translating the familiar elements to the screen. The only new touch is setting this spooky tale in the beautiful wine country of California and it is a stark contrast to the things that go bump in the night…and day. Despite the lovely setting, we still get hooded figures, mysterious ruins, superstitious locals, a house that may have it’s own secrets and a heroine who is the only one who seems to see the strange goings on. The whole ‘is she imagining it, or isn’t she’ is played out in grand tradition. Greutert does give the proceedings an air of mystery and guides the cliché story well, but if you are a fan of these type of movies, you know where it’s all heading. There are a few interesting twists, but the main reveal is far from a surprise as you know the film’s opening would figure in there somewhere. If you like these types of flicks than this one is entertaining enough to pass the time and at least gives you a likable heroine to follow.

We have a very good cast which ups things a notch. Fisher is a determined and strong-willed woman and makes a good heroine for this type of mystery/thriller. Anson (Hell On Wheels) Mount is fine as the doubting, yet caring husband and he and Fisher are a believable couple. Jim Parsons seems a bit out of place as a gynecologist, but maybe that’s because he has created such a memorable character on Big Bang Theory that he evokes Sheldon Cooper no matter what he does. Community‘s Gillian Jacobs plays a friendly neighbor who is also expecting and Eva Longoria has a small role as Eveleigh’s friend, Eileen. Rounding out is Star Trek: TNG‘s John de Lancie as a local who provides exposition and Blade Runner‘s Joanna Cassidy as a wine distributor with a sense for the supernatural, as we need our paranormal expert and/or psychic in there somewhere.

There is nothing new or special about this very routine thriller, but it is well cast and is well directed. Aside from a somewhat less traditional setting, the familiar tropes of the ‘haunted wife in a new home’ type thriller are all here and accounted for. While the flick is not without it’s twists, you can probably see what’s coming a long way off. If you are a fan of these thrillers, you can do a lot worse, but if you are looking for something novel and different, than look elsewhere.

-MonsterZero NJ

2 and 1/2 wine grapes.
visions rating