MALEFICENT: MISTRESS OF EVIL (2019)
Sequel to the 2014 film about one of Disney’s greatest villainesses finds Aurora (Elle Fanning) getting engaged to handsome Prince Phillip (Harris Dickinson) and her godmother Maleficent (Angelina Jolie) having none of it. Unknown to both Aurora and Maleficent, it’s all a ruse by Phillip’s mother, the scheming Queen Ingrith (Michelle Pfeiffer), to not only be rid of Maleficent, but all the creatures of fairy. Framed for bewitching the king and wounded, Maleficent is found by others of her kind and taken to their secret island hideaway. As she heals her wounds and gets to know her people, she plans to stop Ingrith and save the creatures of fae with her new army at her side.
Sequel is directed by Joachim Rønning (Pirates of the Caribbean: Dead Men Tell No Tales) from a script by Micah Fitzerman-Blue, Linda Woolverton and Noah Harpster. It’s unremarkable story-wise and fairly by-the-numbers in execution, but does at least have a lot of fantasy images and creatures to keep one’s attention. There is also a fair share of action and an epic battle at it’s climax, with both Jolie and Pfeiffer chewing up the scenery appropriately. Maleficent is never actually evil at any point in the film…pissed off, yes, but evil, no…so the title is a bit misleading, unless it actually refers to Pfeiffer’s Queen Ingrith, who is the far more sinister of the two. Maybe Maleficent: The Pissed Off Anti-Hero was too awkward a title for the Disney promotional department. The film is competently made and colorful enough to be an amusing night on the couch, especially for it’s target audience, but a forgettable fantasy, overall. Strengths and weaknesses aside, the biggest disappointment here is in not letting Jolie really cut loose in a role she was born to play.