IT: CHAPTER TWO (2019)
It: Chapter Two is an adaptation of the second half of Stephen King’s classic novel, focusing on the characters as adults, though we still visit them as kids in flashbacks. It’s been 27 years since we last saw the characters and something sinister is stirring in Derry once more. Only Mike Hanlon (Isaiah Mustafa) has remained and summons the other “Losers” Bill (James McAvoy), Bev (Jessica Chastain), Ben (Jay Ryan), Richie (Bill Hader), Eddie (James Ransone) and Stanley (Andy Bean) to return home to face Pennywise (Bill Skarsgård), hopefully for the last time. Stanley commits suicide, but the remaining members reluctantly return and must face some of their own personal demons before they can confront the demonic clown…who has been patiently waiting for them.
Second half is again well directed by Andy Muschietti from a script by Gary Dauberman, who co-wrote It: Chapter One. Like the first film, this flick has some wonderfully creepy visuals and some really cool monsters and ghouls, but is never really all that scary. There are some very effective moments and good jump scares, but, again, the movie never really gets under your skin or really grabs you. It’s quite entertaining, but there are also a few scenes, like Richie’s meeting with Pennywise in a park, that are a bit too over-the-top for their own good and come across as borderline silly. The film can be very gruesome and never feels nearly as long as it’s 169 minutes, though the inclusion of a sub-plot with grown-up bully Henry Bowers (Teach Grant) seemed like overkill and could have been removed with no harm to the story. The FX are top notch and we even get some background on Pennywise and what he really is and where he came from. To some this might remove some of his mystique, but it also moved this more into monster movie territory, which for others, is just fine. There was a great homage to John Carpenter’s The Thing and a very amusing cameo from a certain world famous author. As stated, it is more of a monster movie this time than supernatural thriller and that also made it a bit more fun and action oriented, though, again, never really as scary as it should have been.
The cast are again strong. McAvoy is very good as the adult Bill and seems to be the one most strongly onboard to confront Pennywise again. He is still tormented by guilt over Georgie. Chastain is a solid actress, no matter what the role and really gives Bev a strong emotional core. She’s still traumatized by her father and the choice of an abusive husband proves it. Pennywise isn’t the only demon she must face down. Hader is good as RIchie, who is now a stand-up comedian. He uses humor to hide his fear and still conveys much of his feelings in sarcasm. Hader shows some solid dramatic chops here. Isaiah Mustafa is noble as Mike, the only one to remain on watch in Derry. He also believes he knows how to stop the monstrous clown and uses that to convince the others to join him. Ryan is solid as the now skinny and sexy Ben. He still has a soft spot for Bev and is still in some ways insecure. Ransone is also good as the cowardly Eddie and makes his journey to overcome his fears work very well. Andy Bean has a brief few moments as Stanley, but makes them count to give his early death emotional resonance. All the young actors who portrayed the characters as kids also return in flashbacks. As for Pennywise, Bill Skarsgård has even more to do this half and it is in this second part that he really makes this incarnation of the character his own. The young actors who played the characters as kids, all return in flashbacks.
Overall, this second chapter was an entertaining flick, but still wasn’t all that scary. Andy Muschietti directs well and has a great visual eye, as well as, takes a few risks this time with the carnage. The cast all perform strongly and there are plenty of effective scenes to entertain. The film can also be a little too over-the-top at times for it’s own good, like a Chinese restaurant scene, and a few of these scenes do skirt a little close to being silly. It does keep one involved, despite being almost three hours long, though a few things here and there could have been trimmed with no harm to the proceedings. A solid mainstream horror and will most likely repeat the success of It: Chapter One.
3 (out of 4) red balloons.
Latest flick from the DC Comics cinematic universe is based on one of their outside the Justice League characters and is more geared towards kids, though it has a few rough moments. Movie finds orphaned Billy Batson (Asher Angel) running away from foster home after foster home to try and find his real mother. His latest place of residence is a foster home run by Rosa and Victor Vasquez (Marta Milans and Cooper Andrews). Here he’s befriended by Freddy (Jack Dylan Grazer), who is partially disabled and a real superhero fan. His superhero know-how comes in handy when guardian wizard Shazam (Djimon Hounsou) chooses Billy as a champion to take his place as a protector and to hold his power. Now all Billy has to do is say “Shazam!” and he transforms into a muscular adult superhero (Zachary Levi)…but in body only. Learning how to be a hero is tough enough on it’s own for a kid, but Billy/Shazam is challenged by the bitter and angry Dr. Sivana (Mark Strong), who was rejected by Shazam as a child and now wants revenge…and has seven powerful demons to help him get it.
Flick is directed by David F. Sandberg, who cut his teeth on horror flicks like Lights Out and Annabelle: Creation. This probably comes in handy as the script by Henry Gayden, from a story by he and Darren Lemke, features the before mentioned demons and thus a few spooky sequences. Sandberg does a good job at the sentimental and silly stuff, too, though in both cases, the script throws in a bit too much of it. The schtick of a 15 year-old kid being in an adult superhero’s body wears out it’s welcome after a while with numerous scenes of Billy/Shazam acting like a brat and using his newfound fame to get himself attention and money. Probably what a kid would do, true, but here it’s drawn out a bit too long. The whole film could have been a bit tighter and wouldn’t have missed about ten minutes or so removed. There are some fun bits and the flick has heart, but it can be over-sentimental at times, too and really goes for all the clichés about trust and family, though superhero flicks in particular can get away with being cliché. It’s oddly one of the things endearing about them. The climactic confrontation with Sivana never really gets all that exciting and Billy learning that he doesn’t have to fight alone is exactly what we expect to happen. The flick overall is very predictable. Not a bad movie, but one that could have used a little tightening, a little more excitement and less repetition with it’s hi-jinx.
There are no complaints about the cast. Zachary Levi is a hoot as the teen in an adult body imbued with superpowers. He’s charming and funny and even if the bratty hero bits are the focus for a bit too long, Levi is fun in the part. His overstuffed costume is a bit off-putting, but otherwise Levi is a good fit for the role. Asher Angel was very good as Billy. The film’s sentiment may get schmaltzy at times, but Angel is endearing and likable and handles the emotional requirements very well. Grazer is also likable as the partially disabled nerd who has a strong interest in superheroes and now gets to be BFF’s with one. Mark Strong makes a solid though unremarkable villain. He’s a very reliable veteran actor and it was cool to see DC give him a second chance at villainy after the prospects of his being the evil Sinestro in a Green Lantern sequel dried up. The rest of the supporting cast are also good and all perform well in their roles.
Overall, this is a flick that tries hard and doesn’t miss the mark by too much. It has some fun sequences and a likable cast, but maybe plays out it’s schtick a bit too long and might be a bit too silly at times for some tastes. The film feels like it could have been a bit shorter and tighter, without harming it’s story and drags a bit midway through. It’s loaded with clichés which make it a bit predictable, but still has a lot of fun bits and with lead Levi being perfectly cast as the kid in a hero’s body. As a superhero version of 1988’s Big, at least they had the respect to pay that film a nice homage. Stay after the credits for two additional sequences.
Rated 2 and 1/2 (out of 4) kids in a hero’s body.
New adaptation of Stephen King’s classic novel basically covers the first half of his book by focusing on the characters as kids. The children of Derry, Maine have something to be afraid of as someone…or something…is stalking them and taking them, including Bill Denbrough’s little brother Georgie (Jackson Robert Scott). Bill (Jaeden Lieberher) gathers his band of misfit friends to investigate and finds that a number of children die or go missing in Derry every twenty-seven years. They also find that an evil entity is involved that takes the form of a clown named Pennywise (Bill Skarsgård) and worst of all, the group of friends now have the fiendish clown’s attention.
New version of King’s best selling book is a well enough made film by Mama director Andy Muschietti from a script by Cary Fukunaga, Chase Palmer and Gary Dauberman. Like his first film this flick has some wonderfully creepy visuals, but isn’t really all that scary. There are certainly some effective moments in It, but the film never really gets intense or digs it’s nails in to really frighten you. It works and entertains, but is obviously a horror made to appeal to the mainstream audience who doesn’t venture too far from the generic PG-13 horror fair that is all too common lately. The film is R-rated and has a few gruesome moments, but never gets too intense or brutal, so it doesn’t alienate the average movie goer who is only going due to the Stephen King name being attached or having read the book. Folks who watch everything horror will probably find it entertaining enough, yet leave wishing it had really turned the screws instead of mildly twisting them. In It‘s favor, there are also some very well done coming of age story elements, such as dealing with bullies (Nicholas Hamilton), being perceived as different and first love, as between Bill and Bev (Sophia Lillis). They work well enough to endear us to the characters, so we do care when things start to really pick up. The film is moderately paced and takes time to tell it’s story…technically, it’s half of the story…and it’s only in the second act when the horror elements become steady and as such, it’s delivers some fun stuff, just nothing truly frightening. Much like with Mama, one leaves feeling it could have been more had Muschietti really went for the throat. He seems to be a director who likes to play it safe and when wanting to appeal to a mainstream audience with a horror…even an R-rated one…studios generally like to play it safe.
The cast are strong and that helps even if the horror elements felt like pulled punches at times. The young cast members are all good in their roles with Jaeden Lieberher and Sophia Lillis being standouts. Lieberher conveys well a boy not willing to give up hope that his lost little brother will someday come home and Lillis is very strong as a young girl becoming a young woman and catching her widowed father’s attention in the worst way. The rest of the kids play their fairly stereotypical roles well with the fat kid (Jeremy Ray Taylor), the Jewish kid (Wyatt Oleff ), the wise-ass (Finn Wolfhard), the black kid (Chosen Jacobs) and the sickly kid (Jack Dylan Grazer) all present and accounted for. As the main villain, Bill Skarsgård is certainly effective as Pennywise, but his performance is enhanced with a lot of state-of-the-art SPFX whereas Tim Curry achieved more with simply his performance in the modestly budgeted 1990 TV movie version. Curry was creepier without being surrounded by CGI, though Skarsgård certainly has his moments.
Overall, this was an entertaining flick, but clearly a horror flick made for mainstream audiences that don’t regularly choose horror. It’s made for the folks that flock to big name adaptations or the works of A-list directors, but avoid the more intense stuff that usually premiers on VOD or in limited runs. Mama director Andy Muschietti directs well and the film looks great, though plays it safe scare-wise with not getting too intense or brutal as to scare away the wider audience for which this was made. Either way, the success of It means studios will green-light more R-rated horror flicks, which isn’t a bad thing for a genre drowning in PG-13 teen-centric chillers as of late.
3 (out of 4) red balloons.