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IT (2017)

New adaptation of Stephen King’s classic novel basically covers the first half of his book by focusing on the characters as kids. The children of Derry, Maine have something to be afraid of as someone…or something…is stalking them and taking them, including Bill Denbrough’s little brother Georgie (Jackson Robert Scott). Bill (Jaeden Lieberher) gathers his band of misfit friends to investigate and finds that a number of children die or go missing in Derry every twenty-seven years. They also find that an evil entity is involved that takes the form of a clown named Pennywise (Bill Skarsgård) and worst of all, the group of friends now have the fiendish clown’s attention.

New version of King’s best selling book is a well enough made film by Mama director Andy Muschietti from a script by Cary Fukunaga, Chase Palmer and Gary Dauberman. Like his first film this flick has some wonderfully creepy visuals, but isn’t really all that scary. There are certainly some effective moments in It, but the film never really gets intense or digs it’s nails in to really frighten you. It works and entertains, but is obviously a horror made to appeal to the mainstream audience who doesn’t venture too far from the generic PG-13 horror fair that is all too common lately. The film is R-rated and has a few gruesome moments, but never gets too intense or brutal, so it doesn’t alienate the average movie goer who is only going due to the Stephen King name being attached or having read the book. Folks who watch everything horror will probably find it entertaining enough, yet leave wishing it had really turned the screws instead of mildly twisting them. In It‘s favor, there are also some very well done coming of age story elements, such as dealing with bullies (Nicholas Hamilton), being perceived as different and first love, as between Bill and Bev (Sophia Lillis). They work well enough to endear us to the characters, so we do care when things start to really pick up. The film is moderately paced and takes time to tell it’s story…technically, it’s half of the story…and it’s only in the second act when the horror elements become steady and as such, it’s delivers some fun stuff, just nothing truly frightening. Much like with Mama, one leaves feeling it could have been more had Muschietti really went for the throat. He seems to be a director who likes to play it safe and when wanting to appeal to a mainstream audience with a horror…even an R-rated one…studios generally like to play it safe.

The cast are strong and that helps even if the horror elements felt like pulled punches at times. The young cast members are all good in their roles with Jaeden Lieberher and Sophia Lillis being standouts. Lieberher conveys well a boy not willing to give up hope that his lost little brother will someday come home and Lillis is very strong as a young girl becoming a young woman and catching her widowed father’s attention in the worst way. The rest of the kids play their fairly stereotypical roles well with the fat kid (Jeremy Ray Taylor), the Jewish kid (Wyatt Oleff ), the wise-ass (Finn Wolfhard), the black kid (Chosen Jacobs) and the sickly kid (Jack Dylan Grazer) all present and accounted for. As the main villain, Bill Skarsgård is certainly effective as Pennywise, but his performance is enhanced with a lot of state-of-the-art SPFX whereas Tim Curry achieved more with simply his performance in the modestly budgeted 1990 TV movie version. Curry was creepier without being surrounded by CGI, though Skarsgård certainly has his moments.

Overall, this was an entertaining flick, but clearly a horror flick made for mainstream audiences that don’t regularly choose horror. It’s made for the folks that flock to big name adaptations or the works of A-list directors, but avoid the more intense stuff that usually premiers on VOD or in limited runs. Mama director Andy Muschietti directs well and the film looks great, though plays it safe scare-wise with not getting too intense or brutal as to scare away the wider audience for which this was made. Either way, the success of It means studios will green-light more R-rated horror flicks, which isn’t a bad thing for a genre drowning in PG-13 teen-centric chillers as of late.

-MonsterZero NJ

3 red ballons.










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Based on Stephen King’s book, this TV mini-series was first aired back in November of 1990 and it’s taken me quite a long time but, I have finally caught up with it. To be clear, I haven’t read the book so, I am viewing the movie as a movie and not comparing it to the original source material for which I am not familiar.

Book based horror tells the story of 7 childhood friends in the small Maine town of Derry, where, at this time, there have been a rash of murders and disappearances of small children including the little brother of one of the group. And soon after, the group themselves become terrorized by something evil in the form of a horrifying clown who calls himself Pennywise (Tim Curry). The creature preys on their fears and weaknesses until the seven friend’s finally gather the courage to enter the abandoned sewer plant where they believe this creature lives and after a terrifying confrontation, appear to have defeated it. But, they make a promise that if “It” ever returns they would come together and fight the creature once more… But, after 30 years their worst nightmares come true and children start to disappear or are found murdered again in Derry and the call is raised for the “Loser’s Club” to rejoin and keep their promise. But, the horrors of what happened in 1960 are hard to overcome and worse yet, the mysterious and sinister Pennywise knows they are coming and is more than ready. Can the group defeat their own fears and reunite to put this fiend to rest once and for all… or will they all finally fall victim to the monstrous clown… or whatever it is that has haunted this town for generations?

TV movie directed by John Carpenter alumni Tommy Lee Wallace (Halloween III, the original Fright Night II), who also adapted King’s book with Lawrence D. Cohen, is a well made and entertaining film though a bit long-winded when watched all at once instead of broken up into two parts as when it was originally aired. The film starts off in 1990 as we are first treated to the murder of a poor child by the fleetingly glimpsed Pennywise and then slowly over the course of the first 90 minutes we are introduced to the main characters both as children and adults and then shown the horrifying events that take place in 1960 that lead up to the being’s temporary defeat and the pact made to return if need be. The narrative is a little choppy but, it smoothes out after about 3/4 of an hour and since King likes to add extensive detail and backgroud to his many characters, it’s easy to see why the filmmakers weren’t 100% successful in relaying that to screen even with 3 hours to work with. The narrative is much smoother in it’s second half as it builds to the reunion of friends and then it’s climactic confrontation. Even with the uneven narrative in the first act, the film is effective and creepy fun, especially when Curry is onscreen as Pennywise. He really nails the whole scary clown thing and seems to be having a blast as the sinister villain. It’s in the final battle when sadly It let’s us down as the film turns into another movie altogether once the creature, in it’s true form, is revealed. Not only does the climax become a routine monster movie complete with a generic creature, but, it robs us of what we have been wanting to see all along, Pennywise getting what’s coming to him. The creature in true form is basically a monstrous spider and while I liked the charming stop-motion animation from Terminator FX man Gene Warren Jr. and his Fantasy II Film Effects, it simply doesn’t resonate and is devoid of what made the film work for the last 2 and 1/2 hours, Curry’s creepy clown. Overall, I think Wallace did a good job and he certainly learned from Carpenter as evidence by his camera angles and Richard Leiterman’s Dean Cundey-esque cinematography but, the film’s cheesy monster movie (and I love cheesy monster movies) ending doesn’t give his film the horrifying and powerful climax the story needs. Whether it was the script or the book itself that disappoints… though friends assure me the book does not… we need this to end with an intense bang and not a whimper. And despite all it gets right, the film does end on a whimper and that is really sad because otherwise, this was a very engaging and fun horror flick with talented people involved on all fronts from behind the camera to a fine cast.

And as for the cast, Wallace get’s good work out of them all, but, obviously Curry takes the creepy ball and runs with it and makes this his show. Pennywise is a true cinema villain with Curry under the grease paint and it’s sad he is replaced by Boris the spider at the climax. The rest of the cast both young and adult actors are good. We have… Richard Thomas as adult Bill Denbrough with Johathan Brandis as young Bill, Annette O’Toole as adult Beverly Marsh with Ginger Snaps‘ Emily Perkins as young Beverly, John Ritter as adult Ben Hanscom and Brandon Crane as young Ben, Harry Anderson as adult Richie Tozier and Buffy’s Seth Green as young Richie, Fade To Black’s Dennis Christopher as adult Eddie Kaspbrak and Adam Faraizi as young Eddie, Tim Reid as adult Mike Hanlon and Marlon Taylor as young Mike with last, but not least, Richard Mazur as adult Stanley Uris with Ben Heller as young Stan. They all do a good job giving some personality to their characters, both in young and adult incarnations and are an endearing bunch. A solid cast who perform their roles well though, all upstaged by Curry and, as he is to haunt their nightmares, rightfully so!

So, I will say I enjoyed It and am now curious to read the book. The ending did let me down, although it was the type of ending I would have enjoyed if it were attached to a low budget monster movie and not the finale that we were building three hours up to. Overall, I would still recommend it as a creepy good time and one of the better TV made movies around, it’s just a shame that it falls short of classic status due to a final act which doesn’t live up to the rest of the film’s promise.

3 creepy clowns.

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