MONSTERZERO NJ’S 21 HORROR FLICKS WITH BABYSITTERS!
Is babysitter Emelie in traditional peril?…or causing it? You’ll have to watch Emelie to find out!
As we approach Halloween🎃, it might be fun to take a look at a classic horror film trope, the babysitter in peril! Here are twenty-one horror flicks which revolve around or include sequences of babysitters in peril…or sometimes, causing it!
( You can find reviews for the below titles covered here by using the search engine at the top of the page!)
As we just passed the halfway point to Halloween, it might be fun to take a look at a classic horror film trope, the babysitter in peril! Here are twenty horror flicks which revolve around or include sequences of babysitters in peril…or sometimes, causing it!
(Click on the highlighted titles below the movie poster gallery to get to our reviews of the titles covered here at the Movie Madhouse!)
(Click on the titles below the movie poster gallery to get to our reviews of the titles covered here at the Movie Madhouse!)
Need a little variety for your Halloween viewing this year? These are 25 lesser-known, overlooked or more obscure horrors from recent years that certainly are worthy of a spot on your movie playlist for the upcoming Halloween season!
(Click on the titles below the movie poster gallery to get to our reviews!)
Click on the titles here to go to the review page for the corresponding movie!
I am a huge fan of indie filmmaker Ti West (House Of The Devil, The Innkeepers) and am certainly looking forward to his newest flick the Jonestown-ish thriller The Sacrament which premiers on VOD on 5/1/14. Till then we have this chilling new red band trailer of the Eli Roth produced flick…
I am a big fan of director Ti West and of 70s and 80s horror, so that’s already two in the win column for me in regards to West’s homage to late 70s/early 80s occult themed horror flicks. This story, also written by West and set in the early 80s, has financially struggling college student Samantha (Jocelin Donahue) renting an apartment and now trying to figure out how she is going to pay for it. When a babysitting job at a remote house on the edge of town comes up, Samantha takes it despite warnings from her friend Megan (Greta Gerwig) that something isn’t right. When she arrives, Samantha finds a spooky old couple (Tom Noonan and Mary Woronov) and learns she is actually there to keep an eye on their elderly mother and not a child. She decides to decline, but an offer of significantly more money coerces her to stay. As this is a horror film, it’s no secret that this night is not going to proceed quietly for Samantha.
Ti West perfectly recreates one of the horror flicks of this bygone era in every detail from the grainy photography and the camera angles to the hairstyles and fashions. But is it a good horror movie? Yes, it most certainly is. Today’s impatient audiences may not appreciate the slow burn, but West keeps the atmosphere creepy and full of foreboding till the suspenseful and blood-soaked finale act. It’s paced much like a fright flick from that time and it worked perfectly for me. It’s set on the night of a lunar eclipse which sets off our primal fears of something supernatural being afoot and Megan’s warnings make us doubt Sam is making the right decision. All adding to the mood and uneasiness. One of the things I like about West, is that he knows how to create tension with his camera and the composition of his shots, much like vintage John Carpenter. With Samantha being alone in the creepy house by herself, there isn’t a lot of dialogue or exposition, so he keeps things tense by giving the house a constant feeling of dread with his lens. He and cinematographer Eliot Rocket film the big old house with lots of shadows where evil may lurk and there are plenty of rooms with closed doors where who-knows-what may reside. It’s like the house itself is a character and one we know is up to no good.
He also gets good performances from his cast. Donahue, who was seen recently playing Barbara Hershey’s younger self in Insidious: Chapter 2, makes a strong heroine. She’s smart, but her need for cash makes her a bit desperate and thus vulnerable. When the blood hits the fan, she’s a fighter we root for. Veterans Noonan and Woronov play The Ulman’s as a bit eccentric and while they appear harmless, there is something off about them that keep us wary about the two, just as Sam is. Gerwig is a spunky and likable friend and there is a nice cameo by horror icon Dee Wallace as Sam’s landlord.
Like the films it pays homage to, it keeps things unsettling but subtle till West is ready to unleash his horrors and then we are in for a bloody and intense final act where a babysitter’s worst nightmare comes true. Even the climax is right out of a horror flick of that era, subtle and spooky. As a nostalgic trip back to a type of horror they don’t make anymore or for a spooky Halloween treat, I definitely recommend it. A really good old school horror flick.
Ti West’s follow up to his spooky 80s throwback House of the Devilis a return to a more basic and CGI-less haunted house story and is all the more refreshing for it. Tale of the final days of a supposedly haunted New England hotel is a fun and sometimes downright scary horror chiller that will please those horror fans that can still appreciate the days when effects were done live and scares were generated by the director and his camera, not digital FX artists. West once again takes his time to slowly build the atmosphere as he presents us with the story of the remaining employees of the old Yankee Pedlar Hotel, Claire and Luke (Sara Paxton and Pat Healy) as they decide to do a little paranormal investigating to gain evidence of the hotel’s haunting before it closes. It gives nothing away to say that they may not like what they find.
Ti West starts the film out with a light tone as we get to know these two slackers with an interest in the paranormal and as the story progresses, the tone slowly gets darker until, as with House Of The Devil, West unleashes his supernatural horrors during the intense final act. Some of today’s impatient horror fans might not appreciate the slow burn, but it worked in House of the Devil as it does with Innkeepers because, when we finally get to the good stuff, it is all the more effective since we haven’t been bludgeoned with it from the start. West gives us a few red herrings and some spooky stuff along the way to wet the appetite and thus we are primed and ready when the real scares start. It also doesn’t hurt that we like Claire and Luke and obviously are afraid for them when they fail to heed a psychic guest’s (Kelly McGillis) warnings about leaving well enough alone.
A really fun, spooky ghost flick that proves once again that Ti West is a legitimate filmmaking talent who’s work deserves to be noticed.