Horror/comedy finds young siblings Mimi (Nita‑Josee Hanna) and her more timid brother Luke (Owen Myre) digging up a powerful alien warlord (Matthew Ninaber) who was buried away here on Earth, a long time ago, after his defeat. As Mimi holds the powerful gem that imprisoned him, she now has complete control over the alien the kids call Psycho Goreman. With a child holding control over a powerful alien warlord, what possibly could go wrong…aside from the assassins sent from space to destroy him, now that he has been unleashed.
Inventive and gory flick is written and directed by Steven Kostanski (co-writer/co-director of The Void). It has the blood spattering and severed limbs of a horror flick, while maintaining the silliness of a kid centric comedy. It reminds one of the bonkers ultra gory Japanese flicks they love to churn out in the Land of the Rising Sun with monsters, outrageous stories, broad comedy and showers of gore. The make-up and bloodletting are all rendered well and the creatures are imaginatively designed, especially “P.G.” Some of the designs evoked Keita Amemiya’s work from his movies. What holds this flick back a bit is that it’s just not as funny as it should have been and they didn’t take as much advantage of the premise as they could have. There are some fun bits, a few laugh out loud moments and the gore is plentiful and inventive, but it just seems like it should have been more consistently amusing. It also drags a bit for a 99 minute movie. There really isn’t enough story for a more than 80-90 minute runtime. The cast are OK, with Matthew Ninaber delivering an amusing performance, from under all that make-up, as a powerful alien warlord being frustratingly forced to adhere to the whims of a bratty child. There is fun to be had, but one feels it could have been more of an outright blast with a wittier script that took complete advantage of the amusing story set-up and a tighter runtime.
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Ho hum horror/comedy is most notable for having future A-lister George Clooney in a small role and being a good example of how silly and self aware a lot of horror flicks got at this point in the decade. (for more on that subject click HERE). Flick tells the story of a film crew filming a movie about a series of murders that occurred a few years earlier at the now abandoned Crippen High School. They are filming at the actual site of the murders, despite that the killer was never found and now someone stalks the cast and crew, killing them off in gruesome ways.
Directed by Bill Froehlich from a script by he and three other writers. It’s understandable that to be a parody of slashers you kind of have to basically be one but this flick fails at both. It’s fractured narrative doesn’t help, going back and forth between the aftermath of the murders and back to the killings as they happen, letting us know right off the bat who survived and who didn’t, eliminating any suspense, if they were even attempting any. The deaths are bloody, yet nothing really special and the comedy mostly falls flat. Even the 80s nostalgia can’t really help other than seeing a very young Clooney and The Brady Bunch’s Maureen McCormick, as a female police officer who seems to love her job a bit too much. The acting overall is deliberately over-the-top and even the big multiple reveals at the end don’t really shock or surprise. It’s hard to tell just how much it was supposed to be horror and how much it was supposed to be a parody as the mix is uneven and it goes back and forth between the stale jibes at traditional slasher film tropes and it’s attempts to actually be one. All that criticism aside, it’s also simply kinda dull and predominately unfunny.
As much as I love 80s slasher/horror/sci-fi flicks, this one did little for me. Clooney doesn’t last long enough to really make it worth sitting through and the jokes fail far more often than not. The attempts at being a real slasher mix unevenly along with the satire and aside from abundant bloodshed and a multiple reveal ending, Return To Horror High is a horror/comedy which one may not feel the need to return to, even with the 80s nostalgia. Also features a small role from 80s flick babe Darcy DeMoss as…no surprise here…a cheerleader.
Silly and dull found footage horror has a TV home improvement reality show filming in the remote Western European village of Moldova. There, American artist becky (Brigid Brannagh) has bought a run-down old home to which she has made great renovations in making her own. Once in Moldova, the crew find not only superstitious and odd locals, but that the townsfolk suspect Becky of being a witch!…and plan to do something about it!
Written and directed by Jay Lender and Micah Wright this is an awfully dull comedy/horror that is never funny enough to be the former or scary enough to be the latter. It’s a tedious watch that comes to a really silly and predictable conclusion that is badly pulled-off to boot. There is no tension at anytime, the strange, superstitious locals scenario has been done to death, especially in stories set in that part of the world, and we can see the end coming miles away. The film also is not only not convincing as found footage, but has no real reason to be found footage other than keeping the budget down for it’s makers. A real silly snoozer without the intensity or wit to make it’s story work. Also stars David Alpay, Kris Lemche and Mia Faith as the show production crew.
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Fear, Inc. is an OK horror/comedy that finds man-bun sporting horror movie fan Joe Foster (Lucas Neff) turning to a mysterious organization for some thrills and chills at Halloween. The group called Fear, Inc. apparently will deliver some hardcore scares, but Joe and his friends (Caitlin Stasey, Chris Marquette and Stephanie Drake) may not be prepared for just how far these folks will go to frighten them.
Written by Luke Barnett and directed by Vincent Masciale, this is a moderately amusing, if not familiar tale of a horror movie buff going to extreme lengths to gets some hardcore scares during the spooky time of year. While there is a level of amusement, the film is fairly predictable and the attempts at humor never really makes one laugh. The movie references are obvious and annoyingly Neff’s Joe has to shout them out when he sees them just in case we are too dumb to get them. If you don’t trust your target audience to get your references, then why bother? There is little suspense, though there is some decent gore and on a few occasions the film does give us some doubts as to whether it’s all a game. The cast are all decent enough, though I found Neff’s Joe to be more annoying than cool as the big kid in a man’s body. The mix of hipster and horror buff didn’t quite gel. Production value is solid enough and I can say that on a technical level it wasn’t badly directed, it just didn’t really scare and wasn’t overly clever or funny…and part of that is the fault of the script. There is some basic entertainment value here, but there is nothing daring or inventive about it and the film never takes any risks.
Fear, Inc. passed the time with moderate entertainment, but really didn’t take it’s premise and run with it like it could have. The script could have pushed the boundaries a bit and Masciale played it safe as a director. It’s a routine horror comedy that was a bit too obvious and mainstream with it’s horror references and didn’t seem to trust it’s target audience to get those references without help. Worth a look if there is nothing else on, but as it is the Halloween season, I’d much rather re-watch the movies referenced. Not a complete waste of time but overall, forgettable.
British thriller has young couple Kate and Justin (Clémence Poésy and Stephen Campbell Moore) expecting their first child, as are the new and very odd neighbors downstairs, Jon and Theresa (Walking Dead’s David Morrissey and Laura Birn). When Kate and Justin invite the neighbors to a cozy dinner party, an accident ends Theresa’s pregnancy and the neighbors hold them accountable. Things seem to be all forgiven month’s later when Kate gives birth, but slowly she starts to believe it’s a smokescreen and that Jon and Theresa have sinister plans for her newborn son.
Written and directed by David Farr, this is a average thriller. It might have worked better if we were given stronger reasons to doubt that Kate is right about her neighbors intent and that the neighbors weren’t so weird and thus immediately suspicious. It also makes no sense that after the initial anger and blame, that Kate and Justin would so easily accept the neighbor’s change of heart, even to the point of letting Theresa continually baby-sit. It is just simply not believable. Still there are some effective moments and the cast do perform their roles well, which makes it work far better than it should.
THE FUNHOUSE MASSACRE (2015)
Flick has five serial killers broken out of an asylum on Halloween night by one’s equally twisted daughter (Candice De Visser). They take up residence at a Halloween funhouse attraction where they are all being represented in the exhibits. At the same time, a group of friends visit the funhouse having no idea that the exhibits are now horribly real. Obviously, you can tell where this is going to go.
It doesn’t make sense to pick on this for being too familiar, as it is a homage and therefor the familiarity is on purpose. But, unfortunately, as a horror/comedy it’s neither scary nor funny and that’s what keeps it from being much fun. Written by Ben Begley (who also plays the cliché stupid deputy) with Renee Dorlan and directed by Andy Palmer, the film tries hard, but fails to accomplish it’s goals and is overall rather dull. It’s a shame, because it certainly has it’s heart in the right place and the production looks good for a low budget flick with some abundant and very impressive gore. It’s just that it lacks any scares or laughs and even the stale jokes have been made many times before. Only familiar face in the cast is the legendary Robert Englund in a brief appearance as the Asylum warden.
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Horror/comedy opens with a couple of bumbling truckers hitting a deer causing one of the containers of toxic waste they are carrying to fall off the truck and into a nearby lake. The container has sprung a leak and floats up against a beaver dam. Our title creatures are born! Three cuties Jenn (Lexi Atkins), Mary (Rachel Melvin) and Zoe (Cortney Palm) arrive at the same time at a lakeside cabin for some fun girl time and soon are under siege by zombified beavers and a surprise visit from their boyfriends. Not only are the zombeavers out for flesh, but, their bite turns their victims into zombeaver-like creatures, as well. Will any of them make it out alive?
Zombeavers is a fun 85 minutes that may not be a modern classic but, is a bloody good time. Directed by Jordan Rubin, who co-wrote with Al and Jon Kaplan, there is a well blended mix of horror and laughs and while it never really goes quite as over-the-top as we would have liked, it does provide a decent quota of entertainment. There is, of course, a generous supply of beaver double-entendres and beaver clichés to go with the plentiful gore, intentionally cheesy creatures and delightful nudity from the tattooed Miss Palm. It rolls out the horror tropes as we would expect and has a good time turning cast members…and other forest life…into it’s zombie beaver creatures to go along with it’s zombie beavers. The film is shot well by Jonathan Hall and co-scripters Al and Jon Kaplan also provide an appropriate score. Again, not a classic but, a fun effort that succeeds far more than it fails and even gives us a surprising shift in who our final girl turns out to be. Rubin and the Kaplans know their material and seem to have a genuine affection for it that translates onscreen.
The cast are all fine and get the material perfectly. The girls Atkins, Melvin and Palm are suitably, very good-looking and have fun with their parts. As mentioned, lovely Cortney Palm is not afraid to shed her bikini top but, actually might surprise you when things get going and the fight for their lives begins. The girls are joined by Jake Weary, Hutch Dano and Peter Gilroy as their boyfriends and the lads perform with a mix of seriousness and a wink, just like the ladies. There are some supporting characters that play locals, too and they are equally fun in their parts. A very efficient cast for a low budget horror spoof.
What can I say, this was fun. Director Rubin mixes the horror elements with the comedy very well…which isn’t easy…as does the script. It could have been a bit more clever or funny at times but, is far more successful at what it’s trying to do then you might expect. It delivers enough beaver jokes, zombie beavers and spattering blood to satisfy and gives us three likable and very adorable heroines to root for and crush on. What else would you want from a movie called Zombeavers?… oh, and stay through the credits.
I am a big fan of Tommy Wirkola’s Dead Snow. It’s was nothing new but, was an energetic and delightfully gory cabin in the woods/zombie flick with a group of friends battling Nazi zombies come to reclaim their gold hidden in the cabin. Wirkola’s sequel is sadly a major disappointment as it is just a silly, cash grab follow-up that has none of the inventiveness or devilish wit of the first film and doesn’t make any solid use of it’s amusing premise. This film finds sole survivor Martin (Vergar Hoel) escaping after a battle with zombified Colonel Herzog (Ørjan Gamst) and finding himself in the hospital. The bad news is that the doctors have mistakenly grafted Herzog’s arm in replace of Martin’s self-severed one and now he has some of Herzog’s strength and power. With the Nazi zombie army decending on a small Norwegian town to exact decades old revenge, Martin teams with a dorky trio of American zombie hunters (Martin Starr, Jocelyn DeBoer, Ingrid Haas) to raise a squad of Herzog murdered Russian soldiers for a zombie vs zombie showdown. If that plot sounds fun, it should be but, Wirkola seems to have lost that devious sense of humor and instead we get a goofy and by-the-numbers comedy that has none of the sly humor and vicious edge the first film has. It has a few fun moments and I laughed a few times, but, blows most attempts to do something with it’s outrageous story, especially the epic fail, zombie vs zombie last act. The film is still gory but, none of it is as inventive and rib-tickling as it was in the first film. All around it’s a soulless sequel that seemed to be made only to cash in on the first’s popularity. With his Hansel and Gretel: Witch Hunters being a moderately entertaining but forgettable film, maybe Tommy Wirkola has been revealed as more of a one hit wonder than a director to watch. Not unwatchable but, far from the fun blast the first film was.