BARE BONES: JAY AND SILENT BOB REBOOT (2019)

 

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JAY AND SILENT BOB REBOOT (2019)

Flick finds nothing much has changed since we last saw Jay and Silent Bob (Jason Mewes and Kevin Smith) in Kevin Smith’s 2006 Clerks II. They are still hanging out by the Quick Stop and smoking weed, though they are now growing and selling it, too. The dense duo are caught and an unscrupulous lawyer (Justin Long) gets them to sign away their names, so, a reboot of the Bluntman and Chronic movie, entitled Bluntman V Chronic, can commence. They hear a major sequence will be filmed at L.A.’s Chronic-Con and so, in true reboot fashion, the two hit the road again to stop production. Along the way Jay finds out that former love Justice (Shannon Elizabeth) bore him a child, who is now a rebellious teenager (Harley Quinn Smith) who comes along for the trip.

Kevin Smith writes and directs this latest adventure of his two slacker, stoner characters and for the first third, at least, it’s kinda nostalgic fun. Sadly the second third gets bogged down in the whole Jay finds out he’s a dad storyline and then when his daughter Millennium Faulken joins him on the quest for Chronic-Con, he tries to bond with the angry teen, without telling her who he really is. The melodrama drags the fun down a bit and the attempts at bonding aren’t nearly as funny as they should be. No better example than when he and Silent Bob have to rescue her and her racially diverse friends from a Ku Klux Klan chapter, whose Grand Wizard is played by professional wrestler/singer Chris Jericho, no less. It’s unnecessary and unfunny and only slows things down further. The third act really stalls as Jay, Silent Bob and the girls hit the convention to stop the film’s director…big surprise…Kevin Smith and it becomes a Kevin Smith ego-stroking, love letter to himself with cameos from former Smith film cast members that sadly only goes to show how old everyone has gotten since the 90s, when Smith and their characters was relevant. The stale dialog bits between these characters also prove that everyone involved is getting a bit too old for this schtick and maybe it’s time to move on from this whole, painfully dated Clerks based universe*. Smith and his returning to these characters, is like an over-the-hill singer from an 80s hair band that still sings about teenage girls. It’s sad and a bit creepy at this point.

*With a rumored Mallrats sequel and Clerks III on the way, this is, however, highly unlikely.

-MonsterZero NJ

2 and 1-2 star rating

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HORROR YOU MIGHT HAVE MISSED: HOLIDAYS (2016)

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HOLIDAYS (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Holidays is a horror anthology that presents eight short stories, each based on a holiday and adding some kind of supernatural/horror twist. Each tale is written and directed by different filmmakers with somewhat mixed resluts.

The first is Valentines Day, written and directed by Dennis Widmyer and Kevin Kolsch (Starry Eyes) and tells the story of  introverted high school girl Maxine (Madeleine Coghlan) who has a crush on her swimming coach (Rick Peters). When she misinterprets a sympathetic Valentine’s Day card from him, she decides to solve her bullying problem and present her object of affection with a special gift, all at the same time. It is an effective story with some very gruesome moments and has a bit of that offbeat, disturbing feel that made Starry Eyes work so well.

Next up is St. Patrick’s Day written and directed by Gary Shore (Dracula Untold). This tells the story of a new little girl (Isolt McCaffrey) at school who gives her teacher (Ruth Bradley) a St. Patrick’s Day wish with disturbing results. This episodes starts out creepy enough, but gets progressively silly till it’s goofy ending.

Next up is Easter written and directed by Nicholas McCarthy (The Pact). This tells a really weird and disturbing tale of a little girl (Ava Acres) who accidentally catches the Easter Bunny (Mark Steger) in the act…but he’s not quite what she expected and there is a disturbing price for being the first child to ever see him. This is a weird episode that unsettlingly combines both the Christian doctrine and traditional bunny folklore of Easter. While not totally successful, it gets extra points for being daring enough to ‘go there’.

The next tale is written and directed by Sarah Adina Smith and is called Mother’s Day. It’s an odd story about a woman (Sophie Traub) who is ‘cursed’ by getting pregnant every time she has sex. She is sent to, of all places, a fertility clinic, to solve her problem, one which turns out to be more than it seems. This episode was really strange, yet a bit unsatisfying as it didn’t seem to go anywhere and had a predictable and cliché shock ending.

Father’s Day is one of the best tales. It is written and directed by FX man Anthony Scott Burns (FX for The Last Exorcism Part II). It tells of a young woman (House of the Devil’s Jocelin Donahue) who receives a recorded message from her long dead father, asking her to meet him at a special place from her childhood. This is a very effective episode that is moody, creepy and heartbreaking, thanks in equal parts to good direction and a very strong performance by Donahue.

The biggest disappointment and worst episode is Kevin Smith’s Halloween. It takes place on Halloween, but has little to do with the holiday as it tells the story of Ian (Harley Mortenstein) the mean owner of a Sex Cam business who has a painful rebellion from three of his employees (Ashley Greene, Olivia Roush and Harley Quinn Smith). It forgoes any attempt at something spooky for more of Smith’s traditional adolescent vulgarity. Boring, crude and has nothing to do with the holiday it represents.

Anthology get’s back on track with Scott Stewart’s (Dark SkiesChristmas. This one tells the tale of a down-on-his-luck dad (Seth Green) who goes to disturbing lengths to get his kid the pair of virtual reality glasses he wants. These glasses, however, reveal a person’s true self and he and his wife (Clare Grant) learn some very unsettling things about each other. This is a fun and chilling episode and Green is entertaining to watch as the desperate dad and Clare Grant is good as the wife with a secret side to her.

Final episode is New Year’s and is is directed by Adam Egypt Mortimer (Some Kind Of Hate) from a script by Dennis Widmyer and Kevin Kolsch. It tells the story of a serial killer (Andrew Bowen) who has specific plans for his New Year’s Eve date (Lorenza Izzo) who turns out to have far more in common with him than he realizes. This is a twisted and fun episode with a really entertaining psycho  turn by Izzo as Jean. Izzo is showning a talent for these roles, as she was one of the few fun parts of Knock Knock.

Overall, this was a mixed bag, but the good outweighed the bad. There were a few disappointments, especially from Kevin Smith who dropped the ball on delivering something in the Halloween spirit for his tale. We did gets some spooky and effective stories, with the standout being Burn’s Father’s Day which had a sympathetic and strong portrayal from Jocelin Donahue. Definitely worth a watch for the segments that did work and even a couple of the failures had an originality to their telling.

-MonsterZero NJ

3 Christmas trees.

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