HALLOWEEN II (1981) and HALLOWEEN (2018): A COMPARISON IN HORROR!

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HALLOWEEN II (1981) and HALLOWEEN (2018): A COMPARISON IN HORROR!

MAJOR SPOILER WARNING! In order to properly compare these two films, I have to give DETAILED SPOILERS. If you haven’t seen Halloween II (1981) or Halloween (2018), there are MASSIVE SPOILERS BELOW for each film. You have been warned!

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Comparison In Horror is back!…and in this installment the comparison is between the two direct sequels to John Carpenter’s original classic Halloween. In 1981, the success of Halloween led to an inevitable sequel, Halloween II. Recently, for Halloween‘s 40th anniversary, a new film, Halloween (2018), was made that went back to the source and erased all the previous sequels, as a direct continuation of Carpenter’s original story. It’s created a unique situation where one classic film now has two direct sequels…remember, Halloween H2O, acknowledges the story elements of Halloween II, so it is not quite a direct sequel to the 1978 classic. Two direct sequels that take place forty years apart, let’s take a look these two films and compare…

(Click on the highlighted movie titles to go to the full length reviews and on the photos to enlarge them!)

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THE STORY

Halloween II takes place on the same night of the original, basically picking up right where the first film leaves off. The flick continues with an injured Laurie Strode (Jaime Lee Curtis) being taken to a hospital in Haddonfield, while Dr. Loomis (Donald Pleasence) and the police scour the neighborhood for the still at large Michael Myers (stuntman Dick Warlock). Unbeknownst to them, Michael has discovered Laurie’s whereabouts and heads to the hospital to find her, leaving a trail of bodies along the way. Once there, he begins to decimate the hospital staff, one by one, in search of his prey. It is in this film that it is revealed that Laurie is actually Michael’s other sister and he has come home to finish the job he started 15 years ago.

Halloween (2018) opens forty years later to find Laurie Strode (Jamie Lee Curtis) living in solitude after some failed marriages and loosing custody of her only daughter Karen (Judy Greer). She’s taught herself to survive and fight and is in a constant state of preparedness for Michael Myers’ (Nick Castle and James Jude Courtney) possible return. As for Michael, he was recaptured after that fateful night and has been re-incarcerated in the Smith’s Grove Asylum ever since. A pair of British journalists (Rhian Rees and Jefferson Hall) visit Michael, on the eve of his transfer to an even more secure institution, and try to evoke a response by presenting him with his old mask. Of course, that night, the transfer bus suffers an accident and Michael escapes, reclaims his mask and heads off to Haddonfield in time for Halloween. Hearing of his escape, Laurie intends to protect her daughter and granddaughter (Andi Matichak) and goes on the hunt to confront Michael once and for all. By ignoring all the sequels, this film eliminates the subplot that Laurie is Michael’s sister and returns her to a random victim.

Except for both films being direct sequels to John Carpenter’s Halloween, the stories are vastly different.

 

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MICHAEL MYERS

Obviously the Michael Myers in 1981’s Halloween II is the same as in John Carpenter’s Halloweenas the film picks up minutes after the first movie. He’s about twenty-one years-old and is a brutal killer, murdering anyone he encounters during his pursuit of Laurie. It starts out as random neighbors, as he flees from the police and Loomis, to various hospital staff once he finds Laurie at Haddonfield Hospital. He uses a variety of weapons or his hands to brutally dispatch his victims. His mask is still new, stolen earlier that day from a general store. There are hints that there is something supernatural about him, a pure evil more than human.

Halloween (2018)‘s Michael is a Michael forty years older than when we…or Laurie…last saw him. He’s got grey hair, is balding and covered in scars from his first encounter with Laurie. Once reunited with his mask, it too is showing wear and tear, with cracks and thinning hair much like it’s wearer. Despite being 61 years-old, he is still a strong, brutal and efficient killer murdering any innocents he encounters on his way back to Haddenfield and Laurie. In comparison, he seems a bit more vicious here, using his bare hands more often and otherwise mostly sticking with a simple kitchen knife, ironically obtained in a nice homage to Halloween II. He still prefers gas station coveralls and stalking women home alone or babysitting. The supernatural hints are downplayed here, save for a few lines in a nice homage/vocal cameo by Dr. Loomis.

In neither film does he ever speak and any emotions are marked by a shifting of his head or an intensifying in his movements. While he seems more interested in babysitters than their charges in the 1978 and 1981 films, 2018’s Michael has no qualms killing a young boy with a gun…but will still spare a baby. In the 1981 sequel, he started to appear more invincible and unkillable like his cinematic rival Jason Voorhees. In the 2018 sequel, he is back to being more human and can be hurt or injured.

 

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LAURIE STRODE

The Laurie Strodes portrayed in both films are a vast contrast due to the proximity and/or passage of time to the original film’s events.

In Halloween II Laurie is a terrified high school girl who is still traumatized from her encounter with Michael that night. She is basically a damsel in distress, continually on the run from Myers once he reacquires her. She actually seems to have a little less fight in her than she did in her earlier battle with the masked killer, though understandable being wounded and sedated by the hospital staff. Loomis once again comes to her rescue.

In Halloween (2018) we find a Laurie Strode who has been haunted for forty years as a result of the attack by Michael Myers and the murder of her friends. Aside from a few failed marriages and having a daughter from one, Laurie has lived a solitary life where she constantly prepares for Michael’s return…in fact she actually prays for it. The only way Laurie can purge the events of that Halloween night in 1978 from her mind is to kill the man who traumatized her and turned her into the paranoid recluse she now is. When she hears of Michael’s second escape, instead of hiding, Laurie arms herself and the hunter becomes the hunted. Laurie is more Sarah Conner than damsel in David Gordon Green’s film and Jamie Lee Curtis gives one of the best performances of her career.

 

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THE SETTINGS

The settings for both of these films is Haddonfield, Illinois and despite taking place forty years apart, not much has changed. In both films Haddonfield is a small suburban midwestern town that seems to celebrate Halloween enthusiastically. Halloween II ‘s town is still mostly unaware there is a killer in their midst and are only starting to hear the news that there has been an escape at Smith’s Grove and murders committed locally. The original Myers murder of his sister Judith, fifteen years earlier, is almost an urban legend at this point, especially to the town’s younger generations. A lot of the action takes place in the local hospital where Laurie has been admitted.

Same goes for Halloween (2018)‘s Haddonfield which has almost forgotten about the murders of forty years ago, save for the reminder of the eccentric woman who lives secluded in the woods. The new generation of teens know very little about Myers and that night and are too busy partying and trick or treating to realize a killer is on his way home again. Much like Halloween II, the Myers story is treated as an urban legend by everyone but for Laurie and a save few, including her daughter and granddaughter. The action takes place first at Smith’s Grove and then moves to Haddonfield with a last act at Laurie’s fortress home.

 

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THE OPENING SCENES

Rick Rosenthal’s 1981 sequel opens at Halloween‘s climax with Michael vanished and Loomis pursuing him into the street, much to the chagrin of a next-door neighbor. The opening sets the tone of the movie by quickly recounting the closing moments of the first film and then establishing that the danger is still out there. After a very effective opening credits scene where a pumpkin splits open to reveal a skull, we get Michael’s theft of a knife and first kill to make sure the dread is re-established.

Halloween (2018)  Opens with a pair of British podcasters visiting Michael at the Smith Grove Asylum. Journalist Aaron Korey (Jefferson Hall) uses some connections to borrow Michael’s mask and brazenly shows it to him to no effect. The other inmates react and it is their reaction that gives the opening an unsettling creepiness. After a very effective title sequence with a rotten pumpkin slowly reforming, we then follow Korey and his partner Dana (Rhian Rees) as they visit the reclusive Laurie, thus re-introducing us to her after all these years.

Both openings serve their respective stories well. Though in terms of sheer effectiveness, Halloween II is definitely the more potent opening, when going from Loomis’ classic “You don’t know what death is!” line to the pumpkin/skull credits, in getting us in the mood to be scared. Halloween (2018) only really gets going at a gas station scene which amusingly homages Halloween 4.

 

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THE ENDINGS

Both films end in fiery conflagrations with Michael at the receiving end.

In Halloween II, Michael bursts in as Loomis and Laurie are hiding in an operating room. Blinded by some well placed gunshots, Michael is lured into the center of the room as Laurie escapes. A wounded Loomis ignites the oxygen tanks causing a massive explosion. Myers walks out of the fire engulfed in flames before collapsing. Carpenter intended this to be the end of Michael Myers, though he would return for five more sequels before being “re-imagined” by Rob Zombie.

Halloween (2018) has Michael and Laurie engaged in a final(?) showdown at Laurie’s remote fortress house in the woods. She traps Michael in the cellar and then ignites the house which was always fitted to be a trap for the serial killer. Michael stares up at her as the room becomes engulfed in flames around him. Next we see the room, it is completely in flames, yet we see no sign of Michael. As we do hear his trademarked heavy breathing during the end credits, we are led to believe David Gordon Green is not done with the saga of Michael and Laurie quite yet.

 

 

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MISC

Halloween II is directed by Rick Rosenthal from a script by John Carpenter and Debra Hill, while Halloween (2018) is directed by David Gordon Green from a script by he, Danny McBride and Jeff Fradley. Both films are scored by Carpenter himself, with collaborations from Alan Howarth on the 1981 film and son Cody and Daniel Davies on the 2018 film. Both films look great with Dean Cundey doing the cinematography on Halloween II and Michael Simmonds on Halloween (2018). Both films feature graphic violence which is well represented by their respective make-up effects departments. As the recipient of such, both flicks have characters that are obviously there just to be Michael fodder. Each film does make good use of spooky Halloween imagery and were both box office hits with Halloween (2018) coming in just under the original film when tickets are adjusted for inflation.*

*as per Box Office Mojo

 

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IN CONCLUSION

Both films have their flaws and both have their merits. Both films effectively continue the story, but from completely different points in the timeline. One movie beginning where the first left off and the other continuing the story four decades later. As in all cases such as this, it’s up to the individual to choose a favorite. On a personal level, I’ll go with Halloween II as it’s an 80s slasher after all…my favorite kind…and flaws aside, it’s still the last Michael Myers film to really feel like a Halloween movie with Carpenter scoring and Dean Cundey doing cinematography…and let’s not forget the sadly missed presence of Donald Pleasence as Loomis. Halloween (2018), certainly got a number of things right, and does include a great performance from the queen herself. It also stumbled too, especially with it’s Loomis wannabe Dr. Sartain (Haluk Bilginer) and a failed subplot involving him. The 2018 film does have a strong police presence in Will Patton’s Deputy Hawkins who makes a nice replacement for the original part I and II’s Sheriff Brackett (Charles Cyphers) and Deputy Gary Hunt (Hunter von Leer). Addressing issues such as the long term effects on an attack victim, Green’s film has more substance, though Rosenthal’s sequel is simply more fun. Either way, Michael Myers fans win, as we probably haven’t seen the last of him. 🎃

-MonsterZero NJ

Check out more editions of A Comparison In Horror here!

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MONSTERZERO NJ’S 21 HORROR FLICKS WITH BABYSITTERS!

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MONSTERZERO NJ’S 21 HORROR FLICKS WITH BABYSITTERS!

Is babysitter Emelie in traditional peril?…or causing it? You’ll have to watch Emelie to find out!

As we approach Halloween🎃, it might be fun to take a look at a classic horror film trope, the babysitter in peril! Here are twenty-one horror flicks which revolve around or include sequences of babysitters in peril…or sometimes, causing it!

( You can find reviews for the below titles covered here by using the search engine at the top of the page!)

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HAPPY HALLOWEEN

-MonsterZero NJ

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MONSTERZERO NJ’S HORROR FLICKS THAT ACTUALLY TAKE PLACE ON HALLOWEEN!

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During the Halloween season it might be fun to watch flicks that actually take place on Halloween… so here are some horror flicks that actually occur on, or near, our favorite Holiday! 🎃

(To get to the reviews of the titles below that were covered here at the Movie Madhouse, just type the title in the search engine to find the corresponding critique!)

-MonsterZero NJ

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HORROR YOU MIGHT HAVE MISSED: HALLOWEEN (2018)

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HALLOWEEN (2018)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

It’s the 40th anniversary of John Carpenter’s Halloween and so there is no surprise that there is a new Michael Myers film this year. This film hits the reset button and rejects all the other sequels and remakes and is a direct continuation of the first film, picking up the story 40 years later…

Halloween 2018 opens to find Laurie Strode (Jamie Lee Curtis) living in solitude after some failed marriages and loosing custody of her only daughter Karen (Judy Greer). She’s taught herself to survive and fight and is in a constant state of preparedness for Michael Myers’ (Nick Castle and James Jude Courtney) possible return. As for Michael, he was recaptured after that fateful night and has been incarcerated in the Smith’s Grove Asylum ever since. A pair of British journalists (Rhian Rees and Jefferson Hall) visit Michael, on the eve of his transfer to an even more secure institution, and try to evoke a response by presenting him with his old mask. Of course, that night, the transfer bus suffers an accident and Michael escapes, reclaims his mask and heads off to Haddonfield in time for Halloween. But Laurie intends to protect her daughter and granddaughter (Andi Matichak) and goes on the hunt to confront Michael once and for all.

John Carpenter returns to the series to executive produce, along with Jamie Lee Curtis. He also co-wrote the score with son Cody Carpenter and Daniel Davies. The film itself is directed by David Gordon Green (Pineapple Express) who co-wrote with Danny McBride and Jeff Fradley for Blumhouse and Miramax. Background in comedy aside, Green delivers what is probably the best of the post Halloween III sequels, though technically that is not saying much. It also feels much more like a Halloween film than Rob Zombie’s efforts, but those are their own thing and exist in their own universe. It’s not perfect and still can’t come close to the original, but it does provide some intense scenes, especially in the last act confrontation. There is some brutal violence and Myers hasn’t mellowed in his old age (he’s about 61 here) as he still has a fondness for babysitters, anyone home alone…and or course, the Strode women. The film’s drawbacks are mostly script problems. The character of Loomis protégée, Dr. Sartain (Haluk Bilginer) seems shoehorned into the story, just so it has another Loomis. He doesn’t provide any useful exposition and as Michael hasn’t spoken in 40 years, he can’t know anything much more about him than Loomis did. There is also a last act plot twist involving him which simply doesn’t work and serves only to set up one of the film’s many conveniences. The flick also never maintains a constant feeling of dread as did the original. It’s never really scary, though it does get intense and there are some suspenseful moments. Michael’s killings in Haddonfield seem far more random than before. In the original he stalked Laurie’s friends, here it’s just randomly picked people to add body count before the last reel showdown. It works, but still seems like filler. When that showdown comes, it is intense and delivers what we came for and Green does pay nice homage to the original and some of the sequels it chooses to ignore. It also looks great, Green has a good visual eye and Haddonfield looks the most like Haddonfield since it did in 1981’s Halloween II.

Green also gets good work out of most of his cast. Jamie Lee Curtis is great as the emotionally troubled survivalist that Laurie Strode has become. If her character evokes the transformation of Sarah Conner from The Terminator to it’s sequel, T2: Judgement Day, it’s probably intentional…and it works. She’s still the queen of final girls. Greer is very good as her somewhat estranged daughter and it’s a shame this talented actress constantly gets these second banana supporting roles. Andi Matichak was solid as Strode’s granddaughter Ally. She seems to take more after her grandmother than her mother, though due to the story trajectory, she takes a backseat to Curtis in terms of final girl duty. Will Patton was solid as the local sheriff, Haluk Bilginer is no Donald Pleasence as Sartain, and Rees and Hall were suitable in their brief roles as the British journalists who rattle the wrong cage. Last, but certainly not least, Nick Castle and James Jude Courtney combine to make an imposing Myers, who is more threatening than he was in any of the post Halloween III, pre-Zombie sequels.

Overall, Halloween 2018 was a suitable enough sequel, though not without it’s flaws and it’s no classic. Director Green gave us some intense scenes and some brutally violent moments, as well as, a strong last act confrontation. His script let’s us down a bit, with some really contrived conveniences and a Loomis replacement that wasn’t necessary and who suffered one of the worst plot twists of the film. The continual sense of dread Carpenter established was missing and Michael’s kills seemed especially random and there to “kill” time as we awaited his reunion with Laurie. Curtis is still queen of the final girls forty years later and Dr. Sartain aside, most of the cast and characters worked, even if some were obvious Michael fodder.

Halloween 1978 is a masterpiece and a horror classic, so one can’t expect the same from any of the sequels. Most of them sucked, anyway, making it easy for this film to be able to at least hold it’s ground against the original three…and flaws aside, it does. Stay through the credits.

-MonsterZero NJ

Rated 3 three carving knives. Happy Halloween 🎃!

 

 

 

 

 

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MONSTERZERO NJ’S 31 HORROR FLICKS FOR THE 31 DAYS OF HALLOWEEN!

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While I watch dozens of horror films during the month of October…these are a mix of classic favorites and recent horrors that I feel are especially perfect to watch during the Halloween season!

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(Click on the titles below the movie poster gallery to get to our reviews!)

 

Click on the titles here to go to the review page for the corresponding movie!

  1. HALLOWEEN
  2. TRICK ‘r’ TREAT
  3. PHANTASM
  4. NIGHT OF THE LIVING DEAD
  5. THE FOG
  6. ANY (OR ALL) OF THE UNIVERSAL CLASSIC B/W HORRORS!
  7. PUMPKINHEAD
  8. EVIL DEAD
  9. A NIGHTMARE ON ELM STREET
  10. THE TEXAS CHAINSAW MASSACRE
  11. ZOMBIE
  12. THE THING
  13. THE HOWLING
  14. THE FLY
  15. HORROR HOTEL
  16. DAWN OF THE DEAD
  17. DAY OF THE DEAD
  18. FRIDAY THE 13th
  19. THE BLAIR WITCH PROJECT
  20. HALLOWEEN II
  21. HALLOWEEN III
  22. THE VIY
  23. WRONG TURN
  24. THE OLD DARK HOUSE
  25. THE DESCENT
  26. HELLIONS
  27. TALES OF HALLOWEEN
  28. THE HOUSES OCTOBER BUILT
  29. HOUSE OF THE DEVIL
  30. HOUSE OF 1,000 CORPSES
  31. THE HILLS RUN RED

-MonsterZero NJ

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: THE HOUSES OCTOBER BUILT 1 & 2

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Haven’t done one of these in a long time! However, the Halloween season 🎃👻 is approaching and what better way to spend a Saturday night during the spooky season than with a good double feature. Here is a pair of found footage flicks that take place in the world of Halloween Haunts and makes a splendidly spooky double bill to enjoy with some popcorn and pumpkin ale!

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THE HOUSES OCTOBER BUILT (2014)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

The Houses October Built is a found footage horror with a simple but fairly novel premise. During the Halloween season, five friends decide to take an RV road trip to seek out and find the most extreme and scary Halloween attractions they can, documenting it all on camera. This includes tracking down an almost mythical attraction called The Blue Skeleton rumored to be the most extreme of all. Obviously, the more intense these attractions get, the stranger the individuals they run into and it increasingly appears this group might be getting more than they bargained for, until they actually find the elusive Blue Skeleton and…as the old saying goes…be careful what you wish for!

I liked this found footage horror, which seems to have grown out of director Bobby Roe’s own 2011 documentary about Halloween attractions with the same name and cast. The film sets up the intriguing idea that there are attractions out there that hire questionable individuals who have no problem crossing boundaries to get the appropriate scares…and are not to be trifled with. The film then illustrates what may happen when a group of thrill-seeking individuals goes looking for such fright experiences and unfortunately finds them. This is not a great flick, but has some very creepy moments, not only from some of the attractions our crew visit, but when they piss off the wrong people and it begins to be clear that they are being followed by some malevolent individuals…or are they being lead? The found footage format makes you feel like you are there with this fairly likable bunch, but the drawback is that I never felt like I was watching anything but actors. They never really make you feel like they are real people, so I wasn’t completely taken in when they appear to be threatened or in harm’s way. The film still has some very effective moments, especially in the last act when things start to go very wrong for our group and the only female, Brandy (Brandy Schaefer) seems to be singled out at times. I will admit, though, that the climax could have used a bit more intensity and shock value to offset the fact that we go into this knowing it won’t end well to some degree. It’s not a groundbreaking film, but it does work on quite a few levels and we can’t help but imagine ourselves in a spot where we are surrounded by individuals who may not know…or care..where the show ends and real terrorizing begins.

So, I did like this flick. I think it’s clever that Roe made a documentary about some really over-the-top Halloween attractions and used what he learned to turn it into a movie. It’s as if this actually happened to him and his crew while they were making the 2011 film. Almost a film within a film, though I have yet to see the original documentary and hope to remedy that. This isn’t a great horror, but it is a spooky enough flick about a hidden dark side to a favorite holiday pastime. It may not ever totally make us feel like we’re watching actual footage, but has enough effective imagery and situations to accomplish a good deal of what it sets out to do. Film was co-written by Roe along with Zack Andrews and Jason Zada and stars Roe, Andrews, Brandy Schaefer, Mikey Roe and Jeff Larson as themselves. If you like Halloween and all the trappings, you’ll probably enjoy this effective little flick.

-MonsterZero NJ

3 scary clowns… and there are plenty in this flick!

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THE HOUSES OCTOBER BUILT 2 (2017)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

The Houses October Built was a  fun found footage horror with a simple premise. During the Halloween season, five friends decide to take an RV road trip to seek out and find the most extreme and scary Halloween attractions they can, documenting it all on camera…of course they got more than they bargained for. The sequel picks up a year later with the group having become internet celebrities due to the broadcasting of their predicament at the hands of The Blue Skeleton on social media. Now Halloween haunts are paying them to come and promote their attractions…all but Brandy (Brandy Schaefer) who is still traumatized. Brandy…now known on the net as “Coffin Girl”…however, is the one the haunts all want promoting their attractions and the gang have to do a lot of convincing…and paying…to get her back in. Brandy eventually agrees, not knowing that someone is watching them and that the The Blue Skeleton group may not be done scaring them yet.

First flick was a lot of fun as it both worked both as a horror flick, yet also dove into the underground world of Halloween haunts. This sequel does the same but opens it up to include Zombie 5k’s and even an “adult” themed haunt. The script by director and actor Bobby Roe, with cast member Zack Andrews, cleverly gets the gang back out there by having them now being paid by the haunts themselves to do what they did last time. Roe keeps the found footage format somewhat, but this one plays more like a movie which works as the feel of legitimate found footage was one of the weaker aspects the first time around. The group’s use of a drone, also opens up the scale with some frequent aerial photography. This sequel does take a little while to get going and may not be as consistently Halloween spirited as the last one, but once things start to get spooky, when our group…Brandy in particular…are being stalked, it gets as fun as the last one. It also has a few surprises up it’s sleeve, especially when the group meets their intended fate at the Hellbent attraction where the familiar blue skull-ed creepers spring their trap. It provides an intense and entertaining last act and shows Bobby Roe has matured as a filmmaker, somewhat, providing some legitimate chills.

The main cast, Zack Andrews, Mike and Bobby Roe, Jeff Larson and Brandy Schaefer, all return and are certainly fine, basically playing themselves. Schaefer stands out as she has the most emoting to do with her character being a reluctant participant, who is still haunted by almost being buried alive. Brandy has a couple of strong scenes expressing her fears and concerns over returning to these underground haunts and the climax gives her some solid material to work with. She would make a good final girl in a straight up horror. Mikey Roe also has some screen charisma as lovable party animal and joker of the group.

This was an enjoyable sequel and with some clever writing they may be able to get at least one more chapter out of this franchise. This follow-up pretty much equaled the first flick, which was a fun look at extreme Halloween haunts and a sometimes spooky little horror flick, too. The sequel freshens things up by opening up it’s spectrum of interested to include other types of Halloween attractions and figures out a way to get it’s characters back out there, after being scared out of their wits the last time. It does take a while to get going and the Halloween spirit isn’t as consistent as the last time…maybe too much of it was shot in the daytime?…but it does deliver some goods, especially in the last act. If you liked the first The Houses October Built you might enjoy this second romp as well and it would make a nice double feature during the spooky season to watch both films together.

-MonsterZero NJ

3 scary clowns…they return too!

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HALLOWEEN 2018 HAS A NEW TRAILER!

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Blumhouse has dropped another trailer for their new Halloween film from director David Gordon Green. It is a direct sequel to John Carpenter’s classic and not only does it have Carpenter’s approval, but he is scoring as well! Jamie Lee Curtis returns as Laurie Strode as does Nick Castle as The Shape. Flick also stars Judy Greer and WIll Patton. Check out the second trailer below! This one has me a lot more excited than the first trailer…

Source: Youtube

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THE HALLOWEEN 2018 TRAILER HAS ARRIVED!

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The moment Halloween fans have been eagerly awaiting is here! Blumhouse has dropped it’s trailer for their new Halloween film from director David Gordon Green. It is a direct sequel to John Carpenter’s classic and not only does it have Carpenter’s approval, but he is scoring as well! Jamie Lee Curtis returns as Laurie Strode as does Nick Castle as The Shape. Flick also stars Judy Greer and WIll Patton. Check it out below!

Source: Youtube

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HORROR YOU MIGHT HAVE MISSED: THE WITCHING SEASON (2015-2017)

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THE WITCHING SEASON (2015-2017)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

The Witching Season is an indie web anthology series, currently found on Amazon Streaming, created by Michael Ballif and is five stories filmed between 2015 and 2017. All the stories are set on Halloween and are filled with pumpkins, scarecrows and masked individuals to ad the nuance of horror’s favorite holiday.

First story is written and directed by Baliff and is entitled Killer On The Loose and finds a pretty young woman (Hailey Nebeker) running for her life on Halloween night. She makes her way to an isolated home and with finding no one there, she enters and hides. Sure enough a masked man (James Morris) with a machete enters after her and now she is trapped alone inside with him. This was an effective tale and was atmospheric and suspenseful and even if we figured out where it was going to end, it was still creepy fun.

Second story, Princess, is written and directed by James Morris from a short story by Baliff and finds pretty single mother, Kendra (Anita Rosenbaum) moving into a new house with her little girl, Jamie (Emily Broschinsky) at Halloween. Jaime finds a box of toys in the basement including a creepy stuffed rabbit she claims is called Princess. Soon strange things start happening and it’s almost as if Princess has a sinister life of it’s own. Another atmospheric and creepy tale even if we’ve seen the evil doll scenario dozens of times before. It still works.

Third story is called Not Alone and is also written and directed by Morris. This story finds a man, Kyle (Sean Hunter) listening to UFO reports on a radio show and having some strange occurrences begin happening in his home. That’s about it. It is atmospheric, but doesn’t really go anywhere. It’s some weird things happening, a spooky climax and that’s it. Not Alone is the shortest and weakest of the five.

Fourth story is called They Live Inside Us and is written and directed by Baliff and stars James Morris as a writer (and other various roles) who breaks into the Boothe House where a infamous murder/suicide occurred. He’s there to get inspiration for a horror script he is writing and let’s say he gets it in droves. An interesting and spooky story that is the longest and possibly best of the tales and is another atmospheric entry from series creator Baliff. It also stars Stevie Dunston as Mrs. Boothe who appears in all of the writer’s various scenarios.

Fifth and final tale is called Is That You and is another directed by Morris from a story he co-wrote with Baliff. It’s a short and simple tale where a spooky nursery rhyme comes all too true for a girl, Whitney (Karlee Broschinsky) stuck home on Halloween night with an injured leg. There isn’t much to it and like Not Alone it’s basically someone in a house with weird occurrences going on around them until a spooky ending. It’s atmospheric, but again, like Not Alone, it really doesn’t go anywhere just sort plays out and then ends.

I enjoyed this web anthology series which shows a lot of love for the spooky season and horror films from the series creative team of Michael Baliff and James Morris. Even the weakest of the tales had some Halloween spirit and all were atmospheric. Both directors got good work out of their cast of unknowns and seem to handle their multiple chores on each story quite well. Baliff seems like the stronger of the two behind the camera, though Morris shows potential even if all three of his stories followed the same format. He did create atmosphere. There is some great cinematography all around and some effective music on each story by Randin Graves and the series opening credits is quite effective at setting the spooky tone. A well done labor of Halloween love from creator Michael Baliff and collaborator James Morris. Can’t wait to see more from these guys!

-MonsterZero NJ

Rated 3 pumpkins.

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HORROR YOU MIGHT HAVE MISSED: TERRIFIER (2016)

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TERRIFIER (2016)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Terrifier is the first full length horror to star spooky Art The Clown (David Howard Thornton), who previously appeared in a few stories of writer/director Damien Leone’s 2013 Halloween anthology flick All Hallows’ Eve. It’s Leone’s second film and the story is once again set on Halloween, as gal pals Dawn (Catherine Corcoran) and Tara (Jenna Kanell) are on their way home from a party. They encounter a scary clown and while Tara is legitimately scared, Dawn teases him. This begins a night of horror as the deranged clown corners the girls in an old apartment building basement. Art plans a horrible fate for both them, as well as, Tara’s sister Vicky (Samantha Scaffidi) who is on the way to pick them up and unaware of the psychotic clown awaiting her.

Written and directed by Leone, the director does show he can build tension and can produce some very creepy moments. It’s almost a shame then that he also likes to wallow in Herschel Gordon Lewis levels of gore, as the film can be creepy enough, at times, without having to drown us in severed limbs and cruelty. Let’s just say simple stabbings and shootings are not Art’s style. The clown villain is disturbing even without his blood-soaked antics and one wonders if Leone had dialed it back a bit, the film would have been more effective. As is, the constant hacking and dismemberment wears out its welcome and we become numb to it even before the 82 minute run time is up. It’s also a bit disappointing that the story switches attention from Tara to sister Vicky, about half way through, as Tara was proving quite the fiery opponent for Art and had a stronger presence than the more demure Vicky. Leone also knows how to find and utilize some really creepy urban locations and one might feel the urge to shower after spending so much time in the basement labyrinth Art uses as his house of horrors. For those who think this sounds a but misogynist, there are two male pizza parlor employees and a pest exterminator who demonstrate that Art dismembers everyone equally. The gore FX are fairly effective and are quite abundant as you can guess.

The cast do just fine, especially our three lead females. Jenna Kanell makes the biggest impression as the tough and feisty Tara. She gives Art a good fight and as stated, it’s a shame focus switches to Vicky when she arrives to play designated driver. It’s not that Samantha Scaffidi isn’t a decent final girl, it’s just Tara was a more interesting character. Vicky is more of a damsel who needs saving, while Tara was a fighter. Catherine Corcoran was cute and sexy as Dawn, but, unfortunately, we all know what happens to the sexy blonde in a flick like this, so…Rounding out David Howard Thornton is very effective as the silent Art. The actor projects the clown’s lunacy and lethal-ity quite well using only body language and his expressive eyes. There are also some supporting characters, homeless people and unsuspecting exterminators, to serve as clown fodder and they are fine for their purpose. Flick also features an opening scene cameo by All Hallows’ Eve‘s sexy Katie Maguire.

The film has it’s moments and the Art character is effective. Leone does manage some tension and legitimate scares and gives the flick some atmosphere. If anything takes it down a few notches, it is that relying on such extremely graphic gore and the constant acts of brutality by Art, by the last act, we are more tired of it, than unsettled by it. Still, Leone has a little something and Art is very creepy as creepy clowns go. Worth a look if you like your horror brutal and bloody.

-MonsterZero NJ

Rated 2 and 1/2 scary clowns.

 

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