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LADY BIRD (2017)

Indie comedy/drama takes place in early 2000s Sacramento as strong-willed and opinionated Christine “Lady Bird” McPherson (Saoirse Ronan) spends her senior year at Catholic school and has plans for her future in a New York City college. This plan causes her to butt heads with her money minded mother (Laurie Metcalf) who is determined she go to school locally to ease the financial burden on her down-on-their-luck family.

Enchanting indie flick is written and directed by Greta Gerwig, who has been in a number of indie films herself and certainly has paid attention. She creates a very spirited and rebellious character in the self-proclaimed “Lady Bird” without that character becoming a cliché. We are endeared to her and cheer her on, as her fire and determination to be her own person, rubs family and faculty alike the wrong way. Gerwig never steers the film into melodrama, yet also keeps the humor subtle so we take Christine’s journey, to walk to the beat of her own drum, seriously. She gets great performances out of her cast, especially Ronan and Metcalf and gives us real people to populate Christine’s world and not stereotypes. A fun and engaging story of a young woman coming of age in post 911 America. Also stars Tracy Letts as Christine’s father, Larry.

-MonsterZero NJ

three and one half stars rating





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I am a big fan of director Ti West and of 70s and 80s horror, so that’s already two in the win column for me in regards to West’s homage to late 70s/early 80s occult themed horror flicks. This story, also written by West and set in the early 80s, has financially struggling college student Samantha (Jocelin Donahue) renting an apartment and now trying to figure out how she is going to pay for it. When a babysitting job at a remote house on the edge of town comes up, Samantha takes it despite warnings from her friend Megan (Greta Gerwig) that something isn’t right. When she arrives, Samantha finds a spooky old couple (Tom Noonan and Mary Woronov) and learns she is actually there to keep an eye on their elderly mother and not a child. She decides to decline, but an offer of significantly more money coerces her to stay. As this is a horror film, it’s no secret that this night is not going to proceed quietly for Samantha.

Ti West perfectly recreates one of the horror flicks of this bygone era in every detail from the grainy photography and the camera angles to the hairstyles and fashions. But is it a good horror movie? Yes, it most certainly is. Today’s impatient audiences may not appreciate the slow burn, but West keeps the atmosphere creepy and full of foreboding till the suspenseful and blood-soaked finale act. It’s paced much like a fright flick from that time and it worked perfectly for me. It’s set on the night of a lunar eclipse which sets off our primal fears of something supernatural being afoot and Megan’s warnings make us doubt Sam is making the right decision. All adding to the mood and uneasiness. One of the things I like about West, is that he knows how to create tension with his camera and the composition of his shots, much like vintage John Carpenter. With Samantha being alone in the creepy house by herself, there isn’t a lot of dialogue or exposition, so he keeps things tense by giving the house a constant feeling of dread with his lens. He and cinematographer Eliot Rocket film the big old house with lots of shadows where evil may lurk and there are plenty of rooms with closed doors where who-knows-what may reside. It’s like the house itself is a character and one we know is up to no good.

He also gets good performances from his cast. Donahue, who was seen recently playing Barbara Hershey’s younger self in Insidious: Chapter 2, makes a strong heroine. She’s smart, but her need for cash makes her a bit desperate and thus vulnerable. When the blood hits the fan, she’s a fighter we root for. Veterans Noonan and Woronov play The Ulman’s as a bit eccentric and while they appear harmless, there is something off about them that keep us wary about the two, just as Sam is. Gerwig is a spunky and likable friend and there is a nice cameo by horror icon Dee Wallace as Sam’s landlord.

Like the films it pays homage to, it keeps things unsettling but subtle till West is ready to unleash his horrors and then we are in for a bloody and intense final act where a babysitter’s worst nightmare comes true. Even the climax is right out of a horror flick of that era, subtle and spooky. As a nostalgic trip back to a type of horror they don’t make anymore or for a spooky Halloween treat, I definitely recommend it. A really good old school horror flick.

To check out my review of West’s follow up flick The Innkeepers click here!

3 and 1/2 creepy houses that no one in their right mind would want to babysit in.

house of the devil rating