CULT CLASSIC CUTIES: DEDEE PFEIFFER as ALLISON in VAMP!

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Cult Classic Cuties are characters from some of our favorite cult classics and midnight movies who captured our hearts and/or actresses who got our attention, but sadly never returned to these type of flicks. They’re femme fatales and final girls whose sexy stars shined only briefly, not quite achieving scream queen status. And this installment’s cutie is…

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DEDEE PFEIFFER as ALLISON in VAMP!

Dedee Pfeiffer as Allison/Amaretto in Vamp!

This installment of Cult Classic Cuties focuses on an actress who starred in only two horror flicks, both in the 80s. Actress Dedee Pfeiffer may be Michelle’s sister, but she carved out her own niche in the minds and hearts of horror fans as Amaretto/Allison, the new waitress at the vampire infested strip club in Vamp! Allison may be oblivious to her bloodsucking coworkers, but when her childhood crush walks in and pisses them off, the adorable Allison finds herself on the run from these creatures of the night!

(You can read my full review for Vamp by clicking the highlighted titles or on the poster below)

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New waitress Amaretto is a blast from the past to our hero Keith (Chris Makepeace).

Allison/Amaretto may be oblivious that she’s surrounded by vampires, but that’s part of her charm!

Allison finally realizes rekindling a grade school romance is dangerous when your paramour pisses off vampires!

A bazooka probably won’t stop a vampire, but can’t blame a girl for trying!

Vampire queen Katrina (Grace Jones) regretting hiring that new waitress maybe?

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Dedee Pfeiffer made one more straight-up horror flick, The Horror Show with Lance Henriksen in 1989. Since then she’s enjoyed a busy career in movies and TV and even done a couple of direct to video thrillers and science fiction flicks in more recent years, though never returning to straight up horror. Wherever she takes her career, Dedee will always be remembered by horror fans for her role in Vamp and certainly qualifies as a Cult Classic Cutie!

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Be sure to check out our Cult Classic Cuties (click right here for the link) section to see more crush worthy ladies from cult films and midnight movies!

-MonsterZero NJ

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COOL STUFF: VAMP (1986) COLLECTOR’S EDITION BLU-RAY!

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VAMP (1986) COLLECTOR’S EDITION BLU-RAY!

 

Vamp (1986) (full review HERE) is an 80s vampire flick that was sadly overlooked when first released. A smaller budgeted movie than the other vampire flicks of that era, but one that finally is being discovered and given the credit it deserves. After all, it presented the story of a queen vampire and her nest of followers being located in a strip club, a full decade before Robert Rodriguez’s From Dusk Till Dawn. In this 2016 special edition Blu-ray from Arrow Video, Vamp can now be watched in all it’s original gory glory.

 

As for the disc itself….

The high definition transfer of this 80s vampire flick looks really good considering it is over 30 years-old. The film is presented in the original 1.85:1 aspect ratio and there is some grain in the picture, but the neon colors are bright and vibrant and the images are sharp. The sound is the original mono track and while that may disappoint home theater enthusiasts, it’s certainly sufficient and should please purists who want to hear it in it’s original presentation. Probably as good as it’s ever going to look.

 

Now on to the extras….

The extras included are better than one might expect for what was a bit of an under-the-radar release back in 1986 and should please fans of this film. It starts out with a new documentary made at the time of this disc’s release in 2016 called One of those Nights: The Making of Vamp. It features new interviews with director and co-writer Richard Wenk, stars Chris Makepeace, Dedee Pfeiffer, Robert Rusler, Gedde Watanabe, the late Billy Drago and cinematographer Elliot Davis. It’s fun and informative, from the universal praise for Deedee Pfeiffer from cast and crew, to Grace Jone’s being both very enthusiastic to work on the film, yet perpetually tardy getting to the set. A cool documentary. There is also rehearsal footage, Richard Wenk’s 1979 comedy/musical short Dracula Bites the Big Apple, a blooper reel, TV spots, trailers and a photo gallery. While there are oddly no audio commentary tracks, there is a nice info-filled souvenir booklet inside the case. A solid special edition from Arrow Video, who also did the really good BloodThirsty Trilogy Blu-Ray set.

 

Vamp was not a huge box office success when first released on July 18, 1986, but wasn’t a bomb either. It has developed a well deserved cult following since and is now recognized as a cult classic. It was kind of the overlooked 80s vampire flick, released between Fright Night and The Lost Boys, but now is finally getting the attention and treatment this underrated little flick deserves.

On a personal note, I actually saw in a theater back in 1986 and this special edition really brought back memories and was a great way to revisit it. Highly recommended if you are a fan.

Available on https://arrowfilms.com or from Amazon.

-MonsterZero NJ

COOL STUFF: WITHOUT WARNING and OCULUS on BLU-RAY

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As my last product review did quite well, I’ve decided to premiere my new column… Cool Stuff! Obviously it will be a look at/review of cool genre related items and home media.

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WITHOUT WARNING (1980) DVD/Blu-Ray

The folks at Scream Factory have done it again by bringing this hard to find cult classic to DVD and Blu-Ray for the first time ever. This 1980 low budget sci-fi flick (full review here) has been out of reach for decades and Scream Factory has resurrected it in all it’s cheesy fun, 80s glory. The combo DVD/Blu-Ray pack features a remastered print with a really nice package of extras. We get commentary from director Greydon Clark along with all new Scream Factory exclusive interviews with leads Christopher S. Nelson and Tara Nutter, producer Daniel Grodnick, legendary cinematographer Dean Cundey and make-up FX master Greg Cannom. They are all fun recollections about the making of a lost cult classic… and a personal guilty pleasure of mine. Scream Factory always gets some fun and informative interviews out of these people, treating us to an inside look at a film the likes of which would normally not get… but strongly deserves… such star treatment. A lot of enjoyable nostalgia here.

As for the print itself, the film looks as good as it probably ever will. There is some flickering and extra grain in some of the darker scenes. Probably due to flaws in the existing print revealed when those scenes were lightened but, as a film left in a closet somewhere since the 80s, this is probably the best source material available and considering it’s age and the low budget nature of it’s production, it still looks really good and the colors are rich and the image crisp. The sound is clean and very good quality and overall, despite any minor flaws in the source print, this looks far better then one might expect and the overall quality far outweighs those minor anomalies. Another great job by Scream Factory giving a cult classic the respect it deserves. Definitely recommended!

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OCULUS (2014) Blu-Ray

Oculus is my favorite horror, so far this year (full review here) and as a big fan of co-writer/director Mike Flanagan too, I eagerly awaited it’s home media release anticipating some cool extras and it didn’t disappoint. The disc comes with commentary from director Flanagan and a nice assortment of deleted scenes, including one with a cameo by Absentia‘s other leading lady Katie Parker (Courtney Bell’s cameo as a auctioneer remains in the final cut). There is a fascinating documentary about the making of the film including interviews with behind the camera talent and gives some cool incites on how the film came to be and how they pulled it off. To add to that, it also includes the full 32 minute short film version of Oculus that the feature film started out as. If you love the film making process as much as the movies, like myself, these are some extras that follow the genesis of how a film is created and brought to life. Very Cool!

As for the movie itself, the print is gorgeous. The disc preserves the rich but, varying color scheme of the film (brighter colors for sequences early on but, more muted and cold as the darker story elements unfold) and the picture is crystal clear. The sound is nice and full and while I don’t have a fancy sound system yet, it sounded great to me. All in all, a really nice presentation of what I believe is one of the best horror flicks of the year, if not in some time. It’s got some really solid extras and the movie itself was just as effective the second time around. Highly recommended.

Deleted scene from Oculus featuring the lovely Katie Parker…

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TOMB OF NOSTALGIA: VAMP (1986)

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VAMP (1986)

A full ten years before Robert Rodriguez took us to the Titty Twister, writer/director Richard Wenk took us to The After Dark Club, a vampire infested strip bar deep in the urban jungle of Los Angeles, in this 80s horror/comedy from post-Corman New World Pictures (Corman sold it in 1983). Keith (Chris Makepeace) and A.J. (Robert Rusler) want desperately to get into a fraternity and to do so, make the frat brothers a deal that, if they get them a stripper for one of their parties, they are in. The boys hitch a ride with nerdy but wealthy Duncan (Gedde Watanabe) into downtown L.A. and choose a place called The After Dark Club to find their stripper. Inside the sleazy club, the haunting and impressive Katrina (Grace Jones) is whom they choose. Unknown to them, though, Katrina is a centuries old vampire and so are most of the club employees, except for new girl and old friend of Keith’s, Amaretto (Dedee Pfeiffer…Michelle’s sister). Soon a quest to join a frat becomes a night of terror and survival for Keith and his friends, as they face an ancient and hungry evil that wants them all dead…or worse.

Low budget flick is no Lost Boys, but it is fun, though, not as fun as I remembered it when I saw it in 1986. Under Wenk’s direction the film has a slower pace than a flick like this should. He could have used some more intensity and energy in the action sequences, though budgetary restrictions probably were to blame here, too, as the action is pretty small scale and low key. His visual style gives it a sleazy neon-bathed look and that works in the film’s favor and Wenk is supported by some nice gore and make-up FX from master Greg Cannom. The script has some definite weak points, such as vampires keeping drums of flammable liquid in their lair. Then there’s an albino street gang that prowls the neighborhood, yet somehow has never come across their fanged neighbors, but the local coffee shop guy is well aware of them? Giving the film a boost over it’s flaws is that the flick is very 80s and the nostalgia helps one past some of it’s weaker spots.

Wenk also has a cast that gets the material and it’s tone. Makepeace is a suitable hero and it doesn’t hurt that he has a passing resemblance to Mel Gibson. Rusler performs well the part he usually played in the 80s flicks he was in, the cool player. Wantanabe is still milking Long Duk Dong, but with better English here and Pfeiffer gives us a crush-worthy, cute and ditzy heroine in her Allison/Amaretto. Grace Jones doesn’t have as much screen time as you might think as Katrina. She is formidable, though, and has presence, even if she has no dialog and spends a lot of time under Greg Cannom’s make-up artistry. The music by Jonathan Elias suits the mood fine and the cinematography by Elliot Davis and Douglas F. O’Neons captures the sleazy neon soaked atmosphere of the setting. To give the film credit, the comedy and horror elements do mix fairly well and that isn’t always easy.

Overall, Vamp is still fun, especially with the 80s nostalgia added, but not as good as I remembered it being. Grace Jones made an interesting stripper/vampire queen and with a little more energy and a perkier pace, this could have been a real treat. It’s still considered a cult classic by some and I agree it is a good example of 80s B-Movies, the type that soon went direct to DVD. It might be one of the last films of it’s kind to get a theatrical release before the home video era made it cheaper to go direct with flicks like this. It’s an amusing 80s horror/comedy and while there are certainly better examples of that genre mix, Vamp is still worth a look and a bit unique in it’s own way…and it did pre-date Lost Boys by a year and From Dusk Till Dawn by a decade. Also stars 80s B-Movie bad guy Billy Drago as albino street gang leader Snow.

Rated 3 (out of 4) fangs.

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TOMB OF NOSTALGIA: WITHOUT WARNING (1980)

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WITHOUT WARNING (1980)

Yet another early 80s gem that I had the pleasure of seeing on the big screen at the great Oritani Theater in Hackensack N.J. This delightfully cheesy sci-fi/ horror flick tells the story of an alien hunter who preys on humans using flying, fanged starfish-like creatures as weapons and a full 7 years before Arnold tangled with the Predator.

Without Warning focuses on two young couples (Tarah Nutter, Christopher S. Nelson, Humanoids From The Deep’s Lynn Theel and a young David Caruso) who decide to go camping at a remote lake despite the ominous warnings from strange local gas station owner/hunter, Joe Taylor (Jack Palance before City Slickers revived his career). Soon upon arrival at the secluded lake, they become the targeted prey of the extraterrestrial creature and his flying minions who have apparently staked out this area as their hunting ground. Now running for their lives and with no one believing them, they have only the gruff off-balanced Taylor and crazy war vet and conspiracy theorist “Sarge” (Martin Landau before Ed Wood revived his career) to turn to. Apparently these two have had dealings with this evil E.T. and have been equally ostracized for their claims, so maybe now it’s time to stand and fight.

This 1980 film is cheesy fun and brings a lot of unintentional laughs such as one youth’s attempt to describe the alien threat to a bar full of drunk locals and the alien actually stopping to steady a swinging lamp before continuing his pursuit of a victim. Greydon (Satan’s Cheerleaders) Clark directs from a script with no less than 4 writers listed for some reason. He gives the flick a rather pedestrian pace, but he treats his material seriously as do the cast, especially Palance and Landau, who properly chew up the scenery with Landau especially cranking up the nuttiness. Aside from them, though, the acting and dialog is strictly what you’d expect from a B-movie like this and the barely adequate performances suit the material oddly well. The production is strictly low budget with some passable alien SPFX and OK gore from future FX master Greg Cannom with the alien’s head created by the legendary Rick Baker. There isn’t a lot of action till the last act, but it is entertainingly worth waiting for and the fact that everyone in the small lakeside town seems to be some kind of nut does go a long way to make up for it in the meantime. And who can pass on a three-way showdown between Jack Palance, Martin Landau and a 7 foot purple alien? Not me! Add in a typical 80s electronic score by Dan Wyman and some nice cinematography by frequent John Carpenter DOP Dean Cundey and you have a good example of the type of B-movie they sadly don’t make anymore. Despite all it’s inadequacies, it’s heart is in the right place.

Not a classic or great movie by any length, but it is a fun 80s ‘so bad it’s good’ flick to enjoy with a couple of beers and a few other flicks of equally enjoyable awfulness (like Laserblast for example). Without Warning also features appearances by film vets Ralph Meeker and Neville Brand as doubting locals and Cameron Mitchell and Larry Storch as a hunter and scout master, respectively, who are among the creature’s first victims. Nostalgic 80s fun.

MONSTERZERO NJ EXTRA TRIVIA:  Ironically, the alien hunter here is played by Kevin Peter Hall who also played the Predator in the similarly themed, classic Schwarzenegger flick seven years later.

For an in-depth comparison of Without Warning and Predator, go HERE to read all about it.

-MonsterZero NJ

Rated 3 (out of 4) cheesy angry aliens!

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