Flick has an up and coming executive named Lockhart (Dane DeHaan) being sent to a wellness clinic in the Swiss Alps to retrieve his company’s estranged CEO (Harry Groener). The man is needed to complete a crucial merger and his latest correspondence has the board questioning his sanity. What Lockhart finds is a strange place where there may be something very sinister going on despite the idyllic appearance. Trapped there after a car accident, Lockhart begins to investigate the institute and it’s equally strange founder, Dr. Heinreich Volmer (Jason Issacs). But what he finds is something straight out of a nightmare…unless he too is losing his mind.
Directed by Gore Verbinski from a script by Justin Haythe, this tries to be an old fashioned gothic chiller from the likes of Edgar Allen Poe or H.P. Lovecraft, but wears out it’s spooky welcome long before it’s over. The film’s biggest problems are it’s overindulgent running time of 146 minutes and the fact that it’s hero is kind of unlikable. The flick could have been at least forty minutes shorter and not lost any important story elements and it’s hard to feel for DeHaan’s Lockhart as he is just another stereotypical ambitious suit character. There are some creepy moments and Verbinski is a skilled visualist, but the movie runs out of gas long before it’s over and where it leads can be seen coming an hour before it does finally end. An interesting effort that could have been better if it didn’t take so long to tell a story that didn’t need so much time to tell it and we actually cared what happened to it’s lead.
(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)
The Moth Diaries is a supernatural horror set at an all-girl boarding school where young Rebecca (Sarah Bolger from Emelie) is sent after the suicide of her writer father. She befriends the pretty Lucy (Sarah Gadon) and all seems well until the arrival of strange new student Ernessa (Lily Cole). Lucy is drawn to Ernessa and the more Rebecca tries to find out who this mysterious new girl really is, the more she begins to believe that she is faced with the very type of vampiric creature that she is reading about in her literature class. As the bodies pile up and everyone attributes Rebecca’s suspicions as a product of the troubled emotions left over from her father’s death, Rebecca decides she must deal with this monster herself. But is Ernessa truly a creature of darkness, or is Rebecca suffering delusions born of her grief over her father’s suicide?
Based on Rachel Klein’s novel, Moth Diaries is one of those movies that tries hard, but sometimes too hard for it’s own good. There is a very gothic mood to it and writer and director Mary Harron tries to give it the same period feel of a Dracula story despite being set in modern day. There are some nice visuals and effective scenes and the cast all perform well. But sometimes the film is a bit too obvious for it’s own good. Some of the scenes come across as a bit silly when maybe a bit more subtlety would have been better. Some of the voice narration by Rebecca comes across as forced, telling us things we already have figured out for ourselves. The film probably could have benefited from some of the sly humor that Harron used to perfection in the classic American Psycho, but here the tone comes across as a little too serious and it also can’t decide whether it wants to be a straight horror or something more along the lines of a Twilight movie with it’s melodramatics.
Moth Diaries is not a complete failure by any means and it has entertainment value, but it could have been a lot better if the filmmakers weren’t trying too hard to create a goth classic in the same vein (sorry, had to) as Dracula, but with the melodramatics of the Bella and Edward saga. Maybe trying to appeal to both the Twilight crowd and the gothic horror crowd, but sometimes you can’t have it both ways. Certainly worth a look, just go in with moderate expectations. Also stars the Underworld saga’s Scott Speedman.