TOMB OF NOSTALGIA: BATTLE BEYOND THE STARS (1980)

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BATTLE BEYOND THE STARS (1980)

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Never one to pass up an opportunity to make a buck on a trend, Roger Corman put this space opera into production with the hopes of capturing a little of the Star Wars lightening in New World Pictures’ bottle. The story finds the inhabitants of the peaceful planet of Akir, under siege from Sador of the Malmori (John Saxon), a ruthless warlord who conquers worlds and uses spare body parts to keep himself young and tyrannical. Not able to defend themselves, village elder Zed (Jeff Corey) sends the rebellious young Shad (Richard Thomas) out to hire mercenaries to defend their planet against the invading army. Can Shad find warriors bad and brave enough to take on Sador and his planet-destroying Hammerhead starship?

As you can tell by the story description, this is more a take on Akira Kurosawa’s Seven Samurai than a retread of George Lucas’ box office titan, though Star Wars rip-off it shamelessly still is. No more obvious than the planet name Akir, which is a tribute to the legendary Japanese director, whose story is being appropriated here. The fun script is by John Sayles (Piranha, The Howling) and it’s directed with a comic book flare by Jimmy T. Murakami, who previously had experience in animation. The film never makes a joke out of the proceedings, but is loaded with humor and plenty of innovative SPFX on a small budget, as designed by James (Terminator, Aliens, Avatar) Cameron. The action is fast and furious, there is a variety of ships to go along with the motley group of mercenaries and it’s all a good time as intended. Sure it’s only got about a fifth of Star Wars’ budget, but the film has loads of heart and the hard work and imagination of everyone that worked on it shows through. The FX can be cheesy and there are a few spots where things slow down a bit, but otherwise it is a cult classic in it’s own right and how can you not like a movie that has a spaceship with a set of boobs…only in a Roger Corman flick, folks!

The cast really make this work especially well. All the actors get the tone and none of them treat the material like a joke, yet still have a good time with their roles. Richard Thomas makes a noble hero as Shad. A young man willing to risk all to save his world and people. Darlanne Fluegel is pretty and resilient as Nanelia, who joins Shad on his quest and becomes his first love interest. John Saxon is simply on target with his portrayal of Sador. He gives him a sense of malice and villainy, yet is careful to never carry him too far into over-the-top territory, so he stays threatening. As our warriors, we have George Peppard as “Space Cowboy” a space trucker caught up in the fight, Robert Vaughn as Gelt, an outlaw on the run, Sybil Danning as the beautiful but arrogant warrior woman Saint-Exmin, Morgan Woodward as the reptilian Cayman, who has a personal grudge against Sador, as well as, a heat communicating duo called The Kelvin and a group of five clones, who act and think as one, called The Nestor. And let’s not forget Sador’s army of patchwork mutants, too. A colorful and diverse group of characters if there ever was.

A cult classic in itself, this is a fun low budget space epic with loads of heart. Sure, the sets are cheesy, as are some of the SPFX, the dialogue corny and the pacing a little erratic, but this movie is a lot of fun. The cast all get the material and give it their all. The imagination of James Cameron and his FX crew is up on screen and it has one of James Horner’s best scores. A Roger Corman cult classic that may have been inspired by George Lucas’ surprise blockbuster, but has earned an identity and place in B-movie history all it’s own.

-MonsterZero NJ

Rated 3 (out of 4) Sadors.

 

 

 

 

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TOMB OF NOSTALGIA: DAMNATION ALLEY (1977)

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DAMNATION ALLEY (1977)

Late 70s flick is a combination of post-apocalyptic drama and disaster movie that opens with an Air Force bunker in California detecting a massive nuclear strike incoming and firing all missiles in response. The resulting nuclear war throws the Earth off it’s axis and the planet becomes a wasteland with only patches of survivors. Among the survivors are occupants of that Air Force base including, Tanner (Jan-Michael Vincent), Denton (George Peppard) and Keegan (Paul Winfield). The men have been receiving radio transmissions from somewhere in Albany, New York and after an accident leaves their living quarters destroyed and most of the men dead, they decide to travel to Albany in two massive land rover vehicles called Landmasters in a hope to find survivors. Along the way they encounter a few normal folks (Dominique Sanda, Jackie Earle Haley), some not so friendly survivors, giant scorpions, flesh-eating cockroaches, earthquakes, sandstorms and floods. With all these natural and unnatural elements against them and one Landmaster destroyed, will they make it to Albany and will anyone be there to greet them?

Ironically, 20th Century Fox counted on this to be their big science fiction hit for 1977, but post production problems delayed the film’s release until October and a little sci-fi flick called Star Wars got released first. Upon release, the big budget Damnation Alley bombed, so it was Fox’s good fortune Star Wars made such a bundle. Damnation Alley is an amusing and nostalgic watch, though, with it’s now cheesy SPFX, cheesier dialog and 70s disaster movie tone. It’s directed by Jack Smight, from a script by Alan Sharp and Lukas Heller, based on a novel by Roger Zelazny, who wasn’t happy with the film. Damnation Alley is pretty by-the-numbers, but there are some fun action scenes, such as the flesh-eating cockroach attack and an encounter with some mutant hillbillies. The cast give it their all and take their roles very seriously with Vincent doing his rebel hero thing perfectly and Peppard as the by-the-book senior officer. As said, the FX are pretty cheesy by today’s standards, in fact they were outdated by Star Wars‘ great FX work months before Damnation Alley finally got released. The Landmaster ATV’s are the real stars and as actual functioning vehicles built for the production, they are impressive, especially to a kid like me who wanted one upon seeing the film in a theater in 1977 when it opened.

Overall the 70s nostalgia helps make this an entertaining watch and there are some legitimately fun sequences. While the directing style by Smight is nothing special, he does keep things moving pretty fast and there is enough action to keep one entertained and it’s all bolstered by a good score from the legendary Jerry Goldsmith. So if you are a fan of 70s sci-fi or disaster flicks, Damnation Alley is a fun and cheesy combination of both that is probably more entertaining now that it has become so charmingly outdated.

Rated 3 (out of 4) flesh-eating cockroaches!

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