REVIEW: WONDER WOMAN 1984 (2020)

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WONDER WOMAN 1984 (2020)

Superhero sequel takes place in 1984 and has Diana foiling a robbery at a mall. Her heroics also uncover a black market operation dealing with ancient antiquities. Amongst the items recovered is an ancient stone, that literally grants wishes…with a price. Not only does Diana use the stone to bring back her lost love, Steve Trevor (Chris Pine), but it finds itself in the hands of power-hungry entrepreneur, Maxwell Lord (Pedro Pascal), and it transforms the meek and shy Dr. Barbara Minerva (Kristen Wiig) into a predator…literally. But will the price of returned romance, cost Diana the power to stop her new adversaries?

Sequel is once again directed by Patty Jenkins from her script and story with Geoff Johns and David Callaham. While the first film dealt with serious themes like the horrors of war and the evils that men do, this next adventure takes on a much lighter tone, though the corruptive power of greed is certainly a subject here. The movie has fun with switching the roles, with Trevor, this time, being the fish out of water and Diana being in familiar surroundings. Obviously, setting the film in the 80s also invites having a little fun with the outrageousness of that decade as well. The moments between Diana and Steve are indeed entertaining, but eventually Diana must turn her attention to stopping Lord, whose use of the stone is getting dangerous, and Barbara, who is transforming into classic Wonder Woman villainess Cheetah. It takes a little while to get to the action, but it is an entertaining enough build. The movie does move along at a nice pace. Not too fast, but not too slow. When the action comes, it is big and spectacular, like a scene in Cairo, but avoids the overblown theatrics of the first installment. It’s not perfect. It is definitely a tad too long and could have been tighter in a few spots, especially in the last act where it starts to get a little messy here and there. It doesn’t have the impact of the first movie, but is an entertaining sequel nonetheless. It is more fun.

The cast is top notch and helps make this more fantasy heavy story click and work. Gal Gadot once agains proves she was born to play this part and gives her comic book heroine some nice depth and nobility. Pine is fun as the resurrected Steve Trevor. A soul in another man’s body, Pine has a good time being the man in unfamiliar territory, discovering the modern world of the 80s. He and Gadot still have great chemistry. Pascal is also fun as Maxwell Lord. He evokes Gene Hackman as Lex Luthor here and is both a fun and lively villain, while never loosing that air of being lethal and threatening. Kristen Wiig is perfectly cast as the nerdy Barbara Minerva turned classic villainess Cheetah. She starts out awkward and clumsy and once getting her wish, becomes confident, sexy and then dangerous, literally turning into a predatory cat. There are return appearances by Robin Wright and Connie Nielsen in flashbacks and a “Wonder”-ful cameo during a mid-credits scene. A great cast.

Overall, this may not have the same intensity and impact as Diana’s origin tale, but is a more fun sequel. It has a lighter story, with a magic wish granting stone, but grounds it enough that it is not silly, nor does it rob it’s villains of their threat factor. It avoids getting too over-the-top, so we take the story as seriously as we need to for it to work. It has a good time skewering the 80s, especially through the fish out of water eyes of the returned Steve Trevor. Most of the action comes in the last act, but it is an entertaining ride to get there and when it comes, it delivers the heroics we are waiting for. It may be a bit too long, and wouldn’t lose much with about ten or fifteen minutes trimmed, but is a satisfying enough sequel and a lighter toned DC hero flick. Watch through the credits for that fun cameo.

Rated 3 (out of 4) Wonder Women!

-MonsterZero NJ

 

 

 

 

 

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WONDER WOMAN 1984 FINALLY GETS A TRAILER!

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Wonder Woman stole the show in Batman v Superman and was a hit in her first solo feature. Now Gal Gadot is back in action as the Amazonian heroine and director Patty Jenkins is back in the director’s chair. With a script from Jenkins, Geoff Johns and David Callaham, that sets her next solo outing in the fabulous 80s, Wonder Woman is going to take on arch enemy Cheetah as played by Kristen Wiig. Chris Pine somehow returns as Steve Trevor and the flick opens on 6/5/2020! Check out the fun trailer below, after the character poster gallery…

 

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-MonsterZero NJ

Source: youtube/internet

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BARE BONES: RALPH BREAKS THE INTERNET (2018)

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RALPH BREAKS THE INTERNET (2018)

Sequel finds Wreck-It Ralph (John C. Reilly) and Vanellope (Sarah Silverman) traveling into the internet to find E-Bay, to get a new steering wheel for her Sugar Rush game. Along the way Vanellope discovers a dangerous game called Slaughter Race, that she would rather stay in and in his grief, Ralph unleashes a virus which replicates hundreds of him at his most needy and threatens to bring the internet crashing down.

Sequel is cute and fun, though not quite up to the original Wreck-It Ralph. Rich Moore returns to direct, this time along with Phil Johnston, who co-wrote the screenplay along with Pamela Ribbon. The characters are still endearing and it is fun to see these retro game characters discover the new and more intense games of today and interact. There is a fun role from Wonder Woman’s Gal Gadot as the sexy “Shank” who is Slaughter Race’s premiere driver, until Vanellope arrives. Ralph’s moping and whining does get a little tedious, but otherwise it’s a cute and entertaining follow-up to the charming original.

 

-MonsterZero NJ

3 star rating

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REVIEW: JUSTICE LEAGUE (2017)

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JUSTICE LEAGUE (2017)

Justice League is a movie fans have been waiting a long time for and while it’s not the movie we’d hoped we’d get, it is still a lot of fun. Story finds Earth under attack from an ancient being called Steppenwolf (voiced by Ciarán Hinds) who needs three powerful ‘mother boxes’ to come to his full strength and conquer the planet. Bruce Wayne aka Batman (Ben Affleck) and Diana Prince aka Wonder Woman (Gal Gadot) are trying to put together a team of meta humans to join in the fight. They need to convince Arthur Curry aka Aquaman (Jason Mamoa), Victor Stone aka Cyborg (Ray Fisher) and Barry Allen aka The Flash (a hilarious Ezra Miller) to unite with them to stop Steppenwolf in his tracks. But even with the heroes united, their only hope of defeating the titan and his army of pandemons, may lie six feet under in a grave in Smallville.

DC’s classic comic is brought to the screen by Zack Snyder from a story by he and Chris Terrio and a script by Terrio and Joss Whedon. Avengers director/writer Whedon was called in to finish post-production and handle re-shoots when a family tragedy forced Snyder off the project. The result is a film that is far from perfect, but is still a lot of fun. The film feels a bit incomplete despite a competent director taking over the project and it also feels edited down to the quick to get to the action faster. Ironically Batman v Superman was improved when material was added on blu-ray, but here they chose to go in the opposite direction and the film feels like it’s missing something. The first act seems particularly rushed and we really don’t get to feel the resonance of the search for the meta humans or Steppenwolf’s arrival. It all happens so quickly and it’s a bit choppy. Once the team is assembled and goes on the offensive, the movie is a lot of fun with the banter between our Justice League members being a highlight, especially from the wisecracking Flash. Their first battle brings the team up short and thus begins the quest to raise the dead, or at least one of them. Then it’s off to a fun conclusion that follows this series’ propensity for big CGI filled spectacle, but doesn’t quite seem as messy as the bloated, overlong Batman v Superman climax, in fact, it actually felt a bit short. The whole film does leave one wanting more, to be honest, but the camaraderie between the characters really goes a long way and there are some really fun dialogue and action scenes to make this an entertaining night at the movies, nonetheless. It’s not the classic hoped for, but DC is starting find it’s footing, at least in terms of tone. It kept that DC look and feel, but isn’t as gloomy or takes itself too seriously like some of the previous DCU flicks. Fabian Wagner’s cinematography helps the film appear consistent with previous entries and Danny Elfman provides the atmospheric score with some fun nods to previous hero themes.

The cast really help make up for some of the film’s shortcomings. Affleck is once again solid as Batman/Bruce Wayne. He’s a bit more upbeat here and he has some nice banter with his costars as the reluctant founder of the League. Gal Gadot once again proves she was born to play Wonder Woman and she has some nice moments, including some good chemistry with Affleck’s billionaire hero. Ezra Miller steals the flick as the sarcastic, slacker hero The Flash. He gets some of the best lines and his dorky charm fits the character perfectly. He also has solid chemistry with his co-stars. Ray Fisher is effective as the tragic, yet powerful Cyborg. He’s still learning how to use his powers and still conflicted over being Frankenstein-ed by his father and we sympathize. Jason Mamoa is good as Aquaman, but it seems his surfer-dude hero never really gets his moment in this flick. Maybe WB is holding back as James Wan’s Aquaman is the next DC flick due out. J.K. Simmons is good as Commissioner Gordon, but only has two or three scenes and Ciarán Hinds voices a somewhat imposing Steppenwolf, though he seems like just another CGI monster…but at least one with far more personality than Doomsday in BvS. As for other returning cast members, Amy Adams and Diane Lane ease back into their roles as Lois Lane and Martha Kent respectively, Irons is again perfect as the cynical Alfred and it’s no surprise that at some point Henry Cavill is going to show up…but the when and hows will be left for viewers to find out. A good cast that help get over some of the bumps in Justice League’s road.

In conclusion, Justice League still shows that DC has work to do, but at least has a fun time with it’s missteps. It does get a lot right, including some entertaining interaction between our heroes and some fun action scenes. It’s not as good a film overall as Wonder Woman, but in ways is more fun and takes itself far less seriously than MoS and BvS. The film could have used a little more time for us to appreciate the hunt for the heroes by Wayne and Diana and needed to give more weight to the appearance of it’s moderately effective villain. In all fairness, who knows what effects losing it’s director had on the final product. With Snyder away, did the studio play? Regardless of it’s issues, it’s still a fun romp that brings together some of the most famous comic book heroes of all time and even serves up, not one but two, additional scenes, one mid-credits and one post-credits…and the post-credits scene will have comic book fans talking. Go in with moderate expectations and you can have a real good time.

-MonsterZero NJ

3 heroes.

 

 

 

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REVIEW: WONDER WOMAN (2017)

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WONDER WOMAN (2017)

After appearing in last year’s Batman v. Superman and stealing that film away from her male co-stars, the comics’ leading female superhero is getting her own solo movie and it’s an origin film at that.

The movie opens with Diana aka Wonder Woman as a child (Emily Carey) on the Amazon home island of Themyscira. She is daughter to Queen Hippolyta (Connie Nielsen) and being trained in the fighting arts by her aunt, General Antiope (Robin Wright). One day, as she has grown to adulthood (Gal Gadot), a plane carrying American spy, Steve Trevor (Chris Pine) crashes off the island and he is rescued by Diana. A boatload of German soldiers is following him and soon the warrior women of Themyscira learn of the horrors of mankind’s war, specifically WWI. Diana is horrified and believes only the God Of War, Ares could be responsible. She returns to Europe with Trevor planning to defeat Ares, but along the way learns that people can really suck.

Third film in the DC movie universe is pretty much like the last two in that there is a lot to like and yet, there are some glaring problems, too, that keep it from really clicking. One of the biggest is that this series of films takes itself a little too seriously and there are some gloomy moments and heavy atmosphere here in Wonder Woman. Another is that they are a bit overloaded, where a more streamlined story would do. It’s refreshing that they want to have a different style and tone than the Marvel flicks, but all three films (Man Of Steel, Batman v. Superman and Wonder Woman) have been very bombastic and story heavy, though at least here director Patty Jenkins shows some restraint until the now DC traditional over-indulgent CGI climax. The script by Allan Heinberg, from a story by he, Jason Fuchs and Zack Snyder, still tries to cover too much ground with an origin story, a story about the horrors of war, a story about feminism and a story about battling gods. It makes the film feel choppy, especially as the origin seems rushed, as does Diana’s decision to go to war. Once we get to Europe, the film then heads to it’s climax trying to cram all the story elements in the remaining hour. Even at 141 minutes there seems to be a lot of stuff left on the cutting room floor and this keeps the film from having a smooth narrative flow which doesn’t help as the flick already has a more moderate pace than the average superhero saga. The film never really finds it’s groove. It also keeps us from getting to know any of the supporting characters, especially the villains (Danny Houston as a sadistic general and Elena Anaya as an equally sadistic scientist), who come across as bland. What keeps one interested is that there are some nice moments between Gadot and Pine and once Gadot finally suits up, about an hour into the film, Wonder Woman’s first scene soars…then we go back to the dreary horrors of war stuff till she has her showdown with Ares. The film does have a hard time maintaining it’s momentum, even with some very strong moments of our heroine in action, which are actually few and far between. It’s more about Diana learning about the real world than Wonder Woman saving the day. The mix could have been more even.

Biggest plus in this film’s favor is Gal Gadot who is wonderful as both Diana and Wonder Woman. She really nails the fish out of water aspect and the almost naive nature of a goddess among men for the first time. She also maintains a sense of dignity and strength which really cranks up to 11 when she suits up. She has grown as an actress and really fits the role like a glove in just her second outing. She’s perfectly cast. Chris Pine is fun here too, though seems to be playing a slightly toned down version of his Kirk. He and Gadot do have a great chemistry together and it is some of their little character exchanges that really entertain. Sadly their romance is also rushed and we never really get to feel the emotional resonance of it to give certain scenes impact. As stated Danny Houston plays stereotypical sadistic German general, Ludendorff. Houston is kind of bland here, though not really his fault, as is Elena Anaya as his equally underwritten right hand, Doctor Isabel “Dr. Poison” Maru. David Thewliss also appears as a British Intelligence officer who supports Trevor’s plans to go after Ludendorff on the eve of an impending armistice.

In conclusion, this film sadly suffers some of the same overloaded and over-indulgent aspects of the last two DCU films, though director Patty Jenkins does reign it in a bit and makes good use out of her leading lady’s dead-on performance and the chemistry between her two leads. Gadot’s first scene as Wonder Woman is worth the price of admission alone and it makes us wish Jenkins didn’t go all Zack Snyder (who also produced) for the over-blown CGI slug-fest with Ares. There was enough story for two or three films and the flick rushes to fit it all it, though there are some nice humorous bits in between the heavy-handed melodrama. Jenkins does balance the messages about the evils that men do and women’s rights in nicely without allowing them to become obtrusive and the film’s flaws aside Gadot is an awesome Wonder Woman.

The DCU is slowly headed in the right direction, though will audiences be patient enough for them to really lock in the right mix of elements, hopefully in one of the upcoming planned flicks.

-MonsterZero NJ

3 Wonder Women cause Gadot was great!

 

 

 

 

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REVIEW: BATMAN v. SUPERMAN: DAWN OF JUSTICE (2016)

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BATMAN v. SUPERMAN: DAWN OF JUSTICE (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

The much anticipated match-up between the two greatest comic book characters of all-time is a mess, no doubt about it, but there is a lot to like here, too. The story picks up 18 months after the battle in Metropolis between Superman and Zod and the world is starting to sour over the notion of a man with god-like powers running around of his own volition. Two men particularly being unhappy about it are billionaire Lex Luthor (a completely miscast Jesse Eisenberg) and billionaire Bruce Wayne (Ben Affleck). I guess rich people hate Superman. The Dark Knight saw many Wayne Enterprises employees die in Metropolis and starts to wonder if Superman (Henry Cavill) can be trusted and Lex Luthor is more than happy to give both men a push in the confrontational direction. Will The Bat of Gotham and The Man Of Steel go head to head…and will the world survive it?

The script by Chris Terrio and David Goyer is simply all over the place and a lot of it doesn’t gel. The reasons for Superman’s alter ego Clark Kent to suddenly become so concerned with the activities of The Batman in Gotham is never really clear, as it also doesn’t really completely work that Wayne would develop such an intense hatred for Superman, since he has done a lot of good. The first hour of the film bounces back and forth between a bunch of story-lines, including one about a possible conspiracy to frame Superman for death’s he’s not responsible for and a mysterious woman (Gal Gadot) that keeps popping up in Bruce Wayne’s life. It’s very fractured and takes over an hour to settle into a grove. Zack Snyder is a brilliant visual director, but I never felt he was a strong storyteller and with a very weak and fractured story, it is all the more obvious. The film wanders back and forth without much purpose in the first act when Snyder has little going on that he can turn into spectacle. There is some solid action within the film, though and some nice personal moments, too, but it all comes crashing down when Snyder delivers an even more overblown finale than with Man Of Steel. At that point the overlong film is already getting tiresome, we get an apocalyptic battle with Doomsday and then the film goes on for another 15 minutes, or so, for a very morose conclusion. The battle between Bats and Supes was starting to turn the film around somewhat, then Snyder throws in Doomsday and the film collapses under the weight of more bombastic destruction with a generic CGI monster that generates no menace, whatsoever. Throw in a somber and mopey Superman, some pointless dream sequences and the totally miscalculated portrayal of a creepy Lex Luthor by Eisenberg and it basically is a mess with a few shining moments.

So, what was there to like about it…and surprisingly there is a lot to like. First off, Ben Affleck makes an awesome Bruce Wayne and Batman. While story-wise I wasn’t really sold on his intense hatred for Superman, the character itself was different than we have seen previously, yet really nailed the darkness and the whole Bat persona. His action scenes also really rock and capture the ferocity of a man working out his own inner turmoil. Another very pleasant surprise is Wonder Woman. Gal Gadot isn’t the strongest actress, but when she wades into battle during the climax, she steals the show. Another character the film nails and she was a lot of fun to watch and really lays into Doomsday like a badass. As for the battle between Superman and Batman, it was the highlight of the film and here Snyder showed some surprising restraint. Also we get to really see Batman’s ingenuity and preparedness come to bare as he battles someone who could squash him easily. It’s a shame they had to sully the moment by going into extra innings with Doomsday…though they did need a reason for the World’s Finest to unite. It’s just too bad it’s back to over-the-top and out of control. Obviously the FX are top notch, the film looks great and there is another solid score by Hans Zimmer and Junkie XL.

The cast are a solid except for you-know-who. Cavill is good as Superman, but the script has him pouting and grimacing in anger most of the time and it’s disappointing that we see so little of the hope Superman is supposed to bring. Affleck is great as both Bruce Wayne and Batman. He portrays a man starting to show the effects of aging, who has his own demons and bitterness to deal with and which also motivates him. As Batman, he is truly intimidating and his fight scenes are really nasty and intense like they should be. As his loyal butler Alfred, Jeremy Irons is impeccable and gives us a man who we believe can actually take care of and assist both Bruce Wayne and The Dark Knight. He has a subtle smart-ass quality that really worked. Gal Gadot is a little wooden in her dialog sequences as Diana Prince, but when Wonder Woman joins the fun, she gives her the fire and spirit of a true amazon warrior. She really does steal the scenes she’s in, once she is in battle. Now the big question…Jesse Eisenberg as Lex Luthor, what were they thinking? Not everything he does is bad and his part is badly written, but he was more Renfield or Gollum than super villain and his Luthor seems too unhinged to be in control of a multi-billion dollar empire. He comes across as that weird uncle that makes everyone uncomfortable, not a formidable opponent for our heroes. Amy Adams is good again as Lois Lane, but isn’t given much to do but be a damsel in distress. The same goes for Diane Lane. A waste of both their talents as is the same for the barely seen Lawrence Fishburn as Perry White.

So, the eagerly awaited meeting and mash-up of the World’s Finest is a bit of a mess and a mixed bag. On one hand, it delivers a great new Batman, a scene stealing Wonder Woman and a well-done battle between The Dark Knight and The Last Son Of Krypton. On the other hand it’s way too long, gives us a creepy and far too eccentric Lex Luthor, has a really muddled first act and follows up the Bats/Supes battle royal with a ridiculously overblown orgy of destruction featuring a generic CGI monster. There is a lot to like here, but, overall, this dream match is more of a dream mess.

-MonsterZero NJ

2 and 1/2 World’s Finest.

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FAST AND THE FURIOUS ACTRESS GAL GADOT IS WONDER WOMAN FOR THE NEW BATMAN/SUPERMAN FLICK!

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Apparently the new Batman/Superman flick is also adding Wonder Woman and the actress chosen to portray the Amazon Princess is 28 year old Israeli actress Gal Gadot. I am not familiar with her work though she has apparently appeared in the Fast and The Furious franchise and is a former Miss Israel. She doesn’t quite have the look of a warrior but, there is usually some kind of training involved in these superhero flicks so it’s too early to tell how physically right she’ll be for the role till filming begins. And since I haven’t seen her act, that is not something I can comment on as to how she’ll hold her own with Cavill and Affleck. Hope she does the part justice.
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