THE CONJURING 2 (2016)
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I’ll start off by saying that I do think James Wan is a good director. But Wan just seems to be making the same haunted house movie over and over again and still makes the mistake of going all theatrical in his second act when subtle was working far spookier. Sequel to Wan’s overrated hit The Conjuring starts out with real life paranormal investigators Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) investigating the famous Amityville haunting. While Lorraine suffers a horrifying vision that makes her question what she’s doing, a single mother (Francis O’Connor) and her kids in Enfield, England start to have things go bump in the night. The church asks the ghost hunting couple to travel to England to establish a validity to the Hodgson family story, while Lorraine is being haunted by a frightening specter of her own.
As with most of Wan’s horror flicks the initial set-up works well and actually has some really spooky sequences. There are some nice scares in the first hour before the Warrens travel to England, with the Enfield haunting escalating and Lorraine seeing a malevolent entity in her own home. We get to know this family very well and do start to endear to them, much like we do Ed and Lorraine. Regardless of what you think of the real Warrens’ paranormal escapades, their cinematic counterparts are likable movie characters. Visually the film is well designed, too. Wan has a good eye and choses more muted shades of blue/grey this time, where his Insidious flicks were more colorful and The Conjuring used more faded shades of brown. It suits the building mood, setting and atmosphere well. It also gives the film it’s own look, which is pretty much the only thing new here. The movie starts to run into trouble though, with simply being far too long. At 134 minutes, the flick gets very tedious and it’s middle section drags with only the occasional scare…mostly of the jump variety as Wan seems to rely more on those in the second half than the tension he built in the first half. It kills his chilling momentum as the film’s moderate pace really works against it at this point. For his climax, we again get all theatrical, cliché and over-the-top with thunder and lightening, levitations, yellow contact lenses, growling voices and the now trademarked Wan snarling demon enjoying the effects of their carnage. While we are spared an actual exorcism, we still get pretty much the same end to almost all his supernatural flicks and as with those, he looses his grip with all the mechanically paraded out tropes…twice familiar now for being used repeatedly in Wan’s films, as well as supernatural horrors in general. Like I said in my opening statement, it’s like he’s making the same movie over and over again.
One familiar element that is welcome in Wan’s films is he gets good work from his actors. The cast are really good here and help keep our interest on the story despite being routine. Wilson and Farmiga really have locked in their interpretation of the Warrens and have a good chemistry together. O’Connor is very good as the hysterical mother, though it is young Madison Wolfe who really impresses as 11 year-old Janet. She is the object of the evil presence’s attention and portrays her torment well for a kid. There is a large supporting cast, including Run Lola Run’s Franka Potente, who all do well portraying people from the actual investigation. A nice touch has pictures of the cast in character posted next to the actual individuals during the closing credits.