REVIEW: BLACK PANTHER (2018)

BLACK PANTHER (2018)

Black Panther is the latest edition to the MCU and once again Marvel comes up with a way to keep this series fresh after ten years and eighteen films. The movie opens with a brief introduction to the history of the fictional African nation of Wakanda. It tells of the fateful meteorite landing which introduced the miracle metal vibranium to the land, which transformed Wakanda into a technically advanced civilization. They’ve long kept hidden their technology from the world, though, to prevent ill use of their weaponry. Enter the newly crowned King T’Challa (Chadwick Boseman), who is also The Black Panther, Wakanda’s protector as well as ruler. While still mourning the death of his father, T’Challa finds out a hard truth about the death of his uncle and of a cousin he didn’t know he had…a cousin known as the mercenary Killmonger (Michael B. Jordan), who wants to take the throne and use Wakanda’s arms technology to start a global revolution.

This sometimes stunning film is directed by Ryan Coogler from a script by he and Joe Robert Cole. Coogler has a wonderfully sumptuous visual eye and making full use of African cultural influence turns this into a film worth seeing for the sights alone. His script with Cole takes things deeper than that with a story rich in depth, not only in it’s cultural surroundings but in the political, racial and social issues effecting it’s African characters and the continent’s descendants around the world. It weaves this context into it’s action/adventure story-line very well, so it’s never preaching, but the issues are boldly there. It represents those who have a more aggressive way of dealing with these issues in it’s antagonist N’Jadaka / Killmonger and those who see a more peaceful solution in it’s hero T’Challa. It also doesn’t shy away from the fact that these differences can pit brother against brother, too. Black Panther is still also very much a superhero movie and we gets some spectacular action, some amazing gadgets and even a James Bond-ish trip to South Korea, where T’Challa meets old friend Everett Ross (Martin Freeman) and old foe Ulysses Klaue (Andy Serkis) who is aligned with Killmonger. Panther is given some wonderful support in his sister Suri (Letitia Wright) who is technology savvy and is the “Q” to T’Challa’s Bond. There is king’s bodyguard Okoye (Danai Gurira) who is Wakanda’s greatest warrior, elder Zuri (Forest Whitaker) and his proud and strong mother Ramonda (Angela Bassett). The SPFX are amazing, there is a wonderfully African infused soundtrack by Ludwig Göransson and some beautifully realized dream sequences that add even more depth to a film that has spirit and heart as well as action.

Simply put this movie also has a great cast. Boseman is a perfect fit for a character that has to be ruler, hero and diplomat, as well as, simply a man. He is charming, handsome and gives the heavily burdened T’Challa a sense of humor and warmth as well. Michael B. Jordan is solid as his vengeful cousin known as Killmonger. Jordan is usually in the role of hero or nice guy and here he shows he can be a bad-ass too. N’Jadaka is a street smart killer raised in America and he brings that urban edge to his warrior with a mission. His purpose may have a bit of a noble center, but it’s his methods and ruthless execution of them are what make him a villain. Serkis is fun as Klaue, following-up his amusing part in Age of Ultron and it’s too bad his part here is almost as small. He’s a fun and eccentric bad guy. Letitia Wright is cute and energetic as T’Challa’s genius sister Suri and Danai Gurira is a blast as warrior woman, Okoye. She’s a powerhouse and deserves her own movie. Rounding out are strong characterizations from Freeman as Ross, Angela Bassett as Ramonda and Forest Whitaker as the noble Zuri. There is also a cool post credits cameo I won’t spoil.

Once again Marvel has delivered a splendid entertainment that is at once a story with it’s own heart, soul and purpose and yet fits well into the MCU game plan. There are political and racial issues weaved into T’Challa’s first solo flick and it is as energetic and exciting as it is thought provoking. Ryan Coogler is a director who has not only a brilliant visual style, but can make popcorn entertainment that is also food for thought. A delightfully entertaining movie with some well appreciated heart and depth. As always, stay through the entire credits for two extra scenes.

-MonsterZero NJ

Rated 3 and 1/2 (out of 4) black panthers.

**************************************************

 

BARE BONES: ARRIVAL

ARRIVAL (2016)

When twelve ships of possible extraterrestrial origin park themselves over twelve random earth locations, the nations of the world become united in curiosity and concern. Linguistics expert Louise Banks (Amy Adams) is called upon to head the U.S. team responsible for finding a way to communicate with our visitors. But as tensions rise and world powers start to consider a military response, Louise races desperately to find a way to convince the world what she already knows, that the visitors mean no harm.

Arrival is an interesting and involving science fiction film from director Denis Villeneuve (Sicario) from a script by Eric Heisserer based on Ted Chiang’s short story, Story Of Your Life. It’s refreshing to have a flick that views our first contact with an alien race as exactly that…a first contact, not as yet another alien invasion. The film is suspense-fully directed by Villeneuve who also gives it a bit of a sense of wonder, as we learn along with Louise how to talk to these octopus-like creatures and what their intentions are. He builds the tension very well as the nations of the world grow fearful, based on what could be initial miscommunication and then keeps us riveted as Louise figures things out and now races to keep world powers from starting an intergalactic conflict. The director gets really good performances out of his cast, primarily Adams, Jeremy Renner as a physicist and Forest Whitaker as an army officer in charge of the contact group. Sure things may get a little sappy in the last few minutes, but overall it is an intelligent and entertaining science fiction epic with no lasers and scant few explosions for once.

-MonsterZero NJ

REVIEW: ROGUE ONE: A STAR WARS STORY (2016)

ROGUE ONE: A STAR WARS STORY (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Simply put, Rogue One: A Star Wars Story is the best Star Wars movie since The Empire Strikes Back. The film does have a few flaws, but the last act is some of the best Star Wars you’ll see and some of the most exciting action in the saga’s illustrious 40 year history. It feels far more like a Star Wars film than J.J. Abrams’ weak and disappointing Force Awakens. Film is a prequel that tells the story of The Rebellion’s discovery that The Empire is building a super weapon that we fans will come to know and love as The Death Star. The film traces the efforts to get to a key scientist, Gaylen Erso (Mads Mikkelsen), who is reluctantly working on the project and has warned them of it’s creation. They do this by tracking down and freeing his rebellious daughter, Jyn (Felicity Jones) from an imperial prison and sending her on a mission with a rag tag group of rebels to find him and discover a weakness in this weapon of mass destruction. Circumstances then lead Jyn and company to go against rebel command orders and infiltrate an imperial outpost and steal the plans for this planet killer, all the while with the Death Star’s project director Orson Krennic (Ben Mendelsohn) in hot pursuit.

Flick is well directed by Gareth Edwards (Godzilla) who brings far more of a Star Wars feel to this than the mediocre Force Awakens, even with it’s darker and edgier tone and new characters. The script by Chris Weitz and Tony Gilroy creates a story about incidents mentioned briefly in a few of the previous flicks, yet integral to A New Hope’s classic climax ever occurring. The story also gives us the opportunity to revisit some familiar faces, such as Bail Organa (Jimmy Smits) Mon Mothma (Genevieve O’Reilly), an incredible CGI Grand Moff Tarkin (voiced by Stephen Stanton) and Darth Vader himself (James Earl Jones returns to voice while Spencer Wilding wears the suit), aside from creating a group of new and very endearing characters such as Jyn, rebel officer Cassian Andor (Diego Luna), smart aleck robot K-2SO (Alan Tudyk) and Hong Kong cinema legend Donnie Yen as blind warrior Chirrut Îmwe, who is like a Shaolin Monk who follows The Force. And it’s these endearing new faces that give Rogue One some nice emotional depth that the series hasn’t had in quite some time. The film also takes us to new places that actually look like alien worlds unlike Force Awakens’ dull settings and the action is fast and furious, especially in the amazing last act. If the film has any flaws, it’s that the first half sometimes appears a bit choppy and rushed as it races to the spectacular second half, but the climax is so exciting that you can forgive a slightly uneven start. And that’s what makes this work so well and where director Edwards really shines, is that he makes the last act so incredibly suspenseful, even though we know it’s outcome, as this is a set-up for the climax of Episode IV after all. But we like this motley band of rebels so much and the action presented so well, that we are on the edge of our seats rooting for them as they go up against incredible odds by entering a hornets nest to retrieve those now legendary Death Star plans. The film has one of the most effecting endings of any Star Wars film and leaves us at a point that will have fans in Force induced elation, while leaving not a dry eye in the theater. The SPFX representing this story are impeccable, in recreating ships and places both familiar and new and Michael Giacchino gives us an original score which still evokes a Star Wars film, even without the magnificent work of maestro John Williams.

Character-wise, the film is filled with endearing new additions to the series canon, with Felicity Jones carrying the film well on her petite shoulders as Jyn. She is a true heroine in the Star Wars mold, strong, rebellious and intelligent and Jones really makes her memorable and proves herself quite an action hero and a certified star. Diego Luna is likable as Captain Cassian Andor, rebel intelligence officer and the man sent to command this desperate mission. He isn’t quite as strong as his leading lady and does get overshadowed by she and some of the supporting cast, such as Donnie Yen, who is a delight as the scene stealing Chirrut Îmwe and his compatriot Baze Malbus, a mercenary played with charisma by Jiang Wang. Mendelsohn also makes a great bad guy and his leering menace makes him a good fit along with Vader and Tarkin, who he holds his own with. A strong villain always makes a flick like this work better and Krennic is a good villain. If any character is underdeveloped and weak it’s Forest Whitaker’s Saw Gerrera, a warrior and friend of Gaylen Erso, who has an air of nobility and mystery, but we never really get to know him very well before the character is left behind in the action. It’s a shame, as he was intriguing and Whitaker was good in a different role for the versatile actor. As for Mikkelsen, his Gaylen Erso has brief screen time, but the actor makes an impression as he always does…and let’s not forget the voice work of the talented Alan Tudyk as smart-ass droid K-2SO.

A few flaws early on in the pacing and flow of the film aside, this is simply one of the best of the Star Wars films. True it’s not technically part of the main series, but it’s a spin-off that carries the best of what this series is so beloved for. It has noble heroes, spectacular action, vile villains and a wonderful sense of nostalgia that The Force Awaken’s just didn’t have. It has a strong Star Wars feel, despite a darken and edgier tone and a last act that is simply some of the best action and suspense this series has yet to offer. It gives us some great new characters, while presenting the return of some classic characters, both expected and not. We are treated to a story that sets a major part of Episode IV in motion and leaves us at a truly euphoric moment in Star Wars history, even after giving us a sequence that will leave nary a dry eye in the house. One of the best films of 2016 and one of the best films of the entire Star Wars series.

-MonsterZero NJ

3 and 1/2 Death Stars.

 

 

ROGUE ONE: A STAR WARS STORY GETS AN AWESOME NEW TRAILER!

****************************************

Gareth (Godzilla, Monsters) Edwards’ Star Wars adventure gets a new trailer and this flick looks far better than the mediocre Force Awakens. Rogue One arrives on 12/16/16 and stars Felicity Jones, Mads Mikkelsen, Forest Whitaker and legendary Hong Kong actor Donnie Yen!

Source: Youtube

REVIEW: OUT OF THE FURNACE (2013)

OUT OF THE FURNACE (2013)

Out Of The Furnace is a very intense and well-acted drama that only makes one glaring plot mistake in an otherwise solidly written film by Crazy Heart’s Scott Cooper. The film takes place in the run-down steel town of  North Braddock, PA. and tells the story of brothers Russell (Christian Bale) and Rodney (Casey Affleck) Baze. Russell is a good natured and hard working man who, like his ailing father, works at the steel mill and earns a meager but honest living. Rodney is a traumatized Iraqi war veteran whose inner rage prevents him from finding peace with a normal job and turns to gambling and illegal fighting under the guidance of small town crook, John Petty (Willem Dafoe). A tragic accident sees a tired and mildly intoxicated Russell hit another car and kill the mother and child within. This sends Russell to prison while Rodney’s inability to take a fall when required, leaves him in growing debt. Once his time is done, Russell is released to find his girlfriend Lena (Zoe Saldana) has left him for the local sheriff (Forest Whitaker), his father has died and Rodney in deep with the sleazy local gangster Petty. But despite his efforts to set his brother straight and get his life in order, Rodney forces Petty to get him involved with an illegal bare-knuckles fight run by vicious backwoods gangster Harlan DeGroat (Woody Harrelson) in the Ramapo Mountains in New Jersey. Rodney hopes this big payoff will clear his debt with Petty and clear Petty’s debt with DeGroat. But Harlan DeGroat is a devious and vile person and despite taking the fall he was told too, Rodney and Petty do not return home. The law’s inability to pierce the veil of silence around these mountain-folk and exact justice sets the mild-mannered Russell on a vengeful collision course that will put him face to face with a very dangerous man.

Make no mistake, as directed and co-written (with Brad Ingelsby) by Scott Cooper, this is a strong and sometimes powerful drama about a man who wants to live a simple, peaceful life, but is forced by circumstance to put his good-naturedness aside and take vengeful action. During the 80s this kind of plot might have been a far simpler film starring the likes of Chuck Norris or Steven Seagal, but under Cooper’s guidance, a simple revenge flick becomes a powerful story filled with multi-dimensional characters. And it is the characters that are the focus of this tale and not the minimal gunfire or occasional violence…though that has it’s own intensity as well. Which does bring me to my one gripe….

…As this film does choose to focus on the characters and the effects the film’s events has on their lives, I found it very hard to believe that Russell would put innocent people in harm’s way and in one instance, get someone killed for his own personal revenge. I understand he is driven by anger and frustration, but especially after seeing how torn-up he was after his car accident cost two innocents their lives, the fact that even now he would again put lives in danger, other than his own, is hard for me to accept. It’s the only major flaw I find with this otherwise engrossing drama. I don’t believe Russell would put his quest for payback before the lives of others and here he does not once but twice. To discuss it any deeper would be to present plot points important to the story, so I won’t go any further, but it doesn’t make sense coming from the character we’ve gotten to know.

And as we are discussing the characters, it’s only fitting to mention the great cast that brings them to life. Bale is once again near brilliant as the simple, kind-hearted Russell and portrays his slow burn path from simple steelworker taken by the events around him on courses that shatter the quiet life he seeks and has him turn against his very own moral code. Casey Affleck is a rage-filled powder keg and despite his anger and inner pain, we do feel sympathy for a man who fought through a nightmare for his country and now feels lost and abandoned by it. He and Bale have some really intense scenes together and I do mean intense. Defoe is solid, as always, as the sleazy, yet somehow likable small time crook Petty. He seems like the type of small fish criminal who doesn’t understand that he shouldn’t play in the bigger pond until it’s far too late. Harrelson again delivers the goods with his portrayal of  Harlan DeGroat. He is intense, frightening and a little intriguing as the backwoods drug dealer and crime-lord with very little morality or sympathy. He’s a monster, but one with multiple dimensions and not a cliché or caricature as the role could have been in a lesser film. Saldana shows she is more then a pretty face as Lena, but her character seems to disappear for the most part once the meat of the plot gets in motion. She is good in her scenes, but the character all but disappears in the last act and seems forgotten. Rounding out the cast is Forest Whitaker doing his usual good work as the sheriff with whom Russell has personal issues involving Lena and Sam Shepard, who can sit in a chair and ooze character, is very likable in a small role as the Baze boys’ uncle.

So basically we have a simple story made into a powerful drama by a skilled writer/director and a simply great cast that is able to overcome a glaring plot flaw to retain it’s strength and impact by the time the credits role. Not quite a great movie, but a really damn good one with some top notch acting by a first rate cast.

3 and 1/2 bulletts.

REVIEW: THE LAST STAND (2013)

THE LAST STAND (2013)

Last Stand arrives on blu-ray today so, I thought I’d post my review of Arnold’s return to leading man status!

I’ll start off by saying it was fun seeing Arnold Schwarzenegger back in action and I liked the fact that he didn’t try to hide that he is in his 60s and isn’t quite John Matrix anymore. The film surrounds him with a likable cast such as his fellow officers “Figgy” and Sarah (Luis Guzman and Jaime Alexander) and a goofy local who collects historical firearms (Johnny Knoxville). The story however is quite generic and cliche. An escaped cartel drug lord (Eduardo Noriega) is going to try to make for the Mexican border right through Sheriff Ray Owens’ (Arnold) rural little town and his band of thugs are going to make sure he succeeds. Owens and Co. have other plans. Director Jee-woon Kim who directed the mesmerizing “I Saw The Devil” gives us a nice pace and some fun and furious action but, sadly the script is weak and the villains are extremely bland. Even the usually unsettling Peter Stormare is dull as main thug Burrell and Noriega’s cartel lord is equally bland and right out of an old Miami Vice episode. And to make a film like this really work, you have to have strong villains for our hero to face and it’s only their sheer numbers that make them a threat. And let’s not forget Forrest Whitaker who seems bored as an FBI agent who let’s drug lord Cortez escape on his watch. Despite the energetic action, overall the film would be quite forgettable if a lesser leading man was cast. It’s great to see Arnold blasting and beating up bad guys again but, once the credits roll the film doesn’t leave any more of an impression then seeing the Austrian Oak back on the screen in a lead role again. And coming from one of the greatest action icons ever and the director of one of the most intense and disturbing thrillers in recent years, it’s a bit of a let down after all is said and done.

2 and 1/2 bullets