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With X-Men: Days Of Future Past having just opened, I thought it would be fun to look back at the first two flicks that started this comic book-based film series, one that is still ongoing…




X-MEN  (2000)

I never read the X-Men comics though, I am familiar with some of the characters but, as far as the mythos, I take the films for what they are and rate them as movies and not in comparison with the story-lines from the comics.

The first film opens with a scene set in a concentration camp during WWII of a young boy who shows extraordinary power when separated from his mother. Decades later it is revealed that beings with special abilities of all kinds, dubbed mutants, have evolved among us and some government officials, especially a Senator Kelly (Bruce Davison), are proposing to make mutant registration a law. Fighting against this form of discrimination are two factions. One, Dr. Charles Xavier (Patrick Stewart) a powerful telepath who wants nothing but, peace between human and mutant alike, and the other, Erik Lehnsherr (Ian McKellen), also known as Magneto, a man who has the power to manipulate metal and feels that humans are inferiors who are meant to be ruled and dominated, not trusted. Magneto was the boy we saw in the opening scene and his experience in a concentration camp is what paints his refusal to trust humans ever again. Magneto and his fellow mutants Mystique (Rebecca Romijn-Stamos), Toad (Ray Park) and the massive Sabertooth (Tyler Mane) have hatched a plan to turn a group of world leaders into mutants themselves at a crucial summit at Ellis Island. Xavier and his own team of mutants, Storm (Halle Berry), Cyclops (James Marsden) and Dr. Jean Grey (Famke Janssen) have been trying to stop Magneto and his plans of conquest and with the arrival of the rebellious and quick-tempered mystery man Wolverine (Hugh Jackman) and the power absorbing Rogue (Anna Paquin), the odds may have shifted… but, in who’s favor?… as one of these new recruits may be crucial to Lehnsherr’s success.

Director Bryan Singer not only creates a fun superhero flick from David Hayter’s screenplay but, adds some very nice dramatic intensity and emotional resonance along with the underlying themes about tolerance and respecting each other for who we are. He gives the film a more down-to-earth look and setting, choosing to present a more grounded approach as how such a story might transpire if it occurred in the modern world and not a more comic book-style fantasy world. And it works very well integrating some fantastic characters into a real world setting and makes these characters very human and identifiable despite their unique powers. Singer takes his material very seriously and let’s it’s moments of unobtrusive humor come from the witty dialog and script and the talent of his cast to deliver those lines and moments. And it’s blend of intensity and subtle wit is what really makes this work so well. Add to it a very fitting score from Michael Kamen and some crisp cinematography by Newton Thomas Sigel and you have a superhero flick that ranks among the best.

As for the cast. Singer has a really good collection of actors to work with from veterans Stewart and McKellen who bring nobilty and strength to the roles of Xavier and Magneto respectively. Powerful men from two opposite views who are both friends and opponents at the same time, which creates a very intriguing dynamic on screen. Jackman, in my opinion, makes a great Wolverine, giving him a sort of super-powered Snake Plissken vibe that makes the character very cool and endearing. And despite his harsh exterior, Jackman gives him a soul that peeks through enough to give the character some dimensionality. Rounding out are Berry, Paquin, Janssen and Marsden all giving some nice personality to their heroes as Romijn-Stamos, Park and Tyler Mane create worthy adversaries giving weight to their villainous turns. A good cast having a good time with their characters and it helps make this film work all the more better.

I really enjoy this flick, it has a bit smaller scale then some of the superhero epics that have followed but, that works in it’s favor by introducing a few of the more popular characters and letting us get to know them before steadily expanding the universe in future installments. It has a solid cast, a lot of action and some well executed SPFX but, also some emotional depth and nice character development too. Thus making it solid popcorn entertainment with a more substantial center. Like having a fine meal and a delicious dessert at the same time.

3 and 1/2 X-Men.

x-men rating


X2 ONE SHEET A • Art Machine Job#5263 • Version A •  02/28/03


X2: X-MEN UNITED (2003)

With Magneto (Ian McKellen) behind plastic bars the humans feel safer until an attack on The President Of The U.S. by a teleporting mutant named Nightcrawler (Alan Cumming) provokes drastic measures allowing mutant hating Black Ops operative William Striker (Brian Cox) to receive permission to raid Prof. Xavier’s (Patrick Stewart) school. But, Striker’s plans run deeper and has a far more sinister goal in regards to the world’s mutants. With Xavier in Striker’s clutches, it’s now up to Wolverine (Hugh Jackman), Jean Grey (Famke Janssen) and the rest of the X-Men to stop Striker and rescue Xavier before he succeeds in wiping out all mutant kind but, to do so they may have to join forces with their greatest foes… Magneto and Mystique (Rebecca Romijn-Stamos)… and it’s a good bet Magneto has his own agenda. Can they succeed with serpents in their own den?

Singer returned to the director’s chair for the sequel and working with a script by Michael (Trick R Treat) Dougherty, Dan Harris and David Hayter, from a story by Singer, Hayter and Zak Penn, ups the ante with more action, more mutants but, without sacrificing the depth and characterization he brought first time around. We not only get the dynamic of  foes having to work uneasily together against a common enemy but, we learn more about Logan/Wolverine’s past and watch as the human/mutant relationship is crumbled even further. Our heros not only fight to save themselves here but, their place in the world and how it views them. There is a lot at stake as they battle an enemy who seeks to see them destroyed but, will oddly employ mutant against mutant to get his goal accomplished. It makes for an interesting dynamic and furthers the X-Men cinematic universe without cluttering it up. We get some interesting new characters and get to know the familiar ones a little better. Sigel returns as cinematographer and John Ottman provides a suitable score to the action and drama.

The cast who return all fit into their roles nicely again with McKellen especially having a good time with his second go round as Magneto. We get to see a bit more of what makes them tick, as some try to come to terms with who they are and others who are comfortable with themselves, face change and adversity. We meet a few more mutants such as Cumming’s religious German mutant Nightcrawler and he makes for an interesting and eccentric character. We get teens Shawn Ashmore as Iceman, a kind hearted young man who takes a liking to Paquin’s Rogue and the rebellious Pyro played by Aaron Stanford. On the side of evil, Cox makes a strong villain with his slimy and hateful Striker and the villainous Lady Deathstrike is played with an ice cold exterior yet, a definite lethality by the beautiful Kelly Hu. And there are also some some fun mutant cameos peppered throughout. Again, Singer makes good use of a good cast. Even those with minimal screen time are used well in the screen time they have.

With his second X-Men flick Bryan Singer gives us both sequel and equal as we have a film that once again gives us a healthy dose of superhero action and a good story as well. It’s a fun movie that finds our heroes challenged by not only their villain but, some by the choices they have to make and a world that is ever increasingly hostile towards them. Another strong superhero treat from Bryan SInger and a nice step forward for this series that stumbled somewhat when Singer left and didn’t really regain it’s footing till the delightful First Class.

3 and 1/2 X-Men.

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The Faculty plays basically like a high school version of The Thing with elements of Invasion Of The Body Snatchers and Night Of The Creeps thrown in for good measure. But since it’s from pop-culture horror writer extraordinaire Kevin Williams (Scream) and director and film geek Robert Rodriguez (Sin City), we know this is intentional and they playfully acknowledge their homage with some high school versions of some of those movies’ most famous scenes and some outright character references to those original works.

This tale of an alien invasion that starts in a small town Ohio high school has a group of five students, including mean girl Delilah (Jordana Brewster), geek Casey (Elijah Wood), rebel Zeke (Josh Hartnett), goth Stokely (Clea DuVall) and new girl Marybeth (Laura Harris) facing the alien menace which starts by assimilating the school faculty. And what a faculty we have with Robert Patrick, Bebe Neuwirth, Famke Janssen, Salma Hayek and Piper Laurie, to name a few. Of course no one believes them that aliens are among us and up to no good and as the adults are assimilated by the alien’s slimy slug-like swarm, they are soon outnumbered and being hunted with no one to turn to but each other. Now the 5 must overcome their differences and mistrust, to find the alien queen, destroy it and save the school and the planet.

Rodriguez wisely plays it straight and lets the material provide the fun. He knows not to make a joke out of what basically is a silly sci-fi story, but he never takes things too seriously that we don’t have a good time watching our teens battling alien drones that once were their teachers and friends and trying to convince themselves that this is actually happening. Sure we’ve seen it all before, from the doubting adults to the paranoia over who is an alien and who is human, but that is part of the fun. Rodriguez knows we’re familiar with this type of story and uses our familiarity to sometimes pull the wool over our eyes and play with our expectations. And when he doesn’t do that, he simply delivers what we want expect, as with the final showdown between our heroes and the big bad alien bitch herself. It’s not perfect, sometimes the familiarity of the material works against it and a few of the classic film scenes recreated are a bit too obvious, but overall it’s an entertaining movie with some really good SPFX and a cast who knows exactly when to take things seriously and when to camp it up a bit and have a good time. And the large ensemble cast, also including Jon Stewart and Usher Raymond, are all up to the task with Patrick and Janssen especially chewing up the scenery when appropriate.

The 1998 film is a bit dated at this point, but if you enjoy the Scream era horror flicks then you won’t mind it. It’s not old enough for nostalgic charm just yet, but it will be soon enough. A fun movie from an era where pop-culture references and horror went hand in hand quite often.

3 high school hunting alien queens!





This late 90s flick tells the story of high school student Steve Clark (James Marsden) and his sister Lindsay (a pre-Ginger Snaps Katherine Isabelle) who move with their parents from Chicago to the quaint remote community of Cradle Bay, Wa. A community that seems to be run by the elite high school varsity Blue Ribbons, a group of clean cut teens with valedictorian goals. But Steve bonds with outcasts Strick (Nick Stahl), Rachel (Katie Holmes) and U.V. (Chad E. Donella) who warn him that all is not right with the picture perfect Blue Ribbons. Soon he finds out his friends are not being paranoid, as the Blue Ribbons acquire some surprising new members, including Strick and these honor society students seem to easily and violently react whenever they face normal teenage emotional turmoil. Even more suspicious, is the Jim Jones-like Dr. Caldicott (Bruce Greenwood) the man behind the ‘seminars’ that recruit Blue Ribbons members. Is this some kind of cult or is Caldicott more Dr. Frankenstein then Dr. Phil?

Disturbing Behavior is an entertaining flick from X-Files episode director David Nutter and does play very much like an episode of that classic show. Which isn’t a bad thing. Nutter gets some good suspense and chills out of Scott Rosenberg’s script and gives this high school Stepford Wives some nice atmoshere. Not everything works. There are a few of the Blue Ribbon melt-down scenes that come across as silly rather then disturbing and the film’s climactic confrontation with Steve and Rachel being hunted down by the Blue Ribbons and their deranged creator at the edge of a dam ends in an equally silly denouement.

The cast perform well, for the most part, with Marsden making a fine hero, Holmes making a feisty rebel-chick and Greenwood an appropriately charismatic yet slimy villain. Sadly, the usually dependable William Sadler overacts as the school janitor Dorian and A.J. Buckley hams it up a bit too much as the short circuiting Blue Ribbon with a crush on Rachel and it stands out as the rest of the cast play it straight including bad guy Greenwood. Both these performances give their scenes an element of camp that is not present in the rest of the film, except for the unintentionally goofy climax.

Overall Disturbing Behavior is an entertaining enough thriller that is brought down a few notches by some campy performances and a few scenes that didn’t quite work, but David Nutter does provide enough suspense and chills to keep it afloat and it deserves credit for doing it’s own thing and avoiding the pop-culture heavy teen horror of this era. Flawed, but still an entertaining watch.

3 hot pre-Cruise Holmes!







Hansel and Gretel: WItch Hunters is released on blu-ray and DVD today so, I thought I’d post my review of this comedy/horror!

When you go to see a movie called Hansel And Gretel: Witch Hunters, obviously you don’t go in expecting Shakespeare but, I did expect it to have a bit more of the giddy fun that Tommy Wirkola brought to his gory zombie blast, Dead Snow. And while I was amused and entertained by H&G, it actually took itself a little too seriously for a film about fairy tale characters grown up to be vengeful witch hunters. With an outlandish story like this, I can appreciate giving the material some respect and not making a joke out of it but, to really make it work you have to give it a bit more over the top like Wirkola did so well with Dead Snow. H&G has action that is bloody and fast moving but, the film needed a bit more of a sense of humor then a few curse laden quips and breaking the same person’s nose, twice. This story of the fairy tale siblings coming up against a very powerful witch (Famke Janssen) with a devious plot to free her kind from the dangers of fire resembles the far more ridiculous Van Helsing to a degree but, could have used a bit of that flick’s over the top energy, just not as out of control (though that does make VH a ‘so bad it’s good’ treat). The film is well done and uses a lot more practical effects then expected and the minimal use of CGI was very refreshing. The cast handles their parts very well with Jeremy Renner and Gemma Arterton having a good time as the badass witch killers and they played their roles with a serious approach but, not without a quick wink every now and then to let you know they are having a good time. Famke Janssen plays her part as the formidable witch with some over the top relish and that made a nice contrast to her stoic adversaries. Rounding out the cast Peter Stormare isn’t given much to do as the town sheriff who is not happy that H&G have come to do his job but, he is more lively here then in The Last Stand. The film looks great. The sets and costumes are really nicely designed as are the various witches and their Troll, Edward (Derek Mears). The cinematography is lush and the locations beautiful. Visually this is a really cool flick. But, as said, Wirkola gives us a fast pace and some nice gory action scenes to entertain us but, he just needed to inject a little more fun in the proceedings to make this a real standout treat. Overall I did enjoy it but, it could have been so much more of a blast if Wirkola wasn’t trying a bit too hard to not turn the material into a joke. There is a fine line to making a movie like this and Dead Snow proves he can walk it just fine. So why didn’t he? An amusing and entertaining enough viewing but, kinda forgettable when all is said and done.

3 bitchy witches  as the lush visuals and design, plus Gemma Arterton’s fine butt in leather, earn it a few extra points.

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