MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: THE DEVIL’S CANDY and BLISS

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Been a long time since the last MonsterZero NJ’s Saturday Night Double Feature, but after re-watching Joe Begos’ Bliss, I realized it would make a great double feature with Sean Byrne’s The Devil’s Candy. Both flicks feature tortured artists, supernatural influences on their art, hard core music and neither skimps on blood and gore. So, on to the sex, gore and Rock n’ Roll!…

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THE DEVIL’S CANDY (2015)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

I’m a huge fan of Sean Byrne’s The Loved Ones and was obviously looking forward to seeing another flick from him…and finally, after eight years, it’s here. The Devil’s Candy is Byrne’s newest film, made in 2015, it’s only now getting a proper release on VOD and in select theaters from the cool folks at IFC Midnight.

The story here is of heavy metal loving artist Jesse (Ethan Embry), who moves to an old rural farmhouse with his wife Astrid (Shiri Appleby) and chip-off-the-old-block teen daughter Zooey (Kiara Glasco). While Jesse and Astrid know that the couple that formerly lived there died in the house, what they don’t know is that it is also home to some kind of malevolent influence. If it’s not bad enough that Jesse’s art starts to take a dark and ominous tone soon after moving in, Ray (Pruitt Taylor Vince), the child murdering son of the previous owners, wants to come home…and he has set his demented sights on Zooey.

While not quite as intense as The Loved Ones, and lacking it’s twisted sense of humor, this is still an atmospheric, disturbing and sometimes brutally violent horror flick. The mix of heavy metal music and demonic horror, obviously works as the two have been paired up since Black Sabbath took to the airwaves in 1968. While the demonic influence elements are nothing new, they are very effective as used by Bryne, draped in his thick atmosphere of foreboding. The most disturbing elements, though, are obviously Ray’s need to “feed” The Devil his favorite candy…children. He stalks Zooey right out in the open and the distraction the malevolent entity feeds Jesse by way of his art, leaves poor Zooey unprotected. It creates some very unsettling scenes as Ray gets closer to obtaining his goal, including one in Zooey’s bedroom that is absolutely bone chilling. This all leads up to not one but two harrowing sequences with Zooey and the rotund pervert, each more intense than the last. There are some drawbacks. The film comes in at a very tight 79 minutes and it sometimes feels too quickly over for it’s own good. We wish we had a little more time to let certain scenes resonate and be given a little more time to let the disturbing nature of what is transpiring sink in before moving on to the next dramatic moment. It is also never quite clear whether it is this demonic influence that led Ray to kill, or was it his homicidal habit that brought the entity into the house…if not…why is it there? On a technical level the film looks great and while there is some week CGI during the climax, the rest of the FX work is solid and there is a really atmospheric score from Mads Heldtberg, Michael Yezerski and the band Sunn O)))

If anything helps one past some of the flaws, it’s a really good cast. Ethan Embry has become a fixture in some good horror/thrillers lately such as the frustrated son in the awesome Late Phases, or the ill-fated gun dealer in The Guest. He is really good here, not only as metal head/family man Jesse, but in portraying Jesse’s gradual transformation from attentive father into obsessed artist. As his frustrated and scared wife, Shiri Appleby is solid as a woman whose family life is disrupted from both within and without. She has a suddenly moody and unfocused husband at home and a hulking child killer lurking about after her daughter. Appleby makes her a bit more than a damsel in distress, though she isn’t given as much to do when all hell breaks loose as we’d have liked. Kiara Glasco makes a really good impression as Zooey. A teen who walks to the beat of her father influenced drum but is her own person. She’s a tough kid and a little rebellious and the young actress has a great chemistry with Embry, so their father/daughter relationship really works well on screen. She has a couple of tough scenes to portray and does a good job. Making this all come together is a really disturbing performance by veteran actor Pruitt Taylor Vince (recently seen as “Otis” in The Walking Dead). Vince really makes Ray a creepy person who makes you uncomfortable every moment he’s on camera. It really makes you fear for Zooey, especially when he catches up to her…more than once. He makes your skin crawl. A solid cast just as in Byrne’s first flick.

So maybe writer/director Sean Byrne hasn’t quite equaled The Loved Ones in his sophomore feature flick, but he has delivered another disturbing, atmospheric and bloody movie that is of a different sort than his previous twisted love story. This plot may be a bit more commonplace, but he uses the familiar tropes very effectively. The theatrical cut…wikipedia lists a 10 minute longer festival cut…may be a little too short for it’s own good and there are some unanswered questions, but a really strong cast and a director who knows how to turn the screws makes up for a lot of it. Highly recommended. especially if you loved Sean Byrne’s previous work.

-MonsterZero NJ

3 and1/2 (out of 4) screaming guitars!

 

 

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BLISS (2019)

Dezzy (Dora Madison) is a down on her luck artist and drug abuser who is having trouble finishing a piece that could turn her life around. She vents her frustration in a night of debauchery, involving alcohol, a new drug from her dealer and a threesome with friend Courtney (Tru Collins) and Courtney’s boyfriend Ronnie (Rhys Wakefield). Not only does this get her working on her painting again, but gives her an insatiable appetite for blood.

Joe Begos writes and directs this sometimes hallucinogenic tale of artistic block, depravity and vampirism. Begos’ first two features Almost Human and The Mind’s Eye were homage heavy flicks, though very entertaining. Here he shows he can do something outside of his influences and do it well, even on a very small budget, which seems to suit Begos. While not a traditional vampire tale, as Dezzy has no fangs and doesn’t turn into any creatures of the night, it has some gory demises once Dezzy’s thirst drives her to kill. Whatever she is, can be killed by a wooden stake, as Courtney demonstrates by finishing off one of Dezzy’s victims, and apparently sunlight can be lethal, too. Vampires or not, this is a tale of excess and Begos sometimes put’s his audience inside Dezzy’s head trips and it gives us a sense of the state of mind the troubled artist is in. It’s a trip and a disturbing one for all the right reasons. The gore is very plentiful and well orchestrated and the film itself has a raw feel to it that works very well, as it revels in the seedier side of Los Angeles nightlife. A contemporary vampire tale substituting ancient curses and cloves of garlic for sex, drugs and rock n’ roll.

While there are quite a few supporting players, it’s very much a one woman show and lead Dora Madison (Exists) rises to the occasion. She dives into the role with a passionate yet very real performance. One doesn’t feel like they are watching a movie character, but a real person whose artistic nature has her living a life of excesses and extreme stimulation, and this is before she is transformed into a creature of the night. Her role requires a lot of nudity, drug use and hedonistic behavior, not to mention outbursts of rage, anger and violence when she realizes something is very wrong with her and her bloodlust takes hold. The actress performs it all very well. The supporting cast, such as Collins as Courtney and Jeremy Gardner as Dezzy’s “friend” Clive all create interesting people who seem to dwell more within the underground lifestyle of L.A. A good cast of interesting characters.

Overall, Begos is once again proving he is a filmmaker to watch. His homages to The Thing (Almost Human) and Scanners (The Mind’s Eye) were solid flicks that paid respectful tribute to their inspirations. Here Begos shows he can operate outside his influences and presents a tale of a young woman’s downward spiral into madness, depravity and murder all in the name of artistic expression. It’s trippy, gory and dirty and sleazy in all the right places. Looking forward to Begos’ upcoming VFW about a group of war veterans under siege at a VFW hall.

-MonsterZero NJ

 

Rated 3 and 1/2 (out of 4) fangs, even if Dezzy doesn’t have any.

 

 

 

 

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HORROR YOU MIGHT HAVE MISSED: THE DEVIL’S CANDY (2015)

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THE DEVIL’S CANDY (2015)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

I’m a huge fan of Sean Byrne’s The Loved Ones and was obviously looking forward to seeing another flick from him…and finally, after eight years, it’s here. The Devil’s Candy is Byrne’s newest film, made in 2015, it’s only now getting a proper release on VOD and in select theaters from the cool folks at IFC Midnight.

The story here is of heavy metal loving artist Jesse (Ethan Embry), who moves to an old rural farmhouse with his wife Astrid (Shiri Appleby) and chip-off-the-old-block teen daughter Zooey (Kiara Glasco). While Jesse and Astrid know that the couple that formerly lived there died in the house, what they don’t know is that it is also home to some kind of malevolent influence. If it’s not bad enough that Jesse’s art starts to take a dark and ominous tone soon after moving in, Ray (Pruitt Taylor Vince), the child murdering son of the previous owners, wants to come home…and he has set his demented sights on Zooey.

While not quite as intense as The Loved Ones, and lacking it’s twisted sense of humor, this is still an atmospheric, disturbing and sometimes brutally violent horror flick. The mix of heavy metal music and demonic horror, obviously works as the two have been paired up since Black Sabbath took to the airwaves in 1968. While the demonic influence elements are nothing new, they are very effective as used by Bryne, draped in his thick atmosphere of foreboding. The most disturbing elements, though, are obviously Ray’s need to “feed” The Devil his favorite candy…children. He stalks Zooey right out in the open and the distraction the malevolent entity feeds Jesse by way of his art, leaves poor Zooey unprotected. It creates some very unsettling scenes as Ray gets closer to obtaining his goal, including one in Zooey’s bedroom that is absolutely bone chilling. This all leads up to not one but two harrowing sequences with Zooey and the rotund pervert, each more intense than the last. There are some drawbacks. The film comes in at a very tight 79 minutes and it sometimes feels too quickly over for it’s own good. We wish we had a little more time to let certain scenes resonate and be given a little more time to let the disturbing nature of what is transpiring sink in before moving on to the next dramatic moment. It is also never quite clear whether it is this demonic influence that led Ray to kill, or was it his homicidal habit that brought the entity into the house…if not…why is it there? On a technical level the film looks great and while there is some week CGI during the climax, the rest of the FX work is solid and there is a really atmospheric score from Mads Heldtberg, Michael Yezerski and the band Sunn O)))

If anything helps one past some of the flaws, it’s a really good cast. Ethan Embry has become a fixture in some good horror/thrillers lately such as the frustrated son in the awesome Late Phases, or the ill-fated gun dealer in The Guest. He is really good here, not only as metal head/family man Jesse, but in portraying Jesse’s gradual transformation from attentive father into obsessed artist. As his frustrated and scared wife, Shiri Appleby is solid as a woman whose family life is disrupted from both within and without. She has a suddenly moody and unfocused husband at home and a hulking child killer lurking about after her daughter. Appleby makes her a bit more than a damsel in distress, though she isn’t given as much to do when all hell breaks loose as we’d have liked. Kiara Glasco makes a really good impression as Zooey. A teen who walks to the beat of her father influenced drum but is her own person. She’s a tough kid and a little rebellious and the young actress has a great chemistry with Embry, so their father/daughter relationship really works well on screen. She has a couple of tough scenes to portray and does a good job. Making this all come together is a really disturbing performance by veteran actor Pruitt Taylor Vince (recently seen as “Otis” in The Walking Dead). Vince really makes Ray a creepy person who makes you uncomfortable every moment he’s on camera. It really makes you fear for Zooey, especially when he catches up to her…more than once. He makes your skin crawl. A solid cast just as in Byrne’s first flick.

So maybe writer/director Sean Byrne hasn’t quite equaled The Loved Ones in his sophomore feature flick, but he has delivered another disturbing, atmospheric and bloody movie that is of a different sort than his previous twisted love story. This plot may be a bit more commonplace, but he uses the familiar tropes very effectively. The theatrical cut…wikipedia lists a 10 minute longer festival cut…may be a little too short for it’s own good and there are some unanswered questions, but a really strong cast and a director who knows how to turn the screws makes up for a lot of it. Highly recommended. especially if you loved Sean Byrne’s previous work.

-MonsterZero NJ

3 and1/2 screaming guitars!

 

 

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THE DEVIL’S CANDY GETS A TRAILER!

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A trailer has arrived for the new film from The Loved Ones’ Sean Byrne and it looks just as disturbing! Written and directed by Byrne, the film stars Ethan (Late Phases) Embry and Shiri Appleby and involves a musician/painter under demonic influences. Film is slated for release on March 17, 2017!

Source: Youtube

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HORROR YOU MIGHT HAVE MISSED: LATE PHASES (2014)

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LATE PHASES (2014)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

“People don’t come to places like this to live, they come here to die.”

Late Phases is the first English language film from Here Comes The Devil director Adrián García Bogliano. The film tells the story of Ambrose McKinley (Nick Damici), an armed services/Viet Nam veteran now blind and put into the Crescent Bay retirement community by his son, Will (Ethan Embry). The first night there, a full moon, his neighbor Dolores (Karen Lynn Gorney) is killed and Ambrose is viciously attacked by a savage wolf-like beast. His seeing-eye dog, Shadow, is mortally wounded fighting it off, saving the man’s life. The defiant Ambrose is determined to get answers and soon finds out these attacks occur once a month and the police pass it off as some animal that lives in the nearby woods. They also don’t seem too concerned about the seniors that are it’s victims. But Ambrose begins to put the hard to believe pieces together and realizes he has one month to find out who this shape-shifter is and a means to stop it, by the next full moon. However, his lycanthropic opponent knows he’s coming and is preparing, too…to make sure it’s a war Ambrose won’t win.

I really liked this flick! Not only was it a solid and refreshing take on a werewolf story, but a well made tale of a tough old man who won’t give up. Director Adrián García Bogliano, from Eric Stolze’s tight and clever script, quickly establishes McKinley’s stubborn character, his closeness to Shadow and the mundane life of Crescent Bay, so when the vicious attack comes in the first act, we get it’s full impact. We are then taken along for the smoldering ride as the blind veteran begins to investigate the identity of his lupine invader and make his plans to stop it on the next full moon. The suspense is turned up as we get our reveal a bit early and the cursed individual begins to prepare his counterattack. All this builds up to a very tense and bloody third act showdown between the blind ex-soldier and his lycanthropic enemy. It all works so well, because Bogliano takes his story seriously, generates the proper intensity and we like McKinley and are rooting for the stubborn vet to do what others don’t seem concerned enough to do. There are some minor flaws. McKinley comes to the werewolf conclusion rather quickly, an obnoxious cop character’s dialog is a little too obvious in it’s intent to convey the lack of concern for the seniors here and the climax could have actually played out a bit longer, but otherwise I liked what they accomplished here. It’s suspenseful, intense and has some vicious and very gory action. Technically, the low budget movie is sound, too. There is nice cinematography from Ernesto Herra who shot Here Comes The Devil and a very atmospheric score by Wojciech Golczewski. The werewolf suits and transformations use charming prosthetics and are very effective. There also is some really good and plentiful gore, as well as, a convincing job aging star Dimici about 20 years.

And as for Dimici… he is another reason this works so well. There is a really strong performance here by the Stake Land writer/actor. Damici creates a man who is handicapped by the horror of war and accepts it as punishment for deeds he committed in battle. He is stubborn, difficult but also strong and determined. He makes the crotchety old man very likable and gives him a lot of depth and we go right along with his quest to see this creature brought down. We totally believe that he would give his life to see this fiend stopped, if necessary. We also get nice work from Ethan Embry as his son. The dynamic between the two really works and we get Will’s frustration at how difficult Ambrose is, but yet he still wants to take care of him. The two have good chemistry and make this film really gel with their relationship dynamic. In support, and all doing good work, are familiar faces like Lance Guest (The Last Starfighter), House of the Devil’s Tom Noonan, the legendary Tina Louise as a catty housewife and a small role from the incomparable Larry Fessenden. A good cast that makes this film come together almost perfectly.

I really liked this flick a lot. It’s very well directed. It’s suspenseful, intense, the last act provides some really gory action and it has some nice emotional depth. It’s a refreshing take on the oft-told werewolf tale and it is a well balanced mix of horror, mystery and character drama. The FX are charmingly old-fashioned prosthetics and it’s briskly paced despite the middle act being an intentional slow burn. Highly recommended for something a little different and a horror made for adults at a time when PG-13 teen-centric fright flicks are making up most of what the genre is offering.

-MonsterZero NJ

3 and 1/2 silver bullets.

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