JASON GOES TO HELL: THE FINAL FRIDAY (1993)
NOTE: As stated at the end of my Part 8 review, Horror You Might Have Missed will cover the rest of my Friday The 13th retrospective as the series would pick up in the 90s and 2000s under New Line CInema who bought the rights after Takes Manhattan. I consider anything after 1990 as more current and doesn’t fall under my nostalgia classification. -MZNJ
New Line Cinema bought the rights to the Friday The 13th series after Paramount gave up after the awful Friday The 13th Part 8: Jason Takes Manhattan and I’m not sure what their intentions were, as this is subtitled The Final Friday yet, it’s goofy climax implies we may not have seen the last of Mr. Voorhees quite yet…though they all sort of imply that anyway. Whatever their game plan, New Line’s attempt at continuing or giving closure to the warn-out series, delivered an awful mess that clearly stands as the worst of this series and not only succeeds in being even more awful than Takes Manhattan, but completely rips off the 80s cult classic The Hidden as well.
The ‘story’, if I can call it that, opens with a beautiful young woman (Julie Michaels) arriving alone at a remote cabin at Crystal Lake. Soon she is besieged by hockey mask wearing serial killer Jason Voorhees (Kane Hodder) and the chase is on. Jason follows her into the woods where he is ambushed and literally blown apart by a SWAT team…how many years did it take to come up with this plan? At the morgue, Jason’s shredded remains are being examined by a coroner (Richard Grant) who becomes mesmerized as Jason’s heart begins to beat by itself and, under some kind of trance, he proceeds to eat the heart and embark on a murder spree, including a fellow coroner and two security guards (one amusingly also played by Kane Hodder). We find out through bounty hunter Creighton Duke (Steven Williams)…a character that exists solely to provide exposition…that Jason wants to be reborn and he can only do that…or be destroyed for that matter…through another Voorhees. Where Duke gets his information while the rest of the world scratches it’s head over Jason’s invulnerability is anyone’s guess. Luckily this flick not only invents a half-sister, Diana (Erin Gray) for Jason, but a granddaughter, Jessica (Kari Keegan) and a baby great-granddaughter. Now Jason goes from body to body in the form of a slimy serpent-like creature trying to track his kin down and slaying everyone who gets in the way, in gruesome fashion…still with me?…So, now it’s up to Jessica’s super annoying baby daddy Steven (John D. LeMay) to try to save his ex and their offspring and destroy Jason’s heart so he may never rise again…unless the monster succeeds in being reborn first.
I really appreciate co-writer (with Dean Lorey and Jay Haguely) and director Adam Marcus trying to take this series in a different direction, but this barely coherent mess is hardly a good start. The story seems to be making things up as it goes along especially when it comes to Duke’s insightful and extensive information about Jason, which might have saved dozens of lives had he spoken up about 10 years earlier. Obviously the story adds facts and characters when it needs them to serve the plot, such as Jason’s heart only being able to be destroyed by another Voorhees…and a special dagger…though it never explains why there is so much supernatural hocus-pocus surrounding the suddenly plentiful Voorhees family, or where this special blade came from. As mentioned, the whole body to body ability of Jason in slimy serpent form is directly lifted out of New Line’s own classic The Hidden,which had an alien outlaw doing that in L.A. The tone of the film is all over the place with some sequences being dead serious or viciously gory one minute and then silly and downright goofy the next (such as the duo who own the diner). With it’s wandering tone, it’s hard to connect with the flick as it can’t make up it’s mind what it wants to be. The film then comes to a really silly climax that looks like it came right out of an episode of Charmed complete with cheesy TV level animation FX. When the surprise last scene comes, it’s the coolest thing in the flick, but at that point we are too dazed by the previous 90 minutes of nonsense that we can’t even enjoy the implications.
Except for TV vet Erin Gray, whose character has far too little screen time, the cast make very little impression with LeMay being super annoying as Steven…this dude needed a punch in the face…and Williams trying to act badass for a character that basically doesn’t do much else than talk and tell other people they have to handle things. Again, his bounty hunter exists totally for exposition purposes and despite his ‘too cool’ act, he is as useful as a steak is to a vegan. At least the gore FX people did a good job and escape this garbage with their reputations intact. Despite the return of Harry Manfredini, the films has zero Friday The 13th feel which isn’t helped by the fact that Jason appears for about 5 minutes in the beginning and then about just as long in the end. It’s an awful mess of a movie that’s last few seconds lends the only clue as to why New Line even bothered to purchase the rights in the first place…and they couldn’t even use the authentic laugh in the cameo. Awful crap and one of the lowest grossing of the series!
1 hockey mask.