TOMB OF NOSTALGIA: SLAVE GIRLS FROM BEYOND INFINITY (1987)

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SLAVE GIRLS FROM BEYOND INFINITY (1987)

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Full Moon Pictures 1987 release is B-movie exploitation to the core. Despite the possibilities evoked by one of the best exploitation flick titles ever, it’s actually just a science fiction retelling of The Most Dangerous Game. It finds shapely space slave girls Daria (80s B-movie queen Elizabeth Kaitan) and Tisa (Cindy Beal) escaping captivity in their animal skin bikinis and crash landing on a remote planet. This savage planet is home to the mysterious Zed (Don Scribner ) and his androids, who warmly welcome the girls into Zed’s castle. Soon the two find out that Zed’s hospitality is a smoke screen and that he is a big game hunter. Worse still, they, along with stranded siblings Rik (Carl Horner) and Shala (scream queen Brinke Stevens), are his next intended prey. Can these scantily clad space vixens outwit the diabolical hunter and beat him at his own deadly game?

Low budget flick is written and directed by Ken Dixon with a definite Roger Corman-esque flair. It has three beautiful ladies as it’s leads and when they are not bearing their natural charms, they are as scantily clad as possible. The FX are delightfully cheesy, there is some bloodshed and we have our lovely ladies prancing around the alien jungle bearing laser cannons and plenty of skin. It’s all done tongue in cheek and while the actors play the material seriously, we have a pair of bickering androids (Kirk Graves and Randoph Roehbling) to remind us it’s all in fun. There is a rubber monster/cyborg (Fred Tate) lurking in the jungle for added peril and our damsels find themselves in distress as often as in firefights with the villainous Zed. It has all your exploitation movie needs, including sex, nudity, action, violence, perils, escapes and a touch of bondage to add a little kink to the proceedings. It moves quickly at an economical 80 minutes, giving us little time to think about just how silly it all is.

There are a couple of things that hold this flick back from firing it’s B-movie laser blasters on full. The acting is a bit flat, though Kaitan tries hard to give her Daria some fire, and Scriber’s Zed is a dull, pontificating villain. The flick is a lot of B-movie entertainment, but would have been even better with a villain who was stronger, or simply a lot more fun. Comments could be made about the sets, FX and costumes, but the resulting cheese factor adds to the overall B-movie appeal. A happy accident there.

In conclusion, this is an amusing exploitation flick that skates very close to Roger Corman territory. It’s the type of film he would have made and it’s a surprise that he didn’t come up with it first. Writer/director Ken Dixon has fun with his premise and delivers the exploitation goods proudly. Livelier performances, especially from it’s bland villain, would have made this a real blast, but our leading ladies do try hard and appear to be having a good time romping around in little or less. Regarded as a bit of a cult classic all these years later and for fans of this type of stuff, it succeeds more than it fails. The type of flick they don’t make anymore.

-MonsterZero NJ

Rated 3 (out of 4) Slave Girls From Beyond Infinity.

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TOMB OF NOSTALGIA: SILENT MADNESS (1984)

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SILENT MADNESS (1984)

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Part of the 80s 3D revival, Silent Madness has an error at a mental hospital releasing psychopathic killer Howard Johns (actor and stuntman Solly Marx) back onto the streets instead of inmate John Howard. Johns returns to the scene of his original slaughter, a college sorority and begins killing again. Pretty Dr. Joan Gilmore (Belinda Montgomery) refuses to be part of the cover-up and heads to the sorority house to stop him. This all occurs conveniently while the girls are leaving on holiday, so no one notices when his victims start to go missing and everyone thinks Gilmore is the crazy one.

Lesser known 80s slasher is directed by Simon Nuchtern from a script by Bob Zimmerman and Bill Milling, who also co-produced with Nuchtern. The result is a very tame slasher with a good deal of it’s kills happening off-screen and those we see, being rather underwhelming. You can count on one hand the times the film throws something at the screen to take advantage of the 3D and one wonders why they even bothered except to take advantage of a current craze. Belinda Montgomery does make for a perky and pretty heroine. She’s both final girl and damsel in distress and, of course, no one believes her that Johns is on the loose, including the lazy town sheriff (Sydney Lassick) and the sorority house mother (Viveca Lindfors). There is little suspense or scares and the ending big reveal isn’t anything we haven’t seen before, as the slasher craze was running out of gas at this point. Even Solly Marx’s silent killer (hence the title?) is kind of dull. Most of the usual 80s slasher tropes are present, so there is that, though not very effectively used by the by-the-numbers direction of Nuchtern. One curiosity is that some of the shots look like they are attempting a Suspiria/Argento look here and there, but even that is handled lamely.

Overall, this was a very pedestrian slasher and one that seemed to be made solely to take advantage of the 3D and slasher crazes of the era. It has the feel of a lazy production and only veterans Belinda Montgomery and Viveca Lindfors put any real effort into their performances. There is very little blood, much less gore and the kills are unimaginative and lame. If you are an 80s completest, it’s worth a look, but definitely a lesser known slasher for good reason. Also stars 80s scream queen Elizabeth Kaitan as a skateboarding babe who winds up one of Johns’ earlier victims.

-MonsterZero NJ

Rated 2 mistakenly released psychopaths.

 

 

 

 

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