BARE BONES: DEATH WISH (2018)

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DEATH WISH (2018)

Dr. Paul Kersey (Bruce Willis), a surgeon in crime ridden Chicago, turns vigilante when his wife and daughter (Elisabeth Shue and¬†Camila Morrone) are victims of a home invasion gone bad. Now he roams the streets hunting the perps down and killing other criminals becoming a media sensation known as “The Grim Reaper”.

Awful remake is directed by Eli Roth from a terrible script by Joe Carnahan. Film has none of the effectiveness of the Charles Bronson classic and is sometimes downright stupid, such as in the way Kersey gets his first gun, or in the blatant convenience of his first clue in finding the men who broke into his home. Film takes away the dynamic of a man frustrated and angry and simply taking it out on random criminals, by having Willis’ Kersey able to hunt down the actual men who killed his wife and severely wounded his daughter. He does kill random criminals in between, but this version gives Kersey his revenge on the actual perpetrators, thus granting him the satisfaction of that vengeance. It was more effective that Bronson’s Kersey was robbed of that satisfaction and thus the lack of closure fuels his attempts to clean up the streets…kinda like Batman. It also put’s names and identities on the gang who committed the crime, when in the original they were random street punks representing the almost lawlessness of a city out of control. It gives Willis specific people to hunt where Bronson was as random as the thugs he killed. It becomes just another revenge flick. Film also changes the location of the story from New York to Chicago…where Bronson’s Kersey went after being asked to leave NYC…but that is the least of it’s problems. Finally, Willis is simply starting to look too old for this kind of stuff.

-MonsterZero NJ

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BARE BONES: BATTLE OF THE SEXES (2017)

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BATTLE OF THE SEXES (2017)

A great cast highlights this retelling of the epic “Battle of the Sexes” tennis match between Bobby Riggs and Billie Jean King in 1973 during the height of the Women’s Liberation movement. It takes us on the journey leading up to the match, with up and coming female tennis player Billie Jean King fighting for equality within the pro tennis circuit and retired champ and gambler Bobby Riggs looking for a return to glory and a big payday.

Film is written by Simon Beaufoy and directed by Little Miss Sunshine duo Valerie Faris and Jonathan Dayton and is perfectly cast, especially in regards to it’s leads. Stone and Carell play King and Riggs spot on with Carell really enjoying Riggs’ attempts to “put the show in chauvinism”. If the film falters a bit it’s that it’s first half leading up to the challenge is a bit drab. It focuses a lot on the married King’s affair with a female hairdresser (Andrea Riseborough) and her attempts to start her own tennis tournament with World Tennis Magazine founder, Gladys Heldman (Sarah Silverman). It is very heavy on melodrama and is a bit dreary at times. It picks up in the second half when King finally accepts Riggs’ challenge and the lead-up to the match becomes a media circus and a major event. The second half has the energy and spark, that the first half was lacking, though those early story elements are of importance to the overall tale. Even knowing how the actual event ended, it’s still a lot of fun to watch this great cast play it out and makes this film so worth seeing. Also stars Bill Pullman, Alan Cumming and Elisabeth Shue as Riggs’ wife Priscilla.

-MonsterZero NJ

3 star rating

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