TOMB OF NOSTALGIA: A COLD NIGHT’S DEATH (1973)

MZNJ_New_TONnow playing

a cold nights death 1973


bars

A COLD NIGHT’S DEATH (1973)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Flick is a 1973 TV thriller that aired on ABC’s Tuesday Night Movie. Mystery/horror involves two scientists (Robert Culp and Eli Wallach) who are sent to take over research duties from a third scientist at a remote mountain top base. They are doing behavioral experiments on monkeys for space travel and the current scientist sent some bizarre messages before losing contact. They arrive and find him dead under some very odd circumstances, but are ordered to continue his work. Soon strange occurrences haunt the remote base such as lights going on and off, doors and windows being opened and the heat being turned off. The two scientists start to point fingers at each other and as their time there stretches on, they begin to turn on each other refusing to believe that they and their test subjects, may not be alone.

Written by Christopher Knopf and directed by Jerrold Freedman, this is actually a very tense and disturbing little thriller from a time where television was producing a lot of quality horror, supernatural and Sci-fi TV movies. We get a cold and remote setting, which sets us up already with a sense of claustrophobia and then throws in some very unsettling circumstances in the mysterious death of the previous inhabitant, who seemed to allow himself to freeze to death. The two men don’t seem to agree as to how this man died and it sets up a growing distance between the two scientists as strange things start to happen around them. The suspense and tension cranks as they start to suspect each other of first, some sort of game, then possibly of some sort of psychological imbalance. It’s a great two man play as these men start to unravel and turn on each other, pointing fingers and making accusations as to what is going on around them. The big reveal comes in the last moments and the final frames will stick with you when we finally find out what is happening at Summit Base.

Aside from the simians this is a tight two man cast with Michael C. Gwynne’s helicopter pilot only seen briefly at the beginning. The rest of the 74 minutes it’s just Culp and Wallach, who do excellent work. They start out as two men who are colleagues and have worked together before. Both actors work well together and convey being unnerved at the death of ‘Dr. Vogel’ from the start. Each man has conflicting theories, which plants a bit of a seed of discontent right from the beginning. Soon as the activity inside the snow surrounded base gets weirder and weirder, the men are ripe to start blaming each other. Both actors really do well in portraying the gradual sense of mistrust that becomes suspicion and paranoia and then finally outright hostility. It’s a nice character study that really focuses on the destruction of these men’s professional and personal relationship due to some outside influence neither seems to be able to identify…and thus they point fingers at each other. Great performances from both actors..

This was a really cool flick! It was taunt and suspenseful and really kept you guessing until the final few scenes. The portrayal of paranoia and suspicion was really well done, as was the element of two people basically trapped together with the possibility of one or both losing their marbles and being a danger to the other…or is that what they are supposed to believe? The revelations comes almost at the very end and it will really unsettle you and take you by surprise. A really good little thriller with a classy cast!

-MonsterZero NJ

3 scientists à la Mode.

a cold nights death rating

 

 

 

 

 

Couldn’t find a trailer so, how about the full movie…

bars

TOMB OF NOSTALGIA: THE SENTINEL (1977)

MZNJ_New_TONnow playing

sentinel
bars

THE SENTINEL (1977)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Flick is a prime example of the type of big studio, all star cast, horror films that came out in the 70s after the success of films like The Exorcist and Rosemary’s Baby. It tells the story of emotionally troubled model Alison Parker (Christina Raines), who moves into an old building in Brooklyn with a group of eccentric neighbors, including an old blind priest (John Carradine) who lives on the top floor and constantly stares out the window despite his handicap. No sooner does she movie in, that strange things start to happen. She begins to suffer headaches and strange dreams and she’s even told by the realtor (Ava Gardner) that, aside from the old priest, there is no one else living in her building. Despite these developments, Alison continues to live there and her nightmarish visions continue to worsen. It appears that the apartment is a gateway to hell and the old blind priest is it’s guardian. It’s time for a changing of the guard, though…and guess who has been chosen to watch the gateway next?

Film is written and directed by British filmmaker and frequent Charles Bronson director, Michael Winner from Jeffery Konvitz’s book. It has some genuinely creepy and disturbing moments, thought they are inconsistent in their delivery and the film takes about halfway through for stuff to really start getting spooky. Winner has a very straightforward style, so the film has a very by-the-numbers feel, though he does manage some legitimate chills here and there. There is some good gore and makeup FX from the legendary Dick Smith and the film did receive some harsh criticism for it’s use of actual deformed people as demonic minions in it’s unsettling climax. The pace is a moderate one and we get a very ominous conclusion, as was common with 70s horror flicks. It’s not a bad flick, but one that could have been a lot better with a more stylish director behind the camera to give it some life and intensity…though, again, Winner does create a memorable and atmospheric climax and some chilling moments along the way. It’s just a little stale at times.

Christina Raines is fine as the emotionally scarred young woman thrust into a nightmarish situation. She is a little wooden in her performance, but she does alright. As stated there is an all star cast in support of lead Raines. Chris Sarandon plays her high profile, lawyer boyfriend who doubts her at first, then does some investigating which changes his mind and gives us needed exposition. He is a little uncharacteristically bland in the role. Carradine has little to do as the blind priest Father Halliran and has no dialog. We also have Ava Garder as a realtor, Burgess Meredith as one of Alison’s spectral neighbors, Eli Wallach as a hard-nosed cop and Martin Balsam as an eccentric professor. We also have some rising stars such as a young Christopher Walken as a detective, Jeff Goldblum (who starred as a thug in Winner’s Death Wish) as a photographer and Tom Berenger as a new tenant.

This is a moderately entertaining 70s horror flick from a director more known for his Bronson headlined action flicks. It has some legitimate creepy moments, but takes awhile to get started. It’s basically all a set-up for it’s disturbing climax which came under fire, in the day, for using real deformed and handicapped individuals to portray it’s demonic creatures. Regardless of how one feels about that, it is very spooky and makes up for some of the film’s somewhat staler aspects. Some feel it’s a classic and while I’m not one of them, I respect that opinion as it certainly has it’s moments. Worth a look.

-MonsterZero NJ

2 and 1/2 spooky specters

sentinel rating

bars

FAREWELL AND RIP TO LEGENDARY CHARACTER ACTOR ELI WALLACH!

MZNJ_NEW_news

Eli Wallach with Clint Eastwood in The Good, the Bad and the Ugly.

A legend in the world of film has passed away. The great Eli Wallach died on Tuesday at the age of 98! Wallach had not only over 150 movie roles but was active in theater as well. He starred in many classics but, is most fondly remembered for his part as “Tuco” in the classic Sergio Leone Spaghetti Western The Good, The Bad and The Ugly. He leaves behind a legacy of work that lasted from 1956 to 2010 when he made his last film Wall Street: Money Never Sleeps. A Brooklyn native, Wallach passed away in New York… a true legend!

source: internet

bars