Action adventure opens on the distant planet of Somaris where pilot Mills (Adam Driver) accepts a two-year space mission, as the pay will help him get treatment for his ill daughter Nevine (Chloe Coleman). Tragedy strikes while on the way home when a rogue asteroid belt collides with his ship. He crash-lands on a distant and primitive planet with only one other survivor, Koa (Ariana Greenblatt) a young girl, about his daughter’s age, who doesn’t speak his language. The planet he has landed on is Earth in the time of the dinosaurs and he must lead Koa through miles of dangerous land to reach the escape ship that was separated from his craft in the crash. Worse than giant predators, quicksand and hostile insects is that the asteroid belt is on a direct collision course with Earth with only hours until catastrophe strikes.
Dinosaur movie is written and directed by Scott Beck and Bryan Woods (A Quiet Place, Haunt) and is a routine but solid sci-fi adventure. All the clichés for this kind of movie are present and it doesn’t try to reinvent the wheel. It’s well made and moves quickly with some very good SPFX and a strong and likable hero in Driver’s Mills. Ariana Greenblatt is sweet and resilient as Koa and must convey emotion and communicate without use of English. This adds a little tension between Koa and Mills, but you know they will bond and become a team as they wade through all sorts of prehistoric beasts on the way to a possible escape. Driver gives the film emotional resonance by taking the film and his character seriously, which is why he is such a good actor. The dinosaurs have menace and the action sequences with them are entertaining. Overall, it may be an unremarkable movie but for the 90+ minutes you’re watching it, it entertains and keeps you occupied and interested, even if you know how it’s going to end from the moment it begins.
MZNJ NOTE: Flick reminded me of the similar and fun 1978 stop motion monster indie Planet of Dinosaurs which is streaming free on Tubi!
“After a catastrophic crash on an unknown planet, pilot Mills (Adam Driver) quickly discovers he’s actually stranded on Earth…65 million years ago. Now, with only one chance at rescue, Mills and the only other survivor, Koa (Ariana Greenblatt), must make their way across an unknown terrain riddled with dangerous prehistoric creatures in an epic fight to survive.
From the writers of A Quiet Place and producer Sam Raimi comes 65, a sci-fi thriller starring Adam Driver, Ariana Greenblatt, and Chloe Coleman. Written, directed, and produced by Scott Beck & Bryan Woods – the film is also produced by Sam Raimi, Deborah Liebling and Zainab Azizi.
Executive Producers: Doug Merrifield, Jason Cloth and Aaron L. Gilbert
Cast: Adam Driver, Ariana Greenblatt and Chloe Coleman.”
Film, which evokes the 1978 Planet of Dinosaurs, is set for theatrical release on 03/10/23
Supposed final installment of the Jurassic series takes place in a world where dinosaurs now live among us. While the world decides whether to co-exist or destroy the creatures, a self-serving genetic engineering company called Biosyn is using the beasts for their own gain. When they kidnap clone Maisie (Isabella Sermon) and raptor Blue’s baby Beta, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) find themselves teaming up with series vets Dr. Alan Grant (Sam Neill), Dr. Ellie Sattler (Laura Dern) and Dr. Ian Malcolm (Jeff Goldblum) to infiltrate a dinosaur surrounded BioSyn headquarters to save Maisie, Beta and the world.
Dominion is directed by Colin Trevorrow from a script and story by he, Emily Carmichael and Derek Connolly. As such, it is basically a James Bond movie with dinosaurs. On paper that sounds like a great idea, but sadly Dominion is a tired sequel that shows this series is out of gas. There are top notch SPFX and some entertaining action sequences, but it’s mostly replayed bits from the previous films and makes the cinematic mistake of making dinosaurs dull. There are no risks taken or any innovation with the story or it’s creatures. Between the scenes of 007-ish skullduggery inside the Biosyn headquarters, we once again have a massive super predator, the underdeveloped Giganotosaurus, and once again a certain fan-favorite critter comes to the group’s rescue to take it on. It’s getting tiresome, as are the incredibly two-dimensional villains led by Biosyn’s CEO Dr. Lewis Dodgson (Campbell Scott). It’s a tedious and overlong 146 minutes and one is looking for it to finally be over, long before the actual end credits roll. Obviously, the film takes no risks in its climax either, by wrapping everything up in a neat and predictable bow. A tired and extremely mediocre final(?) chapter.
The cast are fine but are given very little to work with. Pratt and Howard still have some chemistry and are fine as the action heroes/leads. Isabella Sermon is good as an older Maisie and holds her own in the action with the adults. Jeff Goldblum is Jeff Goldblum reprising his role as Dr. Ian Malcolm and even his dialog lacks that sarcastic fun that Goldblum can deliver like no other actor. Dern and Neill are enjoyable as returning Dr. Grant and Dr Sattler but the chemistry between them was oddly absent. B.D. Wong returns as Dr. Wu, who is portrayed as more of a sympathetic character this time, which doesn’t really work. DeWanda Wise is solid as smuggler and pilot Kayla, though Campbell Scott’s villainous Dr. Dodgson is a dull and two-dimensional villain whose schemes including giant locusts don’t even make sense. A good cast with very weak material.
Jurassic World gave this series a jolt of renewed fun and Fallen Kingdom took the series in a bit of a new direction. Dominion sadly shows any revived energy or innovation with the format was short lived and this series is sinking into the tar pits like some of its prehistoric critters. There are a few entertaining action sequences, and it was fun to see classic series characters back in action one more time, but the material doesn’t support the cast or critters to give this series the fitting climactic chapter the franchise and its fans deserved.
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The latest installment of the franchise takes place three years after the disastrous opening of Jurassic World. A volcano on Isla Nublar has become dangerously active and the U.S. government declines to save the animals still there. John Hammond’s former partner, Benjamin Lockwood (James Cromwell) asks Claire Dearing (Bryce Dallas Howard) to join a rescue mission to save the dinosaurs from the doomed island and to convince her ex-boyfriend Owen Grady (Chris Pratt) to join them. Once on the island Claire, Owen and their team are betrayed and they discover that this “rescue mission” has a far more sinister purpose.
Fallen Kingdom is directed by J.A. Bayona, the Spanish filmmaker behind the atmospheric and spooky haunted house flick The Orphanage and the bittersweet fantasy A Monster Calls. His script is by previous installment director Colin Trevorrow and Derek Connor, who co-wrote the last one, as well. The result is a more Gothic feel to the proceedings, especially when the location switches to Lockwood’s old mansion with genetics lab and creature holding cells in the basement a la Dr. Frankenstein. From here It becomes a tale of man’s greed and trying to play god…again. The Indominous Rex taught these greedy corporate types nothing and now we have the genetically created dino-soldier the Indoraptor to serve as our predator of choice for this flick. After the escape from the burning island…which is a very entertaining set-piece in itself, the flick becomes more of a James Bond movie with dinosaurs. The second third finds Claire and Owen sneaking around the castle-like mansion with Lockwood’s granddaughter, Maisie (Isabella Sermon), trying to find a way to stop the sale of and genetic tampering with the last survivors of Isla Nublar. It’s not quite as fun as the last flick, but at least they are trying to take the series in a new direction and we actually get off the island. The last act has the skilled director Bayona going back to his haunted house roots with a cat and mouse chase through the dark and cavernous mansion between our heroes and the Indoraptor, with a very exciting and very Gothic rooftop finale. Overall it is an entertaining flick, though a bit darker, a bit more violent and somewhat less fun than Jurassic World.
The cast is fine, even if the bad guys are complete two-dimensional stereotypes. Pratt and Howard still have that chemistry as Owen and Claire and having them broken-up gives us a chance to experience their combative banter and then having them fall for each other all over again. Young Isabella Sermon is endearing as Maisie, Lockwood’s young granddaughter with some secrets of her own. Rafe Spall, Ted Levine and Toby Jones are the trio of bad guys as Lockwood’s conniving assistant, a soldier for hire and a black market dinosaur dealer respectively. While the characters are familiar and stale, the actors give it their best. Cromwell is charming as the elder Lockwood, who is having his dream corrupted right out from under him. Rounding out the main characters are Justice Smith and Daniella Pineda playing Claire’s IT tech Franklin and dinosaur veterinarian Zia, respectively and they are fun characters well portrayed. We also get a nice cameo with Jeff Goldblum reprising his role as Dr. Ian Malcolm and B.D. Wong returns as slimy Dr. Wu. A good cast though some characters are better written than others.
Jurassic World gave this series a bit of revived energy and while this installment is a bit less fun, it does take the series to some new places and Bayona gives it a darker and more Gothic tone, as well as, his trademark visual artistry. On the negative side, the whole predator du jour chasing our heroes is getting stale, as is genetically whipping up new creatures like ordering a pizza. The dinosaur auction was interesting, but one wonders where the authorities stand on black market dinosaur flea markets. Guess it’s too soon to approach that side of the story. It was fun to see Clair and Owen and company playing James Bond in this massive Victorian Mansion, as we also enjoyed the film leaving us at a point where we wonder if mankind’s meddling might get us slapped back to the stone age. Stay through the credits.
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Jurassic World is by far the best of the sequels to Spielberg’s 1993 adaptation of Michael Crichton’s book and wisely ignores the previous two films, being a direct sequel to the first movie. The story takes place about 20 years after the Jurassic Park disaster with Isla Nublar now having been reopened as a fully functional theme park with genetically recreated dinosaurs on display for thousands of visitors. There is a new owner, Simon Masrani (Irrfan Khan) and a new manager of operations, Claire Dearing (Bryce Dallas Howard). Now that dinosaurs are a common sights at the park, though, Masrani and his investors have sanctioned geneticist Dr. Wu (B.D. Wong) to create genetic crossbreeds to keep attendance up. One of those creations is the Indominus Rex, a hybrid between a T-Rex and another species that is obvious, but, I won’t spoil. She is fierce and fiercely intelligent and makes an escape initiating a killing spree of man and beast alike as she heads toward a full-to-capacity park. Now Claire must team with ex-Navy man and raptor trainer Owen (Chris Pratt) to find the monster and rescue her nephews Gray and Zach (Ty Insidious Simpkins and Nick Robinson) who are visiting and have become trapped in the creature’s kill zone.
Safety Not Guaranteed director Colin Trevorrow takes over the reigns this time, armed with a script from himself and co-writers Derek Connor, Amanda Silver and Rick Jaffa. The result is a fun popcorn flick, but, one that could have had a bit more intensity and excitement considering how much action there is. The film is enjoyable and sets up some fun action set-pieces but, it isn’t till the last act when Indominus Rex reaches the park and has a free-for-all with a squad of trained raptors and a very familiar face that it really delivered the thrills that should have started when the vicious lady escapes her pen. Treverrow has certainly delivered a technically sound and fast moving movie but, some of the action scenes feel a bit by-the-numbers for this series and the Indominus Rex is never quite as frightening as she should be. Treverrow needs to remember that this is the fourth time around and we basically have seen it all before. Much like with Jurassic World’s customers, this has all become very familiar. Dinosaurs loose in park, people running and screaming, yadda yadda yadda…been there done that. It’s well-orchestrated but, Treverrow really doesn’t shake things up too much outside the Jurassic Park movie formula to really glue us to our seats. I had a good time but, the wow factor has definitely been deluded. Maybe it’s not all he and his co-writers fault, but, the Indominus Rex and Pratt’s squad of trained raptors aren’t quite enough to make it totally fresh and make us feel like we did when Spielberg first revealed his critters 22 years ago. It’s the lack of wonder that really holds this back from being on more equal footing with the first film. Technically the film looks great with strong production design, great SPFX and a bunch of fun easter eggs for fans of the original. Michael Giacchino takes over on scoring duties but, incorporates elements of John Williams’ original score and John Schwartzman gives the film a nice look as cinematographer.
As for our players, the large cast do very well in helping the story along. Sure most of the characters are clichés but, they work within the context of an old-style monster movie, which this is at heart. Howard is a solid heroine as the rigid, work-obsessed Claire who learns to loosen up and care more about those around her…as she is being chased by an enormous genetically created monster. Pratt is full of charm as the tough but, kind Owen who has a crush on Claire and continually tries to melt the ice queen’s heart. He is a solid action hero, yet has a sense of humor about him and does remind me a bit of Harrison Ford, so, rumors he may be the new Indy don’t sound hard to believe. Khan plays Masrani like Attenborough did Hammond. A entrepreneur with a heart and he is likable. Vincent D’Onofrio is the genetics company InGen’s security head, Hoskins, who has is own agenda concerning the island’s inhabitants. He’s a pro and makes a good human bad guy as does Wong’s pompous and untrustworthy geneticist. Simpkins and Robinson are likable as Gray and Zach, Claire’s troublesome nephews. The two avoid annoying movie kid syndrome and that makes them OK with me. The cast of multiple CGI critters are, obviously, still the reason we see these movies and the raptors especially have some personality as do some of the new faces like the massive Mosasaurus.
This was a fun movie and certainly better than Lost World or Part 3. Trevorrow and his writers don’t stray very far from the JP formula and that keeps this from having the sense of WOW or wonder that it needs to really crank it up to 11. The action is plentiful but, doesn’t really start to impress till the last act when our villainous hybrid is finally tracked down and the really intense action begins. The Indominous Rex could have had more impact and character, but, is far more sufficient a bad guy than the bland Spinosaurus we got last time. Overall, though, it is a fun monster movie with top notch SPFX and still entertained very well despite being the fourth in a series that has yet to really expand it’s boundaries. Recommended as a good popcorn flick and a treat for JP fans who were disappointed by the last two visits.
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“Driven to extinction, back for revenge!”- Carnosaur tagline
Anyone who’s been coming to this site for a while knows I am a big Roger Corman fan. From my reviews you’ve also probably learned that if Corman could take advantage of a trend, he would. No better example of this, is his low budget 1993 production Carnosaur. Not only did he get this flick into production to take advantage of all the hype for the upcoming Jurassic Park, but he beat Spielberg’s classic into theaters by almost a month! He even one-upped the master director by giving his dinosaur epic the blood and gore Jurassic Park wouldn’t and also has veteran actress Diane Ladd giving birth to a baby dinosaur…did you expect anything less from one of exploitation films’ greatest producers?
The book based Carnosaur finds geneticist Dr. Jane Tiptree (Ladd) splicing various animal DNA with chickens to create larger poultry for the shady Eunice Food Corporation in the Nevada desert. An interesting…and not so accidental…side-effect is that the chickens are giving birth to dinosaurs! Add in a group of nature conservationists who are protesting Eunice’s destruction of local land and you’ve got a dinosaur smorgasbord! Now it’s up to drunken security guard Doc (Raphael Sbarge) and pretty tree-hugger Ann (Jennifer Runyon) to save the day..unless they become dinosaur chow first! Did I mention that Dr. Tiptree has also created a virus that will cause human women to give birth to prehistoric critters and has a pet T-Rex? Remember, this is a Roger Corman movie!
Obviously by that plot description, this is a bad movie and while not up to the standards of Corman’s earlier features, the rubber monsters, spurting blood and ridiculous plot can be enjoyed on a ‘so bad, it’s good’ level. It’s just too bad director Adam Simon directs with such a heavy hand as this could have been a real blast had someone handled it that would take the ludicrous plot and just run with it. He also gives this film an unnecessarily slow pace and…except for Ladd, who gives her dinosaur-loving mad scientist her all…doesn’t inspire much from his cast. There is a lot of spattered blood and gore as the film’s Deinonychus attacks and eats anyone it comes in contact with, not to mention the effects of a human woman giving birth to a baby dinosaur…twice. The gore effects are rendered quite well, though, the dinosaur effects are delightfully rubbery and laughably cheesy. There is some definite fun to be had here, but it would have been better had the director not taken this obvious lunacy so seriously and the plot wasn’t so hopelessly convoluted. The dino-virus and government conspiracy elements clog things up and add nothing. A simple dinosaur on the loose rampage was more than enough. At least we get some fun out of watching Doc and Ann, in a pair of Bobcat bulldozers, take on the T-Rex in the rubbery fun climax… though I still can’t figure out why Doc lets the beast out in the first place. At this point, why look for logic in a film like this.
I have fun with this flick, though, even as B-Movie entertainment, it could have been a lot better. The plot wanders from genetic experiments to enlarge chickens, to mad scientists wanting to repopulate the world with dinosaurs, to the government cover-up of all this nonsense. The monsters are obvious rubber miniatures, the blood and gore is plentiful and a respected actress gives birth to a dinosaur right before our eyes. It’s a Roger Corman movie through and through and while not up to his usual standards, it’s still entertaining. Carnosaur did well enough to inspire not one but two direct to home media sequels.
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