THE OLD WAYS (2020)
Troubled Latina reporter Christina (Brigitte Kali Canales) returns to her Mexican hometown village of La Boca to research a story about witchcraft. She finds herself kidnapped and held by the local bruja Luz (Julia Vera), her assistant Javi (Sal Lopez) and Christina’s cousin Miranda (Andrea Cortés). The bruja believes Christina is possessed by a demon, a malevolent entity that must be removed and banished at all costs.
Flick is directed by Christopher Alender from a script by Marcos Gabriel. The Latin background to the proceedings gives it a bit of a fresh feel and director Alender gives it atmosphere and a spooky visual style. What holds it back a bit is that it basically takes place in one room for most of the runtime and, for the most part, is a slow and drawn-out 90 minute exorcism in multiple parts, with Christina doing some soul searching in between. The pretty reporter does bare her soul in more ways than one and the exorcism scenes are effective, but it really feels like an hour long episode of a TV show stretched out to feature length. This is especially evident when about two-thirds in, the demon is expelled, but finds another host and we repeat the main exorcism all over again. It becomes repetitive and tedious. Leading lady Brigitte Kali Canales is very pretty and tries hard, but could have been a bit stronger in the role of Christina. Supporting cast was very good, so that helped. Not a waste of time and can be effective and atmospheric, but definitely needed a bit more story to properly fill it’s hour and a half runtime. Flick is now streaming on Netflix.
Demonic finds a woman named Carly (Carly Pope) finding out her mother Angela (Nathalie Boltt) is no longer in prison for committing mass murder, but now in a coma under study at the Therapol institute. They contact her and ask her to participate in a procedure where a virtual reality simulation will make it possible for her to communicate with Angela’s sub-conscious. The more she enters her mother’s mind, though, the more she begins to believe her mother’s problems are more malevolent than medical and that the mysterious doctors at Therapol may have a hidden agenda.
As written and directed by Neill Blomkamp (District 9, Chappie), there are some interesting ideas here mixing technology and religion. The idea of the Vatican using modern VR technology to track demonic entities, so they can be destroyed, is novel and intriguing. Despite some clever concepts, though, Blomkamp basically delivers yet another run- of-the-mill demonic possession thriller and not an overly original or effective one, once we get passed the intriguing first act set-up. Strip away the contemporary technology coating and it’s just another supernatural horror flick with someone forced to battle a demonic entity to save themselves and the ones they love. There are some spooky moments and the action is well directed, but after the interesting first third, it digresses into a movie we have all seen many times before. It’s worth a look, but it’s nothing overly scary, or memorable, and a routine film that disappointingly doesn’t make full use of what original ideas it does have.
Flick opens with Laura (Halloween 2018’s Andi Matichak) pregnant and escaping from a cult run by her father. She gives birth in a car while hiding from pursuit. Eight years later, she is a single mother of a boy David (Luke David Blumm) and a teacher. One night she sees a group of people, resembling cult members, in David’s room, but by the time the police arrive, there is no evidence anyone was there. David soon falls ill and the doctors have no explanation. The police detective on the case (Emile Hirsch) can find no evidence of a cult, as he digs into Laura’s disturbing past. As Laura fears something sinister is after them, she takes David and flees. Even worse, she discovers David’s illness can only be sated by something out of a nightmare. Is something demonic influencing her son, or is it all in Laura’s head?
RLJE Films production is directed by Ivan Kavanagh from his own script. This is a continually creepy and unsettling film, as the story unfolds and we question whether this is real, or all a product of Laura’s imagination, as a result of her troubled past. Is she responsible for some of the horrible things going on?…or is there something truly demonic coming to claim her son? The film has a consistent atmosphere of dread and some very gory sequences, as David’s illness is sated in a very disturbing and violent manner. The pace is more moderate, but that serves the slowly unfolding story. The cast are all good with Matichak being very strong as the emotionally troubled but loving mother, Laura. The flick comes to a chilling climax, that may not be totally unexpected, but will stay with you for a while, all the same. Son is available on streaming networks including Amazon Prime and is an unsettling film along the lines of The Dark and the Wicked.