RANDOM NONSENSE: X AND THE BATMAN ARRIVE ON BLU-RAY!

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X AND THE BATMAN ARRIVE ON BLU-RAY!

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Photo on 5-24-22 at 7.42 PM

Good things came from Amazon yesterday! Two of my favorite movies arrived on Blu-ray. X is simply my favorite horror so far this year and a film I find gets better with repeat viewings. The Batman which has many horror film elements and even starts out on Halloween night!

 

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MonsterZero NJ

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REVIEW: THE BATMAN (2022)

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THE BATMAN (2022)

The Batman finds a Gotham City overflowing with trash, crime and corruption. Mob bosses and corrupt city officials rule the city, and a lone vigilante dressed like a bat (Robert Pattinson) tries almost in vain to fight the tide of lawlessness. Enter into the scenario a deranged serial killer called The Riddler (Paul Dano) who is exposing and sadistically killing these corrupt officials and a beautiful cat burglar (Zoe Kravitz) with a vendetta of her own, and The Batman/Bruce Wayne finds himself in a maelstrom of conspiracy, murder and sins of the past!

Newest incarnation of the classic character is well directed by Matt Reeves from a script by he and Peter Craig. It is the darkest and most brooding version yet, with scenes bordering on a horror movie, even opening on Halloween night, as the Jigsaw-esque Riddler claims his first victim and we are introduced to Pattinson’s Dark Knight battling a face-painted street gang. The film has plenty of spectacular action, including a thrilling car chase with Batman pursuing Colin Farrell’s Penguin on a busy highway, and some brutal fight scenes. The film also delves heavily into Batman’s detective work, as Riddler leaves clues for him to solve, and Batman/Bruce Wayne finds he himself is involved in conspiracies from the past. There is a touch of romance with Zoe Kravitz’s beautiful and mysterious Selina Kyle, but otherwise this is three hours of violent action and moody intrigue. That is also the drawback in this otherwise delightfully dark tale. At a 2:56 runtime, the film is overlong, and some parts do drag. It is also a humorless and sullen film which doesn’t help one endure the extensive runtime. Some might find it’s predominately bleak tone exhausting. As for those planning to take the kids, it may be too dark and violent, pushing the limits of its PG-13 rating. Kids will definitely be restless at three hours in length. Overall, it is an intense and bleak film, though the end does manage a glimmer of hope for embattled Gotham and its bat-winged guardian. On a production level it is an epic film with its own look, feel and atmosphere with great production design by James Chinlund. There is also a perfectly moody score by Michael Giacchino and sumptuous dark, gritty and shadow-filled cinematography by Greig Fraser.

There is a wonderful and eclectic cast. Pattinson is the darkest Dark Knight yet, with a young, brooding emo Bruce Wayne and an even darker and violent hero than we’ve seen on screen. He is very good as both, though the film does focus more on Batman than the reclusive Master Wayne. This Batman has some anger issues and the Riddler is pushing him to his limits. Zoe Kravitz is purr-fectly cast as Catwoman/Selina Kyle. She has her own reasons to brood, and she is sexy and mysterious, and she and Pattinson make a good team in both gothic romance and action sequences. Paul Dano is very creepy as The Riddler. He is quite different than any version, being more Saw inspired than Frank Gorshin. A couple of times he goes a bit too over the top but is mostly low-key spooky and has a chilling sadistic streak. In support we have Jeffrey Wright making a great James Gordon, Colin Farrell as a sleazy and effective Penguin/Oswald Cobblepot, John Turturro as gangster Carmine Falcone and Andy Serkis is endearing as a feisty Alfred. A great cast in a very dark and intense spin on a classic character.

In conclusion, this was a delightfully adult version of Bob Kane’s classic character making him more dark, brooding and violent than we have seen him before. The portrayal of Gotham is bleak with even Batman bordering on hopelessness at cleaning it up. It skates close to horror with its serial killer-like villain and has only the briefest moments of romance to break up all the darkness. Only thing that holds it back is a mammoth three-hour runtime that drags in a few spots, and as it is humorless and bleak most of the time, it can be a very gloomy sit for some. Once again DC Films is refreshingly pushing the boundaries of its characters.

-MonsterZero NJ

Rated 3 and 1/2 (out of 4) bat signals!

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MONSTERZERO NJ’S 15 HORROR THEMED COMIC BOOK MOVIES!

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MONSTERZERO NJ’S 15 HORROR THEMED COMIC BOOK MOVIES!

The comic book based Blade trilogy brought the horror…and Guillermo del Toro!

Catching up with some Guillermo del Toro directed, horror themed superhero movies this weekend, I thought it might be fun to put together a list of other like comic book movies. So, here are 15 flicks that brought the horror, while delivering comic book movie entertainment!

Keanu Reeves battled supernatural forces in the comic book based Constantine!

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(To get to the reviews of the titles listed that were covered here at the Movie Madhouse, just type the title in the search engine to find the corresponding critique!)

-MonsterZero NJ

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REVIEW: ZACK SNYDER’S JUSTICE LEAGUE (2021)

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ZACK SNYDER’S JUSTICE LEAGUE (2021)

Justice League was a movie fans had been waiting a long time for and was sadly, not the movie we’d hoped we’d get. Originally it was to be brought to the screen by Zack Snyder from a story and script by he and Chris Terrio. When a family tragedy forced Snyder off the project, Avengers director/writer Joss Whedon was called in to finish post-production and write and direct re-shoots. A lot of the film was changed and the result was met with less than stellar reactions from fans and critics. Now, four years later, after relentless campaigning by fans, Zack Snyder has returned to finish his version of the film and HBO Max is presenting the Snyder cut exclusively on their streaming network.

The story now opens with Superman’s (Henry Cavill) death and his final scream echoing across the planet, the effects of his loss rippling across the world. Bruce Wayne (Ben Affleck) begins searching the planet for meta humans, as he feels an attack on earth is imminent, while the world and Lois Lane (Amy Adams) mourns Superman’s death. Earth soon does find itself under attack from an ancient being called Steppenwolf (voiced by Ciarán Hinds), in the name of an even more powerful being named Darkseid (Ray Porter). He needs to recover three powerful ‘mother boxes’ to come to his full strength and conquer the planet…something Steppenwolf and Darkseid failed to do once before. Batman (Ben Affleck) and Diana Prince/Wonder Woman (Gal Gadot) are trying to put together a team of meta humans to join in the fight. To  do that they need to convince Arthur Curry, The Aquaman (Jason Mamoa), Victor Stone aka Cyborg (Ray Fisher) and Barry “The Flash” Allen (Ezra Miller) to unite with them to stop Steppenwolf from conquering Earth and retrieving something here that Darkseid badly wants. But even with these heroes united, their only hope of defeating the villain and his army of pandemons, may lie six feet under in a grave in Smallville.

Under Snyder’s guidance the film is a lot more somber, but also packs a lot more emotional resonance. We are truly made to feel not only the difference Superman made in people’s lives, and the effects of his being gone on the mood of the world, but on his family and friends as well. It is also twice as long, at over four hours, and is presented in a 4:3 aspect ratio, which may not sit well with those used to more panoramic superhero epics. The film is far more intense in it’s violent moments and is not quite as family friendly, as was the theatrical cut, as it now carries an R rating. There is, though, a lot of character development now, Cyborg and Steppenwolf in particular, for everyone involved and this greatly improves on giving the comic book material a lot of depth and substance. Sure it takes a long time to get to the heroics, but the battles with Steppenwolf have far more weight, as now do all the characters involved. There is also a healthy amount of action added too, so the flick is far from talky. There is also the added caveat of an anti-life equation that Darkseid wants and Steppenwolf believes is here on Earth. It adds even more urgency to the proceedings and echoes of future conflict to come. We see a lot of the humor that was added to the theatrical cut removed, but it is not all doom and gloom, as there are still some nice lighter moments between characters. Obviously, there was a healthy amount of Snyder’s material still in the theatrical cut, so there are many familiar scenes, but the amount of new material, added story elements and alternate versions of sequences makes it practically an all new film. On a production level, the new FX sequences merge flawlessly in with the original material and the mood is well set by a very effective and more fitting score by Tom Holkenborg, who goes under the stage name of Junkie XL. Overall, this Justice League can stand up far better next to the Infinity War saga from it’s MCU counterparts.

The cast’s efforts in this cut are even more evident as we get much more of their strong work. Affleck is once again solid as Batman/Bruce Wayne. Batman is a bit more brooding and intense here, which is more in character, and we see where some of his lighter moments were added in the theatrical cut. Affleck shows again he is a solid caped crusader. Gal Gadot once again proves she was born to play Wonder Woman and she has some really good extended and added moments. The chemistry with Affleck’s billionaire hero is still evident, as is now with Alfred as well. Ezra Miller still steals his scenes as the sarcastic, slacker hero The Flash. He gets some of the best lines and his dorky charm fits the character perfectly. He also has solid chemistry with his co-stars. Ray Fisher is effective as the tragic, yet powerful Cyborg. He’s still learning how to use his powers and still conflicted over being Frankenstein-ed by his father (Joe Morton) and we sympathize. Another role nicely expanded by more footage. Jason Mamoa is less the surfer dude as Aquaman. Here he gets a lot more depth and there is some foreshadowing of his adventures to come and we see his inner conflicts clearer. By now it’s no surprise that Henry Cavill returns as Superman and here is he is a more conflicted and troubled hero before deciding to resume his role as protector. No CGI erased mustaches either, but there is a foreboding black suit. J.K. Simmons is still here as Commissioner Gordon, but again only has two or three scenes. Ciarán Hinds still voices a more imposing Steppenwolf, and here he also seems to have a lot more character development and depth, as we learn more about him and his debts to Darkseid. As for other returning cast members, Amy Adams and Diane Lane ease back into their roles as Lois Lane and Martha Kent respectively and get more scenes in this cut. Irons is still perfect as the cynical Alfred and also benefits from more footage. This version also has Harry Lennix as Calvin Swanwick, who is now revealed to be Martian Manhunter, Peter Guinness as DeSaad, one of Darkseid’s generals, Willem Dafoe as Vulko, Ray Porter as Darkseid and Jared Leto returns with an absolutely chilling cameo as The Joker. A great cast, now even more evident with added performance material.

In conclusion, Zack Snyder’s Justice League is the flick were wanted the first time. It is a four hour opus filled with the emotional depth, character development and brooding intensity that was missing in the theatrical version. The casual viewer may find the 242 minute runtime a bit daunting, but fans of this stuff will simply eat up all the new material and it’s darker tone, though it’s nothing much darker than say the last two Avenger’s epics. It’s also satisfying to see Snyder’s vision come to light, one that is sweetly dedicated to his daughter, whose loss lead to his leaving the project initially. Now that this series is back on track, let’s see where they go with it.

-MonsterZero NJ

Rated 4 (out of 4) heroes.


 

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REVIEW: WONDER WOMAN 1984 (2020)

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WONDER WOMAN 1984 (2020)

Superhero sequel takes place in 1984 and has Diana foiling a robbery at a mall. Her heroics also uncover a black market operation dealing with ancient antiquities. Amongst the items recovered is an ancient stone, that literally grants wishes…with a price. Not only does Diana use the stone to bring back her lost love, Steve Trevor (Chris Pine), but it finds itself in the hands of power-hungry entrepreneur, Maxwell Lord (Pedro Pascal), and it transforms the meek and shy Dr. Barbara Minerva (Kristen Wiig) into a predator…literally. But will the price of returned romance, cost Diana the power to stop her new adversaries?

Sequel is once again directed by Patty Jenkins from her script and story with Geoff Johns and David Callaham. While the first film dealt with serious themes like the horrors of war and the evils that men do, this next adventure takes on a much lighter tone, though the corruptive power of greed is certainly a subject here. The movie has fun with switching the roles, with Trevor, this time, being the fish out of water and Diana being in familiar surroundings. Obviously, setting the film in the 80s also invites having a little fun with the outrageousness of that decade as well. The moments between Diana and Steve are indeed entertaining, but eventually Diana must turn her attention to stopping Lord, whose use of the stone is getting dangerous, and Barbara, who is transforming into classic Wonder Woman villainess Cheetah. It takes a little while to get to the action, but it is an entertaining enough build. The movie does move along at a nice pace. Not too fast, but not too slow. When the action comes, it is big and spectacular, like a scene in Cairo, but avoids the overblown theatrics of the first installment. It’s not perfect. It is definitely a tad too long and could have been tighter in a few spots, especially in the last act where it starts to get a little messy here and there. It doesn’t have the impact of the first movie, but is an entertaining sequel nonetheless. It is more fun.

The cast is top notch and helps make this more fantasy heavy story click and work. Gal Gadot once agains proves she was born to play this part and gives her comic book heroine some nice depth and nobility. Pine is fun as the resurrected Steve Trevor. A soul in another man’s body, Pine has a good time being the man in unfamiliar territory, discovering the modern world of the 80s. He and Gadot still have great chemistry. Pascal is also fun as Maxwell Lord. He evokes Gene Hackman as Lex Luthor here and is both a fun and lively villain, while never loosing that air of being lethal and threatening. Kristen Wiig is perfectly cast as the nerdy Barbara Minerva turned classic villainess Cheetah. She starts out awkward and clumsy and once getting her wish, becomes confident, sexy and then dangerous, literally turning into a predatory cat. There are return appearances by Robin Wright and Connie Nielsen in flashbacks and a “Wonder”-ful cameo during a mid-credits scene. A great cast.

Overall, this may not have the same intensity and impact as Diana’s origin tale, but is a more fun sequel. It has a lighter story, with a magic wish granting stone, but grounds it enough that it is not silly, nor does it rob it’s villains of their threat factor. It avoids getting too over-the-top, so we take the story as seriously as we need to for it to work. It has a good time skewering the 80s, especially through the fish out of water eyes of the returned Steve Trevor. Most of the action comes in the last act, but it is an entertaining ride to get there and when it comes, it delivers the heroics we are waiting for. It may be a bit too long, and wouldn’t lose much with about ten or fifteen minutes trimmed, but is a satisfying enough sequel and a lighter toned DC hero flick. Watch through the credits for that fun cameo.

Rated 3 (out of 4) Wonder Women!

-MonsterZero NJ

 

 

 

 

 

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WONDER WOMAN 1984 FINALLY GETS A TRAILER!

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Wonder Woman stole the show in Batman v Superman and was a hit in her first solo feature. Now Gal Gadot is back in action as the Amazonian heroine and director Patty Jenkins is back in the director’s chair. With a script from Jenkins, Geoff Johns and David Callaham, that sets her next solo outing in the fabulous 80s, Wonder Woman is going to take on arch enemy Cheetah as played by Kristen Wiig. Chris Pine somehow returns as Steve Trevor and the flick opens on 6/5/2020! Check out the fun trailer below, after the character poster gallery…

 

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-MonsterZero NJ

Source: youtube/internet

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HORROR TV YOU MIGHT HAVE MISSED: SWAMP THING season 1 (2019)

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SWAMP THING season 1 (2019)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Swamp Thing was sadly canceled after it’s first episode aired and before it was even given a chance…and it’s a shame. The ten episode first season nailed so many aspects of the comics and also managed to be one of the better horror shows currently on TV. Was that the problem? Was it too edgy? Right now there are few answers to the questions of why a great first season was also it’s last.

The story takes place in Marais, Louisiana, where an outbreak of some strange illness has occurred. CDC doctor Abby Arcane (Crystal Reed) arrives on the scene to try to find some answers and a cure. She meets eccentric scientist Alec Holland (Andy Bean) who tells her the answer is in the swamps. There they find that someone has been dumping a chemical growth accelerator in the swamp that has had a bizarre effect on the plant life. Alec is murdered in the swamp one night for what he knows and his body is regenerated by the plants into a massive human/plant hybrid..The Swamp Thing (Derek Mears)! Now Holland must not only come to terms with what he’s become, but protect Abby from those who would harm her and protect himself for those who find him a curious object of study.

Written and directed by a number of talents (see list below) Swamp Thing is a fun, atmospheric and delightfully gory show, that takes itself seriously despite it’s comic book roots. The show uses the North Carolina locations very well and the production and set design is perfectly spooky and fitting of the overall tone. There is a lot of action and intrigue as Abby and Holland uncover a conspiracy led by local businessman Avery Sunderland (Will Patton), his chief scientist Jason Woodrue (Kevin Durand) and crooked sheriff Lucilia Cable (Jennifer Beals), who are trying to exploit the swamp for profit. This puts Abby in danger and makes Holland/Swamp Thing a hunted man/thing. The episodes are each slightly under an hour and with the variety of directors and writers, the show maintains a consistent look and tone. The FX are good, especially the prosthetics and the CGI ranges from good to passable with some weak spots here and there. This show had a lot of potential and whatever the reasons for it’s canceling, unfortunately there will be some loose ends that will never get tightened unless, somehow, there is a continuation either by revival or a feature film. Sad, this show had a lot of potential and a strong first season start that was thrilling and enjoyable for comic and horror fans especially.

The cast really click here. Crystal Reed makes a solid heroine in the determined and resilient Abby Arcane. The actress presents a strong, intelligent and caring young woman that makes her very likable and endearing. Andy Dean is good as Holland, thought we only see him in the first episode and a few other spots. He builds a likable character in limited time. Derek Mears shines as the plant hero. He does a very good job giving Swamp Thing some complex emotions as he tries to figure out who and what he has become. He can be fierce and dangerous and yet kind, gentle and very sympathetic. Too bad we can’t see where he could take the character. Mears and Reed also had some nice on-screen chemistry, too. Patton makes a nice villain as the scheming and greedy Avery Sunderland, He’s a man that will kill for what he wants and does. Kevin Durand’s Woodrue is a scientist blinded and made cruel by his work. The post credits scene at the end of the last episode signals a side of him we would liked to have seen more of. The rest of the supporting cast, including Jennifer Beals and Ian Ziering, all play their parts well, A very solid cast for a really well done production.

In conclusion, This is a sad example of studio chaos ending a good show before it had a chance. This had some great atmosphere, a cool horror movie tone, yet didn’t ignore it’s comic book roots. There was some great production design, some spooky visuals and settings and a healthy amount of blood, gore and creatures. One of DC’s best representations of their properties as of late and it’s canceling is as mysterious as it’s swamp setting!

-MonsterZero NJ

Photo Credit: Fred Norris / 2019 Warner Bros. Entertainment Inc. All Rights Reserved.

EPISODE LIST

  1. Pilot – directed by Len Wiseman and written by Gary Dauberman and Mark Verheiden
  2. Worlds Apart – directed by Len Wiseman and written by Mark Verheiden and Doris Egan
  3. He Speaks – directed by Deran Sarafian and written by Rob Fresco
  4. Darkness on the Edge of Town – directed by Carol Banker and written by Erin Maher and Kay Reindl
  5. Drive All Night – directed by Greg Beeman and written by Franklin Rho
  6. The Price You Pay – directed by Toa Fraser and written by Tania Lotia
  7. Brilliant Disguise – directed by Alexis Ostrander and written by Andrew Preston and Rob Fresco
  8. Long Walk Home – directed by E. L. Katz and written by Doris Egan
  9. The Anatomy Lesson – directed by Michael Goi and written by Mark Verheiden, Noah Griffith and Daniel Stewart
  10. Loose Ends – directed by Deran Sarafian and written by Erin Maher, Kay Reindl and Rob Fresco

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-MonsterZero NJ

3 and 1/2 (out of 4 ) swamp things.

 

 

 

 

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MONSTERZERO NJ’S 15 HORROR THEMED COMIC BOOK MOVIES!

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MONSTERZERO NJ’S 15 HORROR THEMED COMIC BOOK MOVIES!

The comic book based Blade trilogy brought the horror…and Guillermo del Toro!

Catching up with DC ‘s delightfully gory, yet sadly canceled, Swamp Thing series gets one nostalgic for other horror themed comic book movies. So, here are 15 of them that brought the horror while delivering comic book movie entertainment!

Keanu Reeves battled supernatural forces in the comic book based Constantine!

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(To get to the reviews of the titles listed that were covered here at the Movie Madhouse, just type the title in the search engine to find the corresponding critique!)

-MonsterZero NJ

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REVIEW: SHAZAM! (2019)

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SHAZAM! (2019)

Latest flick from the DC Comics cinematic universe is based on one of their outside the Justice League characters and is more geared towards kids, though it has a few rough moments. Movie finds orphaned Billy Batson (Asher Angel) running away from foster home after foster home to try and find his real mother. His latest place of residence is a foster home run by Rosa and Victor Vasquez (Marta Milans and Cooper Andrews). Here he’s befriended by Freddy (Jack Dylan Grazer), who is partially disabled and a real superhero fan. His superhero know-how comes in handy when guardian wizard Shazam (Djimon Hounsou) chooses Billy as a champion to take his place as a protector and to hold his power. Now all Billy has to do is say “Shazam!” and he transforms into a muscular adult superhero (Zachary Levi)…but in body only. Learning how to be a hero is tough enough on it’s own for a kid, but Billy/Shazam is challenged by the bitter and angry Dr. Sivana (Mark Strong), who was rejected by Shazam as a child and now wants revenge…and has seven powerful demons to help him get it.

Flick is directed by David F. Sandberg, who cut his teeth on horror flicks like Lights Out and Annabelle: Creation. This probably comes in handy as the script by Henry Gayden, from a story by he and Darren Lemke, features the before mentioned demons and thus a few spooky sequences. Sandberg does a good job at the sentimental and silly stuff, too, though in both cases, the script throws in a bit too much of it. The schtick of a 15 year-old kid being in an adult superhero’s body wears out it’s welcome after a while with numerous scenes of Billy/Shazam acting like a brat and using his newfound fame to get himself attention and money. Probably what a kid would do, true, but here it’s drawn out a bit too long. The whole film could have been a bit tighter and wouldn’t have missed about ten minutes or so removed. There are some fun bits and the flick has heart, but it can be over-sentimental at times, too and really goes for all the clichés about trust and family, though superhero flicks in particular can get away with being cliché. It’s oddly one of the things endearing about them. The climactic confrontation with Sivana never really gets all that exciting and Billy learning that he doesn’t have to fight alone is exactly what we expect to happen. The flick overall is very predictable. Not a bad movie, but one that could have used a little tightening, a little more excitement and less repetition with it’s hi-jinx.

There are no complaints about the cast. Zachary Levi is a hoot as the teen in an adult body imbued with superpowers. He’s charming and funny and even if the bratty hero bits are the focus for a bit too long, Levi is fun in the part. His overstuffed costume is a bit off-putting, but otherwise Levi is a good fit for the role. Asher Angel was very good as Billy. The film’s sentiment may get schmaltzy at times, but Angel is endearing and likable and handles the emotional requirements very well. Grazer is also likable as the partially disabled nerd who has a strong interest in superheroes and now gets to be BFF’s with one. Mark Strong makes a solid though unremarkable villain. He’s a very reliable veteran actor and it was cool to see DC give him a second chance at villainy after the prospects of his being the evil Sinestro in a Green Lantern sequel dried up. The rest of the supporting cast are also good and all perform well in their roles.

Overall, this is a flick that tries hard and doesn’t miss the mark by too much. It has some fun sequences and a likable cast, but maybe plays out it’s schtick a bit too long and might be a bit too silly at times for some tastes. The film feels like it could have been a bit shorter and tighter, without harming it’s story and drags a bit midway through. It’s loaded with clichés which make it a bit predictable, but still has a lot of fun bits and with lead Levi being perfectly cast as the kid in a hero’s body. As a superhero version of 1988’s Big, at least they had the respect to pay that film a nice homage. Stay after the credits for two additional sequences.

-MonsterZero NJ

Rated 2 and 1/2 (out of 4) kids in a hero’s body.

 

 

 

 

 

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REVIEW: AQUAMAN (2018)

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AQUAMAN (2018)

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DC comics flick is a mixed bag finding our aquatic hero (Jason Momoa) coming up against his half-brother King Orm of Atlantis (Patrick Wilson). The power and conquest hungry Orm wants to take control of all the undersea kingdoms and then use their combined might to lay waste to the surface world. Princess Mera (Amber Heard) of the undersea kingdom of Xebel defies her father (Dolph Lundgren) to warn Arthur Curry, aka Aquaman and inform him that if he retrieves the Trident of Atlan, he will have the power to stop Orm and take his rightful place as king. Standing in his way is a modern day pirate with Atlantean tech and a personal grudge against Aquaman, The Black Manta (Yahya Abdul-Mateen II).

Superhero flick is directed by James Wan (Insidious, The Conjuring) from a screenplay by David Leslie Johnson-McGoldrick and Will Beall, based on a story by Wan, Beall and Geoff Johns. The flick is a bit of a mess, that bites off more than it can chew, though it can be a fun mess at times. The negative points are a thin story that gets poor development as the film steamrolls ahead from one set-piece to another. From the flashback meeting of Arthur’s mother Queen Atlanna (Nicole Kidman) and his lighthouse keeper father,Thomas (Temuera Morrison), to Arthur’s first meeting/fight with Orm, to a massive undersea battle, a lot goes on in this flick. Somewhere in between all this, the film stops and goes on a Tomb Raider style quest for the trident…wasn’t that the plot of the latest Pirates of the Caribbean flick?…and then finally back to Aquaman vs Orm, the rematch. It gives the film a choppy feeling for the first hour, or so, before it settles down a bit in the last act. None of the characters get proper development, especially Black Manta, whose sub-plot could have been eliminated completely with no harm done. At least we already met Arthur in Justice League…and, by the way, where were his League pals as this was a global destruction situation. The good points are that some of the action set pieces are quite fun and Wan has a great visual eye, so the film looks sumptuous and spectacular. The undersea kingdoms are amazing, there is a stunning Star Wars-esque underwater battle at it’s climax and the film has a lot of cool creatures. The cast all get the material and play their roles with the right tone and if the story was more involving, this might have been a bit more memorable, which sadly it’s not. A good time was had overall, though it didn’t resonate once the theater lights came up.

Back to the cast, Wan has assembled a top notch one. Momoa has locked it in as Aquaman and the character has never been cooler. His bad-ass surfer boy take works very well as a modern incarnation of the DC hero and Momoa has the charm and sense of humor to overcome the thin script. Amber Heard is beautiful and resourceful as Mera. She is a strong character and is not played as a damsel and Heard makes a solid heroine out of her. Patrick Wilson is a pleasant surprise as the vengeful King Orm. Wilson is usually cast in the straight-laced good guy role and here he chews up the seaweed and scenery with just enough restraint to keep Orm from flipping over into camp. He’s a better villain than Justice’s Steppenwolf and Wonder Woman’s Ares. Rounding out the supporting cast is Nicole Kidman as a noble Queen Atlanna, Willem Dafoe as Vulko, Dolph Lundgren as King Nereus, Yahya Abdul-Mateen II as David Kane/Black Manta and Temuera Morrison as Arthur’s dad. All do good work in their roles and help keep this bloated flick from sinking.

So, Aquaman is a bit of a mess and DC still has a way to go to catch up to Marvel and set it’s cinematic universe right. The story here is thin and underdeveloped due to filmmakers being too overeager to do too many things in one film. There’s globe hopping adventure, epic undersea battles, a quest for a mystical object and a superhero battling to save the world and find his destiny. All we needed was a musical number. It has a solid cast, who get the material and a director who knows theatricality and how to make it look gorgeous. In lesser hands this might of been an awful mess, but Wan makes it an entertaining one. Overall, it’s a step back from Wonder Woman, but two steps ahead over the disappointing Justice League and the bloated Batman v Superman.

-MonsterZero NJ

Rated 3 tridents.

 

 

 

 

 

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