BARE BONES: NOTHING LEFT TO FEAR and CAMP DREAD

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NOTHING LEFT TO FEAR (2013)

Horror flick has a very familiar story though, is competently made. A pastor (James Tupper) uproots his family from the city to take over a parish in a small rural farm town…one that, of course, has a dark secret. Obviously, Pastor Dan and family have been lured there for something other than singing Kumbaya. Film is most notable for being co-produced by rocker Slash and is written by Jonathan W.C. Mills and directed by Anthony Leonardi III. As such, it is a moderately entertaining thriller with no big scares and the usually shaky head CGI phantoms. One glaring plot hole really hurts and that is if the townies need to shut the gates of Hell, then why do they open them in the first place which we clearly witness them do? Also stars genre vet Clancy Brown, Anne Heche, and cuties Rebekah Brandes (Midnight Movie) and Jennifer Stone. A time waster but, you could do worse.

2 and 1-2 star rating

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CAMP DREAD (2014)

Awful movie has a washed-up, 80s horror filmmaker (Eric Roberts) planing to make a comeback by staging a horror themed reality show at a summer camp. Obviously, when the troubled young twenty somethings, that are the contestants, are eliminated, they are eliminated for real…and quite gruesomely. As written and Directed by Harrison Smith, this is a tedious and dull affair that makes 90+ minutes feel like three hours. There is no suspense, scares or surprises and the gore is phony looking, as well. Also stars Sleepaway Camp alumni Felissa Rose, Scream queen Danielle Harris…who only appears in two scenes…and if it wasn’t for some welcome eye candy from the shapely Montana Marks, this would have been a complete waste of time.

1 and 1-2 star rating

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 -MonsterZero NJ
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10 PERFORMANCES THAT PROVE WOMEN RULED HORROR IN 2014!

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THE TOP 10  PERFORMANCES OF 2014

Woman have always played a role in horror. Whether it be fiendish femme fatales, the damsels of yesteryear or the final girls of the modern era, they have always played a part. As this is Women In Horror Month, I’ve decide to look back at the past year and some very strong roles/performances from the ladies. 2014 was an exemplary year for female horror roles, as there were a lot of very strong performances from actresses in the lead parts of some of the year’s best flicks…and some movies where the performances was the only thing worth watching for. Which to me is solid proof that the ladies ruled horror in 2014!…

(Just click on the banners to go to our reviews of these films!)

#1 Essie Davis in The Babadook

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#2 Karen Gillan in Oculus

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#3 Jill Larson in The Taking Of Deborah Logan

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#4 Alex Essoe in Starry Eyes

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#5 Rose Leslie in Honeymoon

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#6 Tilda Swinton in Only Lovers Left Alive

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#7 Addison Timlin in The Town That Dreaded Sundown

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#8 Sarah Snook in Jessabelle

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#9 Danielle Harris in See No Evil 2

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#10 Perdita Weeks in As Above, So Below

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HONORABLE MENTION

Manuela Velasco in [REC] 4: Apocalypse

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source: MonsterZero NJ

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HORROR YOU MIGHT HAVE MISSED: SEE NO EVIL 2 (2014)

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SEE NO EVIL 2 (2014)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

I’m not a big fan of the original See No Evil. Despite the use of the imposingly massive WWE superstar Glenn “Kane” Jacobs, the film was a by-the-numbers slasher that generated very little suspense and it’s juvenile delinquent characters didn’t generate much endearment to give us someone to root/fear for. But the film does have a bit of a following and did well, especially on home media. So, after 8 years…Jacob Goodnight is back and he’s not only bringing fan favorite scream queens Danielle Harris and Katharine Isabelle along with him, but he is being directed by the devious duo behind American Mary, the Soska Sisters, as well.

The story opens the same night as the massacre at The Blackwell Hotel, with pretty morgue attendant Amy (Danielle Harris) about to leave her shift and head out to celebrate her birthday. But with bodies from the massacre heading in, Amy decides to stay and help her co-worker Seth (Kaj-Erik Eriksen) with the added workload…and thus her friends, including vixen with a morbid side, Tamara (Katharine Isabelle) decide to surprise her at the morgue with an impromptu birthday party. But there is still some life in the prone corpse of vicious serial killer Jacob Goodnight (Glenn “Kane” Jacobs) and soon he rises from his slab, with an assortment of postmortem surgical tools at his disposal, to continue his work by slaughtering the “sinners” who are partying in the morgue. Will any of them escape alive as Goodnight seals them in and begins adding to the bodies already stored there?

With the Twisted Twins taking over from ex-porn director Gregory Dark, the film is an improvement over the first one and for some very surprising reasons. The Soskas are working from a script by Nathan Brookes and Bobby Lee Darby and thus it doesn’t quite have the delightfully eccentric tone of Mary, that they wrote themselves, but it does have their style and does have a bit more fun with this slasher sequel than the deadpan and too-serious-for-it’s-own-good first flick. At first I was a little disappointed as the film started out and seemed to be a bit routine coming from directors whose work is anything, but until the second half suddenly cranks things up considerably and that’s where the film surprised me a little bit. And it’s not with the kills, which are cool, that the Soskas really got my attention with, but with some surprisingly poignant moments between the characters, mostly involving Harris’ Amy, that really resonated and really added something to the proceedings. It’s been a while since I’ve seen a slasher/horror that took the time to have such nice character moments between the carnage and it really added to the endearment of those characters and the suspense of wanting them to get out of there moderately intact. The film also deviated at times from the slasher formula and that added some freshness to it and the Soskas, as with American Mary, give us some disturbingly gruesome moments, but without going overboard or being gross for gross sake like SNE #1. A little restraint makes the violent moments all the more effective when they do come…and there are a couple that elicited an out loud “whoa” from me as I watched. Add in some nice moody cinematography by Mahlon Todd Williams that takes good advantage of the city morgue setting and a nice score from The Newton Brothers and you have an entertaining little slasher that does have the usual slasher plot holes…such as, are there so few exits in such a large public building that Goodnight could seal them all on all floors and without anyone knowing…and why are the guests’ cellphones locked in a safe?… but it still entertains like it’s supposed to.

As for the cast… “Kane” is as imposing as ever as Goodnight. Harris does really strong work here. Not only in creating a little depth for Amy, who has chosen a career that is obviously not popular with her family, but really shines in some of those character moments I mentioned before. Amy is a strong, though slightly cynical, heroine with guts and a heart. She also has a nice chemistry with Eriksen, who is good as Seth. Seth is crushing on her big time and she knows it and the scene when they reveal their mutual feelings for each other works really well and the actors’ chemistry makes it work despite there being a 7 foot madman stalking them at the moment. Isabelle is a hoot as the promiscuous babe with a dark side, Tamara. It’s not a deep role as her Mary Mason and it seems like, this time, she’s having some fun with a more ditzy part and letting Harris do the more serious emoting. Her postmortem lap dance for Jacob Goodnight’s corpse is a fun number, to say the least. The rest of the cast are solid and despite Amy’s brother Will (Greyston Holt) being a bit of a self-centered jerk, we have a fairly likable cast of supporting characters with Chelan Simmons as pretty blonde Kayla, Lee Majdoub as Tamara’s boyfriend Carter and Michael Eklund as the chief morgue attendant Holden. A much more endearing bunch than the angry delinquents that populated the first flick.

So, See No Evil 2 may not be a classic, but it is a solid and entertaining slasher that has some surprisingly effective quieter moments in-between the well-orchestrated carnage. The Soska’s bring the action and suspense, especially in the second half and even with it’s barely 90 minute running time, give us some nice resonating character scenes bolstered by it’s lead actors especially, Harris, who does some of her best work. And that’s what impresses about the Twisted Twins the most…they can deliver some very sick and twisted moments, but can also deliver some poignant quiet moments in between, just like the little conversations between Mary and Lance in American Mary. Another intriguing film from two of the more original filmmakers out there.

3 extremely hot morticians.

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HALLOWEEN HOTTIES: BRIANA EVIGAN

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BRIANA EVIGAN

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This Halloween Hottie is an actress, singer and dancer as well as a heartbreaker!

This newest installment of Halloween Hotties features an unsung Scream Queen who isn’t immediately recognized for her horror genre work but, has certainly done enough for her to more than qualify… the lovely and multi-talented Briana Evigan! More renown for her appearances in the dance-fueled Step Up flicks, Ms. Evigan is the daughter of actor Greg Evigan and seems to be following in her famous father’s footsteps having already put together quite a prolific resume’ of film, music video and TV work. But, it is her forays into the horror genre that we are focusing on here and Briana has graced quite a few fright fests with her charms, talents and that sexy voice. And this is one feisty final girl we’d like to see return to the genre as soon as possible!

(Click on the highlighted links or on the movie posters to read a review of her horror film’s that I’ve covered here previously. )

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Briana had her first acting role alongside her hard working dad in the 1996 film Spectre aka House Of The Damned, at the young age of 10. This horror had a family moving into an ancestral estate not only to find it haunted but, with a dark past as well. Briana played the couple’s young daughter Aubrey.

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Much like Scream Queen legend Danielle Harris… A precocious 10 year-old, Briana begins her acting career in a horror flick!

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Years later in 2008, a full grown Briana would return to the horror genre in an episode of the TV horror series Fear Itself. Directed by Saw’s Darren Lynn Bousman, the episode, entitled New Years Day, told the spooky tale of Helen (Evigan) a young woman who wakes up on New Years Day with not only a hangover but, in the middle of a full blown zombie outbreak in progress. What a way to start the year!

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As Helen, a woman who has far more to worry about than a hangover.

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Briana followed up her first Step Up movie appearance with the 2009 horror sequel S. Darko. The film was a misguided attempt at sequelizing the cult classic, one-of-a-kind Donnie Darko, not a great flick but, at least Evigan got to shine in the important role of best friend to Samantha Darko, Corey… and as usual, the actress outshines the material.

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As best friend Corey to Daveigh Chase’s Samantha Darko in S. Darko.

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That same year Evigan got the lead part in the slasher remake Sorority Row which cast her as one member of a high profile sorority that is forced to keep a terrible secret when a prank goes awry. As with the 1983 film House On Sorority Row, which this film is a redo of, that secret will come back to haunt them in the form of a vicious and vengeful killer. Briana’s Cassidy proves to be one resourceful and feisty final girl, as well as, one of the more morally sound members of the group!

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Cassidy takes charge when a killer targets her sorority sisters.

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Cassidy is one sorority sister who isn’t going down without a fight!

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In 2010, Briana Evigan really got to show us her stuff when she played Kelly in Burning Bright. The story has a greedy stepfather locking Kelly and her autistic brother in a house with a hungry tiger in an effort to collect money on the insurance policies he took out on his stepchildren’s lives. Briana strongly carries the film on her petite shoulders and really impressed us as the resourceful yet, caring young woman who takes on the massive jungle predator to save herself and her little brother. A really underrated thriller which showed that Evigan is leading lady material and then some!
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Trapped in a house with a fierce, hungry predator…

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…but, who is hunting who?

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Also in 2010, Evigan re-teamed with director Bousman for his loose remake of the 1980 cult classic Mother’s Day (review of the original). Briana’a Annette becomes trapped with friends when a psychotic woman, and her equally crazed offspring, invade what is now their former home and make hostages of the current occupants during a party. A horrifying night of torment and violence ensues. Evigan also co-wrote and sang the end credits tune ‘Better Than Yesterday’. Talented young woman!

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Sexy party girl Annette.

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Annette ‘quietly’ ponders her nightmarish situation.

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In 2011 Briana found herself in peril again as the hostage of a psychotic Native American-obsessed nut in the oddball horror/thriller Rites Of Passage. Her role is not a big one but, her feisty attempt to escape her crazed captor is the best sequence in this sadly convoluted flick. No surprise there, that she’s a scene stealer too!

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Poor party girl Penelope catches a ride with the wrong guy!

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Making a daring escape that is clearly the most exciting scene in this otherwise forgettable flick.

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and finally… for now… Briana teamed with Darren Lynn Bousman once again in his twisted vaudevillian short film, The Devil’s Carnival. Here the talented vixen got to play dual roles and sing for us, as both Ms. Merrywood… a young woman whose embrace of the term ‘diamonds are a girl’s best friend’ lands her in this hellish side show… and a devilish mirror of herself when ‘The Twin’ teases Merrywood in her own image. Her ‘Beautiful Stranger’ is the best musical number in the flick.
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As the greedy Ms. Merrywood…

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…and The Twin mocking the doomed woman in her own guise.

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Briana Evigan as her beautiful, playful (it’s so HOT when a pretty girl makes funny faces, isn’t it!) and multi-talented self who we can’t wait to see more of, whether it be in horror, or dancing her heart out in her latest, Step Up All In. She’s filming Devil’s Carnival 2 right now, so, it won’t be long before she’s enchanting us once more in our favorite genre!

PERSONAL NOTE: With some recent talk of the X-Files possibly being revived for TV, I personally think Briana Evigan would be a perfect addition to the cast as a new young agent recruited for the team. I think her buoyant personality and quiet strength would make a good fit and she can play tough as we’ve seen her take on Dolph Lundgren (Stash House) and a Bengal tiger, too. It’s a fanboy dream but, love to see it happen. Hey, as long as we get to see this charming young actress again, soon!

And don’t forget to check out our Halloween Hotties focusing on Melanie PapaliaKatrina BowdenAlexandra DaddarioKatie FeatherstonKatharine IsabelleAmber Heard and Danielle Harris! (just click on their names to go to their pages!)

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BARE BONES: ‘SEE NO EVIL 2’ TRAILER and ROB ZOMBIE’S NEXT FLICK

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The Soska sisters, who brought us the disturbing and original American Mary with the lovely Katharine Isabelle, have followed that up with a sequel to the slasher See No Evil which featured WWE superstar Kane (Glenn Jacobs) as homicidal madman Jacob Goodnight. I was not a big fan of the original but, the Soska’s involvement and now this really cool looking trailer have my interest very peaked… not to mention it stars Isabelle and Danielle Harris, two of today’s most popular scream queens!

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Filmmaker/musician Rob Zombie is headed back to the director’s chair this fall with a new and original horror film simply titled “31” referring to Halloween night. The controversial writer/director has been rather tightlipped about the film’s plot and details, save to say it is an original idea not based on anything previously seen. While details are still slim… for now… we at least have these two production photos to wet our gruesome appetites…

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(click on pics to enlarge)

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: ROB ZOMBIE’S HALLOWEEN and HALLOWEEN II

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With the Holidays here what better way to show some cheer then by featuring a couple of Rob Zombie movies…and holiday themed Rob Zombie movies at that…OK, the holiday is Halloween, but since it’s Halloween all year round at MonsterZero NJ’s, these flicks are appropriate…in my twisted little mind anyway! I know Zombie’s Halloween features have caused a lot of controversy and evoked some strong feelings both pro and con, but that’s far better in my mind than indifference. So, what did I think of them? Read on…
Both reviews are of the director’s cuts…

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ROB ZOMBIE’S HALLOWEEN (2007)

(Click on the highlighted links to go to corresponding previous features here at MonsterZero NJ’s Movie Madhouse!)

There are things I like about Rob Zombie’s remake and things I don’t. As far as the things I didn’t like, Zombie’s biggest mistake is de-mystifying Michael Myers. Carpenter’s original had an average little boy from an average family, savagely murdering his older sister for no apparent reason on Halloween night. Zombie makes him the product of a broken white trash home with a stripper mother (Sheri Moon Zombie) who has a taste for loser boyfriends (William Forsythe). Giving Myers a reason for his violent behavior takes away the mystique the character had. Zombie’s Myers is a damaged young boy (Daeg Faerch) who tortures small animals and graduates to killing people and is sent to an asylum where he silently grows into a homicidal man (Tyler Mane). Carpenter’s Myers was pure evil, the young boy stopped existing and grew into a vessel for an unexplained evil force and it was random and thus spookier. The original Myers became a supernatural being, where Zombie’s Myers is all too human. Another mistake is spending almost an hour examining Myers youth and incarceration at the mental hospital before he is set loose to return home to find his little sister, now a teenager with the adopted name of Laurie Strode (Scout Taylor-Compton). Carpenter got things rolling within a few minutes in the original and his flick focuses on the stalking of Laurie and gets the scares started early. And Laurie Strode is a random victim in Carpenter’s flick, the convention that she was related to Michael wasn’t added till the original’s sequel Halloween II. Finally, the casting of genre legend Malcolm McDowell, as Dr. Loomis, doesn’t work for me. I love McDowell, but his portrayal is a bit off. He didn’t quite seem to fit the role. He also botches a couple of the classic lines and these lines are important to the mythos. Patrick Stewart would have made a far better Loomis, not that he would have done such a film.

On the plus side, Zombie does have a nice visual style and things do get intense once he finally let’s Myers loose on the peaceful town of Haddonfield. Zombie’s Myers has a savageness that the original Myers lost after being dragged through numerous sequels, and the havoc he raises is some of the best action the character has seen since the original. Tyler Mane does make an imposing Myers and his Myers is filled with rage whereas Carpenter’s Myers was more methodical. Aside from my feelings on the casting of McDowell, the rest of the cast are fine. Sheri Moon Zombie shows some nice depth as a mother helplessly watching her son become a monster. She generates some real pain in her eyes and it makes her very sympathetic. Scout-Compton is a spunky and cute heroine and plays Laurie as a typical modern teenager,  but also gives her part the needed intensity when HE comes home and she’s forced to save her babysitting charges and fight for her life. Zombie also peppers the film with familiar faces. We get Halloween sequel veteran Danielle Harris (Halloween 4 & 5) returning to the series now fully grown to play Annie Brackett and she plays a typical feisty teen girl with boys on the brain and genre vet Brad Dourif is cast as her father, Sheriff Brackett who is conflicted as to whether to believe Loomis’ warnings or not. We get cameos by the likes of Dee Wallace as Laurie’s mother, Ken Foree as Joe Grizzly, a trucker who unfortunately provides Myers with his trademark coveralls, Sid Haig as a cemetary caretaker, Danny Trejo as a hospital orderly who takes pity on Michael and Richard Lynch as Michael’s school principal. There is also a nice re-imagining of Carpenter’s score by Tyler Bates which adds some spooky atmosphere especially in the second half when Myers is finally unleashed and Phil Parmet’s cinematography captures Zombie’s visuals very well.

The scenes in Haddonfield are really what worked for me as they should have. Zombie shows he can produce some suspense and scares and he cranks it up here. Too bad he chose to focus a good deal of the running time on Michael’s youth and incarceration which is less interesting as we know where it all leads, as this is a remake after all. As for the climax, without giving away any details, Zombie chooses to end his remake with a blunt shock ending where John Carpenter crafted an opening ending that left us with a feeling of dread even after the film was long over. It’s not a bad ending and does have resonance, but doesn’t have the bone chilling effect of the original.

I stand by my opinion that Zombie has a great horror film in him but, he needs to concentrate on using his distinct visuals more often and moving past his fascination with the 70’s grind house style filmmaking and the white trash characters that inhabited a lot of those films. There is nothing wrong with paying homage to your influences, but Zombie has covered that ground in his first three films now and I think he is capable of his own style.

The lowdown: better than pretty much all of the sequels after Halloween III (which, as you may know, I like a lot!), but a far cry from John Carpenter’s original masterpiece. I at least give Zombie the credit for trying to do his own thing instead of a stale shot for shot remake.

3 Zombie Myers!

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ROB ZOMBIE’S HALLOWEEN II (2009)

WARNING: If you haven’t seen Zombie’s Halloween remake, there are some points of discussion in the sequel review which may contain spoilers for the first film…
This is the film of the two Zombie Halloweens that get’s the most flak, but to be all honest, I’ve come to like this one because it’s more of a Rob Zombie film featuring Carpenter’s characters. He’s free from the confines of a remake and doing his own thing. The results can be mixed, but it is still better than any of the post Halloween III sequels. This film takes place immediately after the last with Laurie Strode (Scout Taylor-Compton) and Annie Brackett (Danielle Harris) in the hospital being frantically worked on and Myers being hauled off to the morgue. But when an accident wrecks the morgue transport, the resilient Michael Myers rises from his slab and walks off after murdering the surviving van occupant. He disappears and the story picks up two years later with a traumatized Laurie living with Annie and her father (Brad Dourif) while Laurie is trying to deal with the approach of Halloween and the fact that Myers’ body was never found. Of course it’s no secret to the audience that Michael is on his way back to Haddonfield to finish what he started and leaving a trail of bodies in his wake.

The fact that this sequel never really feels like a “Halloween” film works both for and against it. It’s more of a Rob Zombie film and here he is not afraid to take Myers’ mask off or get inside his head for some beautifully visualized hallucination sequences of Michael’s dead mother (Sheri Moon Zombie). Tyler Bates also forgoes the traditional Halloween music for the most part and his score is quite good despite not imbuing the Halloween sound and flavor like all the other movies. Zombie gives his sequel a more methodical pace and while the film never really gets scary, there are some real brutal and intense moments such as Myers’ reuniting with Annie. There are some savagely violent scenes here that are very effective, but by the end of the film, you do feel a bit bludgeoned with all the brutality. McDowell returns as Loomis who is now a pompous bestselling author writing books about Myers and profiting from the horrible experience that left many dead. I didn’t like Dr. Loomis being portrayed as an egotistical asshole. Just didn’t work. The character was always representative of the good fighting the evil and now he is a douche who is willing to sell everyone out to make a buck and himself famous. It also makes his last minute change of heart near the climax hard to swallow. Ironically since McDowell is freed of the confines of the tradition portrayal of the Loomis character, I accepted him better in this incarnation of the role despite not liking the direction the character is taken.

There is a lot of other things to like here, too, though, unless you are a Halloween traditionalist and just can’t forgive Zombie for taking his own direction with things. There are some really twisted and bizarre dream sequences that have beautiful and surreal visuals that really impressed me and cinematographer Brandon Trost captures them well as with the look of the rest of the film. Much like the final act of Zombie’s House of 1000 Corpses, it is when Zombie takes his camera into these surreal sequences that his films really come to life and sadly he doesn’t do it often enough, thought I really liked what he did here and how these sequences got into both Myers’ and Laurie’s heads. I liked the sequences of Myers hallucinating that he sees his dead mother and his younger self (Chase Wright Vanek here as Faerch had outgrown the part), egging him on to kill. And the same for Laurie Strode’s nightmares. Great stuff. And I really liked the WTF ending. He really went outside the comfort zone of this series and in terms of traditional Halloween lore and it was daring. The Kubrick-esque final shot gives the appropriate chills the remake’s end lacked.

He gets some really good performances out of his cast again. Compton is good, but I do prefer her as the sweeter Laurie then the foul mouth tattooed traumatized girl here…though the progression is understandable and she does come across as a very messed up teen, mixing psychological damage with teen angst. Danielle Harris shows that she has grown into a really good actress as Annie, who was far more seriously hurt by Michael and yet is handling it a lot better then Laurie. She’s both friend and mother to Strode while soldiering on with her own life. A strong young woman and it makes her confrontation with Myers all the more powerful. And last, but not least, genre favorite Brad Dourif gives what might be the performance of his long career. Yes, he is that good and thankfully Zombie gives him a lot of good material and scenes to show it in. I loved him in this. Again, we also get some cameos by genre vets and Zombie favorites like Margot Kidder as Laurie’s psychiatrist, Howard Hessman as Laurie’s record store/cafe owner boss and Daniel Roebuck as a delightfully sleazy strip club owner.

While it’s not a great movie, I do like it for what it is and the risks Zombie took here with characters that are quite endeared to horror fans. Ironically, Zombie has been criticized and chastised for taking these risks, while equally so for not taking enough risks in the previous film. Sometimes you just can’t please fans when it comes to poking around an established classic. I hope someday Rob Zombie makes an original film that finally lives up to the potential he constantly shows. This film showed a progression from Halloween and I think we are seeing him move away from grind house and more toward Zombie. While many horror fans would disagree, I like this flick and recommend it as long as you have an open mind as to how classic characters are utilized and aren’t offended because someone took an established franchise and thought outside the box with it.

3 Zombie Myers!

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For a look at Zombie’s House Of 1000 Corpses and The Devils’ Rejects click here!

And for a look at his The Lords Of Salem click here!

For a profile of Screen Queen extraordinaire Danielle Harris click here!

For our look at the original Halloween click here and it’s first two sequels here!

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HALLOWEEN HOTTIES: DANIELLE HARRIS

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During the month long celebration of Halloween I thought we’d also take a look at some of the lovely ladies of Horror. Some of them have made hearts race and others have made blood spill. Some have run for their lives and others have taken lives. Whether it be a final girl, or a villainess, the girls of Horror will always have our hearts…sometimes literally.
So, what better way to kick off this look at the Horror Hotties then with a beautiful and talented young lady who has carved herself quite a career in horror film history and cemented her legacy as one of the all time great scream queens…

DANIELLE HARRIS

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Danielle started her horror career with a bang at the age of 11 playing Jaime Lloyd, Michael Myers’ niece in 1988’s Halloween 4: The Return Of Michael Myers. She was then pursued again by her malevolent uncle the following year in Halloween 5: The Revenge Of Michael Myers. After that she continued to work steadily, but it wasn’t till Harris returned to the world of Michael Myers all grown up in 2007 in the Rob Zombie Halloween re-imaging as Annie Brackett, that she really took the Horror world by storm. After starring in Zombie’s Halloween 2, Harris continued to appear in a prolific assortment of Horror flicks including Jim Mickle’s awesome Stake Land and taking over the role of final girl, Marybeth Dunston in the second and third Hatchet films. Recently Harris had graduated to director by directing her first Horror flick Among Friends and is now filming See No Evil 2 along with fellow scream queen Katharine Isabelle and directors to watch The Soska Sisters. Harris seems to genuinely love the Horror genre and making horror films and is renown for being very gracious, sweet and appreciative when meeting fans at conventions. A classy, talented and beautiful lady who can can warm our hearts and chill our blood at will.

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A young Harris as Jaime Lloyd, Michael Myers niece in Halloween 4 & 5

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…all grown up with co-stars in Rob Zombie’s Halloween

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…as final girl Marybeth Dunston in Hatchet III

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…and looking hot showing off her gorgeous tattoo in Inked Magazine!

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And don’t forget to check out our Halloween Hotties focusing on Melanie PapaliaKatharine IsabelleAmber HeardAlexandra Daddario, Katie FeatherstonKatrina Bowden and Briana Evigan! (just click on their names to go to their pages!

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HORROR YOU MIGHT HAVE MISSED: STAKE LAND (2010)

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STAKE LAND (2010)

Another interesting horror from Jim Mickle, director of the cool indie chiller Mulberry St. Stake Land is a bloody horror tale set in a world that has been overrun by vicious and bloodthirsty vampires, not the glittering, poetry reading fops that populate contemporary stories to woo teenage girls, but murderous, savage, blood drinking monsters. The film follows a hardened vampire fighter simply know as “Mister” (co-writer Nick Damici) and a boy coming of age, Martin (Connor Paolo) as they travel across the desolate vampire infested wasteland. Sometimes the pockets of survivors they meet during the day, like the religious “Brotherhood” who feel the vampires are doing God’s work, are worse than the monsters that stalk the night. Along the way they pick up some stragglers like the pretty pregnant, Belle (Danielle Harris), ex-Marine, Willie (Sean Nelson) and nun, “Sister” (Kelly McGillis). They are all headed to New Eden, an area of Canada rumored be vampire free. The odds and fangs are stacked against them and they may not survive the trip to a place that may not even exist.

Stake Land is very bleak and sometimes very vicious and gory, but there is some innovative stuff along with the familiar vampire/apocalyptic trappings and some powerful scenes. Like with Mulberry St., Mickle knows how to add fresh twists to old favorites and create likable characters to populate his horror stories. He also creates some tense atmosphere, some nice scares and gets good performances from his cast. Despite the dark tone, Mickle still manages to give his tale a glimmer of hope that keeps us emotionally invested. The film also an effective visual style, it’s simple, but Mickle creates a lot of atmosphere with what he has to work with on a low budget.

A really good horror from an underrated filmmaker who I hope someday gets the attention he deserves. One of my top horrors from 2011 (It had a limited release in 2010, but I was not able to catch it until 2011 on DVD).

Rated 3 and 1/2 (out of 4) stakes

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