Drive has a delightfully 80s vibe to it. It reminds one of Michael Mann’s neon drenched crime thriller Thief, but with the out of nowhere blood-soaked violence of David Lynch. Even Cliff Martinez’s sscore evokes Tangerine Dream, who created Thief’s haunting music, among many other film scores during that era. Like that James Caan headlined flick, Drive is also based on a book and involves a man on the wrong side of the law getting into trouble when trying to do good. Despite what appears to be obvious influences, director Nicolas Winding Refn has created his own work from Hossein Amini’s screenplay based on James Sallis’ book of the same name. Drive may evoke but, it never copies. The story finds a mysterious stunt driver, who moonlights as a getaway car driver, getting into trouble with local mobsters when trying to protect his pretty neighbor from the mistakes of her ex-con husband. It is a moody atmospheric piece with sudden jolts of intense action and bone crunching violence. It also has a top notch cast.
Ryan Gosling superbly plays the man known only as Driver with equal parts mystery, menace and heart. This is a bad dude when provoked, but you have no trouble believing he truly cares for Irene and her son.The supporting cast is also excellent with Carey Mulligan as the sweet young woman who seems to fall for the bad guy every time. Albert Brooks is intense and sleazy as a Jewish mobster, who can be quite vicious when he wants to be. Rounding out the cast is the awesome Ron Perlman as Brook’s crude and temperamental partner and Bryan Cranston as Driver’s mentor, a sad man who just can’t seem to avoid getting involved with the wrong people.
Drive is definitely a film that might befuddle the average movie goer, who were weened on Michael Bay and music videos. It uses it’s sumptuously filmed visual style to create a mood and it’s characters to convey emotions. There is no unnecessary exposition to explain how character’s feel, they show it and Refn let’s us, the viewer, experience it for ourselves without explaining it to us like children. When he needs to, he hits us with action and it serves a purpose to move the story along. When he jolts us with the gruesome violence, it’s an extension of a character’s emotional state. Bad and desperate people do bad and desperate things. Our anit-hero Driver seems to have an inner rage that’s never explained and his character is all the more richer for that added mysterious dark side. Drive is something today’s average movie going audience is rarely exposed to…something called cinema! Highly recommended for those who want more then just a movie.
Rated 3 (out of 4) hammers!