REVIEW: IT COMES AT NIGHT (2017)

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IT COMES AT NIGHT (2017)

Though marketed as a horror film, especially with a title that implies some sort of supernatural threat, flick is more of a survival thriller focusing on a small group of people during what appears to be some kind of pandemic. As the film opens, we find Paul (Joel Edgerton), living in his father-in-law Bud’s house in the middle of the woods, along with his wife Sarah (Carmen Ejogo) and his son Travis (Kelvin Harrison Jr.). As the story opens, Bud (David Pendleton) is infected, Paul euthanizes him and sets his body on fire. While still suffering from their loss, a man (Christopher Abbott) breaks into their house one night. Captured, he says his name is Will and is only looking for supplies for his family. Paul and Sarah invite Will, his wife Kim (Riley Keough) and son Andrew (Griffin Robert Faulkner) to come live with them, seeing strength in numbers. But, when it is believed that little Andrew might be infected, paranoia and fear take over and threatens to destroy this safe haven in the woods.

Written and directed by Trey Edward Shults this is an intense and sometimes violent little movie about fear, paranoia and what lengths folks will go to survive. Going in without the horror movie expectations, one can enjoy this flick for what it is. There are some horror elements, as the sickness isn’t pretty, there is some brutal violence and Travis has some very unsettling nightmares with some spooky imagery. The characters appear to be normal people in a frightening situation and none are bad guys or unlikable, just some do extreme things to, in their minds, ensure their survival. It’s no secret these folks will turn on each other and Shults keeps the film tense until they do. He keeps the audience on edge with a sense that death is always lurking outside the house, whether it be this ominous disease or other humans with bad intent. He also never let’s you completely trust Will and Kim, as Paul and Sarah never quite do. Yes, we’ve seen it before, but the writer/director makes it work by focusing on the effects of the situation on a small isolated group instead of what might be going on in more populated areas. It works well and can be unsettling at times, even with the subject of pandemics and infections being common ground right now. There are a few questions and unresolved plot points as the credits roll. After Bud’s death it seems hard to believe that Paul and family would so quickly agree to bring strangers into their home, despite the good intentions. There is a violent encounter with two armed men that at first seems like it might have further impact, but it never does. There is also the implication that coming-of-age Travis might have an attraction to the pretty Kim and vice-versa, but it goes nowhere after the initial scene that introduces the notion. Aside from these small matters Trey Edward Shults delivers a taunt thriller which keeps one unnerved even if you know certain things are coming. Aiding him is some nice cinematography by Drew Daniels, which takes advantage of the large shadow filled house and a fitting score from Brian McOmber.

There is a good cast here, too. Edgerton is a strong lead as the cautious, though somewhat kind-hearted Paul. He makes some tough decisions to protect his family, but is far from a bad man and hasn’t lost his humanity. Christopher Abbott is good as Will. He gives the character just enough uncertainty, so we never quite trust him to makes us as uneasy as Paul. Kelvin Harrison Jr. shines as Travis. Travis is sometimes the moral center of the story, though his ominous nightmares make us unsettled as to what the future holds and the actor conveys that this is also the same with Travis, himself, a youth growing up isolated in a dangerous world. In support Carmen Ejogo is solid as Paul’s loving and strong willed wife, Sarah. Riley Keough is also good as Will’s wife Kim, as is Griffin Robert Faulkner as their young son Andrew.

Once you get past the notion that this is a horror film, you can still enjoy an intense thriller about people trying to survive in a deadly environment. They’re trying to keep their humanity when their fellow humans are just as dangerous as the disease they are trying to avoid. It’s intense, atmospheric and brutally violent at times. It may not be the most original flick in terms of story and comes with a title that raises horror film expectations, but does used the pandemic fear scenario very well and is an effective little thriller on it’s own.

-MonsterZero NJ

3 bullets!

 

 

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BARE BONES: THE PURGE ANARCHY (2014)

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THE PURGE: ANARCHY (2014)

I wasn’t a fan of the first The Purge, I thought it was a really cool premise with a very lazy execution that turned a potential filled story into a routine home invasion flick. The sequel takes far better advantage of the concept of a 12 hour period where all crimes are legal and turns it into an action adventure that is part Escape From New York and part Enemy Territory. The story has a group of 5 people…a couple (Zach Gilford and Kiele Sanchez), a mother and daughter (Carmen Ejogo and Zoe Soul) and a mysterious and well-armed stranger (Frank Grillo) who are respectively trapped, forced outside and/or voluntarily outside as The Purge begins and details the various threats they encounter as they try to survive the night. Simple and effective and well directed by James DeMonaco, who also wrote the script, and is an improvement over the first flick, which he also wrote and directed. Sure the flick gets a bit cliché when it gets political and derails a bit when it deviates into some oddball situations that sort of disrupt the tension and flow of the action…some time spent with the family of a friend of Eva’s comes to mind…but the flick does move fast and has some nice atmosphere, suspense and more than a few intense violent moments. Not a great flick, but a far more entertaining one than the boring original and Grillo shows, once again, he is an action hero in the making.

3 star rating

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