Home invasion flick has a secret society called The Locusts staging violent incursions into people’s homes. Their members have exactly three hours to terrorize their targets. Tonight, they descend on the home of unsuspecting couple Daniel (Matt O’Neill) and Jessica (Sunny Doench). Things hit a snag for The Locusts, however, as they are unaware that Jessica’s sister Liz (Andrea Sweeney Blanco) is hiding in the house and that one of their own is not what they seem.
Bland thriller is written and directed by Kipp Tribble, who also stars. For an 80-minute film there is very little action, and little or no suspense for a home invasion flick. There are long scenes with characters standing around talking, and one lengthy scene of one of the Locust members lying on a bed waiting for the unsuspecting Jessica to exit the bathroom. Literally just lying there. That’s how you use your 80-minute runtime? After the initial invasion, most of the movie is The Locust members hanging around talking while Liz hides under the bed and Jessica takes a long luxurious bath, unaware for a good while of her uninvited guests. A brief, ill-fated delivery person sequence is the only real, action we get. A movie with very little actual activity and even less point. Flick also stars veteran actor Bruce Davison in a few sporadic Skype-esque sequences as the mystery man behind this incursion.
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Flick has divorced home-care nurse Kara Spencer (Elizabeth Roberts) taking a job as a caretaker for an elderly man named Walter Clark (Bruce Davison). She movies into his guest house with her two kids Jesse (Arman Darbo) and Cambria (Chloe Perrin). Clark is a collector of ancient artifacts and has recently come into possession of an illegally obtained tribal vessel that when broken open unleashes a vicious entity that takes the form of an enormous and deadly spider. Now, unknown to them, it’s loose inside the house and out for blood…theirs.
Brought to us by Shout! Factory’s Shout! Studios, flick is directed by Micah Gallo from a script and story by Gallo, Jason Alvino and Bryan Dick. The movie is Gallo’s first full length feature and he does well enough. The flick gives us some solid underlying human drama as Kara is becoming addicted to pills due to the grief brought on by the loss of her third child. Davison’s Clark is also still mourning the death of his wife. It makes the characters human and thus sympathetic when our eight legged critter starts stalking the house, especially young Cambria. It’s also a bit of a drawback, as the film sometimes seems to focus more on the melodrama than the spider. When it does show up, it is effective enough and seems like it’s rendered mostly with old fashioned prosthetic and animatronic effects. There is also some bloodshed, though it’s not overly gory. There are some creepy moments, especially if you are not fond of arachnids and things do get quite suspenseful in the last act. Gallo does get good work out of his cast and his eight legged star and gives the film atmosphere.
As for that cast…human that is. Roberts is solid as Kara. She’s a woman in pain and not dealing all too well with her grief. Obviously, the threat to her children reawakens her inner strength. Bruce Davison is an old pro and makes Clark a likable man, even if his acquiring of some of his artifacts has him dealing with some shady people. Arman Darbo is good as Jesse. He’s old enough to understand that his mother’s addiction is making their lives more difficult and is developing a strong independent streak. Chloe Perrin is cute as Cambria and does her job well, as the script really only requires her to be cute and occasionally in peril. Denise Crosby rounds out the main cast as the town sheriff. She is a likable character and is sympathetic to Kara and her family. Well written characters and a cast well directed.
Overall, this is not a great movie, but it is an entertaining one. It’s not quite as scary as one hoped for, but does have some effective spider moments and a solid last act when it’s family vs arachnid. The film focuses heavily on the family drama and while it cuts down on spider time, it does create some well rounded characters. The spider is charming live effects, for the most part, and there is some modest bloodshed. An entertaining night on the couch. Stay through the credits for an additional scene.
Fourth installment in this franchise is again a prequel, this one taking place just before the events of the first film. First, it opens in 1953 and shows us a young Elise (Ava Kolker) in her childhood home showing her psychic abilities much to the anger of her abusive father (Josh Stewart). We relive a horrifying event and then are taken forward to 2010 where an adult Elise (Lin Shaye) is called by the current occupant of her old childhood house to investigate some paranormal activity. Now Elise must overcome her inner fear and go back to that house and not only relive those awful memories, but find out some horrifying truths as well.
Flick is again written by Leigh Whannell, who also appears as “Specs”, but this time directed by Adam Robitel (The Taking of Deborah Logan). Robitel brings atmosphere and provides some spooky moments, though the series is starting to show signs of loosing steam. It is interesting to go into Elise’s past and see where this all began, but even so, the backstory isn’t enough to freshen things up completely. The story is well presented and we get the tension between Elise and the estranged brother (Bruce Davison) she left behind when she walked away from her father and that house, but despite the dramatic weight of this being a very personal investigation for Elise, we still feel it could have been stronger. The final showdown in The Further with the house’s reigning specter should have had more intensity. The evil entity lacks weight with being given little to no backstory and is kept on the sidelines till the last act. Still, it is well directed and shows, with a stronger script, Robitel could deliver a spooky and atmospheric film. This flick does have some good moments, including a fairly shocking reveal and there was a purveying sense of dread whenever the action took place inside the house. The film is entertaining, it’s just that it may be time to let this franchise rest in peace, or bring in new blood both creatively and on camera. We are introduced to Elise’s psychic niece Imogen (Caitlin Gerard from Smiley), so maybe such plans are already in place. It’s hard to do much with Elise when they killed her off in the first film, which in hindsight was a big mistake.
Lin Shaye is once again in top form as Elise. She is a great character and the actress gives the role lots of heart. She’s very likable and despite her experiences, she’s still vulnerable and can be scared. She makes the character very endearing which would explain her continual return in prequels. Angus Sampson and Leigh Whannell are fine as Tucker and Specs, but it’s Elise’s show and they are wisely kept to side-kick duties. Bruce Davison is a class act and is sympathetic as her emotionally wounded brother, Christian. Josh Stewart is detestable as Elise’s dad and both Spencer Locke and Caitlin Gerard are likable as Melissa and Imogen, Elise’s nieces. A solid cast.
This was a good effort in many ways, just unfortunately in a franchise running out of gas. They gave us some nice backstory on Elise and made the story more personal, but the adventures in The Further and even it’s Key Face (Javier Botet) demon are routine and showing series wear and tear. Adam Robitel added atmosphere and handles the spookiness well, but Leigh Whannell’s script fails to freshen things up despite a more Elise-centric story. Overall, it was entertaining enough, but not going to win new fans and will have current ones questioning how much longer they are going to stick around for “Further” adventures.
With X-Men: Days Of Future Past having just opened, I thought it would be fun to look back at the first two flicks that started this comic book-based film series, one that is still ongoing…
I never read the X-Men comics though, I am familiar with some of the characters but, as far as the mythos, I take the films for what they are and rate them as movies and not in comparison with the story-lines from the comics.
The first film opens with a scene set in a concentration camp during WWII of a young boy who shows extraordinary power when separated from his mother. Decades later it is revealed that beings with special abilities of all kinds, dubbed mutants, have evolved among us and some government officials, especially a Senator Kelly (Bruce Davison), are proposing to make mutant registration a law. Fighting against this form of discrimination are two factions. One, Dr. Charles Xavier (Patrick Stewart) a powerful telepath who wants nothing but, peace between human and mutant alike, and the other, Erik Lehnsherr (Ian McKellen), also known as Magneto, a man who has the power to manipulate metal and feels that humans are inferiors who are meant to be ruled and dominated, not trusted. Magneto was the boy we saw in the opening scene and his experience in a concentration camp is what paints his refusal to trust humans ever again. Magneto and his fellow mutants Mystique (Rebecca Romijn-Stamos), Toad (Ray Park) and the massive Sabertooth (Tyler Mane) have hatched a plan to turn a group of world leaders into mutants themselves at a crucial summit at Ellis Island. Xavier and his own team of mutants, Storm (Halle Berry), Cyclops (James Marsden) and Dr. Jean Grey (Famke Janssen) have been trying to stop Magneto and his plans of conquest and with the arrival of the rebellious and quick-tempered mystery man Wolverine (Hugh Jackman) and the power absorbing Rogue (Anna Paquin), the odds may have shifted… but, in who’s favor?… as one of these new recruits may be crucial to Lehnsherr’s success.
Director Bryan Singer not only creates a fun superhero flick from David Hayter’s screenplay but, adds some very nice dramatic intensity and emotional resonance along with the underlying themes about tolerance and respecting each other for who we are. He gives the film a more down-to-earth look and setting, choosing to present a more grounded approach as how such a story might transpire if it occurred in the modern world and not a more comic book-style fantasy world. And it works very well integrating some fantastic characters into a real world setting and makes these characters very human and identifiable despite their unique powers. Singer takes his material very seriously and let’s it’s moments of unobtrusive humor come from the witty dialog and script and the talent of his cast to deliver those lines and moments. And it’s blend of intensity and subtle wit is what really makes this work so well. Add to it a very fitting score from Michael Kamen and some crisp cinematography by Newton Thomas Sigel and you have a superhero flick that ranks among the best.
As for the cast. Singer has a really good collection of actors to work with from veterans Stewart and McKellen who bring nobilty and strength to the roles of Xavier and Magneto respectively. Powerful men from two opposite views who are both friends and opponents at the same time, which creates a very intriguing dynamic on screen. Jackman, in my opinion, makes a great Wolverine, giving him a sort of super-powered Snake Plissken vibe that makes the character very cool and endearing. And despite his harsh exterior, Jackman gives him a soul that peeks through enough to give the character some dimensionality. Rounding out are Berry, Paquin, Janssen and Marsden all giving some nice personality to their heroes as Romijn-Stamos, Park and Tyler Mane create worthy adversaries giving weight to their villainous turns. A good cast having a good time with their characters and it helps make this film work all the more better.
I really enjoy this flick, it has a bit smaller scale then some of the superhero epics that have followed but, that works in it’s favor by introducing a few of the more popular characters and letting us get to know them before steadily expanding the universe in future installments. It has a solid cast, a lot of action and some well executed SPFX but, also some emotional depth and nice character development too. Thus making it solid popcorn entertainment with a more substantial center. Like having a fine meal and a delicious dessert at the same time.
3 and 1/2 X-Men.
X2: X-MEN UNITED (2003)
With Magneto (Ian McKellen) behind plastic bars the humans feel safer until an attack on The President Of The U.S. by a teleporting mutant named Nightcrawler (Alan Cumming) provokes drastic measures allowing mutant hating Black Ops operative William Striker (Brian Cox) to receive permission to raid Prof. Xavier’s (Patrick Stewart) school. But, Striker’s plans run deeper and has a far more sinister goal in regards to the world’s mutants. With Xavier in Striker’s clutches, it’s now up to Wolverine (Hugh Jackman), Jean Grey (Famke Janssen) and the rest of the X-Men to stop Striker and rescue Xavier before he succeeds in wiping out all mutant kind but, to do so they may have to join forces with their greatest foes… Magneto and Mystique (Rebecca Romijn-Stamos)… and it’s a good bet Magneto has his own agenda. Can they succeed with serpents in their own den?
Singer returned to the director’s chair for the sequel and working with a script by Michael (Trick R Treat) Dougherty, Dan Harris and David Hayter, from a story by Singer, Hayter and Zak Penn, ups the ante with more action, more mutants but, without sacrificing the depth and characterization he brought first time around. We not only get the dynamic of foes having to work uneasily together against a common enemy but, we learn more about Logan/Wolverine’s past and watch as the human/mutant relationship is crumbled even further. Our heros not only fight to save themselves here but, their place in the world and how it views them. There is a lot at stake as they battle an enemy who seeks to see them destroyed but, will oddly employ mutant against mutant to get his goal accomplished. It makes for an interesting dynamic and furthers the X-Men cinematic universe without cluttering it up. We get some interesting new characters and get to know the familiar ones a little better. Sigel returns as cinematographer and John Ottman provides a suitable score to the action and drama.
The cast who return all fit into their roles nicely again with McKellen especially having a good time with his second go round as Magneto. We get to see a bit more of what makes them tick, as some try to come to terms with who they are and others who are comfortable with themselves, face change and adversity. We meet a few more mutants such as Cumming’s religious German mutant Nightcrawler and he makes for an interesting and eccentric character. We get teens Shawn Ashmore as Iceman, a kind hearted young man who takes a liking to Paquin’s Rogue and the rebellious Pyro played by Aaron Stanford. On the side of evil, Cox makes a strong villain with his slimy and hateful Striker and the villainous Lady Deathstrike is played with an ice cold exterior yet, a definite lethality by the beautiful Kelly Hu. And there are also some some fun mutant cameos peppered throughout. Again, Singer makes good use of a good cast. Even those with minimal screen time are used well in the screen time they have.
With his second X-Men flick Bryan Singer gives us both sequel and equal as we have a film that once again gives us a healthy dose of superhero action and a good story as well. It’s a fun movie that finds our heroes challenged by not only their villain but, some by the choices they have to make and a world that is ever increasingly hostile towards them. Another strong superhero treat from Bryan SInger and a nice step forward for this series that stumbled somewhat when Singer left and didn’t really regain it’s footing till the delightful First Class.
This lesser known but highly enjoyable little 1981 action/adventure/comedy tells the story of four working class friends Stone (James Brolin), Rockney (Cleavon Little), Dan (Bruce Davison) and Tony (Chick Vennera) who are sick of working hard for nothing, or being out of work, and decide to solve their financial problems by robbing a South American drug lord named Serrano (James Corburn). They leave their family and friends under the facade of a fishing trip, but head into the jungle to Serrano’s villa with the intent of emptying his safe. When things go awry, the four find themselves separated and fleeing for their lives through the jungle…though it’s set in South America, it was filmed in Mexico…with not only Serrano’s army, but an armed group of rebels/bandits on their tails as well. Can these wannabe thieves get out with their lives, much less with their stolen booty?
Written and directed by Stewart Raffill (The Philadelphia Experiment), High Risk is a fun little action/adventure that has more of a 70s movie vibe…especially with Mark Snow’s lively but nostalgic score…and whose small release went fairly unnoticed especially once Raiders Of The Lost Ark came out about a month later and became the next big thing in action. It’s an underrated little movie with a lot of heart and entertainment for it’s 90+ minutes and is actually one of the last of it’s kind before the big studio popcorn action flicks like Raiders, the Die Hards and the Lethal Weapons became the status quo for action movies and small, independent films like this, started going direct to video. It’s a fast paced and entertaining flick that seems to have fallen through the cracks and been forgotten due to it’s release at a time where the movie going landscape was changing and low budget films like this could no longer hope to compete against the big budget multiplex blockbusters that were a product of the success of Star Wars. And while it certainly doesn’t stack up against some of those big budget classics, it is a fun comedy/adventure movie and has it’s own share of chases, escapes and gunfire and certainly worth a watch if you’re in the mood for a light and breezy action flick…and one of the last to represent an era when films like this still saw the inside of a movie theater.
Obviously by the names mentioned, Raffill had a good cast to work with and they all have fun with their roles. That cast also includes Lindsay Wagner as Olivia, a woman Tony and Rockney help escape a local prison, Anthony Quinn as rebel leader General Mariano and Ernest Borgnine as an arms dealer named Clint. A sadly overlooked and fun little action gem that I had the pleasure of seeing at the Fox theater in Hackensack, N.J. which sat right across the street from my beloved Oritani. Movies like this have a wonderful added nostalgia for me as I feel I was privileged to have been able to experience it on a big screen when today’s audience must rely on home media to see the smaller and lesser known releases like this one.
I’ve covered these two movies before but, as I recently named them as my top 2 favorite horrors of 2013, I decided to watch them together and found they made quite a chilling double feature so, if you are looking for an evening of frights and chills on the couch, why not give these two a try together…
EVILD DEAD (2013)
The original Evil Dead is one of my all time favorite fright flicks so, I was very apprehensive about a remake. With Sam Raimi, Robert G. Tapert and even Bruce Campbell on board as producers, I hoped the material would at least be treated with respect. Now having seen this new vision of one of the all time horror classics, I can say not only was the material treated with respect but, it is one of the best horror remakes and one hell of a nasty, scary, bloody blast. The best thing is that co-writer and first time director Fede Alvarez smartly takes the basic premise and does his own thing with it. This version has heroine addict, Mia (Suburgatory’s Jane Levy) being taken by big brother, David (Skateland’s Shiloh Fernandez) and 3 friends to an old family cabin to try to get Mia to quit her habit cold turkey. But, someone has been in the cabin since they were last there and something gruesome has definitely gone on inside with blood stains and dozens of dead animals hanging in the cellar. Of course there is also a mysterious book and within it ominous warnings that certain words not be read aloud… so, of course, someone does… and at the same time Mia is alone in the woods… uh, oh… I don’t need to tell you that soon Mia is possessed by some horrible demonic entity and the gruesome blood soaked nightmare begins as the ancient evil wants to claim them all. Alvarez really crafts a strong, gruesome and scary horror of the likes we haven’t seen in a while. It’s vicious and nasty with top notch gore and make-up that is done the old fashioned way without any CGI. When limbs fly… and they do, it is good old fashioned prosthetics and I loved the lack of CGI when it came to the ghouls and gore. Alvarez and co-writer Rodo Sayagues (Diablo Cody was supposedly hired to work on the script but, if she was credited, I missed it.) basically give us enough elements of the original to make it recognizable as an Evil Dead flick and thus fits in with the series but, makes the flick it’s own animal. And that’s the way to do a remake like this. And Alvarez is the real deal who knows how to make a good old fashioned horror movie complete with suspense, tension and intensity, not to mention, plentiful scares. He also gives the film a strong atmosphere and I really liked his visual style. He gets good work from his cast too, especially leading lady Levy whose character has a few stages to go through from heroine addict to a demon possessed creature to… well, you’ll have to see the flick to find out. Shiloh Fernandez is also very good, after a lifeless performance in Red Riding Hood, he shows us the actor we saw in Skateland was no fluke. The rest, Lou Taylor Pucci as Eric, Jessica Lucas as Olivia and Elizabeth Blackmore as Natalie, do fine making their characters more then demon fodder and they are all likable enough to make us afraid for them when all hell breaks loose. The flick is not perfect but, any flaws are minor and can be overlooked due to all that is done right. Evil Dead 2013 may not be as groundbreaking as the original and only time will tell if it will be highly regard like it’s predecessor but, it is a strong, visceral horror that gives equal parts suspense and scares with all the goo and gore. Maybe not quite a classic but, a film worthy of the title Evil Dead. Well done!… and stay to watch after the credits!
Check out our look back at the original classic that started it all!… HERE!
A very solid 3 and 1/2 demon possessed sitcom stars
THE LORDS OF SALEM (2013)
If Stanley Kubrick, Dario Argento and Lucio Fulci got drunk and decided to make a horror movie together, Lords Of Salem would probably be close to what you’d get. Even back in the White Zombie days, rocker/director Rob Zombie has always shown a heavy influence from movies, especially horror so, it’s no surprise to see such influences in his films. And this time, Zombie sheds the 70s grind-house style that his earlier films have had and goes for something that evokes the work of the previously mentioned filmmakers and also some of the 70s occult themed flicks like the infamous Mark Of The Devil. To a degree, it is Zombie’s most solid effort as director but, also his most experimental as Lords gets downright head trippy and surreal at times, especially in it’s last act. If you liked his dream sequences in Halloween 2, there’s lots more where that came from. Today’s impatient audiences weaned on cookie cutter horrors and endless sequels may not appreciate what Zombie has done here but, to me it was a disturbing breath of fresh air. In a time of CGI phantoms and overused jump scares, I really like that Zombie had the courage to make something that aims to simply unsettle and disturb you with it’s atmosphere and imagery and doesn’t rely on cheap scares and elaborate post production hocus-pocus. Lords tells the creepy story of late night Salem DJ Heidi (Sheri Moon Zombie) who receives a wooden box with a record in it from someone referring to themselves simply as “The Lords”. When she plays the vinyl album she suddenly starts to have increasingly disturbing hallucinations and her life starts to spiral out of control. When author Francis Matthias (Bruce Davison) begins to investigate, he finds that an ancient evil in the form of a devil worshiping witch coven, once burned at the stake, may be returning to Salem and Heidi might be key to their vengeance. Director/writer Zombie tells his disturbing tale with a deliberately slow burn yet, never at any moment does he ease up on the atmosphere that something sinister and very wrong is going on here. Whether it’s the haunting visuals that he fills the film with or the excellent use of Griffin Boice and John 5’s score… which evoked Fabio Frizzi and Goblin at times… the film oozes atmosphere and keeps us involved even if the film’s narrative flow doesn’t always follow a tradition path. And as for the visuals, they range from haunting to shocking and as disturbing as they can be, they are also beautiful. This is certainly, at the very least, a visually striking film. And despite all the shocking imagery, I actually feel Zombie showed some restraint at times which made the horror elements all the more horrifying when they arrive. And Rob is not the only Zombie to watch here, Sheri, who proved she had some acting chops as Deborah Myers, is again very effective here as Heidi, a woman with emotional troubles and past bad habits who is being drawn into a living nightmare that she is not equipped to fight. Jeff Daniel Phillips is also good playing one of the two Hermans who DJ with her, a man with feelings for Heidi who tries to help her without knowing the true cause of her emotional down-turn. And Zombie also peppers his film with genre vets like Ken Foree (the other Herman), Meg Foster, Sid Haig and the effectively spooky trio of Dee Wallace, Patricia Quinn and Judy Geeson as Heidi’s neighbors, who are more then they appear. Overall Zombie has created his most interesting work yet and one that won’t appeal to everyone. It evokes a type of horror in the vein of Argento’s early films or Fulci’s The Beyond, that they don’t make anymore. But, that’s why I liked it so much. Zombie remembers a time before the MTV generation when horror films took their time to draw you in and had loads of atmosphere. He also knows, like those films, that there is a time to shock you too, and he does that well. And finally, he knows that sometimes the best way to make sure you leave the theater spooked is to not wrap everything up in a neat little bow and thus leave you looking over your shoulder when you are home at night. I would recommend this film highly for those who don’t mind a slow burn and a splash of avant garde with their horror. Not perfect but, a really spooky flick for those that can appreciate it.
A very spooky and disturbing 3 and 1/2 haunted heroines