HORROR YOU MIGHT HAVE MISSED: CHERRY TREE (2015)

CHERRY TREE (2015)

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Weird movie has high school girl Faith (Naomi Battrick) learning her father (Sam Hazeldine) has leukemia and being approached by witch, Sissy (Anna Walton from Hellboy 2 and The Seasoning House) with a proposal. Sissy and her coven will save her father’s life, if Faith agrees to have a baby for her. Once pregnant, Faith begins to have second thoughts, especially when she learns the child is to be used as part of a sacrifice. Can Faith find a way to save her child without sacrificing the life of her father?

Cherry Tree is the type of movie that you start out really wanting to like, but the film just gets increasingly awful and silly as it goes on. Irish horror is directed with a surprisingly stale hand by David Keating who made the spooky and effective Wake Wood with it’s silly and bordeline incoherent script written by Wake Wood co-scribe Brendan McCarthy. Not sure what happened here, as these two have delivered much better. But despite a few spooky moments and some interesting design work, this horror just gets worse and worse as it goes along. Even the scene set-ups appear amateurish at times and the script just gets more and more ludicrous as the film goes on, right down to the laughable final scene. These filmmakers have done far more competent work and that’s what is so puzzling about this flick, aside from it’s ridiculous story. Did Keating forget how to direct a movie? Some scenes almost play like there wasn’t a director on set and the actors were just winging it. There is a total lack or atmosphere or scares and considering the story, it is totally humorless and takes itself way too seriously. Though it’s not quite bad enough to make it funny and thus enjoyable on that level.

The cast are fine considering what they have to work with. Battrick is a decent heroine. A bit of a tough girl and that works considering what Faith is up against, though I question how quickly she decides witchcraft and teen pregnancy was a viable solution. Walton makes a creepy witch, though her role gets increasingly silly and what kind of a name is Sissy for a diabolical witch anyway? Rounding out the leads, Sam Hazeldine isn’t really given much to do and is adequate as Sean, Faith’s brave yet ailing father.

Not sure what happened here. Keating and McCarthy have teamed before with spooky and successful results. This flick is a silly mess tha gets worse and worse as it goes along. There are a few chilling moments and some of the imagery is effective, if not overused. It did have a bit of a unique look to it’s design work, but it’s wasted on a film that is unentertainingly looney and borders on incoherent at times. An odd mess from filmmakers who have been far more reliable in the past.

-MonsterZero NJ

1 and 1/2 cherries.

 

REVIEW: MAD MAX: FURY ROAD (2015)

MAD MAX: FURY ROAD (2015)

I was having mixed feelings about this reboot of the classic Mad Max series, about halfway through, until the last act when George Miller cranks it up to 11 and delivers an opera of chaos and carnage to match…or maybe even outdo…the finish of his classic The Road Warrior.

Fury Road takes place years after the world has collapsed and finds ex-cop Max Rockatansky (Tom Hardy), a samurai-like loner wandering the wasteland, taken prisoner and brought to desert oasis of The Citadel by the forces of the tyrannical Immortan Joe (Hugh Keays-Byrne, the Toecutter from the original Mad Max). At the same time, one of Joe’s top imperators, Furiosa (Charlize Theron) rebels and takes Joe’s wives/breeders out of The Citadel in a massive war rig. War parties are sent in pursuit with Max reluctantly brought along. Now Max must find a way to escape in the middle of a high speed road war and choose a side if he hopes to survive…but either side might want him dead.

Any reservations I was having from George Miller’s return to this classic character after 30 years was because the co-writer (with Brendan McCarthy and Nico Lathouris) and director is a little too eager to get things moving at first and starts his epic chase saga in motion when we could have spent a bit more time in the Citadel, getting to know our villain better and understand more clearly why Furiosa is willing to throw everything away to escape with Joe’s prized possessions. We also need to get reacquainted with Max, as this is a new version of the classic character with a new actor’s interpretation. Instead I was left a bit cold and emotionally detached till we start to get some character and story development while on the road and on the run. Even still, by the time the credits roll, we realize there wasn’t all that much of a story anyway…and the earlier films indeed had a story to tell amongst the carnage. What we do get, thought, is almost two hours of some of the most incredible and energetic stunts and action since Miller first grabbed us by the throat with The Road Warrior…and no matter what we see in the first two thirds, it’s nothing compared to the jaw-dropping demolition derby that he makes his last act finale. The stunts and crashes are absolutely amazing and Miller has not lost his touch filming them. You’d think he would have run out of innovative ideas by now…but he hasn’t lost a beat. The film is also a stunning visual feast and John Seale’s cinematography is sumptuous as is the shot composition by Miller. The film is simply amazing to look at. The score by Junkie XL is both pulse pounding and melodic depending on the mood of the scene and production design on all fronts is spectacular. The film is as epic in scope as the action within it. Best of all, there are some subtle nods to the original series that should delight long-time fans and the film returns to a harder edge after the PG-13 Beyond Thunderdome.

Miller has also assembled a fine cast of actors to portray the eccentric and oddball characters that populate his post-apocalyptic world. There is no better choice to pick up the mantle of Max than Tom Hardy. Hardy’s ex-cop is more of a man of few words than Gibson’s portrayal and he conveys the essence of a man who is hardened, dangerous, yet, with a glimmer of humanity left buried deep inside. Max’s past is a bit vague for those who aren’t familiar, but we do see glimpses of flashbacks where loved ones were lost. Charlize Theron is also a strong and determined warrior as the mechanical-armed Furiosa. She is tough and dangerous and like Max, still has a touch of humanity left. Keays-Byrne makes a sleazy and omnipotent tyrannical warlord, though I wish we had a bit more time to really get to know how awful he is to give him more intensity. The actor is delightfully over-the-top, but most of the time is just staring angrily from behind the wheel of an oversized vehicle and doesn’t have any of the memorable lines his Toe Cutter or even Lord Humongous had. Even his thugs aren’t anywhere near as memorable as Vernon Wells’ Wez. Nicholas Hoult rounds out the main cast and is over-the-top fun as one of Joe’s War Boys, Nux, who winds up joining Max and Furiosa on their quest. The girls playing the wives (including  Rosie Huntington-Whiteley) are all pretty, but get little to do and there is also a cast of hundreds of extras to add to the film’s epic feel.

So, as a fan of this classic film series…and one of my favorite movie characters in Mad Max…this movie won me over and then nearly blasted me out of my seat with it’s final third. Sure, I wish there had been a bit more of a story and I do wish there was more character development so I was more emotionally invested by the time the action started. But Miller gives us some amazing action and it’s wrapped in a stunning visual feast and no matter how intense the action gets, it is nothing compared to the massive chase that finishes things out. Hardy makes a fine choice for the new Max…though it took about a half hour to warm up to him in the role…and Charlize Theron proves yet again that there is a versatile actress beneath that beautiful exterior. And what Mad Max fan wouldn’t want to see Keays-Byrne in action again, even if his character could have been stronger. Maybe not quite the masterpiece I had hoped for, but it can proudly sit among the previous installments and delivered some of the best chase action since…well, The Road Warrior.

-MonsterZero NJ

3 and 1/2 Mad Maxes…Hardy style.