HORROR YOU MIGHT HAVE MISSED: BOO (2005)

MZNJ_New_HYMHM_2

now playing

boo

bars

BOO (2005)

Anthony C. Ferrante has made a big splash with his manic shark/disaster flick series Sharknado (review here), but it was his freshman feature, the 2005 Boo, that first got my attention. I’ve decided to look back at the horror flick that got Ferrante his start, now that his delirious shark filled flicks have become a household word…even to Deadpool!

Boo takes place on Halloween night as two young couples, Jessie (Trish Coren) and her cheating boyfriend Kevin (Jilon VanOver) with bad girl Marie (Nicole Rayburn) and the nice guy she’s leading on, Freddy (Josh Holt), are planning to spend a spooky night at the abandoned and supposedly haunted, Santa Mira Hospital. The ominous building was closed down many years ago when a fire broke out in the 3rd floor psychiatric ward and many died. Unknown to all but Kevin, their friend Emmett (Happy Mahaney) has entered the structure first to rig a few surprises, but he finds out the hard way that faux scares are not needed here. The stories are true and the place is haunted by quite a few spirits including deranged pedophile, Jacob (M. Steven Felty) who seeks a human body to posses and escape his eternal torment. Also entering the structure is Allan (Michael Samluk) who is searching for his sister Meg (Rachel Melvin) who disappeared a few days earlier and is rumored to have gone in there with friends. Allan enlists the aid of Arlo (Dig Wayne), a cop who was Allan’s deceased father’s partner, to help search. It’s no secret to say that their stories will collide and that they are all in for a rough night.

As you can tell from the plot description, one of the things that holds this fun little horror back is a plot that is a bit too busy at times. For at least half of the movie there are two separate story-lines going on before the two groups meet and this is more distracting than helpful, as the going back and forth breaks up any built tension. Writer/director Ferrante shows a lot of promise with his Halloween set horror and he gives us quite a few spooky scenes. He has a really nice visual style that gives the film added atmosphere and makes good use of his creepy location. He is also a young filmmaker with a lot of ideas and tries to pour a lot of them into his first film. Sometimes less is more, as Boo would have been better served with a more streamlined storyOne group of six instead of two groups with their own story-lines would have gotten this tale from A to B equally well without a lot of story baggage. Wayne’s cop character is totally unnecessary, as is giving him a background as an ex-actor from a series of Dolemite style movies. He and his backstory do nothing to serve the plot. Pretty Jessie is also psychic and it seems this only serves to give the film the exposition needed on the hospital’s past and the identity of the spirits they are dealing with. It does work, but is also a bit of an obvious plot contrivance. As said, Ferrante has a lot of ideas here, some work… such as the backstory involving the evil Jacob and the valiant nurse (horror icon Dee Wallace) who gives her life to insure he never escapes…and some don’t…such as a silly sequence where Jessie tries to convince Jacob that the peace of death is better then living again. It goes nowhere and falls flat.

There is still plenty to like here and I can appreciate a first time filmmaker being a little over eager to show us what he’s got. An overload of ideas actually worked in Sharknado‘s favor, but not as well here. The film does have plenty of spooky scenes to equalize the silly, some really good, but not overused gore and despite some bad dialog, cheesy CGI and mediocre acting, the film does have a sense of fun that’s not unintentional. Ferrante seems to really enjoy telling his horror tale and this does come through as you watch.

For all it’s flaws I still think Boo is fun and it’s director is having a good time bringing his tale to life.  Go in not expecting a classic and Boo can be an entertaining viewing. Ferrante also earned film geek points for naming two characters Russell and Carpenter.

Ferrante and Dee Wallace would work together again in Hansel And Gretel (review here) in 2013 and then hit his stride with his ridiculous but fun Sharknado flicks which became an annual event until ushering in a final chapter in 2018.

3 spooks!

pact_Rating

bars

REVIEW: HANSEL AND GRETEL (2013)

Hansel and Gretel

HANSEL AND GRETEL (2013)

Asylum flick is actually amusing if you cut it some slack. Updating of the classic fairy tale has twenty-something brother and sister, Hansel (Brent Lydic) and Gretel (Stephanie Greco) being held in the secluded house of witch and sweet shop/cafe owner, Lilith (Dee Wallace). Of course Lilith and her two brutish sons kidnap people for Lilith’s meat pies and she sees Hansel, and a few others in her dungeon/kitchen, as her next dish and Gretel as a potential protegé. Obviously the siblings don’t agree with these plans and gruesome hi-jinx ensue.

Directed by Anthony C. Ferrante, who showed a lot of potential in his feature debut Boo, H&G is kinda gory fun and despite it’s deep down silliness, Ferrante takes it seriously enough and is able to give it some tension and suspense. He has a nice visual style on a low budget, as he did with Boo and Headless Horseman, and being a make-up effects guy as well, gets good use out of his gore FX people. His cast are all adequate with Wallace having an over the top blast as the sinister Lilith. Add to that frequent Carpenter collaborator Alan Howarth doing the score and you’ve got an entertaining little horror that doesn’t try to be anything more then it is. I still feel someday Ferrante might hit us with a really great horror flick. We’ll see.

3 Over The Top Evil Dees

hansel_gretel_rating