HORROR YOU MIGHT HAVE MISSED: CAM (2018)

MZNJ_New_HYMHM_2

now playing

bars

CAM (2018)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Cam is an interesting and sometimes unsettling thriller about pretty Alice (Madeline Brewer), who unbeknownst to her mother, works as a web cam model known as “Lola”. Alice is struggling to get her sexy/playful online show up in the ratings, and is just happy to break the top fifty. One morning she awakens to find that her account has been stolen and her web show is now being run by a woman who looks like her exact duplicate. Not only is having her identity and livelihood stolen away from her driving her crazy, but this new “Lola” is rising in the ratings faster than Alice ever could. Now the desperate young woman goes on a hunt to find out who…or what…has taken over her cyberspace.

Effectively directed by Daniel Goldhaber, from a script and story by he, Isa Mazzei and Isabelle Link-Levy, this is a movie that delves into a few cyber subjects while telling it’s tale of a woman whose alter-ego is stolen away from her. Aside from identity theft, it covers the world of sexy web shows and chat rooms, internet celebrities, the lengths folks go to become famous on the web, cyber relationships, as well as, cyber stalking turning into real stalking as one of “Lola’s” online followers “Tinker” finds her in real life. The film has a slightly playful nature at first, than gets a bit creepy as we watch Alice’s online world and identity taken away. She goes on a quest to find this impostor, but along the way we learn a lot about this online alternate reality and how it becomes the only reality for some. We also see the damage caused when the impostor’s antics out Alice to the real world and the negative impact it has on her and her family. It all leads to a cyber showdown with Alice trying to turn the tables on Lola V2, which is tense and unsettling. It’s an off-beat and clever little movie that can be quite disturbing at times and in more ways than one. Are we heading towards a fantasy world that exists totally online? Cam might give some cyber food for thought on that, as it’s conclusion is no surprise and that’s on purpose. It’s making a point and making us think. There may be some unanswered questions, too, by the time it’s over, but in this case, the cause is not the focus but the effect. Besides, if you pay attention to what some of the characters are saying and a few things that occur, you can probably fill in the blanks on your own.

As for the cast, this is Madeline Brewer’s show and she gives a lively and strong performance as Alice, her alter-ego Lola and the impostor Lola. She’s a perky and slightly eccentric young woman as Alice, playful and sexy as Lola and gives Lola V2 something a bit off as the impostor escalates the sexy hi-jinx, yet, we feel there is something not quite right about her. Very good work by an actress that has to carry pretty much the whole movie on her shoulders. In support there is Love Witch’s Samantha Robinson as an online rival, Patch Darragh, who is suitably creepy as Tinker and Michael Dempsy as another of Lola’s followers who…surprise!…also turns out to be a creep.

Cam isn’t the first time cyberspace and impostors have been the subject of a horror or thriller. Just recently, we saw sexual chatrooms and cam shows in Girlhouse, mysterious doppelgangers in Imitation Girl and +1, cyber stalking in Open Windows and other cyber horrors in the Unfriended movies. Still Cam has it’s own style and a strong leading lady to stand out from the pack in how it presents it’s tale and themes. It’s a fun thriller and a bit disturbing in it’s portrayal of a world that exists on the internet and how so very important it has become to some.

-MonsterZero NJ

3 very solid laptops.


unfriended rating

 

 

 

 

bars
Advertisements

BARE BONES: STEPHANIE (2017)

MZNJ_bareBones_Marquee

now playing

Humerus-Bone1

STEPHANIE (2017)

Something strange is happening in the world and it has left little Stephanie (Shree Crooks) all alone in her house. She’s surviving the best she can and is trying to stay clear of what she believes is a monster living in the woods outside. When her military parents (Frank Grillo and Anna Torv) suddenly return home, dad starts building an immense wall in the backyard and mom starts doing research on a strange phenomena affecting the brain. What are her parents trying to protect Stephanie from?…or is it Stephanie from whom they need protection?

Flick starts out like Home Alone meets A Quiet Place, but evolves into something different, though not totally unexpected. It is effectively directed by Akiva Goldsman from a script by Luke Piotrowski and Ben Collins that has some clever spins on situations we’ve seen before. The opening of a little girl trying to raise herself in a house with only her stuffed turtle, Francis and the corpse of her dead brother, Paul (Jonah Beres) to keep her company, is unsettling enough. When her folks mysteriously show up, things starts to really get strange. Sure, ultimately it’s just a variation of the creepy kid sub-genre, but a fairly clever one and it has some very disturbing sequences, especially in the last act when we finally discover what is actually going on. The small cast are very good, especially young Miss Crooks as Stephanie, who can be quite cute, or quite chilling, depending on the situation. At it’s core it may not be all that original, but it presents it’s premise with some interesting and creepy touches and ends on a chilling note. Definitely worth a look!
-MonsterZero NJ

3 star rating

Humerus-Bone1

bars

REVIEW: THE PURGE: ELECTION YEAR (2016)

MZNJ_New_review

now playing

purge election year

bars

THE PURGE: ELECTION YEAR (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

The Purge flicks aren’t great movies by any length, but give credit where it is due, the concept is interesting and series writer/director James DeMonaco is trying to do something different with it each installment. After a routine invasion flick first time around and an Escape From New York-ish second installment, we get a third chapter that is more hyper-violent political thriller. The third entry picks up 18 years after pretty Charlie Roan (Elizabeth Mitchell) watched her family brutally murdered during The Purge and now Senator Roan is vying for the presidency and the abolition of the yearly crime spree event. There is growing opposition to The Purge, especially from the poor, whose numbers it’s aimed at thinning and the senator is growing in popularity. The NFFA, who created the blood spattered event, plans to use this very night to end the senator’s campaign against them and now Roan is on the run for her life with only her security chief (a returning Frank Grillo) and a proud local deli owner (Mykelti Williamson) and friends, to protect her during the 12 hour period of murder and mayhem.

Here DeMonaco delivers a more moderately paced political thriller with conspiracy and treachery all around and The Purge itself serving more as a setting than the theme. While not a more straight-up action flick like The Purge: Anarchythere is still plenty of graphic violence and bloodshed and the director does create some unsettling images and sequences along the way. There are some themes he expands on, such as The Purge’s true purpose being to thin the numbers of the lower class to cut down on government welfare expenses and some new concepts, such as “murder tourists” who travel here from foreign countries on the night of The Purge, to get in on the bloody fun and an underground movement run by EMTs and doctors to treat victims. Yes, there are a lot of political, social and racial commentary mixed in here and none of it is any too subtle. It is very heavy handed and obvious and sticks out like a sore thumb, but at least the filmmakers earn a little credit for trying to give all the blood spattering a little substance. There are some problems here, too. As mentioned, the pace is a lot more moderate and it seems longer than it’s 90+ minutes, though never boring. There is also some clunky dialog and poor acting that drag down some scenes, no more evident than in the opening NFFA meeting and scenes involving a tough talking female hood (Brittany Mirabile) who is pretty annoying even with her limited screen time. Add to that, villains that are all a bit bland and we have a third installment that aims high and falls a bit short, though still entertains.

As for the cast, they are fairly serviceable with Grillo once again being a stand-out. He has a strong presence and kicks some ass in the action sequences and is a likable action hero. Elizabeth Mitchell is solid as Roan and while she comes across as sincere and not without strength, her character is reduced to a damsel in distress in the second half. Mykelti Williamson is good as deli owner Joe Dixon. He has a quiet strength and is convincing as a man of a humble lifestyle and a sense of integrity. There is also solid work from Julian Soria as Joe’s employee Marcos and Betty Gabriel as a tough as nails EMT who helps Roan and company evade capture. Our villains, unfortunately are a bit bland, which is partially due to a lack of good development. Kyle Secor is weak as a psychotic minister who is the NFFA’s presidential candidate in opposition to Roan and Terry Serpico is a stereotypical evil mercenary type as a tattooed white supremacist, militant send to collect the pretty blonde senator for her demise.

Overall, the third in this franchise doesn’t really improve greatly on the second entry, but does have some interesting ideas and attempts a little social commentary, though does it bombastically. There is some chilling imagery and some brutal action, but it is delivered at a much more moderate pace. The villains are somewhat weak, though we have a strong and likable batch of underdog heroes in contrast. Doesn’t accomplish all it’s goals, but credit given for trying to add some substance to the gruesome proceedings and allowing it’s theme event to take a backseat to the story and characters.

-MonsterZero NJ

3 bullets.

ex2 rating

 

 

 

bars

FIRST TRAILER FOR MIKE FLANAGAN’S “OUIJA: ORIGIN OF EVIL”

MZNJ_NEW_news

ouija_origin of evil

We finally get a trailer for Mike Flanagan’s (Oculus, Hush) follow-up to Blumhouse Productions’ 2014 teen-centric horror hit OuijaWhile originally thought to be a sequel, this seems more like a prequel or possibly a completely unrelated period piece with a ouija board being the only common thread. Either way the flick is headed our way 10/21/16 right in time for the Halloween season!

-MonsterZero NJ

bars

HORROR YOU MIGHT HAVE MISSED: MOCKINGBIRD (2014)

MZNJ_New_HYMHM_2

now playing

p11002343_p_v8_aa

bars

MOCKINGBIRD (2014)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

POV horror flick has three groups of people, a couple (Todd Stashwick and Audrey Marie Anderson), a college student (Alexandra Lydon) and a slacker (Barak Hardley) still living with his mom, getting cameras sent to them with the ominous message to keep filming or someone will die. More messages and packages are sent, as the couple and the student are threatened and tormented, while Leonard is told to put on a clown suit and go on various tasks…of which he is gleefully happy to do. Whoever this manipulator is, they are playing a dangerous game with an  ulterior agenda that will bring all three subjects together…and probably not in a good way.

Flick is written and directed by Bryan Bertino for Blumhouse and is fairly entertaining. It may not be anything new, but it does generate some chills, as our couple and student are being tormented by this mysterious person/persons and some laughs with the far too giddy to cooperate Leonard. They are trapped inside their homes with the threat of death looming and it is kind of creepy as they are manipulated slowly and gradually, till finally instructed to leave and head to a specific address on Mockingbird Drive. The cast members all do well in portraying their fright, or in Leonard’s case their delighted compliance and that helps make this stay fairly entertaining for most of the running time. The film only really falters at the end and in more than one way. First, this is exactly where we figured this flick was going as bringing the characters together in a devious manner was obvious from the start. Another point is that after just over 80 minutes we realize that there isn’t much of a story here, once it predictably ends. The third and biggest problem is once we find out who is instigating this sadistic plan, it becomes obvious that they would not have had the resources and mode of travel to accomplish all that they do. Those responsible would have needed to get from place to place very quickly and have considerable capital to pull this off. Once you meet them, you realize it’s highly implausible that they could have authored all this by themselves and they appear to be acting alone. It’s supposed to be creepy, but our villains inspired more questions than chills, once finally unveiled. We are also never given a reason for all this, or any backstory as to who these people are, or why the victims are chosen, other than a vague but effective opening scene. The film works until it’s reveal, then it looses it’s grip as the creditability is strained a bit too much…aside from leading exactly where we thought it would.

Overall, I had some fun with this and it did have some spooky moments, some chilling scenes and some legitimate laughs when we follow Leonard. It works for most of the movie until it’s last scene reveal. Once we find out what is going on, we have serious doubts that they would have been able to successfully pull it off. It also ends as we knew it would with our victims. Not a bad flick for a night on the couch, but one that needed to be a bit more clever to keep belief suspended beyond it’s final moments.

-MonsterZero NJ

2 and 1/2 gift boxes

mockingbird rating

 

bars

HORROR YOU MIGHT HAVE MISSED: HUSH (2016)

MZNJ_New_HYMHM_2

now playing

hush

bars

HUSH (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Hush is a perfect example of a talented filmmaker taking a very familiar story and using it in a clever and fresh manner. Maddie (Kate Siegel, who also co-wrote) is an author who moves into a remote house in the woods to write and live a more secluded life away from the city and her ex-boyfriend. Maddie also lost her hearing and speech when she was thirteen to a sever case of meningitis. One night, as Maddie tries to work on her next book, a deranged crossbow-wielding individual (John Gallagher, Jr.) lays siege to her home, cutting off her communications and power with the intent of her not living out the night. Now Maddie, alone and trapped inside her own home, must defend herself against a foe she can’t hear coming.

Directed and co-written by Mike Flanagan (Absentia, Oculus), this flick gives new life to the scenario of a sole individual trapped by some evil force or persons in a secluded house. By giving it’s heroine/intended victim a disability that puts her at a disadvantage, it ups the ante in the suspense and intensity department. It also gives our Maddie the resourcefulness of a woman who has had to make do without the benefit of hearing and speech for over half of her life. And that’s what really made this thriller click, was Maddie’s ingenuity in outwitting and communicating with her attacker and her tenacious will to survive and fight back. The film also gives Maddie’s inner monologue a voice, her own, as we hear her thoughts as she’s trying to outthink the unnamed invader and even moments where she plays her own inner monologue in person, as she tries to convince herself not to give up. It’s very clever and really works so well under Mike Flanagan’s skilled direction. It also worked that her mysterious attacker is unmasked quite early and we get someone who is not only a psychopath, but is quite full of personality himself. It makes him so much more than a cliché masked bad guy that he is basically just a person, though a decidedly demented and sick one. We never get an explanation for his attack, though there are clues that this is not his first rodeo. On a more basic level there is some surprisingly brutal violence and some intense action and nail-biting suspense to go along with two opposing characters with surprising depth for what could have been a routine thriller in lesser hands. Routine it is far from, as Flanagan and leading lady/co-writer Kate Siegel deliver this oft-told tale with a freshness, cleverness and tension that make this such an enjoyably nail-bitting thrill ride.

While there are brief appearances from supporting players Samantha Sloyan and Michael Trucco as neighbors, Sarah and John, it is a two person play and we get really strong work from both actors. Co-scribe Kate Siegel is really good as Maddie and makes her extremely likable without saying a word. She wonderfully conveys the woman’s personality with her facial expressions, phrasing in sign language and her reactions when spending time with her neighbor Sarah. She endears to you quickly. Once she comes under siege, we get a strong-willed and very clever woman who, despite her handicap, stays one step ahead of the vicious man outside her door. As that man, 10 Cloverfield Lane’s John Gallagher, Jr. plays his stalker with a surprisingly offbeat and almost down-to-earth personality. He is a killer, no doubt, as he brutally murders anyone who gets in his way and has a not too pleasant fate in-store for his quarry…a quarry he enjoys toying with. He is, however, never over-the-top or theatrical, as many stories feel their villains need to be. The script and Gallagher, make him more than just a simple, deranged monster, he is a very human one. There is a person under the killer’s mask, though certainly a twisted and cruel one. Avoiding a cliché film fiend portrayal makes him scarier, as you literally feel like you could pass him on the street and not notice him…or even work with him and never know he’s homicidal. Great cast to compliment the clever script.

This was one top-notch thriller. It was intense, smart, suspenseful and had some brutal moments that really caught one off-guard. It had a solid leading lady who conveyed a lot of personality and resourcefulness, despite her handicaps and used the resourcefulness born of those handicaps to battle her opponent. We got a villain who was surprisingly human, which made him all the more frightening as he could be anyone you meet and not some generic, hulking, over-the-top madman that exists only in a movie. It was a delightfully gripping game of cat and mouse with a clever script by star Siegal and director Mike Flanagan, who also skillfully and inventively presents a fresh slant on a familiar story. Highly recommended! Almost certainly will be on my list for best horror flicks of the year!

-MonsterZero NJ

3 and 1/2 crossbow bolts.

hush rating

 

bars

BARE BONES: THE GALLOWS and LAST SHIFT

MZNJ_bareBones_Marquee

now playing

Humerus-Bone1

gallows

THE GALLOWS (2015)

On October 29th, 1993, during a high school play called The Gallows, student Charlie Grimille (Jesse Cross) was actually hung to death due to a prop malfunction. Twenty years later the play is being performed again at the same high school and when a group of students break into the school theater to vandalize the production, they are trapped and stalked by what appears to be Charlie’s vengeful spirit.

Written and directed by Travis Cluff and Chris Lofing, this is a lame and boring found footage flick that exemplifies all of the sub-genre’s flaws. It’s tedious, predictable and except for a few effective jump scares, there is nary a chill or thrill to be had. We can see plot twists coming miles away and even if we didn’t, they are as cliché as it gets. It’s also one of the worst cases of ‘why are you still filming’ that comes to mind and arrives at an outright silly conclusion. Even at a scant 80 minutes, this flick is a waste of time. Stars Reese Mishler, Cassidy Gifford, Pfiefer Brown and Ryan Shoos as our ill-fated teens.

1 and 1-2 star rating

Humerus-Bone1

last Shift Poster

LAST SHIFT (2014)

Shades of Assault On Precinct 13, rookie Officer Jessica Loren (Juliana Harkavy) is sent on her first assignment to watch over the last shift at the closing Sanford police station. What starts out as a lonely and boring first duty, becomes a nightmare for the rookie cop as the station is haunted by the spirits of a trio of Manson family-like murderers, who committed suicide at the station. As her father was killed in the line of duty during their apprehension and it is the one year anniversary of the death of the demonic Paymon family members, Officer Loren is in for an especially rough night.

Directed by Anthony DiBlasi (Dread and Cassadaga) and co-written by he and Scott Poiley, this is a creepy and very effective little horror, as DiBlasi takes our pretty rookie officer on a roller coaster ride to hell. There are not only some legitimate chills and suspense, but some gruesome visuals as well. Actress Harkavy gives a very good performance as a strong woman who is slowly being broken down by something that is pure evil. Not perfect, but a solid little horror with some nice scares, abundant gore and a good performance by it’s leading lady (much like Kelen Coleman in DiBlasi’s Cassadaga ) to tie it all together. Based on this and his previous flicks, I definitely think DiBlasi is a talent to keep an eye on!

3 star rating

Humerus-Bone1
-MonsterZero NJ
bars

REVIEW: THE GIFT (2015)

MZNJ_New_review

now playing

gift

bars

THE GIFT (2015)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Simon Callum (Jason Bateman) is living a charmed life. He has a successful career and has just moved into a upscale suburban house with his beautiful wife, Robyn (Rebecca Hall). A chance meeting with Gordon Moseley (Joel Edgerton who also wrote and directs), a former classmate from high school, changes his idyllic existence as Moseley starts making uninvited stops at Simon’s house, especially when Robyn is home alone. As Simon fears the man is obsessed with his wife, he finds another game may be afoot and one whose revelations Simon may not like. What does Gordon know and what is Simon hiding?

A very impressive debut from actor Joel Edgerton as both writer and director as he creates a tense thriller that fools you into thinking you’re watching one type of story, but it turns into another. At first we think we are watching yet another Cape Fear scenario with straightedge Simon and Robyn being stalked by the strange “Gordo”, but Edgerton has some surprises up his sleeve and we get revelations uncovered that may change our perspective on the true nature of our characters. His script gradually unravels a far more complicated story, as Robyn begins to ask questions as to just what the relationship was between the two men in the past and what happened between them. She finds that neither man may be who she thought they were and neither has been telling the complete truth. Edgerton skillfully takes us on the investigation and we learn the shocking truths as she does. This is far more than a simple creepy stalker plot and to reveal any more would be to spoil a tense and suspenseful thriller that subtly pulls the rug out from underneath you as to what you know about our players. You may find your sympathies shifting once all is said and done…or will you? It’s a very offbeat thriller from the first-time director.

Our small cast is very good. Jason Bateman is strong in a non-comedy role as an ambitious man who has it all. His Simon is likable at first, but as our script slowly let’s secrets become uncovered, Bateman handles the character changes deftly and we respond appropriately. Rebecca Hall is good as Robyn. She is a supportive wife, but as the movie progresses she becomes a woman with many doubts and questions and possibly some demons of her own. Edgerton is excellent as the weird and unsettling Gordon. Like Bateman, when character aspects are revealed, Edgerton helps us see his character in a different light, though he always remains purposely a bit off, as Gordon is an emotionally troubled man regardless of what we find out.

I liked this thriller. It had me thinking I was watching something oft seen before, but slowly revealed layers to the story that changed my perspective. Characters are presented as one thing, but as we proceed, deeper secrets are revealed and we realize that we don’t know these people like we thought. There are games and lies being played out here, but it may surprise as to the who and whats in the details. An engaging thriller and a very auspicious debut from Joel Edgerton as writer and director.

-MonsterZero NJ

  3 and 1/2 gifts.

gift rating

bars

REVIEW: PARANORMAL ACTIVITY: THE GHOST DIMENSION (2015)

MZNJ_New_review

now playing

paranormal activity the ghost dimension

bars

PARANORMAL ACTIVITY: THE GHOST DIMENSION (2015)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

I’ve enjoyed the Paranormal Activity series and while I admit it was starting to show definite signs of running out of gas with the much maligned part 4, there did seem to be a bit of a second wind with the fun spin-off, The Marked Ones. Now we get Paranormal Activity: The Ghost Dimension which is being sold as the series finale, but really doesn’t answer any more questions than the previous entries and doesn’t really make good on some of The Marked Ones‘ promise.

This entry takes place at Christmas time at the home of the Fleeges family. We have Ryan (Chris J. Murray), his pretty wife, Emily (Brit Shaw) and their adorable little girl Leila (Ivy George). They are joined by Ryan’s recently single brother Mike (Dan Gill) and pretty blonde “Auntie Skyler” (Olivia Taylor Dudley), whose actual relationship with the family is never really clear (Emily’s sister?) other than to provide exposition and look hot in Daisy Dukes. They discover a box with an old video camera and VHS tapes, in the house, which reveal young Katie (Chloe Csengery) and Kristie (Jessica Tyler Brown) from Paranormal Activity 3. Upon watching these tapes they observe some bizarre cult activity with the two girls and strange things begin to occur in their own home. The camera can apparently pick-up ‘spirit photography’ (as per our lovely Auntie Skyler) and Ryan begins to see strange things floating around the house. The activity seems to be focused on Leila and as the activity grows and Leila’s behavior begins to change, the Fleeges begin to fear there is something dark and dangerous in their home…and evidence indicates they have been targeted by something sinister. Somebody call an exorcist!

Series editor Gregory Plotkin directs from a story and script by no less than five people. While he actually doesn’t do a bad job for his first outing, the script doesn’t really give him that much new to work with till the last act and while that adds a few new wrinkles, it doesn’t come close to providing a satisfying finale. Odd that five people working for two years couldn’t come up with anything more then basically just another installment. The spirit camera gimmick looses it’s novelty quickly and since our imaginations can concoct far worse than any FX technician, demon “Toby” is reduced to just another CGI phantom that has become all too common in this digital effects age. He’s not that impressive now that he’s been outed and we are no longer as afraid of him. At least in previous entries we never knew where he would strike from next. Here we can see him coming. Plotkin does give us some legitimate tension and chills, but the movie really doesn’t go too far from where any previous entry went and when we finally find out what the witch coven “The Mid-Wives” want, it’s basically nothing that the demon/exorcism movie of the week hasn’t done before. There is some cool stuff with the dimension portal introduced in Marked Ones and some fun use of PA3 footage, but the film seems to only casually address elements in the last two films with throwaway lines and even uses that same approach with a major character, leaving her fate a loose end. Even the climax leaves us at a point where there is obviously more to the story, so, as a finale, this feels far from final. The usual complaints are still here, too. Such as, why don’t they ever put the camera down, even when in danger and why don’t these people seem anything more then moderately curious when discovering there is a demonic entity stalking their child…and did no one think of Windex-ing the demonic symbols said child drew, off the wall? She’s continually allowed to sleep in a bed surrounded by writing that has been identified as demonic in nature. Bad parenting indeed! Suffice to say, characters do not behave logically or practically as the film progresses and we wonder if “The Mid-Wives” indeed made the right choice as this clan seems to be walking right into their sinister plot perfectly…and with predictable results.

The cast were fine and at least the characters where likable. Murray is fun as dad Ryan who is quite fascinated at first by the camera, tapes and odd goings on. The script doesn’t have him or anyone else as scared or concerned as they should be, but that’s not the actor’s fault. Gill is amusing as Ryan’s goofball brother and provides the comic relief, which is welcome at times. Ivy George is adorable as little Leila and escapes annoying child syndrome, so, we like and care about her. She does good work for a tyke. The Paranormal Activity series continues the tradition of hot mom’s and good looking supporting characters with Brit Shaw’s pretty girl-next-door mom Emily, who seems a little more concerned about the lurking demon than her husband and Olivia Taylor Dudley (also seen recently in The Vatican Tapes) whose character’s purpose may be questionable, but she’s hot, so we’ll tolerate it. We also get familiar faces such as Chloe Csengery, Jessica Tyler Brown and Hallie Foote returning as young Katie, Kristie and Grandma Lois respectively. Notice anybody missing?…grrrr!*

Didn’t hate it, but it is a big disappointment for those looking for a solid finale and tied up loose ends. New director Gregory Plotkin doesn’t do a bad job, but is working from a script compiled by five people and it does teeter on the edge of mess at times. The flick has a few new wrinkles that are amusing enough, but falls back on familiar series tropes and makes a bit of a mistake in revealing it’s series villain as just another CGI spook, after five films left him to our own overactive imaginations. There are…as usual with this series…just as many loose ends as there are questions answered, leaving the door ajar in case this makes a boatload of cash and Toby returns once more.

*As a personal gripe, how can you end a series without it’s lead character (aside from Toby) is beyond me. Boo!

-MonsterZero NJ

  2 and 1/2 spooks…it earns a few ‘hottie in Daisy Dukes’ extra points.

paranormal activity 5 rating

 

 

 

bars