BARE BONES: THE TOMORROW WAR (2021)

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THE TOMORROW WAR (2021)

Action flick has people from the future arriving in 2022 to reveal that a war is being waged in 2051 against a very aggressive alien species referred to as “Whitespikes”. Earth is losing that war and they’ve come back in time to recruit people to fight. One of those drafted, is former military man and current biology teacher Dan Forester (Chris Pratt). Dan is whisked thirty years into the future, where he teams with a squad of reluctant soldiers from his timeline and his own grown-up daughter, Muri (Yvonne Strahovski) to battle the invaders. As the war rages in the future, Dan may find the solution back in the past where his wife (Betty Gilpin) and family awaits.

Flick is energetically directed by Chris McKay from a script by Zach Dean. Story-wise it’s TerminatorAliensStarship Troopers, a dash of John Carpenter’s The Thing and a ton of clichés all thrown in a blender that’s cranked up to 11. It’s derivative as heck, but it’s also a lot of fun and the big action does come quickly and explosively with moments of schmaltzy melodrama in-between, so we can catch our breaths. It’s comparable tone-wise to a Fast and Furious movie for sci-fi geeks and that’s not a bad thing on a simple entertainment level. The cast are fine with Pratt making a solid hero, Strahovski a noble scientist, Gilpin is wasted as the wife left back in the past, though J.K. Simmons is fun as Dan’s warrior dad, James. Supporting cast are efficient, too. Overall, it’s silly, a bit overlong and incredibly derivative, but it’s reported $200 million budget is onscreen with lots of FX and spectacular action and even if you’ve seen it all before, it is a popcorn fun mash-up.

-MonsterZero NJ

3 star rating

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BARE BONES: THE HUNT (2020)

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THE HUNT (2020)

Flick is yet another version of the the tired ‘rich people hunting poor people’ scenario. Here a group of elitist, extreme left rich folks bring a group of low income, right wing captives to an area of Croatia to be hunted for sport. A case of mistaken identity amongst their specifically chosen targets lands ex-soldier Crystal (Betty Gilpin) in their midst and she has no plans to die easily.

Flick gained some attention after being delayed from it’s September 2019 release date due to some real-life shootings at the time. Now having seen the film, it seems more like a publicity stunt to give some notoriety to this turkey. The flick is badly directed by Craig Zobel (the far better Compliance) from an awful script by Damon Lindelof and Nick Cuse. The makers give no credit to it’s audience for having any intelligence and the film stops dead, so characters can recite the film’s political and social commentary right at you. It’s so heavy-handed and obvious that midway through it starts to give you a headache. It would seem like the script writers had no faith in their own story to relay it’s messages…about race, immigration, the division between rich and poor…so they literally throw it in your face every chance they get. Having the rich a-holes being extreme leftists this time and their quarry being right wing “rednecks” does not cleverness make and the attempts at humor and satire fall flat most of the time, as well. Gilpin (Glow) does the best she can with what she’s given to work with and if there are any points to give here, her climactic fight with Hilary Swank’s villainous Athena, is fun to watch. The reveals during this last act confrontation, however, aren’t as big a deal as the film wants us to think they are. We’ve been force fed so much already, we simply don’t care at this point. Avoid unless you are too curious to save yourself money and 90 minutes of your time. Definitely a candidate for worst film of the year

-MonsterZero NJ

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TV REVIEW: GLOW (2017)

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GLOW (2017)

Glow is a fun and nostalgic 2017 Netflix original show based on the Gorgeous Ladies of Wrestling tv program that ran from 1986-1990. The original show featured a bevy of female wrestlers performing cartoon-ish stereotype characters and soap opera-esque story-lines along with in-ring matches…which isn’t too much removed from professional wrestling in general. This ten episode Netflix series fictionalizes the creation of the show when struggling exploitation director Sam Sylvia (Marc Maron) agrees to put an all girl wrestling show together for wannabe producer Sebastian (Chris Lowell) who has a rich mother. Sam’s actual goal is to get “Bash” to fund his next flick. Answering the audition call for the Gorgeous Ladies of Wrestling are down-on-her-luck actress Ruth Wilder (Alison Brie), her former best friend and ex-soap opera actress Debbie (Betty Gilpin), along with ten other women. The show mixes comedy and drama as it chronicles Sam and the ladies’ struggle to train, come up with their characters and get along, without killing the show, or each other, before they even step into the ring.

Glow starts off a bit shaky, but after a few episodes hits it’s stride quite nicely. The shaky start is due to the need to get the story moving quickly as there are only ten, half-hour episodes to tell it. The show needs to establish Ruth and Debbie as friends, turn them into enemies…when Ruth sleeps with Debbie’s husband (Rich Sommer)…and then thrust them back together as they become the show’s intended star rivals. This is hastily done in the first two episodes and doesn’t quite gel as we never get a feel for them as friends before they are at each others throats, literally. Ruth’s motivations for sleeping with her friend’s husband are never really convincing either. Just not enough time to really make it work. Once this occurs, the show kicks into gear as the production seems doomed from the start, yet the group start to come together like a dysfunctional family to try to make it happen. Not everything works, like an abortion sub-plot that literally lasts for one episode and seems to add nothing, and occasionally some of the humor falls flat, though mostly it works. Otherwise, this is a lot of nostalgic fun, especially if you remember the actual show that inspired it, or are a fan of everything 80s. The finishing touch is that it’s all wrapped in some awesome 80s tunes across it’s ten episodes and the whole thing leaves us wanting more.

The cast work really well and as a character driven show that is important. Alison Brie has shown a flair for comedy in the TV sitcom Community and some of her recent film roles and she shines here as Ruth. Ruth sees herself as an actress and it takes a while for her to get used to this brand of acting, but once she does she dives in with both feet. Brie works very well in the part of a woman desperate to find her place and is adept as the physical comedy, too. Gilpin is solid as Debbie. A respected TV actress who left her soap opera role to be a wife and mother and now finds that home broken by Ruth and that she has a need to be more than a babysitter. Gilpin portrays well a woman with an axe to grind who wants to be star of the show and does so without making her unlikable. Marc Maron is perfectly cast as the somewhat sleazy filmmaker, who does have a heart underneath all that cynicism and sarcasm. He really does good work here at making the guy very likable, even when he’s being a bit of an ass. The supporting cast all are strong, including Sydelle Noel as “Cherry” who becomes the groups trainer, as well as, one of the wrestlers know as “Junkchain” and Britney Young as a gentle giant of a women who only wants to prove she can be a wrestler like her famous father and brothers. A well rounded and well cast group of eccentric and eclectic characters.

So, the show does have a few flaws…and most shows take at least one season to hit their stride…but it overcomes them to become quite engaging. It’s a fun, nostalgic and clever look back not only an era, but one example of that era’s outrageousness. It’s well cast, has some fun moments and mixes the drama and comedy very well nicely. Another fun, entertaining and original show from Netflix!

The cast of Glow

EPISODE LIST

  1. Pilot – directed by Jesse Peretz and written by Liz Flahive & Carly Mensch
  2. Slouch. Submit – directed by Wendey Stanzier and written by Liz Flahive & Carly Mensch
  3. The Wrath of Kuntar – directed by Claire Scanlon and written by Nick Jones
  4. The Dusty Spur – directed by Melanie Mayron and written Sascha Rothchild
  5. Debbie Does Something – directed by Phil Abraham and written by Rachel Shukert
  6. This Is One Of Those Moments – directed by Kate Dennis and written by Jenji Kohan
  7. Live Studio Audience – directed by Jesse Peretz and written by Rachel Shukert
  8. Maybe It’s All The Disco – directed by Sian Heder and written by Nick Jones
  9. The Liberal Chokehold – directed by Lynn Shelton and written by Liz Flahive & Carly Mensch
  10. Money’s In The Chase – directed by Tristram Shapeero and written by Liz Flahive & Carly Mensch

-MonsterZero NJ

3 wrestling rings!
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