I know this is the Movie Madhouse, but I will review a book now and then, one that I really loved or one that pertains to the movie world…and what pertains more than a memoir by the man behind the horror classic Phantasm…Don Coscarelli.
TRUE INDIE-LIFE and DEATH in FILMMAKING by DON COSCARELLI
Don Coscarelli is one of my favorite filmmakers and his Phantasm one of my all-time favorite horror films. So of course I was very excited to read his memoir, detailing an almost forty year career as an indie filmmaker…and it didn’t disappoint. Coscarelli gives a brief account of his upbringing and then on to his first attempt to make a feature film, a drama called Jim, The World’s Greatest. He then weaves a fun and informative account of his film career spanning from the making of Kenny & Co. in 1976, to his classic Phantasm, to the harrowing production of the Beastmaster, all the way up to his recent Phantasm: Ravager. The stories of what Don and family and friends went through to get some of his flicks made, and then released, will really give you an idea of how difficult it is make a movie, especially if you don’t have big studio backing…which comes with it’s own headaches. It’s a real treat to hear the production stories of how his movies were made…or not made in some cases…and how even now getting a film going is still not easy even for a man considered a horror legend.
True Indie is a fun true life story woven by a man with a talent for overcoming adversity and for telling an entertaining, sincere and heartfelt story…the account of the final moments he shared with his star and friend Angus Scrimm will have you in tears. A tale of arrogant investors, eccentric actors, the MPAA and those darn silver spheres! A great book if you are a fan of Don Coscarelli, horror films or just independent filmmaking in general, this is a must read!
Rated 4 silver spheres!
Phantasm is a true horror classic and one of my all time favorite horror films. No matter how many times I watch it, it’s just as weird and creepy as when I first saw it back in 79. It may be considered slow moving and tame by today’s standards, but I still love it.
Phantasm tells the story of the Pearson brothers, Jody (Bill Thornbury) and younger sibling Mike (Michael Baldwin) who have recently lost their parents and now are burying their friend Tommy who is said to have committed suicide, but from the opening moments, we know different. All this time spent at the local mortuary has had an effect on the already traumatized Mike, who is starting to believe that the deaths are part of some supernatural conspiracy lead by the mysterious Tall Man (Angus Scrimm) who is the ominous undertaker at the Morningside Funeral Home. But as Mike continues to investigate the creepy mortuary to prove his beliefs to Jody and their best friend Reggie (Reggie Bannister), he finds that not only may he be right about the devious goings on, but the Tall Man may now have the brothers and their pal targeted as his next victims.
Phantasm is a creepy and surreal horror tale from writer/director Don Coscarelli who also made the cult favorites The Beastmaster and Bubba Ho-Tep. It is full of spooky atmosphere and Coscarelli and crew achieve some really nightmare worthy visuals and SPFX on a small budget. From it’s freakish horde of hooded dwarves…whose creation is a disturbing part of the Tall Man’s plan…to the murderous silver spheres that patrol Morningside’s hallways, Phantasm delivers an original and offbeat fright flick with plenty of chills and thrills. The cast for the young protagonists are basically amateurs and are fine, but it is Scrimm and his evil Tall Man that really helps make things work by crafting a malevolent and memorable villain who is now considered a classic horror icon. There is a decent amount of gore throughout the flick, but it’s rather tame compared to more modern horror…though ironically, back in the day, critics sighted it along with Alien and Dawn Of The Dead as examples of horror violence going too far…and the story nicely combines the supernatural with the extraterrestrial to make for a delightfully weird tale. The film does have a dream-like quality and doesn’t always follow a traditional straight and narrow narrative, but it is never hard to follow and it’s surreal tone adds to the overall effectiveness of the film. Phantasm’s equally goose-bump inducing electronic score by Fred Myrow and Malcolm Seagrave also adds a lot of atmosphere to an already atmospheric film and the sound effects guys came up with some pretty unsettling sound effects to accent the bizarre events occurring onscreen.
Obviously Phantasm now also comes with that late 70s, early 80s nostalgia too and that only adds to the fun and while I understand why the newer generation of horror fans may not quite get what the fuss is about, this film for me is an influential classic that has yet to ever really be equaled, even by Coscarelli’s own amusing, but inferior four sequels. One of my top 5 Halloween season must watches!…and I still want the black 1971 Plymouth Barracuda the Pearson Brothers cruised around in!
4 silver spheres!
Maybe the coolest car in horror history since The Munster Mobile!