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Some film fans may remember Avco Embassy Pictures, though there also may be some of you out there who have never heard of them…but if you love movies, you certainly know some of their titles! When talking about Avco Embassy Pictures, it would also be remiss not to mention the name of Robert Rehme…and as a B-Movie fan, you might want to know who this man is, too…

Originally a distributor of foreign films, such as Godzilla: King Of The Monsters and Fellini’s 8 1/2, Avco Embassy was founded by legendary producer Joseph E. Levine in 1942. It wasn’t until the 60s when the studio began to produce it’s own films, including such classic’s as The Graduate, Mad Monster Party and The Producers, to name just a few.

Some classic genre flicks released/produced by Avco Embassy in their early years!

The era that should resonate most with horror, action and sci-fi fans, are the years between 1978 and 1982. During most of this time, a man named Robert Rehme ran the studio. After having been sold and then experiencing some financial trouble that brought production to a halt, Rehme was hired to get the studio producing and profitable again and that he did! Rehme, who got his start working for Roger Corman at New World Pictures, used some of his former employer’s methods and turned to lower budgeted, yet popular B-movies to get the studio back in the black. Avco Embassy started churning out such flicks prolifically for the next few years, producing many inexpensive but successful films. Under his watch, the studio produced and released such classics and cult classics as Phantasm, The Fog, Scanners, The Howling and Escape From New York among many others! This strategy was a success, as studio earnings quadrupled during Rehme’s time at the helm!

Some of the classics and cult favorites the studio churned out under Rehme between 78 and 82!

All good things do, however, come to an end. Robert Rehme moved on to work for Universal in 1981 and Avco Embassy was subsequently sold in 1982. The name was changed to simply Embassy Pictures and the new owners gradually moved away from such B-Movie fair focusing on turning out more mainstream movies such as Eddie And The Cruisers and the classic comedy This Is Spinal Tap. Their last theatrical feature saw it’s release in 1986 and laid to rest the legacy of a studio whose early 80s flourish produced numerous classics and cult favorites. While Avco is now long gone, and Rehme apparently retired after a lengthy career, the movies they turned out, especially during their golden age between 1978 and 1982, will immortalize Avco Embassy Pictures and Robert Rehme with movie buffs for all time!

-MonsterZero NJ

Unsung hero of many a horror and B-Movie classic and cult classic, Robert Rehme!

sources: Wikipedia/IMDB/internet




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 James (Shakedown) Glickenhaus’ The Exterminator is a grind house flick through and through with its dirty, grimy depiction of a crime-riddled New York City and the cruel and blood-spattered activities of its criminal underworld and corrupt officials. The film focuses on Viet Nam vet John Eastland (Robert Ginty) and his friend Michael Jefferson (Steve James) who saved his life in the brutal opening sequence set during the war. When the two best friend cross paths with The Ghetto Ghouls, a vicious street gang, the vengeful youths attack Jefferson and paralyze him for life. This sets Eastland off on a bloody quest for revenge which starts at the Ghetto Ghoul’s hang-out and soon spreads out onto the streets of New York City itself as Eastland decides to become a one-man war against crime, who proclaims himself to the people of the city as “The Exterminator.” With guns, flame throwers and even meat grinders at his disposal, The Exterminator is out to clean up the streets…but he’s got the attention of a hard-boiled cop (Christopher George) and made enemies even he may not be able to survive.

Written and directed by Glickenhaus, this is a sleazy and nasty little film that isn’t afraid to go deep into the alleyways and hidden sex dens to follow Eastland on his quest for justice, spurred by the mutilation of his dearest friend. Glickenhaus creates a New York City that is dirty, violent and corrupt on every level. A film where little or no moral characters exist and that makes you want to take a bath after it’s over. It’s a revenge, action film that’s directed more like a slasher movie, unafraid to go places mainstream movies won’t and smart enough to not try to be more than it is. It’s an exploitation movie to its core, showing a darker side of the world’s greatest city at a time where lawlessness was at its worst. Obviously, 80s nostalgia permeates the film now and adds to its cult classic status. The film’s not perfect. Eastland goes from mild mannered vet to homicidal vigilante far too quickly to appreciate the effects of his being pushed too far. Having no main villain after he deals with the Ghetto Ghouls early on, robs the film of a more focused story and makes Eastland’s actions appear random at times. The pace is rather slow…though not uncommon in this era of movies. The action, aside from the Viet Nam opening is rather unremarkable. The acting is passable at best and the ending, though unconventional, is rather abrupt. It is an exploitation film after all, and it delivers the sleazy goods more than it stumbles and gives us a down and dirty look at NYC at a time when the Big Apple had lost a lot of its luster. It’s a bloody, bare bones grind house flick about vigilante justice, street style, without the Hollywood gloss of the similar Death Wish.

The cast are all efficient enough, though, we won’t be handing out any awards. Robert Ginty is fine as Eastland. He is a bit wooden, but his boyish looks and calm delivery make him a good choice as Eastland, as he is not someone you would immediately expect to be a psychopathic vigilante. Christopher George is his usual reliable self as the macho, tough-guy cop tracking The Exterminator and he works in the type of part he played often in his career. The rest of the cast are an assortment of gangsters, gang members and slimy CIA agents and everyone fits in with the exploitation atmosphere just fine. Samantha Eggar has a small role as George’s doctor girlfriend, and she may be one of the only nice people in the film apart from Michael’s wife Maria (Michele Harrell).

Released by legendary studio Avco Embassy Pictures, I didn’t see The Exterminator when it first came out but caught it a few years later on VHS and wasn’t overly impressed at that time. I did see the lackluster sequel from Cannon Films in 1984. The original is a cult classic, and I think I appreciate it more now for what it is and that it presents such heavy nostalgia of the early 80s NYC in all its sleazy 42nd street glory. The city has greatly improved since then and while that is good for visitors and occupants alike, we can now safely revisit one of its darkest times, crime-wise, through exploitation films like this, that dove into the immoral muck and mire with both feet and swam through it proudly…and The Exterminator does just that as any good grind house movie should.

Rated 3 (out of 4) about to become chopped meat mobsters.

exterminator rating