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WE GO ON (2016)

Original slant on a haunting flick finds a man named Miles (Clark Freeman) suffering an almost fatal car accident. Even when his injuries are healed, Miles finds himself living with his mother Charlotte (Annette O’Toole) and living in fear. Not only is Miles timid about driving again, but now terrified of dying. To try to ease that fear, Miles takes out an ad promising $30,000 to anyone who can give him definitive proof of the afterlife. Initially he finds nothing but disappointment from the various scientist, paranormal experts and psychics that apply, until a strange phone call gives proof to the old adage ‘be careful what you wish for.’

Flick is co-directed by Andy Mitton and Jesse Holland from their script and story. It has a very interesting and clever premise with a man suffering a close call and now being terrified of death. He will go to any lengths to prove there is an afterlife to alleviate that fear, and as this is a horror film, that pursuit comes back to bite him. Mitton and Holland provide some very spooky scenes, even when Miles is scammed by con-artists, as some of those sequences are still creepy, before being revealed as fraud. When Miles gets a phone call from a mysterious man, things get even creepier, especially when we learn who this man is and what his intentions are. It then takes the film in an interesting new direction, when to free himself from what he’s gotten himself into, Miles is faced with a moral conundrum. Miles is forced to confront his morality, as well as, his mortality. He is also forced to confront some truths about his own past, as well. The resolution to Miles’ tale is interesting to say the least. A solid idea well carried out in both script and direction. As with Mitton’s The Witch in the Window, there are some make-up FX which are well rendered and it appears all the FX are in-camera. If not, any CGI is very subtle. This is a spooky and disturbing flick that asks some interesting questions and goes in some provocative directions. The duo of Mitton and Holland prove that the spookiness in Yellowbrickroad was not a fluke and is even more well-honed with a solid and less ambiguous story. The flick is not for everyone, as with any paranormal themed film, it depends on your beliefs in such as to how effective it will be for you.

There is a small but solid cast. Yellowbrickroad veteran Clark Freeman is very good as Miles. He is a man terrified and living in fear and wanting to find a way out. This puts Miles in a position to find definitive answers to some age old questions about life and afterlife and is even morally challenged as well. The actor handles all these facets of Miles’ journey very effectively. Annette O’Toole is very good as his caring mother Charlotte. She is very protective of Miles and is probably more skeptical of the answerers to his ad than he is. Jay Dunn is appropriately spooky as the author of the phone call, the mysterious Nelson. There is more to Nelson than meets the eye and that’s all that need be said. In support, we have good work from Laura Heisler as Nelson’s girlfriend Alice, veteran John Glover as a scientist and Giovanna Zacarías as a psychic who might be more legit than Miles first believes. A good cast that take the material seriously and give down-to-earth performances which suit the tone and material.

Overall, Andy Mitton and Jesse Holland prove they are filmmakers to watch in the indie film arena. They have come up with an intriguing and original slant on the haunting scenario, carry it out effectively and take it in some provocative directions. The film has some very spooky and disturbing moments, as well as, some thought-provoking questions. It can be low key at times, but the slower burn keeps it from getting theatrical and that keeps it grounded…and it’s all the more effective for it. Another flick that can be found on Shudder.

-MonsterZero NJ

Rated 3 and 1/2 (out of 4) cellphones on which to receive ominous messages!






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Based on Stephen King’s book, this TV mini-series was first aired back in November of 1990 and it’s taken me quite a long time but, I have finally caught up with it. To be clear, I haven’t read the book so, I am viewing the movie as a movie and not comparing it to the original source material for which I am not familiar.

Book based horror tells the story of 7 childhood friends in the small Maine town of Derry, where, at this time, there have been a rash of murders and disappearances of small children including the little brother of one of the group. And soon after, the group themselves become terrorized by something evil in the form of a horrifying clown who calls himself Pennywise (Tim Curry). The creature preys on their fears and weaknesses until the seven friend’s finally gather the courage to enter the abandoned sewer plant where they believe this creature lives and after a terrifying confrontation, appear to have defeated it. But, they make a promise that if “It” ever returns they would come together and fight the creature once more… But, after 30 years their worst nightmares come true and children start to disappear or are found murdered again in Derry and the call is raised for the “Loser’s Club” to rejoin and keep their promise. But, the horrors of what happened in 1960 are hard to overcome and worse yet, the mysterious and sinister Pennywise knows they are coming and is more than ready. Can the group defeat their own fears and reunite to put this fiend to rest once and for all… or will they all finally fall victim to the monstrous clown… or whatever it is that has haunted this town for generations?

TV movie directed by John Carpenter alumni Tommy Lee Wallace (Halloween III, the original Fright Night II), who also adapted King’s book with Lawrence D. Cohen, is a well made and entertaining film though a bit long-winded when watched all at once instead of broken up into two parts as when it was originally aired. The film starts off in 1990 as we are first treated to the murder of a poor child by the fleetingly glimpsed Pennywise and then slowly over the course of the first 90 minutes we are introduced to the main characters both as children and adults and then shown the horrifying events that take place in 1960 that lead up to the being’s temporary defeat and the pact made to return if need be. The narrative is a little choppy but, it smoothes out after about 3/4 of an hour and since King likes to add extensive detail and backgroud to his many characters, it’s easy to see why the filmmakers weren’t 100% successful in relaying that to screen even with 3 hours to work with. The narrative is much smoother in it’s second half as it builds to the reunion of friends and then it’s climactic confrontation. Even with the uneven narrative in the first act, the film is effective and creepy fun, especially when Curry is onscreen as Pennywise. He really nails the whole scary clown thing and seems to be having a blast as the sinister villain. It’s in the final battle when sadly It let’s us down as the film turns into another movie altogether once the creature, in it’s true form, is revealed. Not only does the climax become a routine monster movie complete with a generic creature, but, it robs us of what we have been wanting to see all along, Pennywise getting what’s coming to him. The creature in true form is basically a monstrous spider and while I liked the charming stop-motion animation from Terminator FX man Gene Warren Jr. and his Fantasy II Film Effects, it simply doesn’t resonate and is devoid of what made the film work for the last 2 and 1/2 hours, Curry’s creepy clown. Overall, I think Wallace did a good job and he certainly learned from Carpenter as evidence by his camera angles and Richard Leiterman’s Dean Cundey-esque cinematography but, the film’s cheesy monster movie (and I love cheesy monster movies) ending doesn’t give his film the horrifying and powerful climax the story needs. Whether it was the script or the book itself that disappoints… though friends assure me the book does not… we need this to end with an intense bang and not a whimper. And despite all it gets right, the film does end on a whimper and that is really sad because otherwise, this was a very engaging and fun horror flick with talented people involved on all fronts from behind the camera to a fine cast.

And as for the cast, Wallace get’s good work out of them all, but, obviously Curry takes the creepy ball and runs with it and makes this his show. Pennywise is a true cinema villain with Curry under the grease paint and it’s sad he is replaced by Boris the spider at the climax. The rest of the cast both young and adult actors are good. We have… Richard Thomas as adult Bill Denbrough with Johathan Brandis as young Bill, Annette O’Toole as adult Beverly Marsh with Ginger Snaps‘ Emily Perkins as young Beverly, John Ritter as adult Ben Hanscom and Brandon Crane as young Ben, Harry Anderson as adult Richie Tozier and Buffy’s Seth Green as young Richie, Fade To Black’s Dennis Christopher as adult Eddie Kaspbrak and Adam Faraizi as young Eddie, Tim Reid as adult Mike Hanlon and Marlon Taylor as young Mike with last, but not least, Richard Mazur as adult Stanley Uris with Ben Heller as young Stan. They all do a good job giving some personality to their characters, both in young and adult incarnations and are an endearing bunch. A solid cast who perform their roles well though, all upstaged by Curry and, as he is to haunt their nightmares, rightfully so!

So, I will say I enjoyed It and am now curious to read the book. The ending did let me down, although it was the type of ending I would have enjoyed if it were attached to a low budget monster movie and not the finale that we were building three hours up to. Overall, I would still recommend it as a creepy good time and one of the better TV made movies around, it’s just a shame that it falls short of classic status due to a final act which doesn’t live up to the rest of the film’s promise.

3 creepy clowns.

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