BARE BONES: ANTLERS (2021)

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ANTLERS (2021)

Lucas (Jeremy T. Thomas) is a young boy who has only his schoolteacher Julia (Keri Russell) and her sheriff brother Paul (Jesse Plemons) to turn to when an encounter with an ancient and evil entity transforms his father (Scott Haze) into a monster.
 

Gory and unsettling flick is directed by Scott Cooper (Out of the Furnace) from his script with C. Henry Chaisson and Nick Antosca (Brand New Cherry Flavor), based on Antosca’s book The Quiet Boy. It is a disturbing film that not only tells a tale of horror about a vengeful and evil Native American spirit but touches on the real-life horrors of abuse through its emotionally scarred characters. It is a slow burn, but it serves the story to build gradually to the film’s more gruesome moments, as the man turned malevolent creature eventually finds its way into the surrounding woods of this small mountain town. The film is very atmospheric and has some very horrifying imagery to give its audience the continual creeps, and when it’s Wendigo is on screen, it’s a very effective critter with top notch creature and gore FX. The cast is very good, with especially strong work from Keri Russell, as a teacher with her own emotional traumas, and young Jeremy T. Thomas as the embattled Lucas. The slow pace and unsettlingly real subject matter may not be for some, but Antlers is a creepy and effective film for those who can appreciate Cooper’s grim and dreary approach. Rustic horror movie also stars Graham Greene as a retired Native American sheriff and Amy Madigan as a concerned school principal.

-MonsterZero NJ

3 star rating

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TOMB OF NOSTALGIA: STREETS OF FIRE (1984)

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STREETS OF FIRE (1984)

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Hot on the heels of the smash hit, Eddie Murphy debut 48 Hours, Walter Hill indulged himself with this “Rock & Roll Fable” about an up and coming rock star named Ellen Aim (Diane Lane) who is kidnaped by biker gang leader Raven (Willem Dafoe) at a concert in her home town. Her ex-soldier, ex-boyfriend Tom Cody (Michael Paré) comes to rescue her, along with her current manager/boyfriend Billy Fish (Rick Moranis) and another gruff ex-soldier McCoy (Amy Madigan). That’s kinda it, plot wise.

After a huge success with the action, buddy comedy 48 Hours, Hill took a stumble that he would never really recover from. Streets Of Fire is a bit of a mess and was a box office disappointment after the Eddie Murphy/Nick Nolte flick becoming a runaway hit. Co-written with Larry Gross, Streets is a combination 40s, 50s, 80s meets a bit of Blade Runner and never quite clicks and is definitely missing something. One of the big problems is the lack of a real story. The set-up is over within the first 40 minutes with Aim being rescued by Cody and company. The next 50 minutes is a meandering journey back home and then some soap opera level romantic melodrama when they get there. In the mean time, we wait for Dafoe’s villain to come after them, which he finally does in the last 10 minutes. Even at slightly above 90 minutes it gets tedious real fast. Another problem is that there is no energy or excitement to the action. The various fisticuffs and gunfights are very by-the-numbers and have none of the intensity of Hill’s previous films like The Warriors. On a technical level, the film looks really good, thought the time period mash-up doesn’t quite visually click either. There are some really good tunes from the music numbers on the soundtrack and Ry Cooder’s score adds some atmosphere to the proceedings. The legendary Andrew Laszlo delivers some top notch cinematography, as well. It’s that just for a “Rock & Roll Fable” there is very little “Rock & Roll” spirit in this flick and overall it’s kinda dull when all is said and done.

As for the cast they are all good enough, despite given sadly little to really do other than the lead males. Michael Paré is a solid hero. He does the smoldering intensity thing well and his loner Cody might have been more impressive in a better movie. Dafoe is also good as the slimy, somewhat androgynous Raven. His motivations for kidnapping Aim are thin, but that is the script’s fault and he is a good villain that sadly disappears for a good portion of the second half. Diane Lane is a bit bland, but again the character is little more than a damsel to be rescued and isn’t given much to do but stare with doe eyes at Cody. Rick Moranis’ douchey Billy Fish is a bit annoying, but the character is supposed to be, so we can cut him some slack. Rounding out the leads, is Amy Madigan who is fine and likable as the tough ex-solider McCoy and probably would have made even more of an impression with better material. There are supporting roles by Bill Paxton as an old friend of Cody’s, 80s icon E.G. Daily as a groupie and The Warriors Deborah Van Valkenburgh as Cody’s sister Reva, who calls him when Ellen is abducted.

This is a flick that had a lot of potential, but drops the ball with a paper thin story and delivering some very by-the-numbers action from a director who was becoming known for his action flicks. It’s a self-indulgent misfire that could have been something special with a better script and it’s director not falling asleep at the wheel. There are some now classic tunes on the soundtrack…including a couple produced by Jim Steinman, who produced Meatloaf’s classic Bat OutOf Hell album…and there is some nice 80s nostalgia, but, overall, Streets Of Fire fizzles instead of blazes. This 1984 movie has developed a bit of a cult following and there was an unofficial sequel from Albert Pyun made in 2008 called Road To Hell reuniting Paré and Van Valkenburgh as “Cody” and “sister” with Anita Leeman playing “Ellen” and Lauren Sutherland as “Mc Coy”.

-MonsterZero NJ

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and the trailer to the unofficial sequel, Road ToHell…

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