THE NUN (2018)
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The Nun is the latest film in The Conjuring film series now referred to as “The Conjuring Universe”. The film explores the origins of the demonic nun that plagued the Warrens in Conjuring 2 and is a spooky fun entry in a series that, up till now, has taken itself a bit too seriously at times. The story opens in 1952 where a veteran priest, Father Burke (Demián Bichir) is asked by the Vatican to travel to Romania to investigate the suicide of a nun at a remote Abbey. He is asked to bring along young Sister Irene (Taissa Farmiga) who is about to take her vows to join the sisterhood. There they find that the locals think the place is cursed and maybe with good reason as the Abbey is housed in the castle of a duke who used to perform occult ceremonies. Something evil he conjured has been reawakened and now needs a human host to escape. It’s focused on Irene and so she, Burke and a French-Canadian migrant named Frenchie (Jonas Bloquet), must find a way to send this demon in nun’s clothing (Bonnie Aarons) back to the hell it came from before it releases its bad habits upon an unsuspecting world.
Flick is directed by Corin Hardy (The Hallow) from a script and story by James Wan and Gary Dauberman. Hardy brings loads of atmosphere and some incredibly spooky visuals to the proceedings. The man knows how a Gothic horror should look. He manages some spooky scenes and delivers loads of nods to other movies such as Fulci’s City of the Living Dead, Raimi’s Evil Dead and at times it even evoked the Blind Dead series and obviously, some of the nun themed horrors out of Europe in 70s, like Jess Franco’s The Demons. It’s never truly scary, even if it does play its story straight, but it’s fun in that it throws its familiar tropes at us fast and furious and mixes and uses them quite well. We get frightened villagers, ominous woods, exorcisms, fog strewn graveyards, re-animated corpses, folks buried alive and more crosses than you can shake at a demonic nun. We do find out who the demon in question is and why it’s here, but other than liking the style or mocking its prey, it’s never clear why it prefers to dress like a nun. But with all the spooky goings on, do we really need to know? What the heck…It works. By the rolling of the credits a good time has been had and the film does gives us that vital link to the Warrens that makes the Conjuring connection. After the holy smoke clears, we haven’t seen anything new, but are amused by the way Corin Hardy took all the familiar tropes and ran with them…and run with them he does. He also had good support from Maxime Alexandre’s sumptuous cinematography and a really Gothic score by Abel Korzeniowski.
The cast work well, especially young Taissa Farmiga as Sister Irene. She portrays well a young woman of the cloth whose faith and strength are tested against something not even The Bible has prepared her for. She’s a good actress much like her older sister Vera Farmiga from The Conjuring films. She makes for a good heroine. Demián Bichir is good as the priest with a past. He has a grizzled demeanor and a gravelly voice which essays a man who has seen a lot in his lifetime and experienced some harsh events. Of course, the demon uses those events from his past against him and it makes things interesting. Jonas Bloquet is OK as the French-Canadian Maurice or ‘Frenchie’ as he is known to the locals. He has some of the weakest lines and his character disappears for a long stretch, so his character development is the weakest. Rounding out is Bonnie Aarons as our demonic nun Valak, and she is effective under the make-up and CGI, but never appears long enough to really chill us like she should.
Not being the biggest fan of this Conjuring Universe, the general opinion is that they run hot and cold with the original The Conjuring still being the most effective of the lot, with Annabelle: Creation and now The Nun being the more enjoyable spin-offs. The Nun is full of things we’ve seen before but mixes them well and serves them up at a rapid pace with some real nice atmospheric and visual support from director Corin Hardy. It’s played straight, but one can tell Hardy is having fun throwing all the crosses, headstones, spooks and specters at us and the film is more self-aware and a bit less serious than its predecessors in this series…and that’s a good thing. Spooky fun.
For those who haven’t seen Corin Hardy’s first film The Hallow, I recommend you check it out! -MZNJ
Rated 3 (out of 4) demonic nuns.