MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: THE PROWLER and FRIDAY THE 13th:THE FINAL CHAPTER

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NYC born Joseph Zito

MonsterZero NJ’s Saturday Night Double Feature is back! This time our double feature consists of two 80s slasher classics from director Joseph Zito. Zito made three horror films in his career, including the 1980 Bloodrage, before leaving the genre to make action movies with the likes of Chuck Norris and Dolph Lundgren. Shame, these two are among the best examples of the slasher genre of the late 70s and early 80s.

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THE PROWLER (1981)

This 1981 slasher opens up in 1945 as soldiers are coming home from the war and we hear a young woman reading a ‘dear John’ break-up letter, intended for a boyfriend away on duty. We cut to Avalon Bay which is having it’s annual college graduation dance and a young couple leave the dance for a romantic walk. Their romance is cut short by someone dressed as a combat-ready soldier, who promptly runs the embracing couple through with a pitch fork, leaving a rose in the female victim’s hand. We then pick our story up in 1980 where the Avalon Bay Graduation Dance is being revived after having been halted 35 years earlier by the father of the murdered girl, Major Chatham (Lawrence Tierney). Someone is reviving another activity from that night, as a killer dressed in military gear descends on the partying co-eds with bayonet and pitchfork and starts leaving a bloody trail of bodies and roses behind. Can sweet Pam (Vicky Dawson) and her deputy boyfriend Mark (Christopher Goutman) stop this deranged killer, or will they join his list of victims?

Directed by Joseph Zito, who is mostly known for directing the fourth Friday The 13th flick and two of Chuck Norris’ biggest hits Missing In Action and Invasion U.S.A., this bloody slasher follows the 80s slasher format very well. We get a bunch of nubile young intended victims being stalked by an unbalanced killer with a grudge, who is dispatching them in gruesome and versatile fashion. We also get a pretty young heroine to serve as our ‘final girl’ and the doomed slutty girls who’ll show us their boobs! Zito also manages to serve up some suspense and some tension, too. He’s not the most stylish director, but his directing here is far less by-the-numbers than his Norris action flicks. And there is some decent cinematography from frequent Zito D.O.P. João Fernandes. The horror genre seems to suit Zito better than his generic action movies. The film has some atmosphere, a touch of Scooby-Doo-ish mystery and it is an entertaining 90 minutes of horror that represents the era well. It’s not perfect, we really aren’t given enough suspects, or red herrings, to make it really interesting, though when we do get the big reveal, it is still kind of a surprise. We never really get to know the victims all that well, so most of their deaths have little impact other than Tom Savini’s still effective gore FX.

The cast are fine, even though we only really get to know Pam and Mark. Actors Dawson and Goutman make them likable enough. The rest are generic horny college kids, who are there to be victims and they serve that purpose well. Vet Tierney doesn’t get to have any lines, despite the film implying he’s a suspect, so not sure why they even hired a name actor for the part.

In conclusion, The Prowler is still one of the better slashers of this era. Maybe not in the same league as Halloween, or the original Friday The 13th, but it is a solid enough slasher and is a fun and nostalgic sample of the type of film made in the early 80s before films like Evil Dead, ScannersRe-Animator and A Nightmare On Elm Street took horror in new directions. A fun, gory example of what made 80s slashers fun. Extra credit for filming in my home stomping ground of New Jersey!

Rated a solid 3 (out of 4) pitchforks!

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WARNING: this trailer does show a lot of plot elements…

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FRIDAY THE 13th: THE FINAL CHAPTER (1984)

Friday The 13th: The Final Chapter is one of my favorites of the sequels and the one that comes closest to matching the original. The film saw not only a return to the more serious tone and atmosphere of the original film, but with the return of Tom Savini to the make-up FX duties, also brought back the more intense and graphic kills and gore.

This entry opens right where Part 3 left off with Jason (stuntman Ted White) and his victims carted off to the morgue from the Higgins place only to have Jason revive and escape, but not before gruesomely murdering two horny hospital employees. We then switch to two houses deep in the woods near Crystal Lake, one occupied by single mother Mrs. Jarvis (Joan Freeman) and her daughter Trish (Kimberly Beck) and young son Tommy (Corey Feldman), the other occupied by a group of partying youths on a make-out and drinking getaway. A certain someone has returned home to his stomping grounds and now has targeted both young partiers and innocent family alike. Will any of them survive his relentless rage?

This installment brought in The Prowler director Joseph Zito and he brings the suspense, atmosphere and intensity to the proceedings that made that 1981 slasher one of the more entertaining of the time period. He comes very close to providing an equal to the original Friday with what was supposed to be Jason’s final film. The kills are brutal, as well, and with Savini’s return, the make-up FX are quite inventive and gory. Zito leaves some of the lighter humor that appeared in Part 3 behind and it keeps the atmosphere taunt and foreboding, as it should be. The film also added an interesting plot element in the character of Rob (Erich Anderson), who at first seems like a hunter/camper, but turns out to be the vengeful brother of a girl murdered by Jason (Sandra played by Marta Kober from Part 2) and he is now stalking the lethal serial killer with the intent of ending his reign of terror. One of the film’s few faults is the confrontation between these two could have been a bit more epic. The character of young Tommy (Feldman) being a bit of a geek/make-up artist also adds a fun twist to the proceedings.

As for the rest of the characters, this bunch are a lot livelier then most of the generic victims and with the inclusion of Crispin Glover in one of his most ‘normal’ roles as a shy teen and 80s movie fixture Judy Aronson as a one of the babes, we get a nice group of likable, horny teens to fall under Jason’s varied weapons. It gives their deaths impact because we like them and the young cast give them life and personality. Also stars Hell Night’s Peter Barton as one of the party goers who meets Jason’s wrath and the score is one again by Harry Manfredini.

A really good entry in the series and by far the best of the sequels.

MONSTERZERO NJ EXTRA TRIVIA: There is a small mistake here in this installment. When driving past a graveyard, they spot Mrs. Voorhees’ tombstone which has her date of death being 1979. But, as we all know, she actually died on Friday June 13th, 1980 by having her head removed by final girl Alice in the original Friday The 13th.

Rated 3 and 1/2 (out of 4) hockey masks

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TOMB OF NOSTALGIA: MAUSOLEUM (1983)

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MAUSOLEUM (1983)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Early 80s horror finds young Susan (Julie Christy Murray) running from her mother’s funeral and finding her way to a creepy mausoleum. There she becomes possessed by a demon which remains dormant until she becomes an adult. Years later, with Susan (Bobbie Bresee) now grown up and married, the demon emerges when men get aggressive with her and, as a result, are gruesomely murdered, as is anyone who stands in her way. Can her husband Oliver (a somewhat restrained Marjoe Gortner) and her psychiatrist Dr. Andrews (Norman Burton) free her of the demonic curse which has plagued her family for generations?

Gory flick is directed sadly with a very by-the-numbers style by Michael Dugan from a story and script by Katherine Rosenwink, Robert Barich and Robert Madero. Despite all the supernatural hi-jinx, the flick is very slow paced and doesn’t nearly use it’s B-movie premise to the fullest. It is saved somewhat by some cool monster make-up by John Carl Buechler, some very graphic and abundant gore and some generous nudity from the shapely Ms. Bresee, who was a former Playboy Bunny. There are some wonderfully cheesy visual effects to go with the terrible dialogue and entertainingly bad acting and some always welcome added 80s nostalgia. It’s amusing for all the wrong reasons and there is nothing wrong with that. Hard to hate a movie featuring a female demon equipped with two creature heads as boobs.

Not a great movie by any lengths, but it is a fun one. The acting and dialogue is terrible and the directing is disappointingly pedestrian. The flick needed a director, like Jim Wynorski, who could milk the premise more, but it does have a cool monster, a lot of graphic gore and plentiful nudity from it’s beautiful leading lady. Not a classic, but a cult favorite that mixed with your favorite brews can be part of any cheesy 80s horror night.

-MonsterZero NJ

Rated 2 and 1/2 Marjoe Gortners (out of 4) in one of his less restrained moments.

 

 

 

 

 

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HORROR YOU MIGHT HAVE MISSED: YOU MIGHT BE THE KILLER (2018)

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YOU MIGHT BE THE KILLER (2018)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Flick opens with bloodied camp counselor Sam (The Cabin in the Woods’ Fran Kranz) terrified and hiding out in one of the camp cabins. He calls his good friend and horror movie buff Chuck (Buffy TVS’s Alyson Hannigan) to ask her advice as to how he might survive a killer on the loose right out of a slasher movie. As he starts to relate the ghastly events, Chuck comes to a possible conclusion…”You Might Be The Killer!”

Clever and fun comedy/horror is directed by Brett Simmons from a script by he and Thomas P. Vitale. It takes about a half hour to really click, but when it does, it is not only a fun homage to 80s summer camp horrors, but playfully has a good time messing with the familiar tropes. As the frightened Sam starts to relate and remember the bloody deaths of his co-workers, Chuck comes to the conclusion that he actually might be the killer. What comes next is a flashback to what really happened that has an amusing twist on the killer’s origin and even an interesting slant on the tradition-following mask that the killer wears. Is it Sam?…if it is, his killer has one problem…the final girl! The film also has a bit of fun with the final girl trope, too and the kills are quite gruesome as they should be. When one realizes where this flick is headed, you find yourself ready and willing to go along for the ride and a bloody fun, clever ride it is.

The film is well cast. Kranz is energetic and fun as Sam. He is having a good time playing both fearful victim and then suspected killer, as Chuck’s movie knowledge leads her to believe her long time friend is actually the killer in this unfolding slasher flick. As Chuck, Hannigan does little but stand in her video/collectibles shop and talk to Sam on the phone, but she makes Chuck a fun character and obviously this is not her first rodeo in delivering pop culture references, of which this flick has in abundance. Brittany S. Hall is good as Sam’s tough and tattooed ex-girlfriend Imani and Jenna Harvey is sweet and feisty as Jamie. Both are camp counselors and both are final girl candidates that Sam might need to look out for, if Chuck is right.

Once the flick locks in it’s premise, it’s a really fun homage to and clever meta twist on the beloved summer camp horror. It has all the tropes present and not only has a good time with them, but has fun playing with a few of them too. There are some clever twists mixed in with the nostalgia and having our hero, possibly be the villain works very well in the context to which the concept is used. A fun little flick that is both tribute and slasher flick.

 

-MonsterZero NJ

Rated 3 masks!

 

 

 

 

 

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TOMB OF NOSTALGIA: SCARECROWS (1988)

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SCARECROWS (1988)

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80s horror has a group of heavily armed thieves robbing a military base and hijacking a plane to escape. One of their number betrays them and parachutes out with their cash. The group lands in pursuit, along with the hostage pilot (David Campbell) and his daughter (Victoria Christian) and trace the traitor (B.J. Turner) to a deserted farmhouse. Lost money and traitorous partners become the least of their worries as the farm is home to an evil presence and it uses the ominous scarecrows that guard the cornfield to gruesomely slaughter anyone who trespasses.

Flick is a somewhat lesser known 80s slasher, but one that has earned a bit of a following all these years later. It’s directed a bit by-the-numbers by William Wesley from a script by he and Richard Jefferies. It’s not all that scary, but it has some spooky visuals and when the scarecrows begin to hunt crook and captive alike, there is some very effective and abundant gore. Obviously having our thieves carry the latest technology and weaponry was taking a cue from Aliens, but it doesn’t help against something so supernatural and so there is little question that most of this gang isn’t going to make it out to count their money. Wesley doesn’t built much tension or suspense and the acting from the cast isn’t going to win any awards. In it’s favor, the action is plentiful once it gets going and there is some nice 80s nostalgia, too. It could have been a little more atmospheric considering it’s setting, but at least the scarecrows are effective villains.

Overall, Scarecrows is not a great movie, but not a bad one either. The film is never very suspenseful or scary and the acting won’t impress from any of it’s cast. The titular title characters are effective and their carnage is quite gruesome and abundant. A middle grade horror when all is said and done, but one that time has been kind to in terms of fan appreciation. Also stars, as our remaining gang of thieves, Ted Vernon as Corbin, Michael David Simms as Curry, Kristina Sanborn as Roxanne and Robert Vidan as Jack.

-MonsterZero NJ

Rated 2 and 1/2 scarecrows.

 

 

 

 

 

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HORROR YOU MIGHT HAVE MISSED: THE SLEEPER (2012)

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THE SLEEPER (2012)

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Flick bares a very close resemblance to Black Christmas by having a disturbed individual making eerie phone calls to the Alpha Gamma Theta sorority, then stalking and killing it’s members and whoever is close to them. It opens with the grisly murder of one of it’s pretty residents in 1979 and then jumps to 1981 with new pledges arriving. One by one the pretty Thetas fall, as the killer (Jason Jay Crabtree) cuts a bloody path to new pledge Amy (Brittany Belland).

Written and directed by Justin Russell there is obviously nothing very original here, even setting the flick at winter time like the 1974 classic it emulates. What Russell does succeed at is giving the film loads of atmosphere and really nailing the look and feel of a slasher flick from the era it’s set in. From the lighting, to camera shots, to the really nostalgic score by Gremlin, the film could pass for something made at that time period. It’s not all that scary or suspenseful, though it does have some spooky moments, and even the killer is very derivative…most likely on purpose. It still has a creepy late 70s early 80s vibe to it and the kills are gruesome at times. The killer’s preferred weapon is a hammer and the FX can be cheesy, which is fine since many of the films of that time period were restricted by small budgets. If anything, Russell knows his influences very well and his film is atmospheric, nostalgic and it even has a disco dance sequence, how can you hate that!?

Being set in a sorority there are some pretty faces in the cast, including scream queen Jessica (Silent Night) Cameron as Cindy. It’s girl-next-door Brittany (Clowntergeist) Belland that makes an impression, though, as new pledge and final girl Amy. Belland, who sadly passed away in November of 2018, has a down-to-earth beauty and a natural charm and is very effective in the final girl role. The rest of the Theta actresses are fine as eye candy and killer fodder, as are the gents playing their ill-fated boyfriends. As for our killer, the mask-less Jason Jay Crabtree is suitably unsettling even if he reminds one quite a lot of the killer from the original Black Christmas.

Overall, it’s not a great horror, or a very original one, but is very effective as the homage it was intended to be. It has the look and atmosphere of a horror from the late 70s and early 80s with the traditional blood, sex and electronic score. The late Brittany Belland makes a very good final girl as Amy and even if the killer is a bit too familiar, he and his kills are effective enough. A fun and nostalgic throwback to an era which obviously served as an inspiration to many of today’s filmmakers. Also features the legendary Joe Bob Briggs in a cameo.

The Sleeper is available from Scream Team Releasing who brought you The Barn, 10/31 and The Witching Seasonhttps://screamteamreleasing.com/products/the-sleeper-special-collectors-edition-blu-ray-dvd-combo-pack

-MonsterZero NJ

Rated 3 (out of 4) hammers.

 

 

 

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Farewell and RIP Brittany Belland

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TOMB OF NOSTALGIA: SILENT MADNESS (1984)

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SILENT MADNESS (1984)

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Part of the 80s 3D revival, Silent Madness has an error at a mental hospital releasing psychopathic killer Howard Johns (actor and stuntman Solly Marx) back onto the streets instead of inmate John Howard. Johns returns to the scene of his original slaughter, a college sorority and begins killing again. Pretty Dr. Joan Gilmore (Belinda Montgomery) refuses to be part of the cover-up and heads to the sorority house to stop him. This all occurs conveniently while the girls are leaving on holiday, so no one notices when his victims start to go missing and everyone thinks Gilmore is the crazy one.

Lesser known 80s slasher is directed by Simon Nuchtern from a script by Bob Zimmerman and Bill Milling, who also co-produced with Nuchtern. The result is a very tame slasher with a good deal of it’s kills happening off-screen and those we see, being rather underwhelming. You can count on one hand the times the film throws something at the screen to take advantage of the 3D and one wonders why they even bothered except to take advantage of a current craze. Belinda Montgomery does make for a perky and pretty heroine. She’s both final girl and damsel in distress and, of course, no one believes her that Johns is on the loose, including the lazy town sheriff (Sydney Lassick) and the sorority house mother (Viveca Lindfors). There is little suspense or scares and the ending big reveal isn’t anything we haven’t seen before, as the slasher craze was running out of gas at this point. Even Solly Marx’s silent killer (hence the title?) is kind of dull. Most of the usual 80s slasher tropes are present, so there is that, though not very effectively used by the by-the-numbers direction of Nuchtern. One curiosity is that some of the shots look like they are attempting a Suspiria/Argento look here and there, but even that is handled lamely.

Overall, this was a very pedestrian slasher and one that seemed to be made solely to take advantage of the 3D and slasher crazes of the era. It has the feel of a lazy production and only veterans Belinda Montgomery and Viveca Lindfors put any real effort into their performances. There is very little blood, much less gore and the kills are unimaginative and lame. If you are an 80s completest, it’s worth a look, but definitely a lesser known slasher for good reason. Also stars 80s scream queen Elizabeth Kaitan as a skateboarding babe who winds up one of Johns’ earlier victims.

-MonsterZero NJ

Rated 2 mistakenly released psychopaths.

 

 

 

 

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TOMB OF NOSTALGIA: KILLER PARTY (1986)

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KILLER PARTY (1986)

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1986 horror has a simple plot…a group of sorority sisters host an initiation for three pledges in an abandoned, haunted fraternity house. Once accepted into the sorority, the trio are tasked with setting up an April Fools Day costume party in that very same house…and of course, things turn deadly.

Directed by William Fruet (Blue Monkey) from a script by Barney Cohen, this is a silly, fun 80s slasher, thought it offers nothing new. The flick predates, Night of the Demons, by two years with it’s plot of college kids partying in an abandoned building and catching hell for it, literally. The 80s fashions and music abounds and the cast of mostly unknowns are attractive and adequate for this type of flick. The kills are fairly routine, the make-up FX work well enough and the film doesn’t take itself too seriously, as it is well aware it’s story of a vengeful, dead fraternity member is just plain silly. The characters are fairly likable, especially our three pledges (Joanna Johnson, Elaine Wilkes and Sherry Willis-Burch), though the big “reveal” as to who is possessed, is no surprise. There is little or no scares or suspense, but the film never really tries that hard, opting to have more fun with it’s premise.

Killer Party is a good example of the lighter toned, more colorful slashers of the mid to late 80s (read about the progression HERE). It offers nothing new, but does have fun with it’s silly story of a haunted sorority party. The 80s nostalgia is delightfully thick with all the very 80s fashions and music and there are enough kills to entertain. An amusing slasher from the slasher film’s most prolific era. Also stars cult film icon/director Paul Bartel as a college professor.

-MonsterZero NJ

rated 3 old-fashioned divers helmets, cause that’s what killers wore to costume parties in the 80s.

 

 

 

 

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TOMB OF NOSTALGIA: BAD DREAMS (1988)

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BAD DREAMS (1988)

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1988 horror tells the story of Cynthia (Jennifer Rubin), who has been in a coma for 13 years after being the sole survivor of a mass suicde at the Unity Fields cult compound. She suddenly awakens and immediately begins treatment by her psychiatrist, Dr. Alex Karmen (Bruce Abbott). As her memories slowly return, she finds herself haunted by cult leader Franklin Harris (Richard Lynch) who appears to her in her dreams. As the dreams persist, Cynthia’s fellow patients start dying in horrible ways and Cynthia believes Harris is somehow killing those around her from beyond the grave.

Dull Elm Street retread is directed by The Craft’s Andrew Fleming from a script by he and Steven de Souza. It replaces dream demon Freddy Krueger with cult leader Harris, and is a lot less inventive with it’s dream sequences. The film is neither scary nor suspenseful, though, at least there is some well orchestrated and plentiful gore to amuse us. The pacing is very slow and feels longer than it’s 84 minute running time and we question why patients with emotional problems have such easy access to things such as knives and poison. There is a big reveal in the last act, too, that fizzles, as it is even sillier than a phantom cult leader killing from the great beyond.

The cast is a mixed bag. Jennifer Rubin makes a good heroine and performs some silly scenes very straight, which helps. Lynch is an almost legendary movie bad guy and he gets the most out of the thinly written material, making Harris a creepy specter. Abbott is a dull hero and would have been better served as a second banana like he was in Re-Animator. Dean Cameron is completely annoying as patient, Ralph, though veteran Harris Yulin is fairly solid as a stereotypical doctor with a secret agenda. 80s icon E.G. Daily also appears, with a small role as the first victim of Harris’ supernatural hi-jinx.

This film has a following and thus it’s fans. I am not one of them. I didn’t think much of it when I first watched it on VHS back in the day and the revisit didn’t change things, even with some added 80s nostalgia. It’s dull, slow paced and despite some good gore, is devoid of any thrills, chills or inventiveness. A unsuccessful attempt to clone the success of Nightmare on Elm Street 3: Dream Warriors including stealing actress Rubin.

-MonsterZero NJ

2 scalpels because it takes place in a hospital and that’s all I could think of.

 

 

 

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TOMB OF NOSTALGIA: RETURN TO HORROR HIGH (1987)

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RETURN TO HORROR HIGH (1987)

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Ho hum horror/comedy is most notable for having future A-lister George Clooney in a small role and being a good example of how silly and self aware a lot of horror flicks got at this point in the decade. (for more on that subject click HERE). Flick tells the story of a film crew filming a movie about a series of murders that occurred a few years earlier at the now abandoned Crippen High School. They are filming at the actual site of the murders, despite that the killer was never found and now someone stalks the cast and crew, killing them off in gruesome ways.

Directed by Bill Froehlich from a script by he and three other writers. It’s understandable that to be a parody of slashers you kind of have to basically be one but this flick fails at both. It’s fractured narrative doesn’t help, going back and forth between the aftermath of the murders and back to the killings as they happen, letting us know right off the bat who survived and who didn’t, eliminating any suspense, if they were even attempting any. The deaths are bloody, yet nothing really special and the comedy mostly falls flat. Even the 80s nostalgia can’t really help other than seeing a very young Clooney and The Brady Bunch’s Maureen McCormick, as a female police officer who seems to love her job a bit too much. The acting overall is deliberately over-the-top and even the big multiple reveals at the end don’t really shock or surprise. It’s hard to tell just how much it was supposed to be horror and how much it was supposed to be a parody as the mix is uneven and it goes back and forth between the stale jibes at traditional slasher film tropes and it’s attempts to actually be one. All that criticism aside, it’s also simply kinda dull and predominately unfunny.

As much as I love 80s slasher/horror/sci-fi flicks, this one did little for me. Clooney doesn’t last long enough to really make it worth sitting through and the jokes fail far more often than not. The attempts at being a real slasher mix unevenly along with the satire and aside from abundant bloodshed and a multiple reveal ending, Return To Horror High is a horror/comedy which one may not feel the need to return to, even with the 80s nostalgia. Also features a small role from 80s flick babe Darcy DeMoss as…no surprise here…a cheerleader.

-MonsterZero NJ

2 knives

 

 

 

 

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CULT CLASSIC CUTIES: ELIZABETH COX as JENNIFER in INTRUDER!

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Cult Classic Cuties are characters from some of our favorite cult classics and midnight movies who captured our hearts and/or actresses who got our attention, but sadly never returned to these type of flicks. They’re femme fatales and final girls whose sexy stars shined only briefly, not quite achieving scream queen status. And this installment’s cutie is…

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ELIZABETH COX as JENNIFER in INTRUDER (1989)!

Intruder is a fun 1989 slasher that has the night crew of the Walnut Lake Market being stalked and killed one by one by a mysterious assailant. One of the employees is adorable cashier, Jennifer, as played by pretty Elizabeth Cox. Jennifer is currently being staked by her delinquent ex-boyfriend (David Byrnes), but does he want her back bad enough to kill all her friends? You’ll have to watch Intruder to find out and if you love 80s slashers, that shouldn’t be a problem, especially with this Cult Classic Cutie as our valiant final girl!
Elizabeth Cox fits the Cult Classic Cuties profile perfectly as she had a relatively short career on camera from 1984 to 1989 before disappearing from movies. The Chicago born actress had her first part as a student in the John Hughes classic Sixteen Candles before performing in small roles in not one but two cult classics in 1986, The Wraith and Night of the Creeps. She had another small role as a student in the Susanna Hoffs headlined comedy The All-Nighter, before her first and sadly last, starring role in this cult classic slasher. Too bad, she made a cute and resourceful final girl that we’d liked to have seen more of!

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(click on the poster for a full review)

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Stalked by her ex, about to lose her job and the target of a killer! Rough night at work!

Soon, collecting shopping carts will be the least of her worries!

Something is very wrong at the Walnut Lake Market!

Trapped between breakfast cereal and a serial killer!

Will help come in time for poor Jennifer?

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Elizabeth Cox may have left movies after only a few flicks, but seems to have kept very busy with wildlife conservation, news anchoring, magazine editing, working for the El Paso Zoo and having a family. She has a BA in Broadcast Journalism from USC, so this cutie is no dummy! Whatever Liz is doing now, we will always remember her Jennifer in this fun, supermarket set 80s slasher!

A recent photo reveals she’s still a beauty!

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Be sure to check out our Cult Classic Cuties (click right here on the link) section to see more crush worthy ladies from cult films and midnight movies!

-MonsterZero NJ

source/ IMDB

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