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The controversial sequel turns 40 today!!

Halloween III: Season of the Witch was released 40 years ago today and it has brought back memories, as I was there opening night with friends at the now long-gone Cinema 35 in Paramus, NJ. Fans were cautious as this would be a Halloween film without Michael Myers…something that some audience members did not know upon hearing angry and disappointed post-show comments. Carpenter considered Myers’ story over and thus was planning to turn the franchise into an anthology series, with a new and different story each year. This chapter was directed by long-time Carpenter friend and collaborator Tommy Lee Wallace. I really enjoyed this flick and was fully onboard for what Carpenter was planning. My friends whom I attended the showing with weren’t so happy with it and there was much discussion on the way home. Me championing the film all the way while they were highly critical and disappointed. Box office numbers were ultimately disappointing, and Carpenter’s anthology never went any further. Myers returned in a series of lackluster sequels six years later.


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 I have been a fan of this sequel ever since and it’s watched every Halloween, along with Halloween and Halloween II as part of the “Big Three.” Personally, I am not a fan of the sequels that followed after Carpenter left the franchise and would have loved to have seen his annual Halloween anthology plans come to pass, with word that Halloween IV would have been a haunted house movie. I am very happy to see this flick finally find it’s fanbase and get the love it deserves. It’s a twisted Halloween tale and possibly embraces the spirit of the holiday even better than its two Michael Myers based predecessors. That’s just my opinion and am glad to celebrate this delightfully gruesome Halloween story with a twisted sense of humor that embraces the term trick or treat!


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One of my favorite moments in the film is when asked “why” by hero Dr. Dan Challis (Tom Atkins), bad guy Conal Cochran (Dan O’Herlihy) delivers one of the greatest villain monologues of all time in Halloween III: Season of the Witch!…
“Do I need a reason? Mr. Kupfer was right, you know. I do love a good joke, and this is the best ever: a joke on the children. But there’s a better reason. You don’t really know much about Halloween. You thought no further than the strange custom of having your children wear masks and go out begging for candy.
It was the start of the year in our old Celtic lands, and we’d be waiting in our houses of wattles and clay. The barriers would be down, you see, between the real and the unreal, and the dead might be looking in to sit by our fires of turf.
Halloween… the festival of Samhain! The last great one took place three thousand years ago, when the hills ran red with the blood of animals and children.”
Gives me chills just transcribing it here, and I can hear the late, great Dan O’Herlihy’s deep voice echo in my head as I do!


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Much maligned for decades, Halloween IIl: Season of the Witch has now earned some well-deserved love and taken its place as classic franchise canon!



-MonsterZero NJ





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The classic sequel turns 40 today!!

Halloween II was released 40 years ago today and it has brought back memories, as I was there opening night with friends. Fans of the original were both excited and cautious as Carpenter’s original was already considered a classic at this point. There was no internet to spoil any extensive details or story surprises. All we knew was it took place on the same night, Jamie Lee Curtis and Donald Pleasence were back and Carpenter handed the reigns over to a promising young filmmaker named Rick Rosenthal. I was particularly excited, as I hadn’t seen the original Halloween in a theater. I recall getting to the now long gone Cinema 35 in Paramus, NJ early and waiting about an hour to buy tickets and go in. Remember, online ticket sales in the 80s meant getting on a line to buy tickets! If you got there late, you risked the show being sold out! We stood in line discussing the possibilities of what we were about to see, until the box office opened and we could go in. When the ticket booth opened and the line started moving, it brought the excitement to a boil! The opening credits of the film instantly chilled with a spooky pumpkin slowly splitting open to reveal a scary skull, while Carpenter’s classic theme pulsed from the theater speakers! It set the tone for the rest of night! After the show, we mutually decided we loved it, though based on passing comments, not all the theater goers felt the same way. I have been a fan of this sequel ever since and it’s watched every Halloween, along with the first flick and Season of the Witch, as part of the “Big Three.” Personally, I am not a fan of what followed after Carpenter left the franchise and would have loved to have seen his annual Halloween anthology plans come to pass.

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As the tagline proclaims…more of the night he came home!

Halloween II was not the best received sequel both critically and by many fans of the original, though it made money. Folks were unhappy with it being more of an 80s style slasher, with the emphasis being on higher body count and gory deaths more than scares or suspense. It also shocked fans by revealing that Laurie Strode was actually Michael Myers’ sister. That took away the scary randomness of the original and gave Michael’s pursuit of her a purpose. This would remain an important story element till Halloween 2018 reset the timeline and erased all sequels and remakes. Forty years later the film is now recognized as one of the better 80s slashers and one of the better Halloween sequels. It just shows, much like with Season of the Witch, that time heals all wounds. The film still carries some controversy, as Carpenter was unhappy with what Rosenthal delivered and made changes, conducting his own reshoots. In turn Rick Rosenthal was unhappy that Carpenter made changes to his film. Rosenthal’s version has not seen the light of day, so we will never know if Carpenter saved or sullied the sequel. Either way, Halloween II is now given it’s proper due and a place in horror film history and it has stood the test of time these last four decades. HAPPY 40th ANNIVERSARY HALLOWEEN II!

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Not the best received sequel, Halloween II has now taken it’s place as classic franchise canon!

-MonsterZero NJ






Something sinister awaits at Garth Manor!

40 years ago today the horror flick Hell Night was released in theaters and a cult classic was born! It was a fun chiller starring horror icon Linda Blair and it spookily combined slasher flick with haunted house movie! It was also one I saw on opening night, 8/28/1981, at the Oritani Triplex in Hackensack NJ! Hell Night was directed by Tom DeSimone from a script by Randy Feldman! Stream it for free on Tubi!



A group of college kids are in for a hell of a night locked in a haunted house in Hell Night!…





-MonsterZero NJ

Photos: IMDB





Five years after the events of Friday the 13th, a new group of camp counselors line up for the slaughter!

40 years ago this weekend, 4/30/81 to be exact, Friday the 13th Part 2 was released in theaters and a classic horror icon was born! Jason arrived to avenge his mother, in this installment, and thus his iconic character first came to life! HAPPY 40th ANNIVERSARY FRIDAY THE 13th PART 2!

MZNJ PERSONAL NOTE: Saw F13P2 opening night at the Hackensack Drive-In Little Ferry, N.J.

Screen-Shot-2016-04-26-at-8.55.19-PMJason arrives to avenge his mom and horror history is made!



Life lessons to be learned in F13P2! Fun-loving Ted (Stuart Charno) survives the movie by staying at the bar and continuing to get drunk!

-MonsterZero NJ





The cult classic slasher Just Before Dawn came out on a new edition blu-ray on 1/12/21 and mine arrived from Amazon today! It’s currently only $19.95 and comes with a nice selection of extras. Not only does it have the original uncut version, but an extended international cut that is about 10 minutes longer. It has interviews from 2019 with cast members Gregg Henry, Chris Lemmon and Jamie Rose, along with Producer David Sheldon. It also features a vintage featurette with actors Chris Lemmon, Jamie Rose and John Hunsaker, along with co-writer Mark Arywitz and producer David Sheldon. Last but not least, it includes the original trailer. There will be a full review for the disc once I get to check it out, but it already sounds like a bargain!
Check out MonsterZero NJ’s review for this flick here

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(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Slaughterhouse is a late 80s backwoods horror that has severe Texas Chainsaw Massacre envy. Flick finds the slaughterhouse of one Lester Bacon…that’s is his actual name here…falling on hard times and falling into disrepair. Lester (Don Barrett) blames his attorney (Lee Robinson) and former partner (Tom Sanford) for betraying him to get his land. Along with his dim-witted and deranged, mountain-man of a son, Buddy (Joe B. Barton), Lester plans to kill those seeking to buy him out to save the only way of life he knows. Bonkers Buddy is way ahead of him, as he gleefully murders anyone who trespasses on the property. As Lester and Buddy started carving their way to revenge, a group of teenagers, including the sheriff’s daughter (Sherry Bendorf), decide to pay the spooky old slaughterhouse a visit.

Flick is written and directed by Rick Roessler and is his only movie. He tries to recreate the off kilter tone of Tobe Hooper’s classic and give it that same undercurrent of dark humor, but it just comes off as goofy at times. The acting, from a cast of unknowns, is pretty poor, as is the dialogue and all of the teenagers here look like they are in their 30s. On the plus side, the run-down slaughterhouse location is effective and there is plenty of well executed gore, as Buddy and his Pa rack up quite a body count. There is no suspense or scares and Buddy and Lester are more comical than scary, with Barrett’s overacting as Lester and Barton’s dialogue basically being exaggerated pig noises. There is some entertainment value to all this, though for all the wrong reasons. Despite the film not being well received upon it’s limited release, it has garnered an affectionate cult following, in all the years since and has had a couple of respectable blu-ray releases in recent years.

Overall, this is not an outright classic by any means, but is now considered a cult classic by some. It is not a good movie, per say, but there is entertainment to be had in the gory kills, hilarious overacting, goofy dialogue and unintentionally silly situations. It definitely used Texas Chainsaw Massacre as a template, but Tobe Hooper has nothing to fear…and neither do we…as scares is one thing this silly flick doesn’t evoke. Worth a watch for 80s completists and can be fun with a few brews to accompany it. Currently streaming free on Tubi, if you want to give it a look and available on blu-ray from Arrow Video.

-MonsterZero NJ

Rated 2 and 1/2 (out of 4) chainsaws.










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THE PREY (1983)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Routine slasher finds a group of young people camping deep in the Rocky Mountains. Of course there is a deranged maniac roaming the woods, a disfigured survivor from a forest fire three decades earlier. Soon the campers are being picked off one by one, murdered in horrible ways. Will any of them survive?

Film is directed by adult film director Edwin Scott Brown, from a script he wrote along with his wife, Summer Brown. It’s directed fairly by-the-numbers, moderately paced and offers nothing new to the genre. The film follows the slasher formula very closely with a tragic backstory for our killer and plenty of attractive young victims for him to kill. There is some decent gore, the traditional nudity and sexual hi-jinx, and the Colorado locations do look very nice. There is little suspense, but at only 80 minutes long it doesn’t overstay it’s welcome. The killer is kept mostly off camera, but the burn make-up does it’s job in the few shots we get when finally revealed. It all leads up to a climax that actually is a bit disturbing and an effective end to a fairly forgettable slasher.

The good looking cast are adequate for this kind of slasher. Debbie Thureson makes a sweet heroine and the imposing killer is played by none other than seven foot tall TV and movie veteran Carel Struycken, who is most famous for playing Lurch in the 90s Addams Family movies. Ironically, Jackie Coogan, who played Uncle Fester in the original 60s Addams Family TV series, also stars in this, his final film role, as a forest ranger. The rest all play killer fodder and do so adequately enough.

Overall, this is not an impressive slasher, though isn’t a terrible one either. It’s slow paced, but does deliver the formula, murder, mayhem and ample amounts of nubile skin. The killer is effective enough for this kind of flick and the locations are filmed quite nicely by former porn cinematographer João Fernandes and Gary Gero. Worth a look for 80s completists. Currently streaming free on Tubi!

-MonsterZero NJ

Rated 2 and 1/2 (out of 4) axes.










The woman that started it all, Jason’s mom, Mrs. Voorhees!

40 years ago today the original Friday the 13th was released in theaters and a horror classic, a legendary franchise and a horror icon were born! Sure, Jason didn’t come along as the killer till part 2, but this is the installment were his iconic character first came to life! HAPPY 40th ANNIVERSARY FRIDAY THE 13th!

-MonsterZero NJ





MAJOR SPOILER WARNING! In order to properly compare these three films, I have to give DETAILED SPOILERS. If you haven’t seen Equinox, or Sam Raimi’s The Evil Dead and Evil Dead II, there are MASSIVE SPOILERS BELOW for each film. You have been warned!


For years horror movie fans have debated as to whether or not the 1970 low budget horror Equinox was an influence on Sam Raimi’s 1981 Evil Deadthough there are also strong similarities with it’s 1987 sequel Evil Dead IIas wellSam Raimi has never mentioned seeing it, though Evil Dead FX man Tom Sullivan has. We may never know for sure and it’s up to us then to decide for ourselves. So read on to take a look at just how these flicks compare…

(Click on the highlighted movie titles to go to the full length reviews and on the photos to enlarge them!)



Equinox finds Four college students David, Susan, Jim and Vicki (Edward Connell, Barbara Hewitt, Frank Bonner and Robin Christopher), venturing into the woods to meet a Prof. Waterman (Fritz Leiber), who, unknown to them, has discovered an ancient book of evil. They find his cabin destroyed and once acquiring the book from a creepy old man (Irving L. Lichtenstein), soon have the devil himself after them to get it back. In this film the evil has already been unleashed when our main characters arrive.

Sam Raimi’s classic The Evil Dead has five young people, Ash, his sister Cheryl, his girlfriend Linda, Scott and Scott’s girlfriend Shelly (Bruce Campbell, Ellen Sandweiss, Betsy Baker, Hal Delrich and Theresa Tilly), going up to a secluded cabin in the woods for a weekend of partying and fun. When they get to the rundown cabin, they find an old book and a tape recording in the creepy cellar that claims it is the book of the dead and wrapped in human flesh. Thinking it’s all a joke, they play the recording, which includes someone reading from the book, and find out the hard way that it’s all too real, as they unleash horror beyond their imaginations.

Evil Dead II finds Ash, now alone, trapped in the cabin with the forces of evil trying to get at him. Ash is soon joined by the daughter (Sarah Berry) of the archeologist, who formally inhabited the cabin and is the finder of the book. She and her party (Dan Hicks, Kassie Wesley and Richard Domeier) first think Ash has murdered her parents. Soon enough, though, the evil in the woods makes itself known and Ash joins forces with his new companions. Their numbers start to dwindle as the evil lays siege to the cabin and Ash must face this ancient terror in a final showdown.

There are some differences in plot details, but all three flicks have a cabin, a book of evil discovered by a professor and a group of unsuspecting characters, being attacked by an ancient evil. All three have demons and demonic manifestations from the book. All three have a story or backstory that is revealed by way of a reel to reel tape recording.




Equinox has the devil himself in the human disguise of park ranger, Mr. Asmodeus (theatrical cut director Jack Woods) pursuing the four characters to get the book back. He can take on the guise of one of the other characters and appears in a flying demon form near it’s climax. He also sends various minions to get the book, such as an octopus-like creature, a mutant ape and a blue giant. His minions appear to be able to be killed by conventional means, while he can be warded off with protection symbols from the book.

The Evil Dead Films feature ancient evil spirits known as Deadites, that are unleashed when either the book is read from directly, or a recorded reading from the book is played back. They want the souls of all those in the cabin and possess and torment the occupants claiming them one by one. Raimi’s film requires the possessed victim be totally dismembered to render them harmless. The Deadites seem to hail from somewhere around ancient Sumer and there are, like in Equinox, some creature-like minions in Evil Dead II. The Deadites appear to be only able to attack at night, while Equinox‘s evil is active both day and night.




Equinox’s ill-fated hero is college student David Fielding (Edward Connell). He’s a clean-cut all-American college student who is forced to come up against some supernatural odds. He’s resilient and brave and is pretty much the strongest and quickest thinker of his group of friends. Poor Dave ends up doomed and in an insane asylum, but before all that, he stands up to some intimidating evil.

Ash Williams (Bruce Campbell) is the Evil Dead franchise’s beleaguered hero. The now iconic Ash is a mild mannered fellow and a little on the cowardly side in the first film. He leaves it up to alpha male Scott to hack up his possessed sister Cheryl and generally do the hero stuff till the Deadites get Scott, too. This leaves Ash all alone to man-up and battle the Deadites. It’s not till the sequel that he starts to take on the mantle of a hero, although an arrogant and bumbling one.




Here, settings differ slightly though both include cabins and woods. The cabin we are traveling to in Equinox is already destroyed by the time our characters get there and the film takes place primarily after that in the surrounding forest.

Both Evil Dead and Evil Dead II take place primarily inside the cabin with a few unsuccessful sojourns out into the woods.

The cabins in all three films were previously occupied by professors who found the books of evil in question.




All Three movies contain books of evil that trigger the horrific ordeals the respective films’ characters endure. Equinox‘s book is discovered in the Persian Gulf by a Prof. Waterman and it is his examining the book and it’s contents that opens a portal allowing the evil to enter this world and seek the book’s return. It is described as a bible of evil.

The book of the Evil Dead films is the Naturan Demanto or Necronomicon…the book of the dead…and is described as Sumerian in origin and thus is discovered by a Professor Knowby (John Peaks), also in the Persian Gulf area.

Both books are filled with cryptic languages and spooky illustrations and are not only filled with dark rituals, but also ways to protect from the evils evoked.




Equinox opens interestingly at it’s climax with David on the run through the woods from the demonic evil and finding himself in a hospital after being hit on the road by a driverless car. A year later he’s gone insane and a reporter named Sloan (James Philips) investigates the story to find out what happen to him. It’s his reviewing David’s initial taped testimony that sets us on a flashback to what happened.

The Evil Dead opens with the camera racing through the woods with some ominous growling heard as it reaches the car carrying our main protagonists. It is quick and to the point, but sets the tone right away that something bad is going to happen to our five unsuspecting travelers as they head towards the cabin.

Evil Dead II simply picks up where the first left off, after a brief recap, with the evil attacking and briefly possessing Ash, who is saved by the rising sun. So, there is little similarity here.

All three films’ openings are perfect for setting us up for what is to come, starting us off with an atmosphere of fear and foreboding. Though there are only minor similarities here between Equinox andThe Evil Dead, none really with Evil Dead II…except, of course, for the woods setting each share.




In terms of their climaxes, all the films have endings that resonate.

Equinox ends with David in the asylum screaming for his cross which “accidentally” is now in the hands of reporter Sloan. It’s a year and a day after the incident at the park, the day the demon predicted David’s demise. As Sloan leaves the building, David’s dead girlfriend Susan is seen walking into the hospital. As we hear David’s cries for his cross over the soundtrack, a wicked smile appears on Susan’s face. Ominous and spooky, a last chill before you leave the theater.

The Evil Dead ends with Ash having barely escaped a vicious assault from his possessed friends by burning the book in the fireplace resulting in a roller coaster bloodbath of gore. As the sun starts to rise, he limps out the door only to have the camera race towards him growling like in the opening and coming right at his face as Ash utters a horrible scream. The film cuts to black and ends with the credits rolling; Ash apparently not as triumphant as he believed. It is ferociously quick and very effective, a last jolt before you leave the theater.

Evil Dead II comically has Ash being sucked into a vortex and deposited in the Middle Ages, where, at the moment, he is seen as a deliverer come to defeat the Deadites. Again as with the opening scene, no similarity here to Equinox other than the visual of a castle.

…though all three endings do involve screaming.





Here, pictures speak louder than words, with these visual similarities…




So, we have one flick that is a horror masterpiece and one of the greatest horror flicks of all time and another that is a cult classic, midnight movie from a decade earlier that may…or may not…have inspired it. Both were derived from short films. Equinox was re-edited with new footage added from the original The Equinox … A Journey into the Supernatural, a 70 minute film expanded for theatrical release. The Evil Dead was created from the short film Within the Woods, a thirty minute version of the same story made to attract investors. They both feature some startling SPFX on incredibly small budgets and took three or more years to finally hit theaters. Both are also first films made by young aspiring filmmakers, that made an impression and got careers off the ground for some of their makers and stars.

We may never know the actual truth as to whether Sam Raimi saw and was inspired by Equinox, but the story and visual similarities make for a striking argument. At this point it’s up to you to decide as to what you believe. Did Equinox inspire The Evil Dead, or is it just a cinematic coincidence? Either way, they are both horror classics in their own rights that are now held in high regard.

-MonsterZero NJ



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MonsterZero NJ’s Saturday Night Double Feature is back! For years horror fans have discussed the similarities between the 1970 low budget flick, Equinox and Sam Raimi’s Evil Dead. Was this flick an inspiration for Raimi’s classic, or was it all a coincidence? We may never know exactly, but we can watch both films together and decide for ourselves…


EQUINOX (1970)

Four college students (Edward Connell, Barbara Hewitt, Frank Bonner and Robin Christopher) venture into the woods to meet a professor (Fritz Leiber) who, unknown to them, has discovered an ancient book of evil. They find the cabin destroyed and once acquiring the book from a creepy old man (Irving L. Lichtenstein), find the devil himself is after them to get it back.

While this does sound like the plot of an Evil Dead film, it is actually the plot of the low budget horror, Equinox which was released in 1970. Over a decade before Raimi’s classic, the film does share a lot of plot elements, such as the students being possessed, here by the park ranger disguised Satan, and even the book itself is quite similar to Raimi’s Necronomicon. It’s never been stated that the film was an influence on Raimi’s flick, but Evil Dead effects artist Tom Sullivan admits seeing the film and it inspiring him to make movies. Draw you own conclusions.

Equinox is campy by today’s standards and is slow paced, unlike Raimi’s roller coaster ride, but there is some fun to be had and some nice SPFX for such a low budget flick. Equinox started out as a low budget short film, put together by three future FX legends, Dennis Muren, Jim Danforth and Dave Allen in 1967. It was made for about $6,500, from a story by Mark Thomas McGee and directed by Muren. So there is some great FX work for the time and budget, including some very cool stop-motion animated creatures, representing the Devil’s minions and Old Scratch himself in winged demon form. Producer Jack H. Harris saw their film and hired writer/director Jack Woods to film some new footage and expand the 70 minute short film into feature length and re-edit it. The film was finally released in 1970 as Equinox, shortened from the original title of Equinox…A Journey Into The Supernatural. I saw this as a kid and must admit it creeped me out back then. I watch it now and it’s more campy fun than scary, but it’s no denying that it is a valiant low budget effort, despite some very amateurish acting from the cast, including director Jack Woods, who also appears as The Devil in park ranger form.

This film, like Raimi’s, is now considered a classic. Whether it inspired Evil Dead or not, both films represent the achievement that future filmmakers can make on a micro-budget, if their hearts and talent are in the right place. Evil Dead fans should check it out for the interesting similarities, even if we may never know if Raimi indeed saw and was influenced by it, or if the familiar elements are just coincidence. It’s been released in a wonderful restored edition by the Criterion Collection, which includes the original short film and effects work that didn’t make the final cut. A campy, fun horror that gave the world, Dennis Muren, Jim Danforth and the late, great David Allen…and maybe…just maybe, Evil Dead.

-MonsterZero NJ

Rated A campy fun 3 (out of 4) blue giants!





The original Evil Dead is one of my all time favorite horror movies, if not the all time favorite. I was fortunate enough to see it in a theater when it was released in 1981 and it changed how I looked at horror movies. This one was furiously paced, wildly inventive and delivered buckets of blood and gore, all on a shoestring budget. It launched writer/director Sam Raimi’s career and made a cult legend out of star Bruce Campbell.

The film opens as Ash (Bruce Campbell) and girlfriend, Linda (Betsy Baker) are traveling to vacation in a remote cabin with another couple, Scott (Hal Delrich) and Shelly (Sarah York), along with Ash’s sister, Cheryl (Ellen Sandweiss). When they get to the rundown cabin they find an old book and a tape recording, in the creepy cellar, that claims it is the book of the dead and wrapped in human flesh. Thinking it’s all a joke, they play the recording, which includes someone reading from the book and find out the hard way that it’s all too real, as they unleash horror beyond their imaginations. The quiet Cheryl is the first to be possessed, as she is attacked and literally raped by the trees during one of the film’s most talked about scenes, As the panicked bunch lock her in the cellar, it is only the beginning as they are soon possessed one by one by an ancient evil that can only be stopped by total bodily dismemberment. Let the fun begin!

The first Evil Dead did not have the heavy comic elements of it’s two sequels or recent series and what follows is a gore soaked roller coaster ride, when Ash finds himself the last man standing against his demon possessed friends. Raimi uses some fantastically inventive camera work and low budget gore effects to bring us Ash’s battle to survive against the people he once loved, in all it’s gory glory. The film is fast paced and once it starts, it never stops, as this classic turns the screws on it’s viewing audience with a barrage of scares, jolts and suspense, all bathed in buckets of blood. This was the first of it’s kind to use such a relentless and merciless attack on it’s viewers where most films at the time, like John Carpenter’s Halloween, or the original Friday The 13th, used a bit of a slower burn and more of a methodical pace to present it’s suspense and scares. Raimi paces this like an action flick. Carpenter did crank things up in the last act of The Fog, a year earlier, but it was still nothing like Raimi’s final act, as the outnumbered Ash refuses to “join us”, as his demonic assailants constantly taunt.

Evil Dead revolutionized horror to a degree and inspired some of today’s best young horror directors. Without it, we may not have a Blair Witch, Dead Alive or Martyrs. While we still get the occasional slow burn horror like Paranormal Activity and the films of Ti West and Stevan Mena, which is just fine, Raimi opened the door for horror filmmakers to take a far more aggressive approach and showed us horror can be deliriously scary, delightfully gory and just plain fun. A true classic that placed Raimi amongst the likes of George Romero and John Carpenter!

-MonsterZero NJ

Check out our review of the remake!

A solid 4 (out of 4) Ash salute!




If you’ve got time, add Evil Dead II as a third feature, which also shares some amusing similarities with Dennis Muren and Jack Woods’ 1970 cult classic!

-MonsterZero NJ