TOMB OF NOSTALGIA: MAUSOLEUM (1983)

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MAUSOLEUM (1983)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Early 80s horror finds young Susan (Julie Christy Murray) running from her mother’s funeral and finding her way to a creepy mausoleum. There she becomes possessed by a demon which remains dormant until she becomes an adult. Years later, with Susan (Bobbie Bresee) now grown up and married, the demon emerges when men get aggressive with her and, as a result, are gruesomely murdered, as is anyone who stands in her way. Can her husband Oliver (a somewhat restrained Marjoe Gortner) and her psychiatrist Dr. Andrews (Norman Burton) free her of the demonic curse which has plagued her family for generations?

Gory flick is directed sadly with a very by-the-numbers style by Michael Dugan from a story and script by Katherine Rosenwink, Robert Barich and Robert Madero. Despite all the supernatural hi-jinx, the flick is very slow paced and doesn’t nearly use it’s B-movie premise to the fullest. It is saved somewhat by some cool monster make-up by John Carl Buechler, some very graphic and abundant gore and some generous nudity from the shapely Ms. Bresee, who was a former Playboy Bunny. There are some wonderfully cheesy visual effects to go with the terrible dialogue and entertainingly bad acting and some always welcome added 80s nostalgia. It’s amusing for all the wrong reasons and there is nothing wrong with that. Hard to hate a movie featuring a female demon equipped with two creature heads as boobs.

Not a great movie by any lengths, but it is a fun one. The acting and dialogue is terrible and the directing is disappointingly pedestrian. The flick needed a director, like Jim Wynorski, who could milk the premise more, but it does have a cool monster, a lot of graphic gore and plentiful nudity from it’s beautiful leading lady. Not a classic, but a cult favorite that mixed with your favorite brews can be part of any cheesy 80s horror night.

-MonsterZero NJ

Rated 2 and 1/2 Marjoe Gortners (out of 4) in one of his less restrained moments.

 

 

 

 

 

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HORROR YOU MIGHT HAVE MISSED: YOU MIGHT BE THE KILLER (2018)

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YOU MIGHT BE THE KILLER (2018)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Flick opens with bloodied camp counselor Sam (The Cabin in the Woods’ Fran Kranz) terrified and hiding out in one of the camp cabins. He calls his good friend and horror movie buff Chuck (Buffy TVS’s Alyson Hannigan) to ask her advice as to how he might survive a killer on the loose right out of a slasher movie. As he starts to relate the ghastly events, Chuck comes to a possible conclusion…”You Might Be The Killer!”

Clever and fun comedy/horror is directed by Brett Simmons from a script by he and Thomas P. Vitale. It takes about a half hour to really click, but when it does, it is not only a fun homage to 80s summer camp horrors, but playfully has a good time messing with the familiar tropes. As the frightened Sam starts to relate and remember the bloody deaths of his co-workers, Chuck comes to the conclusion that he actually might be the killer. What comes next is a flashback to what really happened that has an amusing twist on the killer’s origin and even an interesting slant on the tradition-following mask that the killer wears. Is it Sam?…if it is, his killer has one problem…the final girl! The film also has a bit of fun with the final girl trope, too and the kills are quite gruesome as they should be. When one realizes where this flick is headed, you find yourself ready and willing to go along for the ride and a bloody fun, clever ride it is.

The film is well cast. Kranz is energetic and fun as Sam. He is having a good time playing both fearful victim and then suspected killer, as Chuck’s movie knowledge leads her to believe her long time friend is actually the killer in this unfolding slasher flick. As Chuck, Hannigan does little but stand in her video/collectibles shop and talk to Sam on the phone, but she makes Chuck a fun character and obviously this is not her first rodeo in delivering pop culture references, of which this flick has in abundance. Brittany S. Hall is good as Sam’s tough and tattooed ex-girlfriend Imani and Jenna Harvey is sweet and feisty as Jamie. Both are camp counselors and both are final girl candidates that Sam might need to look out for, if Chuck is right.

Once the flick locks in it’s premise, it’s a really fun homage to and clever meta twist on the beloved summer camp horror. It has all the tropes present and not only has a good time with them, but has fun playing with a few of them too. There are some clever twists mixed in with the nostalgia and having our hero, possibly be the villain works very well in the context to which the concept is used. A fun little flick that is both tribute and slasher flick.

 

-MonsterZero NJ

Rated 3 masks!

 

 

 

 

 

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TOMB OF NOSTALGIA: SCARECROWS (1988)

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SCARECROWS (1988)

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80s horror has a group of heavily armed thieves robbing a military base and hijacking a plane to escape. One of their number betrays them and parachutes out with their cash. The group lands in pursuit, along with the hostage pilot (David Campbell) and his daughter (Victoria Christian) and trace the traitor (B.J. Turner) to a deserted farmhouse. Lost money and traitorous partners become the least of their worries as the farm is home to an evil presence and it uses the ominous scarecrows that guard the cornfield to gruesomely slaughter anyone who trespasses.

Flick is a somewhat lesser known 80s slasher, but one that has earned a bit of a following all these years later. It’s directed a bit by-the-numbers by William Wesley from a script by he and Richard Jefferies. It’s not all that scary, but it has some spooky visuals and when the scarecrows begin to hunt crook and captive alike, there is some very effective and abundant gore. Obviously having our thieves carry the latest technology and weaponry was taking a cue from Aliens, but it doesn’t help against something so supernatural and so there is little question that most of this gang isn’t going to make it out to count their money. Wesley doesn’t built much tension or suspense and the acting from the cast isn’t going to win any awards. In it’s favor, the action is plentiful once it gets going and there is some nice 80s nostalgia, too. It could have been a little more atmospheric considering it’s setting, but at least the scarecrows are effective villains.

Overall, Scarecrows is not a great movie, but not a bad one either. The film is never very suspenseful or scary and the acting won’t impress from any of it’s cast. The titular title characters are effective and their carnage is quite gruesome and abundant. A middle grade horror when all is said and done, but one that time has been kind to in terms of fan appreciation. Also stars, as our remaining gang of thieves, Ted Vernon as Corbin, Michael David Simms as Curry, Kristina Sanborn as Roxanne and Robert Vidan as Jack.

-MonsterZero NJ

Rated 2 and 1/2 scarecrows.

 

 

 

 

 

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HORROR YOU MIGHT HAVE MISSED: THE SLEEPER (2012)

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THE SLEEPER (2012)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Flick bares a very close resemblance to Black Christmas by having a disturbed individual making eerie phone calls to the Alpha Gamma Theta sorority, then stalking and killing it’s members and whoever is close to them. It opens with the grisly murder of one of it’s pretty residents in 1979 and then jumps to 1981 with new pledges arriving. One by one the pretty Thetas fall, as the killer (Jason Jay Crabtree) cuts a bloody path to new pledge Amy (Brittany Belland).

Written and directed by Justin Russell there is obviously nothing very original here, even setting the flick at winter time like the 1974 classic it emulates. What Russell does succeed at is giving the film loads of atmosphere and really nailing the look and feel of a slasher flick from the era it’s set in. From the lighting, to camera shots, to the really nostalgic score by Gremlin, the film could pass for something made at that time period. It’s not all that scary or suspenseful, though it does have some spooky moments and even the killer is very derivative…most likely on purpose. It still has a creepy late 70s early 80s vibe to it and the kills are gruesome at times. The killer’s preferred weapon is a hammer and the FX can be cheesy, which is fine since many of the films of that time period were restricted by small budgets. If anything, Russell knows his influences very well and his film is atmospheric and nostalgic.

Being set in a sorority there are some pretty faces in the cast, including scream queen Jessica (Silent Night) Cameron as Cindy. It’s girl-next-door Brittany (Clowntergeist) Belland that makes an impression, though, as new pledge and final girl Amy. Belland, who sadly passed away recently, has a down-to-earth beauty and a natural charm and is very effective in the final girl role. The rest of the Theta actresses are fine as eye candy and killer fodder, as are the gents playing their ill-fated boyfriends. As for our killer, the mask-less Jason Jay Crabtree is suitably unsettling even if he reminds one quite a lot of the killer from the original Black Christmas.

Overall, it’s not a great horror, or a very original one, but is very effective as the homage it was most likely intended to be. It has the look and atmosphere of a horror from the late 70s and early 80s with the traditional blood, sex and electronic score. The late Brittany Belland makes a very good final girl as Amy and even if the killer is a bit too familiar, he and his kills are effective enough. A fun and nostalgic throwback to an era which obviously served as an inspiration to many of today’s filmmakers. Also features the legendary Joe Bob Briggs in a cameo.

The Sleeper is available from Scream Team Releasing who brought you The Barn, 10/31 and The Witching Seasonhttps://screamteamreleasing.com/products/the-sleeper-special-collectors-edition-blu-ray-dvd-combo-pack

-MonsterZero NJ

Rated 3 hammers.

 

 

 

Farewell and RIP Brittany Belland

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TOMB OF NOSTALGIA: SILENT MADNESS (1984)

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SILENT MADNESS (1984)

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Part of the 80s 3D revival, Silent Madness has an error at a mental hospital releasing psychopathic killer Howard Johns (actor and stuntman Solly Marx) back onto the streets instead of inmate John Howard. Johns returns to the scene of his original slaughter, a college sorority and begins killing again. Pretty Dr. Joan Gilmore (Belinda Montgomery) refuses to be part of the cover-up and heads to the sorority house to stop him. This all occurs conveniently while the girls are leaving on holiday, so no one notices when his victims start to go missing and everyone thinks Gilmore is the crazy one.

Lesser known 80s slasher is directed by Simon Nuchtern from a script by Bob Zimmerman and Bill Milling, who also co-produced with Nuchtern. The result is a very tame slasher with a good deal of it’s kills happening off-screen and those we see, being rather underwhelming. You can count on one hand the times the film throws something at the screen to take advantage of the 3D and one wonders why they even bothered except to take advantage of a current craze. Belinda Montgomery does make for a perky and pretty heroine. She’s both final girl and damsel in distress and, of course, no one believes her that Johns is on the loose, including the lazy town sheriff (Sydney Lassick) and the sorority house mother (Viveca Lindfors). There is little suspense or scares and the ending big reveal isn’t anything we haven’t seen before, as the slasher craze was running out of gas at this point. Even Solly Marx’s silent killer (hence the title?) is kind of dull. Most of the usual 80s slasher tropes are present, so there is that, though not very effectively used by the by-the-numbers direction of Nuchtern. One curiosity is that some of the shots look like they are attempting a Suspiria/Argento look here and there, but even that is handled lamely.

Overall, this was a very pedestrian slasher and one that seemed to be made solely to take advantage of the 3D and slasher crazes of the era. It has the feel of a lazy production and only veterans Belinda Montgomery and Viveca Lindfors put any real effort into their performances. There is very little blood, much less gore and the kills are unimaginative and lame. If you are an 80s completest, it’s worth a look, but definitely a lesser known slasher for good reason. Also stars 80s scream queen Elizabeth Kaitan as a skateboarding babe who winds up one of Johns’ earlier victims.

-MonsterZero NJ

Rated 2 mistakenly released psychopaths.

 

 

 

 

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TOMB OF NOSTALGIA: KILLER PARTY (1986)

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KILLER PARTY (1986)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

1986 horror has a simple plot…a group of sorority sisters host an initiation for three pledges in an abandoned, haunted fraternity house. Once accepted into the sorority, the trio are tasked with setting up an April Fools Day costume party in that very same house…and of course, things turn deadly.

Directed by William Fruet (Blue Monkey) from a script by Barney Cohen, this is a silly, fun 80s slasher, thought it offers nothing new. The flick predates, Night of the Demons, by two years with it’s plot of college kids partying in an abandoned building and catching hell for it, literally. The 80s fashions and music abounds and the cast of mostly unknowns are attractive and adequate for this type of flick. The kills are fairly routine, the make-up FX work well enough and the film doesn’t take itself too seriously, as it is well aware it’s story of a vengeful, dead fraternity member is just plain silly. The characters are fairly likable, especially our three pledges (Joanna Johnson, Elaine Wilkes and Sherry Willis-Burch), though the big “reveal” as to who is possessed, is no surprise. There is little or no scares or suspense, but the film never really tries that hard, opting to have more fun with it’s premise.

Killer Party is a good example of the lighter toned, more colorful slashers of the mid to late 80s (read about the progression HERE). It offers nothing new, but does have fun with it’s silly story of a haunted sorority party. The 80s nostalgia is delightfully thick with all the very 80s fashions and music and there are enough kills to entertain. An amusing slasher from the slasher film’s most prolific era. Also stars cult film icon/director Paul Bartel as a college professor.

-MonsterZero NJ

rated 3 old-fashioned divers helmets, cause that’s what killers wore to costume parties in the 80s.

 

 

 

 

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TOMB OF NOSTALGIA: BAD DREAMS (1988)

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BAD DREAMS (1988)

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1988 horror tells the story of Cynthia (Jennifer Rubin), who has been in a coma for 13 years after being the sole survivor of a mass suicde at the Unity Fields cult compound. She suddenly awakens and immediately begins treatment by her psychiatrist, Dr. Alex Karmen (Bruce Abbott). As her memories slowly return, she finds herself haunted by cult leader Franklin Harris (Richard Lynch) who appears to her in her dreams. As the dreams persist, Cynthia’s fellow patients start dying in horrible ways and Cynthia believes Harris is somehow killing those around her from beyond the grave.

Dull Elm Street retread is directed by The Craft’s Andrew Fleming from a script by he and Steven de Souza. It replaces dream demon Freddy Krueger with cult leader Harris, and is a lot less inventive with it’s dream sequences. The film is neither scary nor suspenseful, though, at least there is some well orchestrated and plentiful gore to amuse us. The pacing is very slow and feels longer than it’s 84 minute running time and we question why patients with emotional problems have such easy access to things such as knives and poison. There is a big reveal in the last act, too, that fizzles, as it is even sillier than a phantom cult leader killing from the great beyond.

The cast is a mixed bag. Jennifer Rubin makes a good heroine and performs some silly scenes very straight, which helps. Lynch is an almost legendary movie bad guy and he gets the most out of the thinly written material, making Harris a creepy specter. Abbott is a dull hero and would have been better served as a second banana like he was in Re-Animator. Dean Cameron is completely annoying as patient, Ralph, though veteran Harris Yulin is fairly solid as a stereotypical doctor with a secret agenda. 80s icon E.G. Daily also appears, with a small role as the first victim of Harris’ supernatural hi-jinx.

This film has a following and thus it’s fans. I am not one of them. I didn’t think much of it when I first watched it on VHS back in the day and the revisit didn’t change things, even with some added 80s nostalgia. It’s dull, slow paced and despite some good gore, is devoid of any thrills, chills or inventiveness. A unsuccessful attempt to clone the success of Nightmare on Elm Street 3: Dream Warriors including stealing actress Rubin.

-MonsterZero NJ

2 scalpels because it takes place in a hospital and that’s all I could think of.

 

 

 

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TOMB OF NOSTALGIA: RETURN TO HORROR HIGH (1987)

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RETURN TO HORROR HIGH (1987)

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Ho hum horror/comedy is most notable for having future A-lister George Clooney in a small role and being a good example of how silly and self aware a lot of horror flicks got at this point in the decade. (for more on that subject click HERE). Flick tells the story of a film crew filming a movie about a series of murders that occurred a few years earlier at the now abandoned Crippen High School. They are filming at the actual site of the murders, despite that the killer was never found and now someone stalks the cast and crew, killing them off in gruesome ways.

Directed by Bill Froehlich from a script by he and three other writers. It’s understandable that to be a parody of slashers you kind of have to basically be one but this flick fails at both. It’s fractured narrative doesn’t help, going back and forth between the aftermath of the murders and back to the killings as they happen, letting us know right off the bat who survived and who didn’t, eliminating any suspense, if they were even attempting any. The deaths are bloody, yet nothing really special and the comedy mostly falls flat. Even the 80s nostalgia can’t really help other than seeing a very young Clooney and The Brady Bunch’s Maureen McCormick, as a female police officer who seems to love her job a bit too much. The acting overall is deliberately over-the-top and even the big multiple reveals at the end don’t really shock or surprise. It’s hard to tell just how much it was supposed to be horror and how much it was supposed to be a parody as the mix is uneven and it goes back and forth between the stale jibes at traditional slasher film tropes and it’s attempts to actually be one. All that criticism aside, it’s also simply kinda dull and predominately unfunny.

As much as I love 80s slasher/horror/sci-fi flicks, this one did little for me. Clooney doesn’t last long enough to really make it worth sitting through and the jokes fail far more often than not. The attempts at being a real slasher mix unevenly along with the satire and aside from abundant bloodshed and a multiple reveal ending, Return To Horror High is a horror/comedy which one may not feel the need to return to, even with the 80s nostalgia. Also features a small role from 80s flick babe Darcy DeMoss as…no surprise here…a cheerleader.

-MonsterZero NJ

2 knives

 

 

 

 

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CULT CLASSIC CUTIES: ELIZABETH COX as JENNIFER in INTRUDER!

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Cult Classic Cuties are characters from some of our favorite cult classics and midnight movies who captured our hearts and/or actresses who got our attention, but sadly never returned to these type of flicks. They’re femme fatales and final girls whose sexy stars shined only briefly, not quite achieving scream queen status. And this installment’s cutie is…

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ELIZABETH COX as JENNIFER in INTRUDER (1989)!

Intruder is a fun 1989 slasher that has the night crew of the Walnut Lake Market being stalked and killed one by one by a mysterious assailant. One of the employees is adorable cashier, Jennifer, as played by pretty Elizabeth Cox. Jennifer is currently being staked by her delinquent ex-boyfriend (David Byrnes), but does he want her back bad enough to kill all her friends? You’ll have to watch Intruder to find out and if you love 80s slashers, that shouldn’t be a problem, especially with this Cult Classic Cutie as our valiant final girl!
Elizabeth Cox fits the Cult Classic Cuties profile perfectly as she had a relatively short career on camera from 1984 to 1989 before disappearing from movies. The Chicago born actress had her first part as a student in the John Hughes classic Sixteen Candles before performing in small roles in not one but two cult classics in 1986, The Wraith and Night of the Creeps. She had another small role as a student in the Susanna Hoffs headlined comedy The All-Nighter, before her first and sadly last, starring role in this cult classic slasher. Too bad, she made a cute and resourceful final girl that we’d liked to have seen more of!

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(click on the poster for a full review)

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Stalked by her ex, about to lose her job and the target of a killer! Rough night at work!

Soon, collecting shopping carts will be the least of her worries!

Something is very wrong at the Walnut Lake Market!

Trapped between breakfast cereal and a serial killer!

Will help come in time for poor Jennifer?

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Elizabeth Cox may have left movies after only a few flicks, but seems to have kept very busy with wildlife conservation, news anchoring, magazine editing, working for the El Paso Zoo and having a family. She has a BA in Broadcast Journalism from USC, so this cutie is no dummy! Whatever Liz is doing now, we will always remember her Jennifer in this fun, supermarket set 80s slasher!

A recent photo reveals she’s still a beauty!

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Be sure to check out our Cult Classic Cuties (click right here on the link) section to see more crush worthy ladies from cult films and midnight movies!

-MonsterZero NJ

source/ IMDB

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AVCO EMBASSY PICTURES: UNSUNG HEROES OF THE B-MOVIE!

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AVCO EMBASSY PICTURES: UNSUNG HEROES OF THE B-MOVIE!

(Just click on the movie titles to go to our full length reviews!)

Some film fans may remember Avco Embassy Pictures, though there also may be some of you out there who have never heard of them…but if you love movies, you certainly know some of their titles! When talking about Avco Embassy Pictures, it would also be remiss not to mention the name of Robert Rehme…and as a B-Movie fan, you might want to know who this man is, too…

Originally a distributor of foreign films, such as Godzilla: King Of The Monsters and Fellini’s 8 1/2, Avco Embassy was founded by legendary producer Joseph E. Levine in 1942. It wasn’t until the 60s when the studio began to produce it’s own films, including such classic’s as The Graduate, Mad Monster Party and The Producers, to name just a few.

Some classic genre flicks released/produced by Avco Embassy in their early years!

The era that should resonate most with horror, action and sci-fi fans, are the years between 1978 and 1982. During most of this time, a man named Robert Rehme ran the studio. After having been sold and then experiencing some financial trouble that brought production to a halt, Rehme was hired to get the studio producing and profitable again and that he did! Rehme, who got his start working for Roger Corman at New World Pictures, used some of his former employer’s methods and turned to lower budgeted, yet popular B-movies to get the studio back in the black. Avco Embassy started churning out such flicks prolifically for the next few years, producing many inexpensive but successful films. Under his watch, the studio produced and released such classics and cult classics as Phantasm, The Fog, Scanners, The Howling and Escape From New York among many others! This strategy was a success, as studio earnings quadrupled during Rehme’s time at the helm!

Some of the classics and cult favorites the studio churned out under Rehme between 78 and 82!

All good things do, however, come to an end. Robert Rehme moved on to work for Universal in 1981 and Avco Embassy was subsequently sold in 1982. The name was changed to simply Embassy Pictures and the new owners gradually moved away from such B-Movie fair focusing on turning out more mainstream movies such as Eddie And The Cruisers and the classic comedy This Is Spinal Tap. Their last theatrical feature saw it’s release in 1986 and laid to rest the legacy of a studio whose early 80s flourish produced numerous classics and cult favorites. While Avco is now long gone, and Rehme apparently retired after a lengthy career, the movies they turned out, especially during their golden age between 1978 and 1982, will immortalize Avco Embassy Pictures and Robert Rehme with movie buffs for all time!

-MonsterZero NJ

Unsung hero of many a horror and B-Movie classic and cult classic, Robert Rehme!

sources: Wikipedia/IMDB/internet

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