THE UNSEEN (1980)
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Exceptionally boring horror finds a newswoman, her sister and a friend (Barbara Bach, Karen Lamm and Lois Young respectively) heading to a small town to cover an event and a mix-up leaving them with no place to stay. They stumble upon an old house, that is now used as a museum and creepy owner Ernest Keller (Sydney Lassick), invites them to use his spare rooms. So, of course, three pretty girls accept an invitation to stay in a spooky old house with a man who is creepy from the get go. No surprise, this old house has a secret and the three young women will soon find out it is a deadly secret.
As directed by Danny Steinmann (Friday the 13 Part V) from a script by Michael L. Grace, this is a dull flick with basically little going on, including a dismally low body count for a slasher and very little blood and gore. It takes almost the whole movie to finally gather a little intensity, when Bach’s reporter Jennifer finds herself in the cellar with the Keller’s hulking secret (Animal House’s Stephen Furst). Unfortunately the hulking secret is more laughable than menacing, so there really isn’t much to make up for the slow pace and lack of suspense we have endured up to this point. Sure, the house is spooky and Lassick’s Keller can be very unsettling, but it’s not enough to make this film scary or even involving and our three lasses aren’t endearing enough to get us emotionally invested. Silent Scream did the whole hidden, crazy relative in the house thing a whole lot better that same year.
Despite what should have been a star making turn in The Spy Who Loved Me, Bach’s career never really went anywhere. She’s a bit wooden here and isn’t really that memorable as a final girl when she finally meets “Junior”. As Junior, it’s almost sad to see Stephen Furst, who gained notoriety as Flounder in Animal House, as, basically, a giant, deranged baby and the effect of his tantrums and efforts to kill Bach are laughable with the way the character is directed. It’s Sydney Lassick who is really creepy and even he goes a bit too over-the-top at times to remain effective. Lamm and Young are fine as Bach’s companions and Lelia Goldoni is sympathetic as Ernest’s abused sister/lover and mother of Junior.
This flick has a reputation, not sure why, but there is something about 80s horrors, even the worst have some sort of following. It was a great decade for horror. This one, however, is dull and even when it picks up, it provides unintentional laughs instead of chills. Barbara Bach shows little of the fire she showed as a Bond girl and the late Stephen Furst’s role is more embarrassing than memorable. I suppose if you’re an 80s completest, you should at least check it out, but don’t expect much.
Rated 2 very large diapers.