COOL STUFF: SLITHER SPECIAL EDITION BLU-RAY!

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SLITHER (2006) Blu-Ray

Slither is a fun and delightfully gory horror/comedy from Guardians of the Galaxy writer/director James Gunn, that is sadly overlooked and underrated…until now! Once again the awesome folks at Scream Factory have given a flick the respect and treatment it deserves with this new special edition. This title in particular has always been a personal favorite and this disc was obviously anxiously awaited. Let’s find out if it delivered…

On a technical level the film image is clear and sharp with some nice contrast, while maintaining the original color palette that Gunn filmed it in. The flesh tones, both human and in-human being the most vibrant colors aside from the gore. The movie is presented in the original 1.85.1 aspect ratio, preserving the film’s original dimensions. The sound is in 5.1 DTS-HD Master Audio with alternate 2.0 DTS-HD for those without home theater sound systems. The original extras from the DVD are presented in the video format ratio of 1:33:1 that they were filmed in. Remember it was 2006 and the TVs those extras were made for still came in the square format.

Now on to the extensive extras which make this disc so worth having!…

Scream Factory has added some new features in addition to including all the fun extras from the initial DVD release. We get new commentary from James Gunn with Nathan Fillion and Michael Rooker, aside from the original commentary with Gunn and actor Nathan Fillion. We also get new interviews with both writer/director Gunn and actor Gregg Henry and it is interesting to hear Gunn reminisce about the flick now that he’s had such success with the Guardians of the Galaxy films. From there we get deleted and extended scenes with optional James Gunn commentary. We get a step by step of some of the film’s visual FX. We get a fun tour of the set with actor Nathon Fillion, followed by an amusing profile of his character Bill Pardy. There’s a documentary from the original release called The Sick Minds And Slimy Days Of Slither. One of the FX crew humorously gives us a fake blood recipe in Brewing The Blood. There is another FX documentary about how the slimy critters were brought to life and a short video diary with Troma creator Lloyd Kaufman on set for a cameo, which sadly was cut from the final print. The extras wrap up with a fun gag reel and the original theatrical trailer. A nice batch of extras for a movie only now starting to get the notice it deserves.

This is a personal favorite and a flick that is finally finding an audience after being overlooked upon initial release. It’s a fun horror/sci-fi flick that pays homage to many of it’s influences, yet not without having it’s own identity. (my full review HERE) If you’re a fan of the film, it’s a must have disc. If you are just discovering James Gunn through his Guardian’s movies, than this is definitely an item you may want to check out. Another great disc from Scream Factory.

-MonsterZero NJ

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FAREWELL AND R.I.P. TO HARUO NAKAJIMA!

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HARUO NAKAJIMA 1929-2017

Heartbreaking news for Godzilla fans all over the world as original Godzilla suitmation actor Haruo Nakajima has passed away at age 88! Najaima played the world’s most famous radioactive behemoth from the original Gojira in 1954 up to and including Godzilla vs Gigan in 1972. Nakajima also worked with Akira Kurosawa playing roles in Seven Samurai and Hidden Fortress.

As a huge Godzilla fan myself, it was an honor and a dream come true when I met him at the Chiller Theater convention in 1994 and he signed my Gojira fortieth anniversary Japanese laser disc box set. It is a memory I’ll never forget and an heirloom I will always cherish!-MZNJ

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A cherished keepsake signed by the legend himself!

-MonsterZero NJ

Sources: internet

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REVIEW: 68 KILL (2017)

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68 KILL (2017)

Chip (Matthew Gray Gubler) makes a meager living draining septic tanks. His crazy, abusive girlfriend Liza (AnnaLynne McCord) is a hooker who has hatched a plan to get them out of squalor quick. She wants to rob her sugar daddy Ken (David Maldonado) of the $68,000 in cash from his safe. She promises the meek Chip that no one will get hurt. Two dead bodies and a hostage (Alisha Boe) in the trunk later, Chip has had enough and double crosses Liza and takes off with her car, the hostage and the cash. But Chip is not about to escape the current situation unscathed, as his path to freedom is blocked by all sorts of unsavory characters, not to mention a furious Liza in hot pursuit.

This sleazy grind house style flick from writer/director Trent Haaga starts out fun mostly due to a delightfully over-the-top AnnaLynne McCord. Where it falters and loses it’s grip somewhat is having McCord’s Liza disappear for most of the second half of the movie as Chip falls for pretty hostage Violet (Boe) and then encounters a group of trailer trash sleazebags who want his money and his life. The story then loses that grimy fun as Chip becomes a hostage himself and is brutalized by this group and the film starts to wallow in the sleaze and viciousness a bit too much for it’s own good. Also, getting back to Violet…SPOILERS

why introduce a potential romance between Violet and Chip, only to have her leave the story a few scenes later? Why have her character there at all, if the story isn’t going anywhere with their romance and Chip must face the trailer park group alone. It seems like filler and a waste of time, not to mention it happens way too quickly and her reason for being in Ken’s house is a bit convoluted to begin with…

END SPOILERS. The film does pick-up when McCord catches up with Chip and finally reappears, but then it is over too quickly to really enjoy the character’s return. When Liza isn’t present the film becomes just another Quentin Tarantino grind house revival style flick which have been all too common since the Pulp Fiction director made them cool again. There is nothing to set it apart from others of it’s ilk.

Gubler makes a fine enough schlep of a hero. Chip’s meek and let’s Liza walk all over him and predictably he finally “grows a pair”…in Liza’s own words…by the film’s end. The character is not as interesting as his psycho girlfriend and the film loses something when Chip takes center stage and Gubler has little more to do than look like he’s in over his head. As Liza, AnnaLynne McCord is a stick of bad girl dynamite and is having a blast of a good time chewing up the scenery and the men in it. She showed she had some real acting chops in Excision and here she is really lighting up the screen as sexy, trashy, crazy Liza. It’s her show and the film makes a big mistake keeping her off screen for most of the second half…a BIG mistake. Alisha Boe is pretty and sexy as hostage Violet, but the character doesn’t amount to much and there seems to be no point to her even being there once the story changes gears after she and Chip hook up.

Overall, there was some fun to be had here, but mostly when star AnnaLynne McCord was onscreen tearing it up with her sexy, out-of-her-mind, bad girl Liza. When McCord’s character is absent, the fun fades and sadly filmmaker Haaga wallows a bit too much in the violence and trash of his story as it progresses. The flick only crackles when Liza is involved and it is a big mistake to have her absent for so long to pursue a romantic sub-plot that is discarded a few scenes later. Having his start with Troma Films, Haaga knows trash cinema, but he also needs to recognize when it’s a bit too much and when he’s messing up a good thing by letting the best part of the movie sit on the sidelines for far too long. Worth a look, but not the sleazy roller coaster ride it wants to be.

-MonsterZero NJ

2 and 1/2 bullets!

 

 

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WEEKEND BOX OFFICE ESTIMATES AUG 4-6

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Complete estimates are in for the weekend box office

(Remember, clicking the highlighted links brings you to the reviews here at The Movie Madhouse!)

1. “The Dark Tower” $19.5 Million

2. “Dunkirk” $17.6 Million

3. “The Emoji Movie” $12.3

4. “Girls Trip” $11.4 Million

5. “Kidnap” $10 Million

6. “Spider-Man: Homecoming” $8.8 Million

7. “Atomic Blonde” $8.2 Million

8. “Detroit” $7.25

9. “War for the Planet of the Apes” $6 Million

10. “Despicable Me 3” $5.3 Million

 

 

source: Box Office Mojo

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BARE BONES: FOLLOW (2015)

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FOLLOW (2015)

Offbeat and unsettling little flick has Quinn (Noah Segan) waking up a few days before Christmas and finding a gun in his hand, his girlfriend (Olivia Grace Applegate) dead and not remembering a thing. Quinn panics and as he tries to remember what happened, keeps the body hidden and doesn’t call authorities. Adding fuel to the fire, his cute co-worker with a crush, Viv (Haley Lu Richardson) comes to the house looking for him when he doesn’t show up for work…and finds the corpse. Now Quinn’s life starts to really spin out of control with a dead girl upstairs and and a live witness held captive in the cellar.

Written and directed by Owen Egerton, this is an interesting and twisted little movie. Quinn starts to slowly lose his mind and make increasingly bad decisions upon finding the death obsessed Thana (Applegate) actually dead after some unsettling foreplay with a gun the night before. We are along for the ride as he unravels, as the fact that he can’t remember what happened starts to panic him. Did he kill her? Things start to snowball when Viv discovers the body and gets locked up in the basement by the unglued Quinn, who is starting to talk to the dead Thana to get some answers. Egerton delivers an unsettling downward spiral and mixes a little warped humor in with the delirium. The good performances from Segan, Richardson and Applegate also help make the eccentric story work, too. Not everything always clicks but at under 80 minutes it doesn’t overstay it’s welcome and is a disturbing and sometimes weirdly amusing flick.

-MonsterZero NJ

3 star rating

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BARE BONES: COLOSSAL (2016)

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COLOSSAL (2017)

Very weird flick from Nacho Vigalondo (Time Crimes, Open Windows) has troubled alcoholic Gloria (Anne Hathaway) getting the boot from her boyfriend (Dan Stevens), prompting her to move back to her family house in her home town. Not only does she reconnect with childhood schoolmate Oscar (Jason Sudeikis), but is shocked to find a gigantic creature is attacking Seoul, Korea. In a weird turn of events, Gloria soon finds that she and the gigantic creature are somehow connected, as it mimics her actions and only appears when she is in the park where a fateful event once took place a long time ago.

Writer/director Nacho Vigalondo concocts a very strange tale that almost works. It’s first half is oddly engaging despite the really weird premise and we are eager to find out what this strange beast has to do with Gloria, who is struggling to get her life together. It’s in the flick’s second half where Sudeikis’ Oscar shows his true colors, that it becomes a rather unpleasant movie as Oscar becomes more and more abusive towards Gloria. We do get some answers to our questions, but the film, at that point, stops being fun. One can appreciate Vigalondo’s boldness and the originality of his tale, but when it goes from Gloria’s whimsical and comic attempts to unravel a “colossal” mystery to her conflict with the mean-spirited and bitter Oscar, both creature and movie lose their grip.

-MonsterZero NJ

2 and 1-2 star rating

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TOMB OF NOSTALGIA: STRANGE BEHAVIOR (1981)

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STRANGE BEHAVIOR (1981)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

1981 slasher flick has the youth of Galesburg, Illinois being murdered by their peers for no apparent reason. Cop and widower John Brady (Michael Murphy) thinks it has something to do with experiments being conducted at Galesburg Univesity and might link back to a man he’s investigated before, Dr. Le Sange (Arthur Dignam). Not only has Le Sange been dead for years though, but Brady blames him for the death of his wife. Now with his own son, Pete (Dan Shor) in danger, Brady must solve the mystery of why some of his young citizens are being murdered and by their own classmates.

Flick is the directorial debut from Michael Laughlin from a script by Bill Condon. it is atmospheric and has some spooky scenes and while advertising pushed the slasher element, it is equal parts sci-fi as it does deal with mind control experiments years before Disturbing Behavior. There are some gory moments and the kills have impact, but if there is anything that holds this chiller back is it’s pace. Laughlin guides the proceedings with a dreadfully slow pace and it really doesn’t help as, much like his Strange Invaders two years later, it makes this 90+ minute flick feel much longer. That and once we get our big reveal, it’s not really anything we weren’t expecting. Still, it tries to be something a bit different than the slasher flicks of the time and the cinematography by Louis Horvath and music by Tangerine Dream do add a lot of atmosphere.

The cast are fine. Murphy isn’t really all that convincing as the cop type, but he is a suitable working class hero. Dan Shor is likable as Pete, who is lured into the sinister experiments by the need for quick cash. Fiona Lewis makes a fine femme fatale villainess as Dr. Gwen Parkinson, who was Le Sange’s protegeé and is now continuing the experiments. Arthur Dignam is suitably creepy as Le Sange who appears in recorded lectures and Dey Young is feisty and cute as Pete’s love interest and our heroine. Louise Fletcher also appears as a local waitress with eyes for Murphy’s widower cop, who gets pulled into his obsessive investigation.

Overall this is an OK flick that could have been better with a healthier pace and maybe a few red herrings to throw us off the trail we eventually find ourselves on. Obviously there is a reason these experiments are leading to murder and we can pretty much see what is coming before it does. There are some effective moments, the plot is a bit more involved than the slashers of this era and there is some nice atmosphere to make it worth a look. Laughlin would use quite a few cast members again in his Strange Invaders.

-MonsterZero NJ

2 and 1/2 knives.

 

 

 

 

 

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TOMB OF NOSTALGIA: STRANGE INVADERS (1983)

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STRANGE INVADERS (1983)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

In 1958 a ship from another world lands in Centerville, Illinois and the entire town’s population disappears. Twenty-five years later, entomologist Charles Bigelow (Paul Le Mat) travels to Centerville to find his ex-wife Margaret (Diana Scarwid) who traveled there for the funeral of her mother. When Charles gets there, he finds the citizens don’t seem to like strangers, they’ve never heard of his ex-wife or her mother and he is chased out of town by something that can only be described as otherworldly. But whatever inhabits Centerville has followed him back to NYC and has targeted his young daughter, Elizabeth (Lulu Sylbert). Now Charles teams with a tabloid reporter (Nancy Allen) to try to save his daughter from these beings from another world and whatever purpose they have in store for her.

Fifties alien invasion movie homage is written and directed by Michael Laughlin and does have the feel of an old school sci-fi flick, though is also still very eighties. It’s a bit goofy at times, though that seems deliberate and the FX are delightfully cheesy, which gives it a certain charm. There are some amusing sequences of otherworldly action and Laughlin does capture the flavor of what he is paying homage to. If the film falters in any respect it is in that, much like his Strange Behavior, the flick is very slow paced and feels much longer than it’s 90+ minute running time. Strange Invaders could have used a bit more steam in it’s stride, though wisely plays it straight and doesn’t make an outright joke out of the proceedings, which fondly evokes camp classics like Invaders From Mars and Invasion of the Saucer Men. A fun enough movie that doesn’t quite hit the mark straight on but gets enough of the target to be an entertaining time.

The cast all perform in that fifties sci-fi flick dramatic monotone, on purpose of course. Le Mat makes a fine every-man hero and plays the nerdy scientist type well. Nancy Allen makes a spunky, sexy leading lady as the tabloid reporter who at first scoffs at Bigelow’s tale, but slowly starts to believe him…and fall for him as is tradition with these flicks. Louise Fletcher is fine as a government official that knows more than she’s letting on, though Scarwid is a little unconvincing in her role as ex-wife and extraterrestrial. Maybe she didn’t get the material. There are also appearances by Michael Lerner as a man who years ago encountered the invaders and femme fatale Fiona Lewis and fifties sci-fi flick legend Kenneth Tobey are appropriately campy as aliens in human form.

This homage to the great alien invasion movies of the fifties may not have fired on all cylinders, but did connect enough to be a fun time. It’s both delightfully fifties and nostalgically eighties and is enjoyable even if it does move a little too slowly for it’s own good. Sadly this film flopped at the box office and Michael Laughlin directed one more movie before leaving the director’s chair to focus on writing.

-MonsterZero NJ

3 strange invaders.

 

 

 

 

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HORROR YOU MIGHT HAVE MISSED: IT STAINS THE SANDS RED (2017)

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IT STAINS THE SANDS RED (2017)

Offbeat zombie flick has erotic dancer and coke-head Molly (Brittany Allen) driving across the desert outside Las Vegas at the start of a zombie outbreak. She and her boyfriend Nick (Merwin Mondesir) are heading to a small airport to make a getaway with some of Nick’s friends. A mishap strands them in the middle of nowhere and an encounter with a lone zombie (Juan Riedinger) leaves Nick dead. Now Molly heads across the desert alone with the relentless walking corpse in pursuit and the desert heat taking it’s toll.

This is a very unusual zombie flick written by “The Vicious Brothers” Colin Minihan and Stuart Ortiz and directed by Minihan. It plays it’s tale out in a slightly twisted way as, at first, it’s a thriller with Molly struggling in her high heeled boots to keep ahead of the slow moving but ever persistent corpse and then turns into something else. As the desert sun beats down on her and she starts to get a bit delirious, Molly begins to form a weird relationship with her hungry pursuer, taunting and talking to it and even naming him “Small Balls.” The film shifts to an almost twisted buddy movie as Molly develops an attachment to the flesh eater while she also tries to keeps him at a safe distance. There is some clever stuff here and the film is effective enough to work as both horror and buddy/road movie despite that the initial intriguing premise of a lone woman pursued tenaciously by a lone zombie was interesting enough. Perhaps Minihan and Ortiz felt the story wasn’t enough to fill a whole film and thus it changers gears to the unusual bond between girl and ghoul and then to a last act deviation when Molly decides it’s more important to find the young son she gave up than to escape with Nick’s crazy friends. The narrative shifts are a bit jarring, but as individual parts do work well enough. There are also some Romero-esque messages about the evil men do, as when Molly meets two ex-cons, who are far worse a threat than the lumbering “Smalls” and some funny bits, such as Molly using a tampon to distract the hungry zombie from his pursuit and her dialogue in general aimed at her un-dead pursuer. There is plenty of gore despite the minimal cast and Minihan makes good use of the desert local. There is also an effective score by Blitz//Berlin, who scored Extraterrestrial and some nice cinematography by Clayton Moore to add atmosphere.

The minimal cast are all solid, especially the feisty Brittany Allen (Extraterrestrial). Allen’s Molly is spirited and tougher than her manicured nails and designer handbag would let on. She’s a survivor and while currently living an indulgent lifestyle, she does seem to learn from her experiences. It’s practically a one woman show and Allen carries the movie on her shoulders very well and can be very funny with her rambling dialogue bits with the silent Smalls. As zombie “Smalls”, Juan Riedinger does really good work emoting under all the make-up. Much like Day of The Dead‘s Bub, Smalls seems to have some sort of primal emotions under his relentless hunger and some trace elements of thought left, despite being a walking corpse. While he generally has simple animistic reactions, the actor conveys the tinges of thinking and emotion very well using just facial expressions, body language and his eyes. In support, Merwin Mondesir plays Molly’s “gangstsa” boyfriend Nick with the appropriate swagger, yet with a bit of a wink and Andrew Supanz and Michael Filipowich are suitably despicable a a pair of ex-cons who cross paths with Molly and Smalls.

Despite an eccentric narrative and deviating from a simple and effective horror premise that was basically a zombie version of Fredric Brown’s Arena, the film was entertaining and did work. Brittany Allen was sassy enough to pull off the bizarre relationship between Molly and Smalls and was effective in her more terror filled scenes early on and then at the point where she becomes a survivor and takes charge of her situation. Juan Riedinger made a fearsome and yet oddly sympathetic zombie and for fans of these flicks there was enough gore to meet requirements. There are some intense moments and some funny ones, too. Not a perfect flick and one might have wanted to see it simply play out as woman vs zombie, but it takes a less expected route and it’s offbeat enough to keep it from getting stale in an overplayed sub-genre. The “Vicious Brothers”…if they’re still called that…have yet to disappoint.

-MonsterZero NJ

3 tampons.

 

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WEEKEND BOX OFFICE ESTIMATES JULY 28-30

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Complete estimates are in for the weekend box office

(Remember, clicking the highlighted links brings you to the reviews here at The Movie Madhouse!)

1. “Dunkirk” $28.1 Million

2. “The Emoji Movie” $25.6

3. “Girls Trip” $20 Million

4. “Atomic Blonde” $18.5 Million

5. “Spider-Man: Homecoming” $13.4 Million

6. “War for the Planet of the Apes” $10.3 Million

7. “Despicable Me 3” $7.7 Million

8. “Valerian and the City of a Thousand Planets” $6.8 Million

9. “Baby Driver” $3.4 Million

10. “Wonder Woman” $3.5 Million

 

source: Box Office Mojo

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